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Found: 320 | Record 1-100 |
Almeida, Fernanda Pinto de; Erasmus, Aidan (2022) | |
Cinema and the Idea of Fieldwork in Sol Plaatje's Journeys | |
History in Africa. Volume 49. p. 39-63. |
Gómez Fernández, Eva; Rodríguez Lajusticia, Francisco Saulo (2022) | |
El Egipto faraónico y el Próximo Oriente Antiguo en el cine estadounidense de comienzos de la Guerra Fría (1945-1960) | |
Santander. Estudios de Patrimonio. Volume 5. p. 289-324. |
Ohene-Asah, Rebecca (2022) | |
Audio-visual heritage preservation and the changing dynamics of Ghana's historical film archives | |
Archives and Records. Volume 43 #3. p. 285-296. |
Piçarra, Maria do Carmo (2022) | |
Margem de certa maneira: o caso da censura a Catembe. | |
Diálogos. Volume 26 #1. p. 62-82. |
Queiroz, José Antônio Souza (2022) | |
Mueda, memória e massacre (1979) e a construção do mito fundacional da Independência de Moçambique (1975) | |
Em Tempo de Histórias. Volume 41 #1. p. 18-36. |
Tavares, Mirian (2022) | |
Da ruína como discurso: Apontamentos sobre cinematografias pós-coloniais | |
Portuguese Literary & Cultural Studies. Volume 34-35. p. 257-276. |
Ziani, M. Naima Benaicha (2022) | |
El cine argelino en femenino. Un espacio de resistencia y reivindicación Desde Assia Djebar hasta Yasmine Chouikh | |
Historia Actual Online. Volume 57. p. 117-130. |
Alfonso González, Julio A. (2021) | |
Amanecer Zulú: Iklwas, Martini-Henrys y celuloide | |
Guerra Colonial. Volume 9. p. 27-45. |
Blum, Françoise; Chomentowski, Gabrielle; Katsakioris, Constantin (2021) | |
Au cœur des réseaux africano-soviétiques: archives et trajectoire de l'écrivain-cinéaste sénégalais Ousmane Sembène | |
Sources. Matériaux & Terrains en études africaines. Volume 3. p. 99-135. |
Dias, Inês Cordeiro (2021) | |
Female gaze and subjectivity in The murmuring coast | |
Revista de Comunicação e Linguagens. Volume 54. p. 122-139. |
Figge, Maja (2021) | |
Towards a caring gaze: aesthetics of decolonization in Sarah Maldoror's Sambizanga | |
Revista de Comunicação e Linguagens. Volume 54. p. 158-175. |
Garvin, Diana (2021) | |
Black markets: Fascist constructions of race in East African marketplace newsreels | |
Journal of Modern European History. Volume 19 #1. p. 103-124. |
Laranjeiro, Catarina (2021) | |
Arma diplomática e ficção: as mulheres nos filmes da Luta de Libertação da Guiné-Bissau | |
Revista de Comunicação e Linguagens. Volume 54. p. 47-64. |
Machado, João Victor Sanches da Matta (2021) | |
As comunidades narradas pelo cinema em Moçambique: uma leitura de Kuxa Kanema, o nascimento do cinema | |
AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 5. p. 54-68. |
Peralta García, Lidia (2021) | |
Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000-2018) | |
Rethinking History. Volume 25 #2. p. 166-185. |
Salvarrey, Teo (2021) | |
Cine y memoria representaciones de la guerra de Argelia en el cine francés y argelino durante los años sesenta | |
Revista Escuela de Historia. Volume 20 #2. |
Gomes, Vinícius Pinto (2020) | |
A Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970) | |
Em Tempo de Histórias. Volume 37. p. 9-27. |
Melo, Victor Andrade de (2020) | |
O combate ao mau cinema: propostas para a exibição de filmes em Cabo Verde dos primeiros anos de independência (1974-1980) | |
Africana studia: revista internacional de estudos africanos. Volume 34. p. 61-72. |
Ramos, Alexandre (2020) | |
Portuguese and Belgian Colonial Cinema: The Filmography of Two Small Big Countries in Africa | |
Cahiers d'études africaines. #239. p. 555-583. |
Rodet, Marie (2020) | |
Documenting the History of Slavery on Film in Kayes, Mali | |
Journal of Global Slavery. Volume 5 #1. p. 89-104. |
El Khachab, Chihab (2019) | |
The Sobky Recipe and the Struggle over 'The Popular' in Egypt | |
Arab Studies Journal. Volume 27 #1. p. 34-61. |
Gallo, Fernanda Bianca Gonçalves (2019) | |
A revolução moçambicana pelas lentes do filme '25' (1976-77) Entrevista com o diretor Celso Luccas | |
AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 3. p. 302-314. |
Goerg, Odile (2019) | |
Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) | |
Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
