AfricaBib 
bibliographic database
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| Search: pe=Journal of Performing Arts | ||||||||
| Found: 54 | Record 1-54 | |||||||
 | Nwabuzor, Michael Nnabundo (2015) |
| Assessing the image of female gender as characters in Nollywood video films | |
| Journal of Performing Arts. Volume 5 #1. p. 160-177. |
| Kwakye-Opong, Regina; Salifu, Jebuni Tigwe (2015) |
| Semiotics of costume in Baamaaya Dance Suite of the Dagbamba | |
| Journal of Performing Arts. Volume 5 #1. p. 138-159. |
| Darko, Jennies Deide (2015) |
| Dance performance, an endorsement for advertised products on television in Ghana | |
| Journal of Performing Arts. Volume 5 #1. p. 128-137. |
| Abbe, Josephine Ebiuwa (2015) |
| The choreographic experience of African moonlight games in performance context | |
| Journal of Performing Arts. Volume 5 #1. p. 116-127. |
| Kwashie Kuwor, Sylvanus (2015) |
| Dance as a vital part of Anlo-Ewe traditional media | |
| Journal of Performing Arts. Volume 5 #1. p. 73-100. |
| Zablong, Zakariah Abdallah; Dedzoe-Dzokotoe Plockey, Florence (2015) |
| Managing indigenous knowledge among traditional historians of Dagbon: the role of academic libraries in Ghana | |
| Journal of Performing Arts. Volume 5 #1. p. 33-56. |
| Appiah-Adjei, Daniel (2015) |
| Treasure on the shelves and the stage longs for new plays and playwrights | |
| Journal of Performing Arts. Volume 5 #1. p. 7-32. |
| Brempong, Owusu (2013) |
| Proverbs and proverbial sayings in highlife songs | |
| Journal of Performing Arts. Volume 4 #4. p. 147-156. |
| Collins, E.John (2013) |
| The Ghanaian and Nigerian gospel music explosion | |
| Journal of Performing Arts. Volume 4 #4. p. 115-131. |
| Aluede, Charles Onomudo; Omone, Aluede Esther (2013) |
| Ujie music and dance of the Esan: a Nigerian genre on the wheels | |
| Journal of Performing Arts. Volume 4 #4. p. 103-114. |
| Ehiemua, Kingsley I. (2013) |
| Essence and multi-lingualism in the plays of Sam Ukala | |
| Journal of Performing Arts. Volume 4 #4. p. 91-102. |
| Djisenu, John (2013) |
| Sizwe Bansi is Dead: mirroring the paradox of the living-dead in Apartheid South Africa | |
| Journal of Performing Arts. Volume 4 #4. p. 73-89. |
| Osei, Latipher (2013) |
| Encouraging dance and its notation in Ghanaian basic schools | |
| Journal of Performing Arts. Volume 4 #4. p. 55-62. |
| Ofosu, Terry Bright Kweku (2013) |
| Rap culture and its parallels: the 'La kpa' and Akan praise singing in perspective | |
| Journal of Performing Arts. Volume 4 #4. p. 41-54. |
| Boamah, Emmanuel (2013) |
| Nketia's contribution to African pianism: an innovation to the literature of African art music | |
| Journal of Performing Arts. Volume 4 #4. p. 11-24. |
| Amuah, Joshua Alfred (2013) |
| Promoting the performing arts in Ghana: the role of Salt and Light Ministeries | |
| Journal of Performing Arts. Volume 4 #4. p. 1-10. |
| Odogbor, Peter O. (2011) |
| Musical performance practice in Ovia Osese maiden festival of the Ogori of Nigeria: effects of intermingling of religions and cultures | |
| Journal of Performing Arts. Volume 4 #2. p. 220-234. |
| Abdallah, Zablong Zakariah (2011) |
| The 'lunsi' institution of Dagbon: sustainability in the balance | |
| Journal of Performing Arts. Volume 4 #2. p. 199-219. |
| Ayettey, Benjamin Obido (2011) |
| The social significance of the Djara dance among the Dagbamba of Northern Ghana | |
| Journal of Performing Arts. Volume 4 #2. p. 189-198. |
| Olatunji, Myke; Babalola, Dipo; Daramola, Yomi (2011) |
| Bi and tri-lingualism: a reflection of code mixing and switching in contemporary Yoruba Christian gospel and Islamized music | |
| Journal of Performing Arts. Volume 4 #2. p. 148-165. |
| Adeola, Taiye Shola (2011) |
| Discourse on illness and healing in selected gospel songs in Southwestern Nigeria | |
| Journal of Performing Arts. Volume 4 #2. p. 133-147. |
| Dove, Naa Kwaale (2011) |
| Concept for Ghana tourism: encounter with the past - the use of drama at heritage sites | |
| Journal of Performing Arts. Volume 4 #2. p. 119-123. |
| Ugoli, Chris (2011) |
| The national troupe of Nigeria: choreographic and performance styles | |
| Journal of Performing Arts. Volume 4 #2. p. 112-118. |
| Quaye, David E.A. (2011) |
| Analysing the traditional dance on stage within the university: in close reference to Opoku's legacy | |
| Journal of Performing Arts. Volume 4 #2. p. 103-111. |
| Collins, John (2011) |
| World music: a stimulus to Ghanaian tourism, education and 'cross-over' musical collaborations | |
| Journal of Performing Arts. Volume 4 #2. p. 71-79. |
| Emielu, Austin 'Maro (2011) |
