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Found: 63 | Record 1-63 |
![]() | Ureke, Oswelled; Tomaselli, Keyan (2017) |
![]() | From 'African Cinema' to film services industries: a cinematic fact |
![]() | Journal of African Cinemas. Volume 9 #1. p. 75-92. |
![]() | Kwansah-Aidoo, Kwamena; Owusu, Joyce Osei (2017) |
![]() | A contemporary, empowered female figure? Towards a feminist reading of Frimpong-Manso's 'Life and living it and 'The perfect picture |
![]() | Journal of African Cinemas. Volume 9 #1. p. 55-73. |
![]() | Shule, Vicensia (2017) |
![]() | Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps |
![]() | Journal of African Cinemas. Volume 9 #1. p. 37-54. |
![]() | Moya, Ana (2017) |
![]() | When borderlands are where we live: 'Disgrace' (Jacobs, 2008), 'Invictus' (Eastwood, 2009) and 'District 9' (Blomkamp, 2009) |
![]() | Journal of African Cinemas. Volume 9 #1. p. 19-36. |
![]() | Tager, Michele (2017) |
![]() | 'Elelwani' (2012): a Third Cinema analysis of a Venda tale of a young woman's journey of self-discovery |
![]() | Journal of African Cinemas. Volume 9 #1. p. 3-18. |
![]() | Tchouaffe, Olivier J. (2016) |
![]() | Perspectives on new popular African cinema, history and creative destruction in 'Viva Riva!' (2011) |
![]() | Journal of African Cinemas. Volume 8 #3. p. 299-312. |
![]() | Carmo Piçarra, Maria do (2016) |
![]() | Empire Cinema: propaganda and censorship in colonial films during the Portuguese Estado Novo |
![]() | Journal of African Cinemas. Volume 8 #3. p. 283-297. |
![]() | Victor, Anna (2016) |
![]() | Experimental cartographies in Tariq Teguia's 'Inland' |
![]() | Journal of African Cinemas. Volume 8 #3. p. 267-281. |
![]() | Hamilton-Wray, Tama Lynne (2016) |
![]() | Haile Gerima's 'Sankofa' experience: man, mission, movie, movement |
![]() | Journal of African Cinemas. Volume 8 #3. p. 249-266. |
![]() | Harrow, Kenneth W. (2016) |
![]() | Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
![]() | Journal of African Cinemas. Volume 8 #3. p. 233-248. |
![]() | Oyinsan, Bunmi (2016) |
![]() | Orality, documentary, intertextual performance and discursive practices: a reading of 'Ye Wonz Maibel (Deluge)' 1997 by Salem Mekuria |
![]() | Journal of African Cinemas. Volume 8 #2. p. 199-214. |
![]() | Repinecz, Jonathon (2016) |
![]() | 'This is not a pipe'? Reflexivity, fictionality and dialogism in Sembène's films |
![]() | Journal of African Cinemas. Volume 8 #2. p. 181-197. |
![]() | Mizoguchi, Akiko (2016) |
![]() | What languages do aliens speak? Multilingual 'Otherness' of diasporic dystopia in 'District 9' |
![]() | Journal of African Cinemas. Volume 8 #2. p. 169-179. |
![]() | Stobie, Cheryl (2016) |
![]() | Diamonds at the meeting of her thighs: representations of gender and sexuality in 'U-Carmen eKhayelitsha' |
![]() | Journal of African Cinemas. Volume 8 #2. p. 155-168. |
![]() | Parsons, Neil (2016) |
![]() | Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
![]() | Journal of African Cinemas. Volume 8 #2. p. 133-154. |
![]() | Van de Peer, Stefanie (ed.) (2016) |
![]() | Special issue: the North in African cinemas |
![]() | Journal of African Cinemas. Volume 8 #1. p. 3-128. |
![]() | Bisschoff, Lizelle (ed.) (2015) |
![]() | Special issue: Cinema in East Africa |
![]() | Journal of African Cinemas. Volume 7 #2. p. 71-201. |
![]() | Dipio, Dominica; Cherif Diop, Oumar (2015) |
![]() | Art's subtle, liberating ways: violence, trauma and agency in Fanta Regina Nacro's 'The Night of Truth' (2004) |
![]() | Journal of African Cinemas. Volume 7 #1. p. 41-49. |
![]() | Ojoniyi, Olabode Wale (2015) |
Violence as intentionality for survival and power in two Yoruba films | |
![]() | Journal of African Cinemas. Volume 7 #1. p. 31-39. |
![]() | Mngadi, Sikhumbuzo (2015) |
![]() | The cultural politics of adaptation: 'Fools' and the politics of gender |
![]() | Journal of African Cinemas. Volume 7 #1. p. 15-30. |