Khannous, Touria (2019) | |
Panoptic Vision: Disjuncture, Transgressions, and Imagination in Laila Marrakchi's Film Rock the Casbah | |
Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
Vucetic, Radina (2019) | |
We Shall Win: Yugoslav Film Cooperation with FRELIMO | |
Revista Crítica de Ciências Sociais. Volume 118. p. 131-150. |
Barbosa, Pedro Oliveira (2018) | |
O cinejornal Kuxa Kanema e a imagem de Samora Machel | |
Oficina do Historiador. Volume 11 #2. p. 139-158. |
Costa, Renata Dariva (2018) | |
Do audiovisual estatal a um cinema angolano: paradigmas sobre a promoção e produção fílmica em Angola | |
Ars Historica. Volume 16. p. 156-171. |
Grandy, Christine (2018) | |
Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 | |
Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
Montes Ibars, Samuel (2018) | |
El legado faraónico en el cine egipcio: una breve aproximación a la obra de Chadi Abdessalam | |
Polis: revista de ideas y formas políticas de la Antigüedad. Volume 30. p. 43-69. |
Piçarra, Maria do Carmo (2018) | |
Angola: (Re-)Imaginar o Nascimento de uma Nação no Cinema Militante | |
Journal of Lusophone Studies. Volume 3 #1. p. 168-194. |
Adamu, Abdalla Uba (2017) | |
Transcultural Connections: Hindi Films, Transborder Fandom and Muslim Hausa Audiences in Northern Nigeria | |
African and Asian Studies. Volume 16 #1-2. p. 103-127. |
Arenas, Fernando (2017) | |
The Filmography of Guinea-Bissau's Sana Na N'Hada: From the Return of Amílcar Cabral to the Threat of Global Drug Trafficking | |
Portuguese Literary & Cultural Studies. Volume 30-31. p. 68-94. |
Iskalat, Ifdal (2017) | |
Jungle Films in Egypt: Race, Anti-Blackness, and Empire | |
Arab Studies Journal. Volume 25 #2. p. 8-33. |
Shule, Vicensia (2017) | |
Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps | |
Journal of African Cinemas. Volume 9 #1. p. 37-54. |
Ureke, Oswelled; Tomaselli, Keyan (2017) | |
From 'African Cinema' to film services industries: a cinematic fact | |
Journal of African Cinemas. Volume 9 #1. p. 75-92. |
Aty, Mourad (2016) | |
Either Triumph or Martyrdom: representation of women in the Algerian Revolutionary-War Movies, the case of the Battle of Algiers | |
Africana studia: revista internacional de estudos africanos. #26. p. 29-33. |
Bertho, Elara (2016) | |
Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
Fisher, Alexander (2016) | |
Modes of 'griot' inscription in African cinema | |
Journal of African Media Studies. Volume 8 #1. p. 5-16. |
Gallo, Fernanda Bianca Gonçalves; Oliveira, Maurício Santos de (2016) | |
Filmando o Patrimônio Cultural Imaterial em Moçambique e Cabo Verde, relato de duas experiências | |
Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #2. p. 101-118. |
Guiga, Lamia Belkaied (2016) | |
Selma Baccar: réalisatrice, productrice et femme politique. L'engagement permanent pour les libertés | |
Africana studia: revista internacional de estudos africanos. #26. p. 45-51. |
Harrow, Kenneth W. (2016) | |
Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes | |
Journal of African Cinemas. Volume 8 #3. p. 233-248. |
Laranjeiro, Catarina (2016) | |
How many nations are we able to imagine? | |
Comunicação e Sociedade. Volume 29. p. 93-106. |
Oliveira, Janaina Perreira de (2016) | |
Descolonizando telas: o FESPACO e os primeiros tempos do cinema africano | |
Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #1. p. 50-74. |
Omoera, Osakue Stevenson (2016) | |
Benin Video-film: A Case for the Documentary Genre | |
Ufahamu. Volume 39 #2. p. 147-161. |
Osinubi, Taiwo Adetunji; Hoad, Neville (eds.) (2016) | |
Queer valences in African literatures and film | |
Research in African Literatures. Volume 47 #2. 191p. |
Parsons, Neil (2016) | |
Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 | |
Journal of African Cinemas. Volume 8 #2. p. 133-154. |
Schefer, Raquel (2016) | |
Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau | |
Comunicação e Sociedade. Volume 29. p. 53-77. |
Stewart, Katy (2016) | |
Between memory and erasure: Zézé Gamboa's O Grande Kilapy and the legacy of portuguese colonialism | |
Comunicação e Sociedade. Volume 29. p. 255-269. |
Tavares, Maria (2016) | |
