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Found: 126 | Record 1-100 |
Öbom, Alexander (2020) | |
Boda Bodas and painted exclusion in Western Uganda | |
Nordic Journal of African Studies. Volume 29 #4. p. 1-25. |
Wozniak, Magdalena M. (2019) | |
Études des peintures murales médiévales soudanaises de 1963 à nos jours - Essai d'historiographie | |
Afriques. Volume 10. |
Mèhou Zohoncon, Cocou Christian (2017) | |
Enfant visionnaire béni: odju-ori-bi: autobiographie | |
Paris: L'Harmattan. 183p. |
Ceuppens, Bambi; Baloji, Sammy (eds.) (2016) | |
Congo art works: peinture populaire | |
Bruxelles: Racine. 185p. |
James, Gary M. (2016) | |
Voyage to the interior: the paintings of Gary M. James with additional paintings by Alexander James and including 'Art at the Interface' | |
Bristol: Clinical Press. 137p. |
Silvester, Hans (2016) | |
Bench | |
Arles: Actes sud. 234p. |
Bougdal, Lahsen (2015) | |
La peinture des femmes marocaines: entretiens | |
Paris: L'Harmattan. 203p. |
Criseo, Clément; Verlomme, Malou (2015) | |
Ici c'est bon: enseignes peintes à la main en Afrique de l'Ouest | |
Paris: Gallimard-Alternatives. 198p. |
Rossmann, Jean (2015) | |
Quest, chaos, creativity: 'Memorandum: a story with paintings' | |
The English Academy Review. Volume 32 #2. p. 38-52. |
Taljard, Marlies (2015) | |
'Wat is die mens wat U so ryk beskenk het?': die uitbeelding van die geveg tussen Karnaval en Lent by Bruegel en T.T. Cloete | |
Tydskrif vir geesteswetenskappe. Volume 55 #2. p. 205-219. |
Hassim, Shireen (2014) | |
Violent modernity: gender, race and bodies in contemporary South African politics | |
Politikon: South African Journal of Political Studies. Volume 41 #2. p. 167-182. |
Imperato, Pascal James; Imperato, Austin C.; Sow, Victor Forestier (eds.) (2014) | |
Victor Forestier Sow: a pioneer Malian painter | |
New York: QCC Art Gallery. 72p. |
Sanga, Imani (2014) | |
Postcolonial archival fever and the musical archiving of African identity in selected paintings by Elias Jengo | |
Journal of African Cultural Studies. Volume 26 #2. p. 140-154. |
Bogaert, Pascal (2013) | |
David Mzuguno: the last days of the master | |
Dar es Salaam: Mkuki na Nyota Publishers. 76p. |
Hassan, Salah M.; Adams, Sarah; El Salahi, Ibrahim (eds.) (2013) | |
Ibrahim El-Salahi: a visionary modernist | |
London: Tate. 190p. |
Kalahari Support Group (2013) | |
Fabels uit de Kalahari | |
Amsterdam: Rozenberg. 78p. |
McEwan, Dorothea (2013) | |
The story of Däräsge Maryam: the history, buildings and treasures of a church compound with a painted church in the Semen mountains | |
Zürich: Lit Verlag. 179p. |
Greani, Nora (2012) | |
Soixante ans de création à l'École de peinture de Poto Poto (Congo-Brazzaville) | |
Cahiers d'études africaines. Volume 52 #205. p. 259-267. |
Goudal, Émilie (2011) | |
Les 'Femmes d'Alger', d'Eugène Delacroix (1834) à Djamel Tatah (1996): déconstruction de la représentation picturale de l'Algérie? | |
Maghreb et sciences sociales. p. 233-241. |
Glassie, Henry (2010) | |
Prince Twins Seven-Seven: his art, his life in Nigeria, his exile in America | |
Bloomington, IN: Indiana University Press. 474p. |
Kuba, Richard; Hambolu, Musa O. (eds.) (2010) | |
Nigeria 100 years ago: through the eyes of Leo Frobenius and his expedition team | |
Frankfurt am Main: Frobenius Institute at the Goethe University. 81p. |
Lopes, Leão (2010) | |
Bitú | |
Lussas: DocNet. |
Bosc-Tiessé, Claire (2009) | |
A century of research on Ethiopian Church painting: a brief overview | |
Journal of Ethiopian Studies. Volume 42 #1-2. June-December. p. 1-23. |
Coyle, Greg (2009) | |
Joe's hair that talk's: the vibrant sign culture of Ghana | |
Minneapolis: Women in Progress. 118p. |
Sylla, Abdou (2009) | |
Cahier critique pour Iba Ndiaye | |
Éthiopiques: revue socialiste de culture négro-africaine. #83. p. 225-308. |
