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| Search: pe=Current Writing: Text and Reception in Southern Africa | ||||||||
| Found: 178 | Record 1-100 |  |
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 | Ngwira, Emmanuel (2016) |
 | Reading the garden(ing) trope in Zoë Wicomb's 'Playing in the light' |
 | Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 184-192. |
| Upton, Jennifer (2016) |
| Vulnerable bodies in Antjie Krog's 'Begging to be black' |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 173-183. |
| Dimitriu, Ileana (2016) |
| A quest for the 'New man' in times of transition: faith, unfaith and the pitfalls of Utopia in JM Coetzee's 'The Master of Petersburg' |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 159-172. |
| Gray, Stephen (2016) |
| Long story short: the writing life of Sheila Roberts |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 148-158. |
| Chapman, Michael (2016) |
| The old New Black Poetry: 50 years on |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 127-147. |
| Voss, Tony (2016) |
| Revival and/or retrieval? A reading of Corinne Sandwith's World of Letters |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 119-126. |
| Brown, Duncan (2016) |
| Oral literature in South Africa: 20 years on |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #2. p. 108-118. |
 | Frenkel, Ronit (ed.) (2016) |
| Special issue: Imraan Coovadia |
| Current Writing: Text and Reception in Southern Africa. Volume 28 #1. p. 1-105. |
| Moolman, Kobus (ed.) (2015) |
| Special issue: teaching creative writing |
| Current Writing: Text and Reception in Southern Africa. Volume 27 #2. p. 81-208. |
| Sheik, Ayub (2015) |
| B D Lalla's 'The Black Coolie': a struggle for a voice |
| Current Writing: Text and Reception in Southern Africa. Volume 27 #1. p. 50-60. |
| Trengove, Estelle (2015) |
| Lightning and fiction: an engineer reads Phaswane Mpe's 'Brooding Clouds' |
| Current Writing: Text and Reception in Southern Africa. Volume 27 #1. p. 38-49. |
| Demir, Danyela; Moreillon, Olivier; Muller, Alan (2015) |
| In search of a rock star: commemorating Kabelo Sello Duiker's life and work ten years on |
| Current Writing: Text and Reception in Southern Africa. Volume 27 #1. p. 26-37. |
| Jacobs, J.U. (2015) |
| Performing the precolonial: Zakes Mda's 'The Sculptors of Mapungubwe' |
| Current Writing: Text and Reception in Southern Africa. Volume 27 #1. p. 13-25. |
| Grogan, Bridget (2015) |
| Whiteness visible: the representation of race in Daphne Rooke's Mittee |
| Current Writing: Text and Reception in Southern Africa. Volume 27 #1. p. 1-12. |
| Daymond, Margaret (ed.) (2014) |
| Special issue: celebrating the 40th anniversary of the publication of Bessie Head's 'A question of power' (1973) | |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #2. p. 109-202. |
| Mthatiwa, Syned (2014) |
| Subjectivity and belonging in the poetry of Bart Wolffe |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #1. p. 91-99. |
| Barris, Ken (2014) |
| 'Every place is three places': bursting seams in recent fiction by Diane Awerbuck and Henrietta Rose-Innes |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #1. p. 59-69. |
| Du Plooy, Belinda (2014) |
| A Foucauldian reading of power dynamics in two Afrikaans historical novels Daleen Matthee's 'Fiela's child' and Micki Pistorius's 'Sorg' |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #1. p. 51-58. |
| Thackwray, Sara (2014) |
| 'Storytellers, not just case makers?': a study of storytelling in the essays of Njabulo S. Ndebele |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #1. p. 41-50. |
| Gray, Stephen (2014) |
| Losing his head: the poetry of Wopko Jensma and his reputation |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #1. p. 29-40. |
| Voss, Tony (2014) |
| Notes on Joyce and South Africa: coincidence and concordance |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #1. p. 19-28. |
| Chapman, Michael (2014) |
| Nelson Rolihlahla Mandela (1918-2013): a tribute to his contribution to literature |
| Current Writing: Text and Reception in Southern Africa. Volume 26 #1. p. 3-11. |
| Naidu, Sam (ed.) (2013) |
| Special issue: crime fiction, South Africa | |
| Current Writing: Text and Reception in Southern Africa. Volume 25 #2. p. 123-229. |
| Hunter, Eva (2013) |
| The Muslim 'who has faith' in Leila Aboulela's novels 'Minaret' (2005) and 'Lyrics alley' (2009) |
| Current Writing: Text and Reception in Southern Africa. Volume 25 #1. p. 88-89. |
| Ncube, Gibson (2013) |
| 'The festering finger': reimagining minority sexuality in Tendai Huchu's 'The hairdresser of Harare' and Abdellah Taïa's 'Une mélancholie arabe' |
| Current Writing: Text and Reception in Southern Africa. Volume 25 #1. p. 66-75. |
| Gray, Stephen (2013) |
| Caught on tape: Dennis Brutus' questionable hold on poet Arthur Nortje |
