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Found: 293 | Record 1-100 | ![]() |
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![]() | Dargie, Dave (2015) |
The voice of a prisoner: recordings of Joseph Ntwanambi in the Ruhleben prisoner of war camp, Berlin, 1917 | |
African Music Journal. Volume 10 #1. p. 180-199. |
![]() | Madalane, Ignatia (2015) |
From Paul to Penny: the emergence and development of Tsonga disco 1985-1990s | |
African Music Journal. Volume 10 #1. p. 150-179. |
![]() | Tracey, Andrew (2015) |
The system of the mbira | |
African Music Journal. Volume 10 #1. p. 127-149. |
![]() | Perman, Tony (2015) |
A tale of two mbiras | |
African Music Journal. Volume 10 #1. p. 102-126. |
![]() | Eyre, Banning (2015) |
Thomas Mapfumo and the popularization of Shona mbira | |
African Music Journal. Volume 10 #1. p. 84-101. |
![]() | Webb, Gavin (2015) |
'Ma la ma wie Ga': ('I will sing and speak Ga'): Wulomei and the articulations of Ga identity in stylized form | |
African Music Journal. Volume 10 #1. p. 52-83. |
![]() | Amoros, Luis Gimenez (2015) |
Azawan: precolonial musical culture and Saharawi nationalism in the refugee camps of the Hamada desert in Algeria | |
African Music Journal. Volume 10 #1. p. 31-51. |
![]() | Hurley-Glowa, Susan (2015) |
Cape Verdeans in the Atlantic: the formation of Kriolu music and dance styles on ship and in port | |
African Music Journal. Volume 10 #1. p. 7-30. |
![]() | Inglese, Francesca (2014) |
Choreographing Cape Town through goema music and dance | |
African Music Journal. Volume 9 #4. p. 123-145. |
![]() | Eagleson, Ian (2014) |
Continuities and innovation in Luo song style: creating the benga beat in Kenya 1960 to 1996 | |
African Music Journal. Volume 9 #4. p. 91-122. |
![]() | Mugishagwe, Allan (2014) |
Music and notions of citizenship in the humanitarian work of two NGOs in Uganda | |
African Music Journal. Volume 9 #4. p. 71-90. |
![]() | Okigbo, Austin (2014) |
Contesting cultural meaning in a post-apartheid South African HIV/AIDS music event | |
African Music Journal. Volume 9 #4. p. 54-70. |
![]() | Dor, George Worlasi Kwasi (2014) |
Ephraim Amu's 'Bonwere Kentenwene': a celebration of Ghanaian traditional knowledge, wisdom, and artistry | |
African Music Journal. Volume 9 #4. p. 7-35. |
![]() | Sum, Maisie (2013) |
Music for the unseen: interaction between two realms during a Gnawa 'lila' | |
African Music Journal. Volume 9 #3. p. 151-182. |
![]() | Dargie, Dave (2013) |
Kavango music | |
African Music Journal. Volume 9 #3. p. 122-150. |
![]() | Whitmore, Aleysia K. (2013) |
'Cuban music is African music': negotiating African and the African diaspora on the world music stage | |
African Music Journal. Volume 9 #3. p. 111-121. |
![]() | Emielu, Austin (2013) |
Ethnic and regional identities in Nigerian popular music: a special focus on the Edo | |
African Music Journal. Volume 9 #3. p. 92-110. |
![]() | Musiyiwa, Mickias (2013) |
Hit songs and the dynamics of postcolonial Zimbabwe: a study in popular music trends, 1980-2009 | |
African Music Journal. Volume 9 #3. p. 59-91. |
![]() | Brunner, Anja (2013) |
The singer Anne-Marie Nzié and the song 'Liberté': on popular music and the postcolonial State in Cameroon | |
