AfricaBib 
bibliographic database
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| Found: 293 | Record 1-100 |  |
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 | Dargie, Dave (2015) |
| The voice of a prisoner: recordings of Joseph Ntwanambi in the Ruhleben prisoner of war camp, Berlin, 1917 | |
| African Music Journal. Volume 10 #1. p. 180-199. |
| Madalane, Ignatia (2015) |
| From Paul to Penny: the emergence and development of Tsonga disco 1985-1990s | |
| African Music Journal. Volume 10 #1. p. 150-179. |
| Tracey, Andrew (2015) |
| The system of the mbira | |
| African Music Journal. Volume 10 #1. p. 127-149. |
| Perman, Tony (2015) |
| A tale of two mbiras | |
| African Music Journal. Volume 10 #1. p. 102-126. |
| Eyre, Banning (2015) |
| Thomas Mapfumo and the popularization of Shona mbira | |
| African Music Journal. Volume 10 #1. p. 84-101. |
| Webb, Gavin (2015) |
| 'Ma la ma wie Ga': ('I will sing and speak Ga'): Wulomei and the articulations of Ga identity in stylized form | |
| African Music Journal. Volume 10 #1. p. 52-83. |
| Amoros, Luis Gimenez (2015) |
| Azawan: precolonial musical culture and Saharawi nationalism in the refugee camps of the Hamada desert in Algeria | |
| African Music Journal. Volume 10 #1. p. 31-51. |
| Hurley-Glowa, Susan (2015) |
| Cape Verdeans in the Atlantic: the formation of Kriolu music and dance styles on ship and in port | |
| African Music Journal. Volume 10 #1. p. 7-30. |
| Inglese, Francesca (2014) |
| Choreographing Cape Town through goema music and dance | |
| African Music Journal. Volume 9 #4. p. 123-145. |
| Eagleson, Ian (2014) |
| Continuities and innovation in Luo song style: creating the benga beat in Kenya 1960 to 1996 | |
| African Music Journal. Volume 9 #4. p. 91-122. |
| Mugishagwe, Allan (2014) |
| Music and notions of citizenship in the humanitarian work of two NGOs in Uganda | |
| African Music Journal. Volume 9 #4. p. 71-90. |
| Okigbo, Austin (2014) |
| Contesting cultural meaning in a post-apartheid South African HIV/AIDS music event | |
| African Music Journal. Volume 9 #4. p. 54-70. |
| Dor, George Worlasi Kwasi (2014) |
| Ephraim Amu's 'Bonwere Kentenwene': a celebration of Ghanaian traditional knowledge, wisdom, and artistry | |
| African Music Journal. Volume 9 #4. p. 7-35. |
| Sum, Maisie (2013) |
| Music for the unseen: interaction between two realms during a Gnawa 'lila' | |
| African Music Journal. Volume 9 #3. p. 151-182. |
| Dargie, Dave (2013) |
| Kavango music | |
| African Music Journal. Volume 9 #3. p. 122-150. |
| Whitmore, Aleysia K. (2013) |
| 'Cuban music is African music': negotiating African and the African diaspora on the world music stage | |
| African Music Journal. Volume 9 #3. p. 111-121. |
| Emielu, Austin (2013) |
| Ethnic and regional identities in Nigerian popular music: a special focus on the Edo | |
| African Music Journal. Volume 9 #3. p. 92-110. |
| Musiyiwa, Mickias (2013) |
| Hit songs and the dynamics of postcolonial Zimbabwe: a study in popular music trends, 1980-2009 | |
| African Music Journal. Volume 9 #3. p. 59-91. |
| Brunner, Anja (2013) |
| The singer Anne-Marie Nzié and the song 'Liberté': on popular music and the postcolonial State in Cameroon | |
| African Music Journal. Volume 9 #3. p. 40-58. |
| Tracey, Andrew; Gumboreshumba, Laina (2013) |
| Transcribing the Venda 'tshikona'. reedpipe dance | |
| African Music Journal. Volume 9 #3. p. 25-39. |
| Volper, Julien (2013) |
| Call to the hunt: the one-note xylophone of the DRC | |
| African Music Journal. Volume 9 #3. p. 7-20. |
| Stuffelbeam, Katharine (2012) |
| Performing advocacy: women's music and dance in Dagbon, Northern Ghana | |
| African Music Journal. Volume 9 #2. p. 154-169. |
| Jackson, Rachel (2012) |
| The trans-atlantic journey of 'gumbé': where and why has it survived? | |
| African Music Journal. Volume 9 #2. p. 128-153. |
| Hoesing, Peter (2012) |
| 'Kusamira': singing rituals of wellness in southern Uganda | |
