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| Search: pe=Critical Arts: A Journal of Media Studies | ||||||||
| Found: 287 | Record 1-100 |  |
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 | Stobie, Cheryl (2016) |
 | Di ta go; ons het dit gedoen; we did it: Khoekhoe ethnicity, sexuality and temporalities in Proteus |
 | Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 915-930. |
| Wessels, Michael A. (2016) |
| A glimpse into Bushman mythology: interpretation, power and knowledge |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 898-914. |
| Rusch, Neil (2016) |
| The root and tip of the ||kwanna: introducing chiasmus in |xam narratives |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 877-897. |
| Lange, Mary Elizabeth (2016) |
| Marking memories: indigenous north of the !Garib River and contemporary in Westville, South Africa |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 855-876. |
| Koot, Stasja (2016) |
| Perpetuating power through autoethnography: my research unawareness and memories of paternalism among the indigenous Hai//om in Namibia |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 840-854. |
| Grant, Julie (2016) |
| Crossing the divide: research methods to facilitate representative data collection within conflicted communities |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 823-839. |
| Tomaselli, Keyan (2016) |
| Research ethics in the Kalahari: issues, contradictions and concerns |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 804-822. |
| Chasi, Colin; Rodny-Gumede, Ylva (2016) |
| Ubuntu journalism and nation-building magic |
| Critical Arts: A Journal of Media Studies. Volume 30 #5. p. 728-744. |
| Hu, Ying (ed.) (2016) |
| 'Communicating development' - a cultural shift: emerging discourses on entrepreneurial development and poverty reduction by Nigeria's banking and microfinance sectors |
| Critical Arts: A Journal of Media Studies. Volume 30 #5. p. 709-727. |
| Swanepoel, Rilette (2016) |
| Everybody hurts: abjection, pain and laughter in Ivan Vladislavic's 'Courage' |
| Critical Arts: A Journal of Media Studies. Volume 30 #5. p. 672-688. |
| Pooley, Thomas M. (2016) |
| Extracurricular arts: poverty, inequality and indigenous musical arts education in post-apartheid South Africa |
| Critical Arts: A Journal of Media Studies. Volume 30 #5. p. 639-654. |
| Boshoff, Priscilla A.; Garman, Anthea (2016) |
| Capital or critique? When journalism education seeks to influence the field |
| Critical Arts: A Journal of Media Studies. Volume 30 #5. p. 607-622. |
| Ndlovu, Thabisani (2016) |
| All poor together? Race and the stylistics of begging at traffic lights in Johannesburg |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 590-905. |
| Cairnie, Julie (2016) |
| Reading running |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 574-589. |
| Afful, Adwoa (2016) |
| Wild seed: Africa and its many diasporas |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 557-573. |
| Conradie, Marthinus S.; Brokensha, Susan I. (2016) |
| Reconfiguring race in the online interactions of South African undergraduates |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 538-556. |
| Strauss, Helene (2016) |
| Managing public feeling: temporality, mourning and the Marikana Massacre in Rehad Desai's 'Miners shot down' |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 522-537. |
| Anyaduba, Chigbo A. (2016) |
| Broadening the canon: Africa and its non-migrant diasporas |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 507-521. |
| Macharia, Keguro (2016) |
| 5 reflections on trans* & taxonomy (with Neo Musangi) |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 495-506. |
| Wright, Handel Kashope (2016) |
| What has African Cultural Studies done for you lately? Autobiographical and global considerations of a floating signifier |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 478-494. |
| Frenkel, Ronit; Sides, Kirk B. (2016) |