![]() | Tomaselli, Keyan (2015) |
![]() | Accessing the archive: a TV history of Afrikaans film |
![]() | Journal of African Cinemas. Volume 7 #1. p. 3-14. |
![]() | Mboti, Nyasha (ed.) (2014) |
![]() | Special issue: Everyday violence(s) and visualities in Africa |
![]() | Journal of African Cinemas. Volume 6 #2. 122p. |
![]() | Brown, Matthew H.; Mboti, Nyasha (eds.) (2014) |
![]() | Special issue: Nollywood's 'Unknowns' |
![]() | Journal of African Cinemas. Volume 6 #1. 122p. |
![]() | Tomaselli, Keyan G. (2013) |
![]() | Film cities and competitive advantage: development factors in South African film |
![]() | Journal of African Cinemas. Volume 5 #2. p. 237-252. |
![]() | Brereton, Pat (2013) |
![]() | Eco-cinema, sustainability and Africa: a reading of 'Out of Africa' (1985), 'The Constant Gardener' (2005) and 'District 9' (2010) |
![]() | Journal of African Cinemas. Volume 5 #2. p. 219-235. |
![]() | Saint, Lily (2013) |
![]() | 'You kiss in Westerns': cultural translation in Moustapha Alassane's 'Le retour d'un aventurier' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 203-217. |
![]() | De Groof, Matthias (2013) |
![]() | How text reflects context: representation of African film audiences in 'Aristotle's Plot' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 181-202. |
![]() | Malcic, Steven (2013) |
![]() | Ousmane Sembene's vicious circle: the politics and aesthetics of 'La Noire de …' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 167-180. |
![]() | Azeez, Adesina Lukuman (2013) |
![]() | Audience perception of the reality in the representations of women in Nigerian films |
![]() | Journal of African Cinemas. Volume 5 #2. p. 149-166. |
![]() | Dima, Vlad (2013) |
![]() | Women and posters as heterotopias in Ousmane Sembene's 'Xala' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 137-148. |
![]() | Mhiripiri, Nhamo Anthony (2013) |
(Auto)Biographical and cinematographic exposition of Dambudzo Marechera on documentary film and video | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 99-121. |
![]() | Ryan, Connor (2013) |
Revisiting the notion of political black cinema: a comparative analysis of Melvin Van Peebles and Ousmane Sembene | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 85-97. |
![]() | Teversham, Edward (2013) |
'Army of Cars': the automobile in Flora Gomes' 'The Blue Eyes of Yonta' | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 73-83. |
![]() | Kilian, Cassis (2013) |
Worth a closer look: a comparative study of 'Xala' and 'Osuofia' in London | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 55-71. |
![]() | Janis, Michael (2013) |
The United States of Africa: Afrofuturistic pasts and Afropolitan futures | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 33-54. |
![]() | Peters, Roanne (2013) |
Anthro-tourism, documentary film and method | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 19-31. |
![]() | Sow, Moussa (2013) |
Ecocinema in Senegalese documentary film | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 3-17. |
![]() | Rollet, Brigitte (ed.) (2012) |
Celebrating 40 years of films made by women directors in francophone Africa | |
![]() | Journal of African Cinemas. Volume 4 #2. p. 139-233. |
![]() | Haynes, Jonathan (ed.) (2012) |
Reflections on Nollywood | |
![]() | Journal of African Cinemas. Volume 4 #1. 133p. |
![]() | Meleiro, Alessandra (ed.) (2011) |
Luso-African cinema: nation and cinema | |
![]() | Journal of African Cinemas. Volume 3 #2. p. 133-249. |
![]() | Van de Peer, Stefanie (2011) |
Permissible documentaries: representation in Ateyyat El Abnoudy's documentaries | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 109-124. |
![]() | Levine, Alison J. Murray (2011) |
'Provoking situations': Abderrahmane Sissako's documentary fiction | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 93-107. |
![]() | Riep, David M.M. (2011) |