| Current Writing: Text and Reception in Southern Africa. Volume 25 #1. p. 30-38. |
| Smith, Neville (2013) |
| Divided personas in the early poetry of Arthur Nortje |
| Current Writing: Text and Reception in Southern Africa. Volume 25 #1. p. 20-29. |
| Stobie, Cheryl (ed.) (2012) |
| [Special issue: Spirituality and sexuality in texts] | |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #2. p. 125-210. |
| Gaylard, Gerald (2012) |
| Transculturating the sympathic imagination: unfamiliar feelings in Ivan Vladislavic |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 98-108. |
| Murray, Jessica (2012) |
| The layered gaze: reading lesbian desire in selected South African fiction |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 88-97. |
| Jacobs, J.U. (2012) |
| 'As I lay dying': facing the past in the South African novel after 1990 |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 72-87. |
| Wessels, Michael (2012) |
| A Bushman voice from the Drakensberg: Zanele Mkhwanazi's story |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 58-71. |
| Sithole, Nkosinathi (2012) |
| African languages literature: childish and immature? The case of two contemporary isiZulu novels |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 50-57. |
| Popescu, Monica (2012) |
| Reading through a Cold War lens: apartheid-era literature and the global conflict |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 37-49. |
| Van Wyk Smith, M. (2012) |
| Great expectations or paradise lost? The London years of the 'Southern African Review of Books' 1987-1991 |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 27-36. |
| Gray, Stephen (2012) |
| Noel Langley & Co.: some South Africans in showbiz abroad |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 16-26. |
| Wright, Laurence (2012) |
| 'Being present where you are': Guy Butler's South Africanism (with notes on Kirkwood and Coetzee): 'Guy Butler: reassessing a South African literary life' |
| Current Writing: Text and Reception in Southern Africa. Volume 24 #1. p. 2-15. |
| Samuelson, Meg; Driver, Dorothy (eds.) (2011) |
| [Reading Zoë Wicomb's cosmopolitan, domestic and recursive settings] | |
| Current Writing: Text and Reception in Southern Africa. Volume 23 #2. 207p. |
| Brown, Duncan; Krog, Antjie (2011) |
| Creative non-fiction: a conversation | |
| Current Writing: Text and Reception in Southern Africa. Volume 23 #1. p. 57-70. |
| Twalo, Thembinkosi (2011) |
| Gender politics in Zakes Mda's 'Ways of Dying' | |
| Current Writing: Text and Reception in Southern Africa. Volume 23 #1. p. 45-56. |
| Gumede, Henry Sifiso (2011) |
| A violation of a woman's right to love: J.K. Ngubane's novel, 'Uvalo Lwezinhlonzi' [His Frown Struck Terror] | |
| Current Writing: Text and Reception in Southern Africa. Volume 23 #1. p. 35-44. |
| Viljoen, Louise (2011) |
| Of chisels and jackhammers: Afrikaans poetry, 2000-2009 | |
| Current Writing: Text and Reception in Southern Africa. Volume 23 #1. p. 17-34. |
| Dimitriu, Ileana (2011) |
| Beyond the mono-cultural mind 'translating' English Studies | |
| Current Writing: Text and Reception in Southern Africa. Volume 23 #1. p. 2-16. |
| Lenta, Patrick (ed.) (2010) |
| Law and South African literature | |
| Current Writing: Text and Reception in Southern Africa. Volume 22 #2. 207p. |
| Chapman, Michael (2010) |
| 'To Petrus': Coetzee, Krog, critics | |
| Current Writing: Text and Reception in Southern Africa. Volume 22 #1. p. 155-162. |
| Khuzwayo, Thokozani (2010) |
| 'Bona', barometer of the decades | |
| Current Writing: Text and Reception in Southern Africa. Volume 22 #1. p. 146-154. |
| Dimitriu, Ileana (2010) |
| 'Why are we suddenly talking about God?': a spiritual turn in recent critical writing | |
| Current Writing: Text and Reception in Southern Africa. Volume 22 #1. p. 123-145. |
| Postel, Gitte (2010) |
| Media, mediums and metaphors: the modern South African sangoma in various texts | |
| Current Writing: Text and Reception in Southern Africa. Volume 22 #1. p. 107-122. |
| Stiebel, Lindy (2010) |
| Last stop 'Little Gujarat': tracking South African Indian writers on the Grey Street Writers' trail in Durban | |
| Current Writing: Text and Reception in Southern Africa. Volume 22 #1. p. 1-20. |
| Chapman, Michael; Lenta, Margaret (eds.) (2009) |
| Beyond 2000: South African literature today | |
| Current Writing: Text and Reception in Southern Africa. Volume 21 #1-2. 375p. |
| Brown, Duncan (2008) |
| 'Modern prophets, produce a new Bible': Christianity, Africanness and the poetry of Nontsizi Mgqwetho | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #2. p. 77-91. |
| Wessels, Michael (2008) |
| Religion and the interpretation of the /Xam narratives | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #2. p. 44-66. |
| Steiner, Tina (2008) |
| Strategic nostalgia, Islam and cultural translation in Leila Aboulela's 'The translator' and 'Coloured lights' | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #2. p. 7-25. |