| Exile in Mauritius: colonial violence and Indian Ocean archives |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 282-294. |
| van Rhyn, Chris (2016) |
| Writing the history of art music in Africa: a case of symbolic interactionism |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 269-281. |
| Damodaran, Sumangala; Sitas, Ari (2016) |
| The musical journey: re-centring AfroAsia through an arc of musical sorrow |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 252-268. |
| van Niekerk, Angelique; Conradie, Marthinus (2016) |
| Branding through art: the commercial value of visual and linguistic signs of art |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 233-251. |
| Omenugha, Kate Azuka; Uzuegbunam, Chikezie Emmanuel; Ndolo, Ike S. (2016) |
| Celebrity culture, media and the Nigerian youth: negotiating cultural identities in a globalised world |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 200-216. |
| de Lange, Rudi (2016) |
| Misleading advertising: a case study of a marketer's 'prescribed by doctors' slogan |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 187-199. |
| Malaba, Mbongeni (2016) |
| English Studies: a comparative analysis of trends in South African universities and national universities in Zimbabwe, Swaziland, Botswana, Lesotho and Namibia |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 171-186. |
| Botma, Gabriël (2016) |
| Cultural citizenship in the digital future(s): in search of a new code of praxis for South African journalism education and training |
| Critical Arts: A Journal of Media Studies. Volume 30 #1. p. 102-116. |
| Mooney, Katie (2016) |
| Collective identity in the Ducktail subculture in post-World War II South Africa |
| Critical Arts: A Journal of Media Studies. Volume 30 #1. p. 62-86. |
| Mhagama, Peter (2016) |
| The importance of participation in development through community radio: a case study of Nkhotakota community radio station in Malawi |
| Critical Arts: A Journal of Media Studies. Volume 30 #1. p. 45-61. |
| Lukhele, Francis (2016) |
| Tears of the rainbow: mourning in South African culture |
| Critical Arts: A Journal of Media Studies. Volume 30 #1. p. 31-44. |
| Falkof, Nicky (2016) |
| ENG/AFR: white masculinity in two contemporary South African films |
| Critical Arts: A Journal of Media Studies. Volume 30 #1. p. 15-30. |
| le Roux, Elizabeth (2015) |
| Themed section: Discrimination in scholarly publishing |
| Critical Arts: A Journal of Media Studies. Volume 29 #6. p. 703-784. |
| Mboti, Nyasha; Tomaselli, Keyan (2015) |
| New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilč' concept |
| Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
| Kilonzo, Susan; Magak, Kitche; Omwalo, Bryson (2015) |
| The influence of information technology on the socio-political song in Kenya |
| Critical Arts: A Journal of Media Studies. Volume 29 #4. p. 518-536. |
| Ogone, James Odhiambo (2015) |
| Remediating orality: the cultural domestication of video technology in Kenya |
| Critical Arts: A Journal of Media Studies. Volume 29 #4. p. 479-495. |
| Makalela, Leketi (2015) |
| Narrative interpretation of HIV/AIDS messages: the effects of storytelling prompts among rural university students |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 400-418. |
| Polonska-Kimunguyi, Eva (2015) |
| From public service broadcaster to development actor: Deutsche Welle and the (con)quest of African female audiences |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 382-399. |
| Haavisto, Camilla; Maasilta, Mari (2015) |
| Towards a journalism of hope? Compassion and locality in European mediations of distant suffering |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 327-341. |
| Grant, Julie (2015) |
| Live Aid/8: perpetuating the superiority myth |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 310-326. |
| Frassinelli, Pier Paolo (2015) |
| Heading south: theory, 'Viva Riva!' and 'District 9' |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