African Music Journal. Volume 9 #3. p. 40-58. |
![]() | Tracey, Andrew; Gumboreshumba, Laina (2013) |
Transcribing the Venda 'tshikona'. reedpipe dance | |
African Music Journal. Volume 9 #3. p. 25-39. |
![]() | Volper, Julien (2013) |
Call to the hunt: the one-note xylophone of the DRC | |
African Music Journal. Volume 9 #3. p. 7-20. |
![]() | Stuffelbeam, Katharine (2012) |
Performing advocacy: women's music and dance in Dagbon, Northern Ghana | |
African Music Journal. Volume 9 #2. p. 154-169. |
![]() | Jackson, Rachel (2012) |
The trans-atlantic journey of 'gumbé': where and why has it survived? | |
African Music Journal. Volume 9 #2. p. 128-153. |
![]() | Hoesing, Peter (2012) |
'Kusamira': singing rituals of wellness in southern Uganda | |
African Music Journal. Volume 9 #2. p. 94-127. |
![]() | Kiel, Hilda (2012) |
Travel on a song: the roots of Zanzibar 'taarab' | |
African Music Journal. Volume 9 #2. p. 77-93. |
![]() | Muehrer, Rachel (2012) |
Playing techniques of the Nnanga of Buganda | |
African Music Journal. Volume 9 #2. p. 57-76. |
![]() | Jones, Claire (2012) |
A modern tradition: the social history of the Zimbabwean marimba | |
African Music Journal. Volume 9 #2. p. 32-56. |
![]() | Ndomondo, Mathayo (2012) |
A woman can sing and dance but cannot dance with high leaps: musical performance of the Haya of Bukoba, Tanzania | |
African Music Journal. Volume 9 #2. p. 7-31. |
![]() | Scharfenberger, Angela (2011) |
West African women in music: an analysis of scholarship, women's participation in music in West Africa: a reflection on fieldwork, self, and understanding | |
African Music Journal. Volume 9 #1. p. 221-246. |
![]() | Lawrence, Sidra (2011) |
Sounds of development? Race, authenticity, and tradition among Dagara female musicians in northwestern Ghana | |
African Music Journal. Volume 9 #1. p. 206-220. |
![]() | Burns, James (2011) |
'Doing it with style': an ethnopoetic study of improvisation and variation in Southern Ewe drum language conversations | |
African Music Journal. Volume 9 #1. p. 154-205. |
![]() | Racanelli, David (2011) |
Diasporic jeliya as a collaborative trade in New York City | |
African Music Journal. Volume 9 #1. p. 136-153. |
![]() | Kidula, Jean Ngoya (2011) |
Gospel music videos in the counter-memory of post-nation identity in Kenya | |
African Music Journal. Volume 9 #1. p. 116-135. |
![]() | Perullo, Alex (2011) |
Politics and popular song: youth, authority, and popular music in East Africa | |
African Music Journal. Volume 9 #1. p. 87-115. |
![]() | Lucia, Christine (2011) |
Joshua Pulumo Mohapeloa and the heritage of African song | |
African Music Journal. Volume 9 #1. p. 56-86. |
![]() | Dargie, Dave (2011) |
The Xhosa umrhubhe mouthbow: an extraordinary musical instrument | |
African Music Journal. Volume 9 #1. p. 33-55. |
![]() | Tracey, Andrew (2011) |
Chopi Timbila music | |
African Music Journal. Volume 9 #1. p. 7-32. |
![]() | Dijk, Marcel van (2010) |
The Lala kalimba: the correlation between instrument and style | |
African Music Journal. Volume 8 #4. p. 84-100. |
![]() | Bruinders, Sylvia (2010) |