Sylla, Abdou (2009) | |
Ibrahima Kébé: art brut ou art naïf? | |
Éthiopiques: revue socialiste de culture négro-africaine. #82. p. 273-282. |
Jewsiewicki, Bogumil (2008) | |
Residing in Kinshasa: between colonial modernization and globalization | |
Research in African Literatures. Volume 39 #4. p. 105-119. |
Sylla, Abdou (2008) | |
Les arts plastiques sénégalais contemporains: évolutions et tendances (2ème partie) | |
Éthiopiques: revue socialiste de culture négro-africaine. #81. p. 219-243. |
Van Eeden, Jeanne (2008) | |
Collecting South African art in the 1930s: the role of Martin du Toit | |
Historia: amptelike orgaan. Volume 53 #1. p. 162-196. |
Matiyane, Titus (2007) | |
Cities of the world | |
Rotterdam: 010 Publishers. 112p. |
Sylla, Abdou (2007) | |
'Trajectoires': entretiens avec Bassam Chaïtou | |
Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 281-292. |
Wiles, Colette (2007) | |
Robert Paul | |
Heritage of Zimbabwe. #26. p. 102-112. |
Anonymous (2006) | |
Poetry as by-product | |
WASI: [bulletin]. Volume 17 #1. December. p. 15-18. |
Anonymous (2006) | |
AIDS on canvass | |
WASI: [bulletin]. Volume 17 #1. December. p. 12-14. |
Bouayed, Anissa (2006) | |
A l'ombre d'Alger: l'intrusion silencieuse des artistes algériens dans les lieux culturels de la cité oranaise | |
Insaniyat: revue algérienne d'anthropologie et de sciences sociales. Volume 10 #32-33. p. 155-172. |
Danjie, Joseph (2006) | |
AfricAura: the African way: fifty-two themes on African perspectives in the context of globalization = AfricAura: la voie africaine: cinquante-deux thèmes sur les perspectives africaines face à la mondialisation | |
Vaduz: International Music and Art Foundation of Vaduz, Liechtenstein in coop. with Haley's of Athol, Massachusetts. 88p. |
Pankhurst, Rita; Pankhurst, Richard (2006) | |
King Lalibela: his supposed travels, tribulations and achievements | |
Annales d'Éthiopie. Volume 22. p. 45-71. |
Pawlowska, Aneta (2006) | |
The past and present in gender art of South Africa | |
Africana Bulletin. #54. p. 147-167. |
Boavida, Isabel; Ramos, Manuel João (2005) | |
Ambiguous legitimacy: the legend of the Queen of Sheba in popular Ethiopian painting | |
Annales d'Éthiopie. Volume 21. p. 85-92. |
Groot, Erlend de (2005) | |
The Earliest Eyewitness Depictions of Khoikhoi: Andries Beeckman in Africa | |
Itinerario: European Journal of Overseas History. Volume 29 #1. p. 17-50. |
Henze, Paul B. (2005) | |
Arsi Oromo tomb art: its evolution and current status | |
Annales d'Éthiopie. Volume 21. p. 177-192. |
Mercier, Jacques (2005) | |
Les miroirs des anges, ou l'invention du SMS dans la peinture éthiopienne | |
Annales d'Éthiopie. Volume 21. p. 139-153. |
Mookantsa, S. (2005) | |
Talented Chippa survives through art | |
Kutlwano. Volume 46 #12. December. p. 36-37. |
Cnockaert, André (2004) | |
À propos de la peinture populaire urbaine congolaise | |
Congo-Afrique: économie, culture, vie sociale. Volume 44 #386. p. 366-373. |
Lesch, Ann M.; Fadl, Osman (eds.) (2004) | |
Coping with torture: images from Sudan | |
Trenton, NJ: The Red Sea Press. 113p. |
McDonald, Christie (2004) | |
Ethnography, Literature, and Art in the Work of Anne Eisner (Putnam): Making Sense of Colonial Life in the Ituri Forest | |
Research in African Literatures. Volume 35 #4. p. 1-16. |
Mercier, Jacques (2004) | |
Le diable et les enfers dans la peinture éthiopienne | |
Annales d'Éthiopie. Volume 20. p. 57-96. |
Tissières, Hélène (2004) | |
Représentation et écriture au Sénégal: deux peintres, Abdoullay Ndoye et Chalys Lèye, à la croisée des arts | |
Éthiopiques: revue socialiste de culture négro-africaine. #73. p. 195-206. |
Giguet, Frédéric (2003) | |
Poésie et peinture dans l' oeuvre de L.S. Senghor | |
Éthiopiques: revue socialiste de culture négro-africaine. #70. p. 47-78. |