| Ravengai, Samuel (2015) |
| Subversion of socialist theatre and the rise of post-realist theatre in Zimbabwe |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 276-292. |
 | Iqani, Mehita; Kenny, Bridget (eds.) (2015) |
| Special issue: Consumption, media and culture in South Africa: perspectives on freedom and the public |
| Critical Arts: A Journal of Media Studies. Volume 29 #2. p. 95-259. |
| Teer-Tomaselli, Ruth (2015) |
| Empire and broadcasting in the interwar years: towards a consideration of public broadcasting in the British dominions |
| Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 77-93. |
| Mukhongo, Lusike (2015) |
| Friends or foes? A critique of the development of the media and the evolving relationship between press and politics in Kenya |
| Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 59-76. |
| Putnis, Peter (2015) |
| Reuters and the South African press at the end of Empire |
| Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 41-58. |
| McCracken, Donal P. (2015) |
| The imperial British newspaper, with special reference to South Africa, India and the 'Irish model' |
| Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 5-25. |
| Farber, Leora (ed.) (2015) |
| Special issue: archival addresses: photographies, practices, positionalities |
| Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 1-181. |
| Teer-Tomaselli, Ruth (2014) |
| Special issue: Media and Empire in the 20th century |
| Critical Arts: A Journal of Media Studies. Volume 28 #6. p. 875-976. |
| Le Roux, Elizabeth (2014) |
| Special issue: South Africa's publishing and reading culture |
| Critical Arts: A Journal of Media Studies. Volume 28 #5. p. 761-874. |
| Tomaselli, Keyan G. (ed.) (2014) |
| Special issue: San representation, part II |
| Critical Arts: A Journal of Media Studies. Volume 28 #4. p. 593-759. |
| Tomaselli, Keyan G. (ed.) (2014) |
| Special issue: San representation, part I |
| Critical Arts: A Journal of Media Studies. Volume 28 #3. p. 465-592. |
| Tsarwe, Stanley (2014) |
| Voice, alienation and the struggle to be heard: a case study of community radio programming in South Africa |
| Critical Arts: A Journal of Media Studies. Volume 28 #2. p. 287-310. |
| Chasi, Colin; Omarjee, Nadira (2014) |
| It begins with you? An ubuntu-centred critique of a social marketing campaign on HIV and AIDS |
| Critical Arts: A Journal of Media Studies. Volume 28 #2. p. 229-246. |
| Tagwirei, Cuthbeth (2014) |
| 'Lame ducks' in the time of HIV/AIDS? Exploring female victimhood in selected HIV/AIDS narratives by Zimbabwean female writers |
| Critical Arts: A Journal of Media Studies. Volume 28 #2. p. 216-228. |
| Nazier, Farieda (2014) |
| Beyond the 'After Math': exploring psychological decolonisation in a post-apartheid context of artistic praxis |
| Critical Arts: A Journal of Media Studies. Volume 28 #2. p. 199-215. |
| Chetty, Rajendra (2014) |
| Class dismissed? Youth resistance and the politics of race and class in South African education |
| Critical Arts: A Journal of Media Studies. Volume 28 #1. p. 88-102. |
| Vally, Salim (2014) |
| The battle for the truth - youth resistance, neoliberalism and an appreciation of Neville Alexander |
| Critical Arts: A Journal of Media Studies. Volume 28 #1. p. 69-75. |
| Van Staden, Cobus (2014) |
| Moomin/Mumin/Moemin: apartheid-era dubbing and Japanese animation |
| Critical Arts: A Journal of Media Studies. Volume 28 #1. p. 1-18. |
| Rutten, Kris; Van Dienderen, An; Soetaert, Ronald (eds.) (2013) |
| Special issue 1: Revisiting the ethnographic turn in contemporary art |
| Critical Arts: A Journal of Media Studies. Volume 27 #5. p. 459-626. |
| Banda, Tito (2013) |
| Overlooked and sublime: the case of 'mitungu' dance songs of northern Malawi |
| Critical Arts: A Journal of Media Studies. Volume 27 #4. p. 418-438. |
| Flockemann, Miki (2013) |
| Repeating and disrupting embodied histories through performance: 'Exhibit A', 'Mies Julie' and 'Itsoseng' |