| African Music Journal. Volume 9 #2. p. 94-127. |
| Kiel, Hilda (2012) |
| Travel on a song: the roots of Zanzibar 'taarab' | |
| African Music Journal. Volume 9 #2. p. 77-93. |
| Muehrer, Rachel (2012) |
| Playing techniques of the Nnanga of Buganda | |
| African Music Journal. Volume 9 #2. p. 57-76. |
| Jones, Claire (2012) |
| A modern tradition: the social history of the Zimbabwean marimba | |
| African Music Journal. Volume 9 #2. p. 32-56. |
| Ndomondo, Mathayo (2012) |
| A woman can sing and dance but cannot dance with high leaps: musical performance of the Haya of Bukoba, Tanzania | |
| African Music Journal. Volume 9 #2. p. 7-31. |
| Scharfenberger, Angela (2011) |
| West African women in music: an analysis of scholarship, women's participation in music in West Africa: a reflection on fieldwork, self, and understanding | |
| African Music Journal. Volume 9 #1. p. 221-246. |
| Lawrence, Sidra (2011) |
| Sounds of development? Race, authenticity, and tradition among Dagara female musicians in northwestern Ghana | |
| African Music Journal. Volume 9 #1. p. 206-220. |
| Burns, James (2011) |
| 'Doing it with style': an ethnopoetic study of improvisation and variation in Southern Ewe drum language conversations | |
| African Music Journal. Volume 9 #1. p. 154-205. |
| Racanelli, David (2011) |
| Diasporic jeliya as a collaborative trade in New York City | |
| African Music Journal. Volume 9 #1. p. 136-153. |
| Kidula, Jean Ngoya (2011) |
| Gospel music videos in the counter-memory of post-nation identity in Kenya | |
| African Music Journal. Volume 9 #1. p. 116-135. |
| Perullo, Alex (2011) |
| Politics and popular song: youth, authority, and popular music in East Africa | |
| African Music Journal. Volume 9 #1. p. 87-115. |
| Lucia, Christine (2011) |
| Joshua Pulumo Mohapeloa and the heritage of African song | |
| African Music Journal. Volume 9 #1. p. 56-86. |
| Dargie, Dave (2011) |
| The Xhosa umrhubhe mouthbow: an extraordinary musical instrument | |
| African Music Journal. Volume 9 #1. p. 33-55. |
| Tracey, Andrew (2011) |
| Chopi Timbila music | |
| African Music Journal. Volume 9 #1. p. 7-32. |
| Dijk, Marcel van (2010) |
| The Lala kalimba: the correlation between instrument and style | |
| African Music Journal. Volume 8 #4. p. 84-100. |
| Bruinders, Sylvia (2010) |
| Parading respectability: the Christmas Bands Movement in the Western Cape, South Africa and the constitution of subjectivity | |
| African Music Journal. Volume 8 #4. p. 69-83. |
| Rathnaw, Dennis M. (2010) |
| The eroticization of bikutsi: reclaiming female space through popular music and media | |
| African Music Journal. Volume 8 #4. p. 48-68. |
| Watkins, Lee Wiliam (2010) |
| Keeping it real: amaXhosa 'iimbongi' making mimesis do its thing in the hip-hop and rap music of the Eastern Cape | |
| African Music Journal. Volume 8 #4. p. 24-47. |
| Zemp, Hugo; Soro, Sikaman (2010) |
| Talking balafons | |
| African Music Journal. Volume 8 #4. p. 6-23. |
| Noss-van Buren, Kathleen J. (2009) |
| Locating hope in performance: lessons from Edward Kabuye | |
| African Music Journal. Volume 8 #3. p. 144-161. |
| Sanga, Imani (2009) |
| Teaching-learning processes in Muziki Wa Injili in Dar es Salaam | |
| African Music Journal. Volume 8 #3. p. 132-143. |
| Allingham, Rob (2009) |
| From 'Noma Kumnyama' to 'Pata Pata': a history | |
| African Music Journal. Volume 8 #3. p. 117-131. |
| O'Dúbhda, Fíacha (2009) |
| On the musical patterning of sculpted words: exploring the relationship between melody and metre in a Somali poetic form | |
| African Music Journal. Volume 8 #3. p. 97-116. |
| McCoy, Jason (2009) |
| Making violence ordinary: radio, music and the Rwandan genocide | |
| African Music Journal. Volume 8 #3. p. 85-96. |
| Kyker, Jennifer W. (2009) |
| Carrying spirit in song: music and the making of ancestors at Zezuru 'kurova guva' ceremonies | |
| African Music Journal. Volume 8 #3. p. 65-84. |
