AfricaBib 
bibliographic database
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| Search: au=Karin Barber (1949-) | ||||||||
| Found: 28 | Record 1-28 | |||||||
 | Thomas, I.B.; Karin Barber (1949-) (2012) |
| Print culture and the first Yoruba novel: I.B. Thomas's 'Life Story of Me, Segilola' and other texts | |
| Leiden: Brill. African sources for African history. 421p. |
| Barber, Karin (2007) |
| The anthropology of texts, persons and publics | |
| Cambridge: Cambridge University Press. New departures in anthropology. 276p. |
| Barber, Karin (ed.) (2006) |
| Africa's hidden histories: everyday literacy and making the self | |
 | Bloomington, IN: Indiana University Press. African expressive cultures. 451p. |
 | Barber, Karin; Moraes Farias, P.F. de (2006) |
| Archive as work-in-progress | |
| Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 14-32. |
| Okédìjì, Oládèjo; Barber, Karin (2006) |
 | Oládèjo Òkédìjí on his writing life |
| Research in African Literatures. Volume 37 #3. p. 28-44. |
| Barber, Karin (2003) |
| Text and Performance in Africa |
| Bulletin of the School of Oriental and African Studies. Volume 66 #3. October. p. 324-333. |
| Barber, Karin; Moraes Farias, Paulo F. de (2000) |
| An archive of Yorùbá religious ephemera | |
| Africa Bibliography. p. VII-XIX. |
| Barber, Karin (2000) |
| The generation of plays: Yorùbá popular life in theater | |
| Bloomington, IN: Indiana University Press. 485p. |
| Barber, Karin (1999) |
| Quotation in the constitution of Yorùbá oral texts |
| Research in African Literatures. Volume 30 #2. p. 17-41. |
| Barber, Karin (1997) |
| Preliminary notes on audiences in Africa |
| Africa: Journal of the International African Institute. Volume 67 #3. p. 347-362. |
| Barber, Karin (ed.) (1997) |
| Readings in African Popular Culture | |
| Bloomington, IN: Indiana University Press. 184p. |
| Barber, Karin; Collins, John; Ricard, Alain (1997) |
| West African popular theatre | |
| Oxford: James Currey. Drama and performance studies. 285p. |
| Barber, Karin (1995) |
| African-language literature and postcolonial criticism |
| Research in African Literatures. Volume 26 #4. p. 3-30. |
 | Barber, Karin (1995) |
| Money, self-realization and the person in Yorùbá texts | |
| In: Money matters: instability, values and social payments in the modern history of West African communities / ed. by Jane I. Guyer. - Portsmouth, N.H.: Heinemann. p. 205-224. |
| Barber, Karin (1994) |
| Polyvocality and the Individual Talent: Thre Women Oriki Singers | |
| In: Abiodun, Rowland and Drewal, Henry J. and Pemberton, John (eds.). The Yoruba Artist: New Theoretical Perspectives on African Art. Washington, D.C.: Smithsonian Institution Press. p. 151-160. |
| Barber, Karin; Ògúndíjo, Báyò (eds.) (1994) |
| Yorùbá popular theatre: three plays by the Oyin Adéjobí Company | |
| Atlanta, GA: African Studies Association, Emory University. African historical sources #9. 604p. |
| Barber, Karin (1991) |
| I Could Speak until Tomorrow: Oriki Women and the Past in a Yoruba Town | |
| Edinburgh: Edinburgh University Press for the International African Institute, London. International African library #7. 354p. |
| Barber, Karin (1990) |
| Oriki, Women and the Proliferation and Merging of Orisa |
| Africa: Journal of the International African Institute. Volume 60 #3. p. 313-337. |
| Moraes Farias, P.F. de; Barber, Karin (eds.) (1990) |
| Self-assertion and brokerage: early cultural nationalism in West Africa | |
| Birmingham: University of Birmingham, Centre of West African Studies. Birmingham University African studies series #2. 242p. |
 | Barber, Karin; Moraes Farias, P.F. de (eds.) (1989) |
| Discourse and its disguises: the interpretation of African oral texts | |
| Birmingham: University of Birmingham, Centre of West African Studies. Birmingham University African studies series #1. |
| Barber, K. (1988) |
| Ethnies, État et littérature populaire yorouba | |
| Politique africaine. #32. p. 65-78. |
| Barber, Karin (1987) |
| Popular Arts in Africa |
| African Studies Review. Volume 30 #3. September. p. 1-78. |
| Barber, Karin; Fiebach, Joachim; Ricard, Alain (eds.) (1986) |
| Drama and theatre in Africa | |
| Bayreuth: Bayreuth University. Bayreuth African studies series #7. 87p. |
| Barber, Karin (1986) |
| Radical conservatism in Yoruba popular plays | |
| In: Drama and theatre in Africa. - Cop. p. 5-32. |
| Barber, Karin (1984) |
| Yoruba Oriki and Deconstructive Criticism |
| Research in African Literatures. Volume 15 #4. p. 497-518. |
| Barber, Karin (1982) |
| Popular Reactions to the Petro-Naira |
| Journal of Modern African Studies. Volume 20 #3. September. p. 431-450. |
| Barber, Karin (1981) |
| Documenting Social and Ideological Change through Yoruba Oriki: A Stylistic Analysis | |
| Journal of the Historical Society of Nigeria. Volume 10 #4. June. p. 39-52. |
| Barber, Karin (1981) |
| How Man Makes God in West Africa: Yoruba Attitudes towards the Orisa |
| Africa: Journal of the International African Institute. Volume 51 #3. p. 724-745. |
| Search: au=Karin Barber (1949-) | ||||||||
| Found: 28 | Record 1-28 | |||||||
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