| Critical Arts: A Journal of Media Studies. Volume 27 #4. p. 403-417. |
| Chasi, Colin (2013) |
| Communication and expressing, not speaking, on AIDS |
| Critical Arts: A Journal of Media Studies. Volume 27 #3. p. 386-402. |
| Thompson, Esi Eduwaa; Yeboah, Abena Animwaa (2013) |
| Health information from elite to popular media: are Ghanaian media creating more space for health information/education? |
| Critical Arts: A Journal of Media Studies. Volume 27 #3. p. 370-385. |
| Jones, Nicola (2013) |
| Have we learned from history? A comparative critical assessment of the Independent Group's coverage of the HIV/AIDS pandemic in South Africa in 2004 and 2011 |
| Critical Arts: A Journal of Media Studies. Volume 27 #3. p. 311-331. |
| Cardey, Sarah (ed.) (2013) |
| Entertainment education theory and practice in HIV-AIDS communication: a South Africa/United Kingdom comparison |
| Critical Arts: A Journal of Media Studies. Volume 27 #3. p. 288-310. |
| Bulled, Nicola L. (2013) |
| (Re)distribution of blame: examining the politics of biomedical HIV knowledge in Lesotho |
| Critical Arts: A Journal of Media Studies. Volume 27 #3. p. 267-287. |
| Young-Jahangeer, Miranda (2013) |
| Watermarks: intervening in the City of Cape Town |
| Critical Arts: A Journal of Media Studies. Volume 27 #2. p. 254-262. |
| Ngoshi, Hazel Tafadzwa (2013) |
| The female body and voice in audiovisual political propaganda jingles: the Mbare Chimurenga Choir women in Zimbabwe's contested political terrain |
| Critical Arts: A Journal of Media Studies. Volume 27 #2. p. 235-248. |
| Vorster, Stacey (2013) |
| Inner-city safaris and wild public art |
| Critical Arts: A Journal of Media Studies. Volume 27 #2. p. 147-162. |
| Treffry-Goatley, Astrid; Mahlinza, Mduduzi; Imrie, John (2013) |
| Public engagement with HIV in a rural South African context: an analysis of a small-media, taxi-based edutainment model applied in 'Jiving with Science' |
| Critical Arts: A Journal of Media Studies. Volume 27 #1. p. 112-126. |
| Barker, Kriss; Connolly, Scott; Angelone, Cecelia (2013) |
| Creating a brighter future in Rwanda through entertainment education |
| Critical Arts: A Journal of Media Studies. Volume 27 #1. p. 75-90. |
| Scott, Claire (2012) |
| Die Antwoord and a delegitimised South African whiteness: a potential counter-narrative? |
| Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 745-761. |
| Schoon, Alette (2012) |
| Dragging young people down the drain: the mobile phone, gossip mobile website 'Outoilet' and the creation of a mobile ghetto |
| Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 690-706. |
| Hüncke, Anna; Koot, Stasja (2012) |
| The presentation of Bushmen in cultural tourism: tourists' images of Bushmen and the tourism providers' presentation of (Hai//om) Bushmen at Treesleeper Camp, Namibia |
| Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 671-689. |
| Viljoen, Stella (2012) |
| Made, laid and paid: photographic masculinities in a black men's magazine |
| Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 648-670. |
| Ndlovu-Gatsheni, Sabelo J. (2012) |
| The death of the Subject with a capital 'S' and the perils of belonging: a study of the construction of ethnocracy in Zimbabwe |
| Critical Arts: A Journal of Media Studies. Volume 26 #4. p. 525-546. |
| Makhubu, Nomusa M. (2012) |
| Violence and the cultural logics of pain: representations of sexuality in the work of Nicholas Hlobo and Zanele Muholi |
| Critical Arts: A Journal of Media Studies. Volume 26 #4. p. 504-524. |
| Jenkins, Elwyn (2012) |
| Showcasing South African rock art on postage stamps |
| Critical Arts: A Journal of Media Studies. Volume 26 #4. p. 466-483. |
| McCracken, Donal P. (2012) |
| Equivocators or zealots? Post-revolutionary re-imaging colonial languages, names and name change in Ireland and South Africa |
| Critical Arts: A Journal of Media Studies. Volume 26 #4. p. 447-465. |
| Tomaselli, Keyan G.; Causey, Andrew (eds.) (2012) |