Parading respectability: the Christmas Bands Movement in the Western Cape, South Africa and the constitution of subjectivity | |
African Music Journal. Volume 8 #4. p. 69-83. |
![]() | Rathnaw, Dennis M. (2010) |
The eroticization of bikutsi: reclaiming female space through popular music and media | |
African Music Journal. Volume 8 #4. p. 48-68. |
![]() | Watkins, Lee Wiliam (2010) |
Keeping it real: amaXhosa 'iimbongi' making mimesis do its thing in the hip-hop and rap music of the Eastern Cape | |
African Music Journal. Volume 8 #4. p. 24-47. |
![]() | Zemp, Hugo; Soro, Sikaman (2010) |
Talking balafons | |
African Music Journal. Volume 8 #4. p. 6-23. |
![]() | Noss-van Buren, Kathleen J. (2009) |
Locating hope in performance: lessons from Edward Kabuye | |
African Music Journal. Volume 8 #3. p. 144-161. |
![]() | Sanga, Imani (2009) |
Teaching-learning processes in Muziki Wa Injili in Dar es Salaam | |
African Music Journal. Volume 8 #3. p. 132-143. |
![]() | Allingham, Rob (2009) |
From 'Noma Kumnyama' to 'Pata Pata': a history | |
African Music Journal. Volume 8 #3. p. 117-131. |
![]() | O'Dúbhda, Fíacha (2009) |
On the musical patterning of sculpted words: exploring the relationship between melody and metre in a Somali poetic form | |
African Music Journal. Volume 8 #3. p. 97-116. |
![]() | McCoy, Jason (2009) |
Making violence ordinary: radio, music and the Rwandan genocide | |
African Music Journal. Volume 8 #3. p. 85-96. |
![]() | Kyker, Jennifer W. (2009) |
Carrying spirit in song: music and the making of ancestors at Zezuru 'kurova guva' ceremonies | |
African Music Journal. Volume 8 #3. p. 65-84. |
![]() | Anku, Willie (2009) |
Drumming among the Akan and Anlo Ewe of Ghana: an introduction | |
African Music Journal. Volume 8 #3. p. 38-64. |
![]() | Locke, David (2009) |
Simultaneous multidimensionality in African music: musical cubism | |
African Music Journal. Volume 8 #3. p. 8-37. |
![]() | Fürniss, Susanne (2008) |
The adoption of the circumcision ritual 'bèkà' by the Baka-Pygmies in Southeast Cameroon | |
African Music Journal. Volume 8 #2. p. 92-113. |
![]() | Steingo, Gavin (2008) |
Historicizing kwaito | |
African Music Journal. Volume 8 #2. p. 76-91. |
![]() | Jorritsma, Marie (2008) |
The hidden transcripts of sacred song in a South African coloured community | |
African Music Journal. Volume 8 #2. p. 56-75. |
![]() | Maxwell, Heather A. (2008) |
Of youth-harps and songbirds: the sweet music of Wasulu | |
African Music Journal. Volume 8 #2. p. 26-55. |
![]() | Gunderson, Frank (2008) |
Music performance on 19th-century Sukuma-Nyamwezi caravans to the Swahili coast | |
African Music Journal. Volume 8 #2. p. 6-25. |
![]() | Olivier, Emmanuelle (2007) |
On polyphonic construction: an analysis of Ju/'hoan vocal music (Namibia) | |
African Music Journal. Volume 8 #1. p. 82-111. |
![]() | Dargie, Dave (2007) |
'Umakhweyane': a musical bow and its contribution to Zulu music | |
African Music Journal. Volume 8 #1. p. 60-81. |
![]() | Kruger, Jaco (2007) |
Singing psalms with owls: a Venda 20th century musical history part two: 'tshikona', beer songs and personal songs | |
African Music Journal. Volume 8 #1. p. 36-59. |
![]() | Kubik, Gerhard (2007) |