| Anku, Willie (2009) |
| Drumming among the Akan and Anlo Ewe of Ghana: an introduction | |
| African Music Journal. Volume 8 #3. p. 38-64. |
| Locke, David (2009) |
| Simultaneous multidimensionality in African music: musical cubism | |
| African Music Journal. Volume 8 #3. p. 8-37. |
| Fürniss, Susanne (2008) |
| The adoption of the circumcision ritual 'bèkà' by the Baka-Pygmies in Southeast Cameroon | |
| African Music Journal. Volume 8 #2. p. 92-113. |
| Steingo, Gavin (2008) |
| Historicizing kwaito | |
| African Music Journal. Volume 8 #2. p. 76-91. |
| Jorritsma, Marie (2008) |
| The hidden transcripts of sacred song in a South African coloured community | |
| African Music Journal. Volume 8 #2. p. 56-75. |
| Maxwell, Heather A. (2008) |
| Of youth-harps and songbirds: the sweet music of Wasulu | |
| African Music Journal. Volume 8 #2. p. 26-55. |
| Gunderson, Frank (2008) |
| Music performance on 19th-century Sukuma-Nyamwezi caravans to the Swahili coast | |
| African Music Journal. Volume 8 #2. p. 6-25. |
| Olivier, Emmanuelle (2007) |
| On polyphonic construction: an analysis of Ju/'hoan vocal music (Namibia) | |
| African Music Journal. Volume 8 #1. p. 82-111. |
| Dargie, Dave (2007) |
| 'Umakhweyane': a musical bow and its contribution to Zulu music | |
| African Music Journal. Volume 8 #1. p. 60-81. |
| Kruger, Jaco (2007) |
| Singing psalms with owls: a Venda 20th century musical history part two: 'tshikona', beer songs and personal songs | |
| African Music Journal. Volume 8 #1. p. 36-59. |
| Kubik, Gerhard (2007) |
| Pierre Gwa: Mpyemõ guitarist: his songs and their sources: Central African Republic, 1966 | |
| African Music Journal. Volume 8 #1. p. 21-35. |
| Reuster-Jahn, Uta (2007) |
| The Mwera lamellophone 'luliimba' | |
| African Music Journal. Volume 8 #1. p. 6-20. |
| Nurse, George T. (1999) |
| Africa and Indonesia Reconsidered | |
| African Music Journal. Volume 7 #4. p. 181-188. |
| Azim, Erica (1999) |
| On Teaching Americans to Play Mbira Like Zimbabweans | |
| African Music Journal. Volume 7 #4. p. 175-180. |
| Kartomi, Margaret J. (1999) |
| Ethnomusicological Education for a Humane Society: Ethical Issues in the Post-Colonial, Post-Apartheid Era | |
| African Music Journal. Volume 7 #4. p. 166-174. |
| Kaye, Andrew L. (1999) |
| Koo Nimo: A Contemporary Ghanaian Musician | |
| African Music Journal. Volume 7 #4. p. 147-165. |
| Kruger, Jaco (1999) |
| Singing Psalms with Owls: A Venda Twentieth Century Musical History | |
| African Music Journal. Volume 7 #4. p. 122-146. |
| Strumpf, Mitchell (1999) |
| Some Music Traditions of Malawi | |
| African Music Journal. Volume 7 #4. p. 110-121. |
| Muller, Carol; Fargion, Janet T. (1999) |
| Gumboots, Bhaca Migrants, and Fred Astaire: South African Worker Dance and Musical Style | |
| African Music Journal. Volume 7 #4. p. 88-109. |
| Mukuna, Kazadi W. (1999) |
| Urban Music in Democratic Republic of Congo during the 2nd and 3rd Decades (1975-1995) of the Second Republic: Zaire | |
| African Music Journal. Volume 7 #4. p. 73-87. |
| Cooke, Peter (1999) |
| Fieldwork in Lango, Northern Uganda, February-March 1997 | |
| African Music Journal. Volume 7 #4. p. 66-72. |
| Cooke, Andrew; Micklem, James (1999) |
| Ennanga Harp Songs of Buganda: Temutewo Mukasa's 'Gganga Alula' | |
| African Music Journal. Volume 7 #4. p. 47-65. |
| Micklem, James; Cooke, Andrew; Stone, Mark (1999) |
| Xylophone Music of Uganda: The Embaire of Nakibembe, Busoga | |
| African Music Journal. Volume 7 #4. p. 29-46. |
| Makubuya, James (1999) |
| The Ndongo Bowl Lyre of the Baganda of Uganda | |
| African Music Journal. Volume 7 #4. p. 22-28. |
| Cooke, Peter; Kasule, Sam (1999) |
| The Musical Scene in Uganda: Views from without and within | |
| African Music Journal. Volume 7 #4. p. 6-21. |
| Wells, Robin (1996) |
| Sesotho Music: A Contemporary Perspective | |
| African Music Journal. Volume 7 #3. p. 67-75. |
| Malamusi, Moya (1996) |