Visual revision: intersecting art and film in the work of Jean-Marie Teno and Raoul Peck | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 81-92. |
![]() | Kerr, David (2011) |
The reception of Nigerian video drama in a multicultural female community in Botswana | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 65-79. |
![]() | Olaoluwa, Senayon; Adejayan, Adewole (2011) |
Thierry Henry as 'Igwe': soccer fandom, christening and cultural passage in Nollywood | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 25-42. |
![]() | Tomaselli, Keyan G.; Shepperson, Arnold (2011) |
Mirror communities and straw individualisms: essentialism, cinema and semiotic analysis | |
![]() | Journal of African Cinemas. Volume 3 #1. p. 3-24. |
![]() | Carklin, Michael (2010) |
Images of childhood in southern Africa: a study of three films | |
![]() | Journal of African Cinemas. Volume 2 #2. p. 137-149. |
![]() | Fisher, Alexander (2010) |
Funding, ideology and the aesthetics of the development film in postcolonial Zimbabwe | |
![]() | Journal of African Cinemas. Volume 2 #2. p. 111-120. |
![]() | Mhiripiri, Nhamo Anthony (2010) |
Thematic concerns in the emergent Zimbabwean short film genre | |
![]() | Journal of African Cinemas. Volume 2 #2. p. 91-109. |
![]() | Cieplak, Piotr A. (2010) |
The Rwandan genocide and the bestiality of representation in '100 Days' (2001) and 'Shooting Dogs' (2005) | |
![]() | Journal of African Cinemas. Volume 2 #1. p. 49-63. |
![]() | Bisschoff, Lizelle (2010) |
Visions of female emancipation: three recent films from West Africa | |
![]() | Journal of African Cinemas. Volume 2 #1. p. 37-48. |
![]() | Austin, Guy (2010) |
Against amnesia: representations of memory in Algerian cinema | |
Journal of African Cinemas. Volume 2 #1. p. 27-35. |
![]() | Mhando, Martin R.; Kipeja, Laurian (2010) |
Creative/cultural industries financing in Africa: a Tanzanian film value chain study | |
![]() | Journal of African Cinemas. Volume 2 #1. p. 3-25. |
![]() | Tomaselli, Keyan G.; Dockney, Jonathan; Dawson, Sarah (2009) |
Bumping into reality, brutal realism and Bafundi 2009: some thoughts on a student film festival | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 225-234. |
![]() | Diop, Samba (2009) |
Music and narrative in five films by Ousmane Sembène | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 207-224. |
![]() | Stefanson, Blandine (2009) |
Violence in Souleymane Cissé's films: a cultural perspective | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 189-205. |
![]() | Mushengyezi, Aaron (2009) |
Problematizing a 'fundamentalist' ideology: a close analysis of Atef Hetata's 'The Closed Doors' and Phil Mullaly's 'The Martyrs of Uganda' | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 173-188. |
![]() | Papaioannou, P. Julie (2009) |
From orality to visuality: the question of aesthetics in African cinema | |
![]() | Journal of African Cinemas. Volume 1 #2. p. 141-157. |
![]() | Petty, Sheila (2009) |
The rise of the African musical: postcolonial disjunction in 'Karmen Geï' and 'Madame Brouette' | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 95-112. |
![]() | Nkunzimana, Obed (2009) |
Beyond colonial stereotypes: reflections on postcolonial cinema in the African Great Lakes region | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 79-94. |
![]() | Tchouaffé, Jean Olivier (2009) |
Reframing African cinema and democracy: the case of Cameroon | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 57-77. |
![]() | Adeoti, Gbemisola (2009) |
Home video films and the democratic imperative in contemporary Nigeria | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 35-56. |
![]() | Mhando, Martin (2009) |
Globalization and African cinema: distribution and reception in the anglophone region | |
![]() | Journal of African Cinemas. Volume 1 #1. p. 19-34. |
Search: pe=Journal of African Cinemas | ||||||||
Found: 63 | Record 1-63 |
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