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Title: | Narrative and the re-co[r]ding of cultural memory in Moses Isegawa's 'Abyssinian Chronicles' and 'Snakepit' |
Author: | Armstrong, Andrew H. |
Year: | 2009 |
Periodical: | Journal of African Cultural Studies |
Volume: | 21 |
Issue: | 2 |
Pages: | 127-143 |
Language: | English |
Geographic term: | Uganda |
Subjects: | novels political violence memory |
About person: | Moses Isegawa (1963-) |
External link: | https://www.tandfonline.com/doi/abs/10.1080/13696810903259335 |
Abstract: | The attempt to write extreme violence, or to reco[r]d[e] traumatic cultural memory - the representation of horror - tests both the representational capacity of language and the rationality of subjecthood. Much narrative endeavour is spent trying to narrativize or 'structure' horror into story. However, because traumatic memories resist the narrative framework of the novel, questions are posed not only about the reliability of the narrator's memory and his/her ability to narrate a credible story, but also about the suitability of the fictional form of the novel to represent historical events such as extreme violence. How does language in narrative, with its insistence on order and sequence, 'capture' the de-structuring nature of violence? Where is the subject or the idea of rational subjectivity in these de-structuring acts of violence? The present author addresses these issues through a critical 'reading' of Moses Isegawa's novels 'Abyssinian Chronicles' (2000) and 'Snakepit' (2004). In these novels, Isegawa recasts and reenacts a period of recent Ugandan history marked by violence and chaos, emanating from the dictatorship of Idi Amin. However, both novels stretch the limits of 'factual' or historical credulity, reminding the reader that they are in fact works of historical fabrication. The author argues that the narrative endeavour in these two novels is not only to record the chaotic events experienced during the years before and after the fall of Idi Amin, but to recode, through the tropes of language (symbol, imagery, and metaphor), the devastating effects of those years on the literary landscape of Uganda. Bibliogr., notes, ref., sum. [Journal abstract] |