| Popular music and youth empowerment in Nigeria | |
| Journal of Performing Arts. Volume 4 #2. p. 59-70. |
| Adeoye, Adul Rasheed Abiodun (2011) |
| Directing styles in the Nigerian literary theatre | |
| Journal of Performing Arts. Volume 4 #2. p. 32-46. |
| Asiama, Elias (2009-2010) |
| Ghanaian community theatre in promoting national development | |
| Journal of Performing Arts. Volume 4 #1. p. 136-142. |
| Andoh, Timothy Esiam (2009-2010) |
| The growth and development of choral music in Ghana: the contributions and aspects of the choral style of Ephraim Amu | |
| Journal of Performing Arts. Volume 4 #1. p. 123-135. |
| Gbormittah, F. (2009-2010) |
| Technological innovations and realism in cinema: the case of Steadicam and André Bazin's theory of realism | |
| Journal of Performing Arts. Volume 4 #1. p. 109-122. |
| Vordzorgbe, Pius P.Y. (2009-2010) |
| The ethnic approach to music making: a case for music education in Ghana | |
| Journal of Performing Arts. Volume 4 #1. p. 101-108. |
| Collins, John (2009-2010) |
| Highlife and Nkrumah's independence ethos | |
| Journal of Performing Arts. Volume 4 #1. p. 89-100. |
| Adom, Bertha (2009-2010) |
| The thematic analysis of Avatime women's cradlesongs | |
| Journal of Performing Arts. Volume 4 #1. p. 75-88. |
| Adeyemi, Taiwo (2009-2010) |
| Cultural nationalism: the 'Nollywoodization' of Nigerian cinema | |
| Journal of Performing Arts. Volume 4 #1. p. 63-74. |
| Amoah, Joshua A. (2009-2010) |
| The use of traditional musical genre as a pre-compositional resource in Ghanaian contemporary choral art music: perspectives from Newlove Annan's 'Ewuradze' | |
| Journal of Performing Arts. Volume 4 #1. p. 42-62. |
| Olatuji, M.O. (2009-2010) |
| The biography of col. J.A. Olubobokun: a foremost Nigerian military musician | |
| Journal of Performing Arts. Volume 4 #1. p. 29-41. |
| Brempong, Owusu (2009-2010) |
 | Folktale performance in highlife songs: an empirical observation |
| Journal of Performing Arts. Volume 4 #1. p. 14-28. |
| Adedeji, F. (2009-2010) |
| Compositional techniques and styles in Nigerian gospel music | |
| Journal of Performing Arts. Volume 4 #1. p. 2-13. |
| Addo, W. (1996-1997) |
| The need for a professional national theatre in Ghana | |
| Journal of Performing Arts. Volume 2 #2. p. 58-61. |
| Kwami, R.A. (1996-1997) |
| The teaching of music in the primary school | |
| Journal of Performing Arts. Volume 2 #2. p. 55-57. |
| Kwami, R.A. (1996-1997) |
| Cultural change in Gold Coast music | |
| Journal of Performing Arts. Volume 2 #2. p. 49-54. |
| Fiagbedzi, N. (1996-1997) |
| The professional musician of the future: a projection into 2020 A.D | |
| Journal of Performing Arts. Volume 2 #2. p. 39-48. |
| Manford, R. (1996-1997) |
| The importance of music education: what is out there? | |
| Journal of Performing Arts. Volume 2 #2. p. 30-38. |
| Brempong, O. (1996-1997) |
| Highlife: an urban experience and folk tradition | |
| Journal of Performing Arts. Volume 2 #2. p. 17-29. |
| Anku, W. (1996-1997) |
| Holistic considerations of West African drum music analysis: an assessment | |
| Journal of Performing Arts. Volume 2 #2. p. 12-16. |
| Orawo, C.N. (1996-1997) |
| Ondoro: a Luo musical genre | |
| Journal of Performing Arts. Volume 2 #2. p. 1-11. |
| Manford, R. (1996) |
| The purpose and role of education with emphasis on music education | |
| Journal of Performing Arts. Volume 2 #1. June. p. 52-57. |
| Owusu, M. (1996) |
| Tragic drama: an African dimension | |
| Journal of Performing Arts. Volume 2 #1. June. p. 42-51. |
| Darkwa, A. (1996) |
| Music and dance in Pokot tradition | |
| Journal of Performing Arts. Volume 2 #1. June. p. 33-41. |
| Newman, S.A. (1996) |
| Regaining our cultural heritage: the case of Christianity and our traditional dances | |
| Journal of Performing Arts. Volume 2 #1. June. p. 29-32. |
| Djisenu, J.K. (1996) |
| Performance spaces and institutional organisation in Ghana | |
| Journal of Performing Arts. Volume 2 #1. June. p. 22-28. |
| O'Connor, K. (1996) |
| The concept of 'malicia' in 'capoeira' | |
| Journal of Performing Arts. Volume 2 #1. June. p. 12-21. |
| Arkhurst, S. (1996) |
| The use of mass communication media as an instrument for positive change in the image of women: the case of the folk media | |
| Journal of Performing Arts. Volume 2 #1. June. p. 7-11. |
| Adinku, O. (1996) |
| Justifying dance education in Ghana | |
| Journal of Performing Arts. Volume 2 #1. June. p. 1-6. |
| Search: pe=Journal of Performing Arts | ||||||||
| Found: 54 | Record 1-54 | |||||||
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