'Mulheres Novas Com Cabeças Limpas': Pitfalls of the Revolution in Licínio Azevedo's Virgem Margarida | |
Journal of Lusophone Studies. Volume 1 #1. p. 153-176. |
Van de Peer, Stefanie (ed.) (2016) | |
Special issue: the North in African cinemas | |
Journal of African Cinemas. Volume 8 #1. p. 3-128. |
(2015) | |
Awotélé: la revue des critiques ciné | |
Pantin: Sudu Connexion. |
Abdul-Jabbar, Wisam Kh. (2015) | |
Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) | |
The Journal of North African Studies. Volume 20 #2. p. 159-171. |
Bisschoff, Lizelle (ed.) (2015) | |
Special issue: Cinema in East Africa | |
Journal of African Cinemas. Volume 7 #2. p. 71-201. |
Buchanan, Sarah B. (2015) | |
When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' | |
Research in African Literatures. Volume 46 #3. p. 190-213. |
Frassinelli, Pier Paolo (2015) | |
Heading south: theory, 'Viva Riva!' and 'District 9' | |
Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
Harrow, Kenneth W. (ed.) (2015) | |
ASR Forum: what's new in African cinema? | |
African Studies Review. Volume 58 #3. p. 5-92. |
Mboti, Nyasha; Tomaselli, Keyan (2015) | |
New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept | |
Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
Motsaathebe, Gilbert (2015) | |
The rise of film production and the politics of the star system in South Africa | |
Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
Sharpe, Mani (2015) | |
Representing masculinity in postcolonial Algerian cinema | |
The Journal of North African Studies. Volume 20 #3. p. 450-465. |
Tomaselli, Keyan (2015) | |
Accessing the archive: a TV history of Afrikaans film | |
Journal of African Cinemas. Volume 7 #1. p. 3-14. |
Mboti, Nyasha (ed.) (2014) | |
Special issue: Everyday violence(s) and visualities in Africa | |
Journal of African Cinemas. Volume 6 #2. 122p. |
Milstein, Emily (2014) | |
Nation-Building Through Film in Post-Apartheid South Africa | |
Ufahamu. Volume 38 #1. p. 177-191. |
Overbergh, Ann (2014) | |
Technological innovation and the diversification of audiovisual storytelling circuits in Kenya | |
Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
Paleker, Gairoonisa (2014) | |
The State, citizens and control: film and African audiences in South Africa, 1910-1948 | |
Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
Senekal, Burgert A.; Stemmet, Jan-Ad (2014) | |
The gods must be connected: an investigation of Jamie Uys' connections in the Afrikaans film industry using social network analysis | |
Communicatio: South African journal for communication theory and research. Volume 40 #1. p. 1-19. |
Uys, Gerhard (2014) | |
The 'Maestro Film Project' | |
Journal of African Media Studies. Volume 6 #1. p. 43-55. |
Visser, Gustav (2014) | |
The film industry and South African urban change | |
Urban Forum. Volume 25 #1. p. 13-34. |
Armanios, Febe; Armstutz, Andrew (2013) | |
Emerging Christian media in Egypt: Clerical authority and the visualization of women in Coptic video films | |
International Journal of Middle East Studies. Volume 45 #3. p. 513-533. |
Mwakalinga, Mona (2013) | |
The political economy of cinema (video film) in Tanzania | |
The African Review: A Journal of African Politics, Development and International Affairs. Volume 40 #1. p. 203-217. |
Obiaya, Ikechukwu (2013) | |
Taking Nigeria to the movies: the innovative regulatory role of the National Film and Video Censors Board | |
Journal of African Media Studies. Volume 5 #3. p. 261-274. |
Ryan, Connor (2013) | |
Revisiting the notion of political black cinema: a comparative analysis of Melvin Van Peebles and Ousmane Sembene | |
Journal of African Cinemas. Volume 5 #1. p. 85-97. |
Tomaselli, Keyan G. (2013) | |
Film cities and competitive advantage: development factors in South African film | |
Journal of African Cinemas. Volume 5 #2. p. 237-252. |
Badoe, Yaba; Mama, Amina; Mekuria, Salem; Dovey, Lindiwe (eds.) (2012) | |
African feminist engagements with film | |
Feminist Africa. #16. 162p. |
Bisschoff, Lizelle; Overbergh, Ann (2012) | |
Digital as the new popular in African cinema? case studies from the continent | |
Research in African Literatures. Volume 43 #4. p. 112-127. |