Goscinny, Yves (ed.) (2003) | |
Tribute to George Lilanga: a solo-exhibition of George Lilanga's recent paintings and sculptures at the Alliance Française of Dar es Salaam, Tanzania (September 18-October 6, 2001) | |
Dar es Salaam: East African Movies Ltd. 104p. |
Goscinny, Yves (2003) | |
Tingatinga: the popular paintings from Tanzania | |
Dar es Salaam: La Petite Galerie. 164p. |
Jewsiewicki, Bogumil (2003) | |
Mami Wata: la peinture urbaine au Congo | |
Paris: Gallimard. Le temps des images. 236p. |
Vidal-Bué, Marion (2003) | |
Les peintres de l'Algérie pendant la période française | |
Mondes et cultures. Volume 63 #1-4. p. 462-467. |
Grabski, Joanna L. (2002) | |
The historical invention and contemporary practice of modern Senegalese art: three generations of artists in Dakar | |
Ann Arbor, MI: UMI Dissertation Services. 277p. |
Maupeu, Hervé (2002) | |
Peinture kenyane, artistes kikuyu | |
L'Afrique orientale. p. 397-420. |
Khatib, Abdelkebir (2001) | |
L'art contemporain arabe: prolégomènes | |
Neuilly: Éditions Al Manar. Approches et rencontres. 129p. |
Sylla, Abdou (2001) | |
La question de la figuration dans l'islam et la peinture sous verre sénégalaise | |
Éthiopiques: revue socialiste de culture négro-africaine. #66-67. p. 97-122. |
Deliry-Antheaume, Élisabeth (2000) | |
Murs des écoles, école des murs en Afrique du Sud: les institutions éducatives vues du dehors | |
Autrepart. #17. p. 167-182. |
Marschall, Sabine (2000) | |
A Postcolonial Reading of Mural Art in South Africa | |
Critical Arts: A Journal of Media Studies. Volume 14 #2. p. 96-121. |
Roberts, Allen F.; Roberts, Mary Nooter (2000) | |
'Paintings like prayers': the hidden side of Senegalese reverse-glass 'image/texts' | |
Research in African Literatures. Volume 31 #4. p. 76-96. |
Binet, Jacques (1999) | |
Peinture africaine | |
Mondes et cultures. Volume 59 #1-2. p. 37-48. |
Boëtsch, Gilles; Savarese, Eric (1999) | |
Le corps de l'Africaine: érotisation et inversion | |
Cahiers d'études africaines. Volume 39 #153. p. 123-144. |
Damiani, A. (1999) | |
Des gardiens aux Massaï, Marie-Agnès Maillard ou la rencontre | |
Éthiopiques: revue socialiste de culture négro-africaine. #63. 2ème semestre. p. 117-122. |
Mantuba-Ngoma, Mabiala (1999) | |
Les tendances actuelles de la peinture congolaise moderne | |
Annales aequatoria. Volume 20. p. 455-464. |
Marschall, Sabine (1999) | |
A Critical Investigation into the Impact of Community Mural Art | |
Transformation: Critical Perspectives on Southern Africa. #40. p. 55-86. |
Bank, Andrew (1998) | |
The Return of the Noble Savage: The Changing Image of Africans in Cape Colony Art, 1800-1850 | |
South African Historical Journal. #39. November. p. 17-43. |
Dauvois, D. (1998) | |
Voir Descartes en peinture | |
Éthiopiques: revue socialiste de culture négro-africaine. #60. p. 119-132. |
Garlake, M. (1998) | |
A changed world | |
Gallery (Harare, Zimbabwe). #18. December. p. 16-20. |
Gilbert, Michelle (1998) | |
Concert Parties: Paintings and Performance | |
Journal of Religion in Africa. Volume 28 #1. p. 62-92. |
Huggins, D. (1998) | |
New forms for old | |
Gallery (Harare, Zimbabwe). #18. December. p. 3-9. |
Schaedler, Karl-Ferdinand (1998) | |
Die Tingatinga-Schule: tanzanische Quadratmaler aus der Rosenfeld-Sammlung = The Tingatinga school: Tanzanian square painters from the Rosenfeld collection | |
München: Panterra Verlag. 80p. |
Wright, G. (1998) | |
Charting interior and exterior landscapes | |
Gallery (Harare, Zimbabwe). #18. December. p. 10-15. |
Grignon, François (1997) | |
Les pierrots du bidonville: peintres de 'matatu' à Nairobi, Kenya | |
Autrepart. #1. p. 151-160. |
Murray, B. (1997) | |
Painting the essence: the harmony and equilibrium of Thakor Patel | |
Gallery (Harare, Zimbabwe). #11. March. p. 16-19. |
Murray, B. (1997) | |