Pierre Gwa: Mpyemõ guitarist: his songs and their sources: Central African Republic, 1966 | |
African Music Journal. Volume 8 #1. p. 21-35. |
![]() | Reuster-Jahn, Uta (2007) |
The Mwera lamellophone 'luliimba' | |
African Music Journal. Volume 8 #1. p. 6-20. |
![]() | Nurse, George T. (1999) |
Africa and Indonesia Reconsidered | |
African Music Journal. Volume 7 #4. p. 181-188. |
![]() | Azim, Erica (1999) |
On Teaching Americans to Play Mbira Like Zimbabweans | |
African Music Journal. Volume 7 #4. p. 175-180. |
![]() | Kartomi, Margaret J. (1999) |
Ethnomusicological Education for a Humane Society: Ethical Issues in the Post-Colonial, Post-Apartheid Era | |
African Music Journal. Volume 7 #4. p. 166-174. |
![]() | Kaye, Andrew L. (1999) |
Koo Nimo: A Contemporary Ghanaian Musician | |
African Music Journal. Volume 7 #4. p. 147-165. |
![]() | Kruger, Jaco (1999) |
Singing Psalms with Owls: A Venda Twentieth Century Musical History | |
African Music Journal. Volume 7 #4. p. 122-146. |
![]() | Strumpf, Mitchell (1999) |
Some Music Traditions of Malawi | |
African Music Journal. Volume 7 #4. p. 110-121. |
![]() | Muller, Carol; Fargion, Janet T. (1999) |
Gumboots, Bhaca Migrants, and Fred Astaire: South African Worker Dance and Musical Style | |
African Music Journal. Volume 7 #4. p. 88-109. |
![]() | Mukuna, Kazadi W. (1999) |
Urban Music in Democratic Republic of Congo during the 2nd and 3rd Decades (1975-1995) of the Second Republic: Zaire | |
African Music Journal. Volume 7 #4. p. 73-87. |
![]() | Cooke, Peter (1999) |
Fieldwork in Lango, Northern Uganda, February-March 1997 | |
African Music Journal. Volume 7 #4. p. 66-72. |
![]() | Cooke, Andrew; Micklem, James (1999) |
Ennanga Harp Songs of Buganda: Temutewo Mukasa's 'Gganga Alula' | |
African Music Journal. Volume 7 #4. p. 47-65. |
![]() | Micklem, James; Cooke, Andrew; Stone, Mark (1999) |
Xylophone Music of Uganda: The Embaire of Nakibembe, Busoga | |
African Music Journal. Volume 7 #4. p. 29-46. |
![]() | Makubuya, James (1999) |
The Ndongo Bowl Lyre of the Baganda of Uganda | |
African Music Journal. Volume 7 #4. p. 22-28. |
![]() | Cooke, Peter; Kasule, Sam (1999) |
The Musical Scene in Uganda: Views from without and within | |
African Music Journal. Volume 7 #4. p. 6-21. |
![]() | Wells, Robin (1996) |
Sesotho Music: A Contemporary Perspective | |
African Music Journal. Volume 7 #3. p. 67-75. |
![]() | Malamusi, Moya (1996) |
Stringed Instrument Traditions in Southern Malawi | |
African Music Journal. Volume 7 #3. p. 60-66. |
![]() | Allen, Lara (1996) |
'Drumbeats, Pennywhistles and All That Jazz': The Relationship between Urban South African Musical Styles and Musical Meaning | |
African Music Journal. Volume 7 #3. p. 52-59. |
![]() | Ballantine, Christopher (1996) |
Fact, Ideology and Paradox: African Elements in Early Black South African Jazz and Vaudeville | |
African Music Journal. Volume 7 #3. p. 44-51. |
![]() | Dargie, Dave (1996) |
African Methods of Music Education: Some Reflections | |
African Music Journal. Volume 7 #3. p. 30-43. |
![]() | Pinto, Tiago de Oliveira (1996) |
The Discourse about Others' Music: Reflecting on African-Brazilian Concepts | |
African Music Journal. Volume 7 #3. p. 21-29. |