Eke, Maureen N.; Kruger, Marie; Mortimer, Mildred (2012) | |
Memory/history, violence, and reconciliation | |
Research in African Literatures. Volume 43 #1. p. 65-165. |
Goerg, Odile (2012) | |
Entre infantilisation et répression coloniale: censure cinématographique en AOF, 'grands enfants' et protection de la jeunesse | |
Cahiers d'études africaines. Volume 52 #205. p. 165-198. |
Haynes, Jonathan (ed.) (2012) | |
Reflections on Nollywood | |
Journal of African Cinemas. Volume 4 #1. 133p. |
Klein, Debra (2012) | |
A political economy of lifestyle and aesthetics: Yorùbá artists produce and transform popular culture | |
Research in African Literatures. Volume 43 #4. p. 128-146. |
Kosansky, Oren; Boum, Aomar (2012) | |
The 'Jewish Question' in Postcolonial Moroccan Cinema | |
International Journal of Middle East Studies. Volume 44 #3. p. 421-442. |
Okome, Onookome; Newell, Stephanie (eds.) (2012) | |
Measuring time: Karin Barber and the study of everyday Africa | |
Research in African Literatures. Volume 43 #4. 195p. |
Rollet, Brigitte (ed.) (2012) | |
Celebrating 40 years of films made by women directors in francophone Africa | |
Journal of African Cinemas. Volume 4 #2. p. 139-233. |
(2011) | |
Screen Africa: broadcast, film, TV, commercials, new media & technology news | |
Johannesburg: Sun Circle Publishers. |
Beus, Yifen (2011) | |
Authorship and criticism in self-reflexive African cinema | |
Journal of African Cultural Studies. Volume 23 #2. p. 133-152. |
Forest, Claude (2011) | |
L'industrie du cinéma en Afrique: introduction thématique | |
Afrique contemporaine. #238. p. 61-73. |
Hofmeyr, Isabel; Kaarsholm, Preben (eds.) (2011) | |
Special issue: print cultures, nationalisms and publics of the Indian Ocean | |
Africa: Journal of the International African Institute. Volume 81 #1. 172p. |
Kadi, Germain-Arsène (2011) | |
Les représentations littéraires et cinématographiques du génocide rwandais | |
Langues et littératures: revue du Groupe d'études linguistiques et littéraires. #15. p. 151-174. |
Lelièvre, Samuel (2011) | |
L'industrie cinématographique post-apartheid: production, institution et distribution en Afrique du Sud | |
Afrique contemporaine. #238. p. 75-90. |
Levine, Alison J. Murray (2011) | |
'Provoking situations': Abderrahmane Sissako's documentary fiction | |
Journal of African Cinemas. Volume 3 #1. p. 93-107. |
McCain, Carmen (2011) | |
FESPACO in a time of Nollywood: the politics of the 'video' film at Africa's oldest festival | |
Journal of African Media Studies. Volume 3 #2. p. 241-261. |
Meleiro, Alessandra (ed.) (2011) | |
Luso-African cinema: nation and cinema | |
Journal of African Cinemas. Volume 3 #2. p. 133-249. |
Tomaselli, Keyan G.; Shepperson, Arnold (2011) | |
Mirror communities and straw individualisms: essentialism, cinema and semiotic analysis | |
Journal of African Cinemas. Volume 3 #1. p. 3-24. |
Ugochukwu, Françoise (ed.) (2011) | |
African diasporas | |
African Renaissance. Volume 8 #2. 103p. |
Van de Peer, Stefanie (2011) | |
Permissible documentaries: representation in Ateyyat El Abnoudy's documentaries | |
Journal of African Cinemas. Volume 3 #1. p. 109-124. |
Austin, Guy (2010) | |
Against amnesia: representations of memory in Algerian cinema | |
Journal of African Cinemas. Volume 2 #1. p. 27-35. |
Blanchon, Karine (2010) | |
Aperçu du cinéma sur l'île de la Réunion | |
Études océan Indien. #44. p. 265-271. |
Cieplak, Piotr A. (2010) | |
Alternative African cinemas: a case study of Rwanda | |
Journal of African Media Studies. Volume 2 #1. p. 73-90. |
Colleyn, Jean-Paul (2010) | |
La culture visuelle au sud du Sahara | |
Cahiers d'études africaines. Volume 50 #198-200. p. 1055-1065. |
Dovey, Lindiwe (ed.) (2010) | |
African film and video: pleasure, politics, performance | |
Journal of African Cultural Studies. Volume 22 #1. 120p. |
Emenyonu, Ernest N. (ed.) (2010) | |
Film in African literature today | |
African Literature Today. #28. 158p. |
Gana, Nouri (2010) | |
Bourguiba's sons: melancholy manhood in modern Tunisian cinema | |
The Journal of North African Studies. Volume 15 #1. p. 105-126. |
Search: su=cinema | ||||||||
Found: 320 | Record 1-100 |
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