The perceptive eye and disciplined hand: Richard Witikani | |
Gallery (Harare, Zimbabwe). #11. March. p. 7-10. |
Parry, E. (1997) | |
Potency and power: the painted snakes of the Matopo | |
Zimbabwean Prehistory. #22. April. p. 21-25. |
Ranger, Terence O. (1997) | |
Making Zimbabwean Landscapes: Painters, Projections and Priests | |
Paideuma. Volume 43. p. 59-73. |
Biaya, T.K. (1996) | |
La culture urbaine dans les arts populaires d'Afrique: analyse de l'ambiance zaïroise | |
Canadian Journal of African Studies. Volume 30 #3. p. 345-370. |
Bradshaw, B. (1996) | |
Digging deep | |
Gallery (Harare, Zimbabwe). #9. September. p. 16-20. |
Chennells, A. (1996) | |
Empire's offspring. Pt. 2 | |
Gallery (Harare, Zimbabwe). #8. June. p. 7-10. |
Chennells, A. (1996) | |
Empire's offspring. Pt. 1 | |
Gallery (Harare, Zimbabwe). #7. March. p. 3-6. |
Geiling, A. (1996) | |
Art ... and something more | |
Gallery (Harare, Zimbabwe). #7. March. p. 10-11. |
Lindfors, Bernth (1996) | |
Hottentot, Bushman, Kaffir: Taxonomic Tendencies in Nineteenth-Century Racial Iconography | |
Nordic Journal of African Studies. Volume 5 #2. p. 1-30. |
Mpulubusi, T. (1996) | |
Tsodilo Hills facelift | |
Kutlwano. Volume 34 #9. September. p. 14-15. |
Murray, B. (1996) | |
Ishmael Wilfred: painting the spirits | |
Gallery (Harare, Zimbabwe). #10. December. p. 8-11. |
Pouillon, François (1996) | |
La peinture monumentale en Algérie: un art pédagogique | |
Cahiers d'études africaines. Volume 36 #141-142. p. 183-213. |
Pinfold, John; Barringer, Terry; Holden, Carole (eds.) (1995) | |
Images of Africa: the pictorial record | |
African Research and Documentation. #68. 114p. |
Whaley, A. (1995) | |
In hope of flight: painter-magician, Rashid Jogee | |
Gallery (Harare, Zimbabwe). #6. December. p. 6-9. |
Anonymous (1994) | |
Images of Malawi | |
WASI: [bulletin]. Volume 6 #1. December. p. 13-17. |
Curling, P. (1994) | |
Space and place: structure and romanticism in the work of Robert Paul | |
Gallery (Harare, Zimbabwe). #1. September. p. 8-11. |
Iselin, Regula (1994) | |
Reading Pictures: On the Value of the Copperplates in the 'Beschryvinghe' of Pieter de Marees (1602) as Source Material for Ethnohistorical Research | |
History in Africa. Volume 21. p. 147-170. |
Klopper, Sandra (1994) | |
A man of splendid appearance: Angas's 'Utimuni, nephew of Chaka the late Zulu king' | |
African Studies. Volume 53 #2. p. 2-24. |
Molapo, B. (1994) | |
Picture perfect paintings, the Basner way | |
Kutlwano. Volume 32 #11. November. p. 11-12. |
Kondor, L. (1993) | |
Zimbabwe's rock art | |
Southern African Art. Volume 2 #1. p. 27-28. |
Pankhurst, Richard (1993) | |
Secular Themes in Ethiopian Ecclesiastical Manuscripts. IV. A Catalogue of Illustrations of Historical and Ethnographic Interest in the Juel-Jensen Collection | |
Journal of Ethiopian Studies. Volume 26 #2. December. p. 81-95. |
Sergio, P. (1993) | |
Julinya Vidigal: pontinha viva de intercâmbio artístico entre Brasil e Moçambique? | |
Tempo. #1199. 28 de nov.. p. 24-27. |
Kinahan, J. (1992-1993) | |
Namibia's rock art heritage: is time running out on the past? | |
Namibia Yearbook. #3. p. 62-65. |
Dembour, Marie-Bénédicte (1992) | |
La chicote comme symbole du colonialisme belge? | |
Canadian Journal of African Studies. Volume 26 #2. p. 205-225. |
Jackson, P. (1992) | |
Opening of the Commemoration Exhibition of select works by Robert Paul (1906-1980): paintings and drawings of the inauguration on 3rd December 1991 of 110 Livingstone avenue as the new venue for gallery delta | |
Heritage of Zimbabwe. #11. p. 131-137. |
Lieros, H. (1992) | |
The current state of Zimbabwean painting | |
Southern African Art. Volume 1 #1. p. 15-17. |
Search: su=painting | ||||||||
Found: 126 | Record 1-100 |
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