| Researchers as tourists and travellers |
| Critical Arts: A Journal of Media Studies. Volume 26 #3. p. 233-446. |
| Gillespie, Kelly (2012) |
| Teaching disruption: reflections from a Johannesburg classroom |
| Critical Arts: A Journal of Media Studies. Volume 26 #1. p. 39-61. |
| Tomaselli, Keyan G. (2012) |
| Alter-egos: cultural and media studies |
| Critical Arts: A Journal of Media Studies. Volume 26 #1. p. 14-38. |
| Farber, Leora; Bishop, Ryan (eds.) (2010) |
| The address of the other: the body and the senses in contemporary South African visual art |
| Critical Arts: A Journal of Media Studies. Volume 24 #3. p. 303-485. |
| Marschall, Sabine (2010) |
| How to honour a woman: gendered memorialisation in post-apartheid South Africa |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 260-283. |
| Flockemann, Miki (2010) |
| The everyday experience of xenophobia: performing 'The Crossing' from Zimbabwe to South Africa |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 245-259. |
| Francis, Dennis A. (2010) |
| 'Sex is not something we talk about, it's something we do': using drama to engage youth in sexuality, relationship and HIV education |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 228-244. |
| Francis, Michael; Francis, Suzanne (2010) |
| Representation and misrepresentation: San regional advocacy and the global imagery |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 210-227. |
| Sonnekus, Theo (2010) |
| 'We want to see something different (but not too different)': spatial politics and the Pink Loerie Mardi Gras in Knysna |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 192-209. |
| Fourie, Pieter J. (2010) |
| 'New' paradigms, 'new' theory and four priorities for South African mass communication and media research |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 173-191. |
| Narunsky-Laden, Sonja; Glenn, Ian (eds.) (2010) |
| Cultural economy in post-transitional South Africa |
| Critical Arts: A Journal of Media Studies. Volume 24 #1. 172p. |
| Allen, Rika (2009) |
| Art activism in South Africa and the ethics of representation in a time of AIDS |
| Critical Arts: A Journal of Media Studies. Volume 23 #3. p. 396-415. |
| Wasserman, Herman; De Beer, Arnold S. (2009) |
| Afro-optimism/Afro-pessimism and the South African media |
| Critical Arts: A Journal of Media Studies. Volume 23 #3. p. 377-395. |
| Sesanti, Simphiwe (2009) |
| Reclaiming space: African women's use of the media as a platform to contest patriarchal representations of African culture - womanists' perspectives |
| Critical Arts: A Journal of Media Studies. Volume 23 #2. p. 209-223. |
| Prins, Frans E. (2009) |
| Secret San of the Drakensberg and their rock art legacy |
| Critical Arts: A Journal of Media Studies. Volume 23 #2. p. 190-208. |
| Coplan, David B. (2009) |
| Innocent violence: social exclusion, identity, and the press in an African democracy |
| Critical Arts: A Journal of Media Studies. Volume 23 #1. p. 64-83. |
| Chirambo, Reuben (2009) |
| Corruption, tribalism and democracy: coded messages in Wambali Mkandawire's popular songs in Malawi |
| Critical Arts: A Journal of Media Studies. Volume 23 #1. p. 42-63. |
| Solomon, Anne (2009) |
| Broken strings: interdisciplinarity and Xam oral literature |
| Critical Arts: A Journal of Media Studies. Volume 23 #1. p. 26-41. |
| Mikalsen, Oyvind (2008) |
| Development communication and the paradox of choice: imposition and dictatorship in comparing Sámi and San Bushmen experiences of cultural autonomy |
| Critical Arts: A Journal of Media Studies. Volume 22 #2. p. 295-332. |
| Mano, Winston; Willems, Wendy (2008) |
| Emerging communities, emerging media: the case of a Zimbabwean nurse in the British 'Big Brother' show |
| Critical Arts: A Journal of Media Studies. Volume 22 #1. p. 101-128. |
| Search: pe=Critical Arts: A Journal of Media Studies | ||||||||
| Found: 287 | Record 1-100 | |
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