| Stringed Instrument Traditions in Southern Malawi | |
| African Music Journal. Volume 7 #3. p. 60-66. |
| Allen, Lara (1996) |
| 'Drumbeats, Pennywhistles and All That Jazz': The Relationship between Urban South African Musical Styles and Musical Meaning | |
| African Music Journal. Volume 7 #3. p. 52-59. |
| Ballantine, Christopher (1996) |
| Fact, Ideology and Paradox: African Elements in Early Black South African Jazz and Vaudeville | |
| African Music Journal. Volume 7 #3. p. 44-51. |
| Dargie, Dave (1996) |
| African Methods of Music Education: Some Reflections | |
| African Music Journal. Volume 7 #3. p. 30-43. |
| Pinto, Tiago de Oliveira (1996) |
| The Discourse about Others' Music: Reflecting on African-Brazilian Concepts | |
| African Music Journal. Volume 7 #3. p. 21-29. |
| Kubik, Gerhard (1996) |
| Emics and Etics: Theoretical Considerations | |
| African Music Journal. Volume 7 #3. p. 3-10. |
| Wells, Robin (1992) |
| Research in Lesotho | |
| African Music Journal. Volume 7 #2. p. 126-127. |
| Cooke, Peter (1992) |
| Pitch Perception Experiments Carried Out in Buganda and Busoga | |
| African Music Journal. Volume 7 #2. p. 119-125. |
| Tracey, Andrew (1992) |
| Some Dance Steps for the Nyanga Panpipe Dance | |
| African Music Journal. Volume 7 #2. p. 108-118. |
| Malamusi, Moya (1992) |
| Thunga la Ngororombe: The Panpipe Dance Group of Sakha Bulaundi | |
| African Music Journal. Volume 7 #2. p. 85-107. |
| Wa Mukuna, K. (1992) |
| The Genesis of Urban Music in Zaire | |
| African Music Journal. Volume 7 #2. p. 72-84. |
| Davis, David C. (1992) |
| 'They Sing Our Origins': A Study of the Lungsi Drummers of Mampurugu | |
| African Music Journal. Volume 7 #2. p. 58-71. |
| Avorgbedor, Daniel K. (1992) |
| The Impact of Rural-Urban Migration on a Village Music Culture: Some Implications for Applied Ethnomusicology | |
| African Music Journal. Volume 7 #2. p. 45-57. |
| Bastin, Marie-Louise (1992) |
| Musical Instruments, Songs and Dances of the Chokwe (Dundo Region, Luanda District, Angola) | |
| African Music Journal. Volume 7 #2. p. 23-44. |
| Agu, Daniel C.C. (1992) |
| Youth Songs: A Type of Igbo Choral Music in Igbo Christian Worship | |
| African Music Journal. Volume 7 #2. p. 13-22. |
| Okafor, Richard (1992) |
| Music in Nigerian Education | |
| African Music Journal. Volume 7 #2. p. 5-12. |
| Coplan, David B. (1991) |
| Notes on New and Old World African Drumming: Just Playing it Like You Mean it is Not Playing | |
| African Music Journal. Volume 7 #1. p. 105-109. |
| Tracey, Andrew (1991) |
| Kambazithe Makolekole and His Valimba Group: A Glimpse of the Technique of the Sena Xylophone | |
| African Music Journal. Volume 7 #1. p. 82-104. |
| Martin, Stephen (1991) |
| Brass Bands and the Beni Phenomenon in Urban East Africa | |
| African Music Journal. Volume 7 #1. p. 72-81. |
| Malamusi, Moya (1991) |
| Samba Ng'oma Eight: The Drum Chime of Mario Sabuneti | |
| African Music Journal. Volume 7 #1. p. 55-71. |
| Darkwa, Asante (1991) |
| Sengenya Dance Music: Its Instrumental Resources and Performance | |
| African Music Journal. Volume 7 #1. p. 48-54. |
| Dargie, David (1991) |
| Umngqokolo: Xhosa Overtone Singing and the Song Nondel'ekhaya | |
| African Music Journal. Volume 7 #1. p. 33-47. |
| Rycroft, David K. (1991) |
| Black South African Urban Music since the 1890s: Some Reminiscences of Alfred Assegai Kumalo (1879-1966) | |
| African Music Journal. Volume 7 #1. p. 5-32. |
| Briginshaw, Valerie A. (1987) |
| Giriama and Digo Dance Styles | |
| African Music Journal. Volume 6 #4. p. 144-154. |
| Johnston, Thomas F. (1987) |
| Children's Music of the Shangana-Tsonga | |
| African Music Journal. Volume 6 #4. p. 126-143. |
| Nzewi, Meki (1987) |
| Ese Music: Honours for the Dead; Status for the Sponsor | |
| African Music Journal. Volume 6 #4. p. 90-107. |
| Search: pe=African Music Journal | ||||||||
| Found: 293 | Record 1-100 | |
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