![]() | Kubik, Gerhard (1996) |
Emics and Etics: Theoretical Considerations | |
African Music Journal. Volume 7 #3. p. 3-10. |
![]() | Wells, Robin (1992) |
Research in Lesotho | |
African Music Journal. Volume 7 #2. p. 126-127. |
![]() | Cooke, Peter (1992) |
Pitch Perception Experiments Carried Out in Buganda and Busoga | |
African Music Journal. Volume 7 #2. p. 119-125. |
![]() | Tracey, Andrew (1992) |
Some Dance Steps for the Nyanga Panpipe Dance | |
African Music Journal. Volume 7 #2. p. 108-118. |
![]() | Malamusi, Moya (1992) |
Thunga la Ngororombe: The Panpipe Dance Group of Sakha Bulaundi | |
African Music Journal. Volume 7 #2. p. 85-107. |
![]() | Wa Mukuna, K. (1992) |
The Genesis of Urban Music in Zaire | |
African Music Journal. Volume 7 #2. p. 72-84. |
![]() | Davis, David C. (1992) |
'They Sing Our Origins': A Study of the Lungsi Drummers of Mampurugu | |
African Music Journal. Volume 7 #2. p. 58-71. |
![]() | Avorgbedor, Daniel K. (1992) |
The Impact of Rural-Urban Migration on a Village Music Culture: Some Implications for Applied Ethnomusicology | |
African Music Journal. Volume 7 #2. p. 45-57. |
![]() | Bastin, Marie-Louise (1992) |
Musical Instruments, Songs and Dances of the Chokwe (Dundo Region, Luanda District, Angola) | |
African Music Journal. Volume 7 #2. p. 23-44. |
![]() | Agu, Daniel C.C. (1992) |
Youth Songs: A Type of Igbo Choral Music in Igbo Christian Worship | |
African Music Journal. Volume 7 #2. p. 13-22. |
![]() | Okafor, Richard (1992) |
Music in Nigerian Education | |
African Music Journal. Volume 7 #2. p. 5-12. |
![]() | Coplan, David B. (1991) |
Notes on New and Old World African Drumming: Just Playing it Like You Mean it is Not Playing | |
African Music Journal. Volume 7 #1. p. 105-109. |
![]() | Tracey, Andrew (1991) |
Kambazithe Makolekole and His Valimba Group: A Glimpse of the Technique of the Sena Xylophone | |
African Music Journal. Volume 7 #1. p. 82-104. |
![]() | Martin, Stephen (1991) |
Brass Bands and the Beni Phenomenon in Urban East Africa | |
African Music Journal. Volume 7 #1. p. 72-81. |
![]() | Malamusi, Moya (1991) |
Samba Ng'oma Eight: The Drum Chime of Mario Sabuneti | |
African Music Journal. Volume 7 #1. p. 55-71. |
![]() | Darkwa, Asante (1991) |
Sengenya Dance Music: Its Instrumental Resources and Performance | |
African Music Journal. Volume 7 #1. p. 48-54. |
![]() | Dargie, David (1991) |
Umngqokolo: Xhosa Overtone Singing and the Song Nondel'ekhaya | |
African Music Journal. Volume 7 #1. p. 33-47. |
![]() | Rycroft, David K. (1991) |
Black South African Urban Music since the 1890s: Some Reminiscences of Alfred Assegai Kumalo (1879-1966) | |
African Music Journal. Volume 7 #1. p. 5-32. |
![]() | Briginshaw, Valerie A. (1987) |
Giriama and Digo Dance Styles | |
African Music Journal. Volume 6 #4. p. 144-154. |
![]() | Johnston, Thomas F. (1987) |
Children's Music of the Shangana-Tsonga | |
African Music Journal. Volume 6 #4. p. 126-143. |
![]() | Nzewi, Meki (1987) |
Ese Music: Honours for the Dead; Status for the Sponsor | |
African Music Journal. Volume 6 #4. p. 90-107. |
Search: pe=African Music Journal | ||||||||
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