| Ndabayakhe, Vuyiswa; Addison, Catherine (2008) |
| Polygamy in African fiction | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #1. p. 89-104. |
| Wessels, Michael (2008) |
| Myth of origin or play of difference: a discussion of two versions of the /Xam story of the origin of death | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #1. p. 54-68. |
| Murray, Sally-Ann (2008) |
| On Ivan Vladislavic on Willem Boshof on conceptual art | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #1. p. 16-37. |
| Jacobs, J.U. (2008) |
| Playing in the dark | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #1. p. 1-15. |
| Pieterse, Annel (2007) |
| We who belong to this landscape: Antjie Krog and the politics of space | |
| Current Writing: Text and Reception in Southern Africa. Volume 19 #2. p. 163-186. |
| Van Coller, H.P.; Odendaal, B.J. (2007) |
| Antjie Krog's role as translator: a case study of strategic positioning in the current South African literary poly-system | |
| Current Writing: Text and Reception in Southern Africa. Volume 19 #2. p. 94-122. |
| Vosloo, Frances (2007) |
| 'Inhabiting' the translator's 'habitus': Antjie Krog as translator | |
| Current Writing: Text and Reception in Southern Africa. Volume 19 #2. p. 72-93. |
| Wylie, Dan (2007) |
| 'Now strangers walk in that place': Antjie Krog, modernity, and the making of | |
| Current Writing: Text and Reception in Southern Africa. Volume 19 #2. p. 49-71. |
| Wessels, Michael (2007) |
| Antjie Krog, Stephen Watson and the metaphysics of presence | |
| Current Writing: Text and Reception in Southern Africa. Volume 19 #2. p. 24-48. |
| Garman, Anthea (2007) |
| Antjie Krog and the accumulation of 'media meta-capital' | |
| Current Writing: Text and Reception in Southern Africa. Volume 19 #2. p. 1-23. |
| Ryan, Pamela (2007) |
| Towards a new feminist practice in Africa: the Women Writing Africa project | |
| Current Writing: Text and Reception in Southern Africa. Volume 19 #1. p. 116-136. |
| Frederiksen, Bodil Folke (2006) |
| Writing, self-realization and community: Henry Muoria and the creation of a nationalist public sphere in Kenya | |
| Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 150-165. |
| Hofmeyr, Isabel (2006) |
| Books in heaven: dreams, texts and conspicuous circulation | |
| Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 136-149. |
| Kaarsholm, Preben (2006) |
| Culture as cure: civil society and moral debates in KwaZulu-Natal after apartheid | |
| Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 82-97. |
| Ssewakiryanga, Richard; Isabirye, Joel (2006) |
| 'From war cacophonies to rhythms of peace': popular cultural music in post-1986 Uganda | |
| Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 53-73. |
| Nannyonga-Tamusuza, Sylvia (2006) |
| Constructing the popular: challenges of archiving Ugandan 'popular' music | |
| Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 33-52. |
| Barber, Karin; Moraes Farias, P.F. de (2006) |
| Archive as work-in-progress | |
| Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 14-32. |
| Gramich, Katie (2005) |
| The politics of location: Nadine Gordimer's fiction then and now | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #2. p. 74-86. |
| Gaylard, Gerald (2005) |
| Postcolonial satire: Ivan Vladislavi·c | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #1. p. 129-148. |
| Dimitriu, Ileana (2005) |
| Shifts in Gordimer's recent short fiction: story-telling after apartheid | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #1. p. 90-107. |
| Foley, Andrew (2005) |
| The principle of the Principal as Principal: narratorial identity and perspective in Alan Paton's Diepkloof stories | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #1. p. 70-89. |
| Gaylard, Rob (2005) |
| R.R.R. Dhlomo and the early black South African short story in English | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #1. p. 52-69. |
| De Vries, Abraham H. (2005) |
| Three decades short | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #1. p. 37-51. |
| Marais, Sue (2005) |
| 'Queer small town people': fixations and fictions of fellowship in the modern short story cycle | |
| Current Writing: Text and Reception in Southern Africa. Volume 17 #1. p. 14-36. |
| Van der Watt, Liese (2004) |
| Exiting whiteness: unthinking race, imagining different paradigms | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #2. p. 93-120. |
| Masemola, Kgomotso (2004) |
| Of belonging and becoming: Black Atlantic (inter-)cultural memory in the early autobiographies of Peter Abrahams and Es'kia Mphahlele | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #2. p. 47-70. |
| Masilela, Ntongela (2004) |
| Peter Abrahams in the modern African world | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #2. p. 31-46. |
| Chrisman, Laura (2004) |
| Du Bois in transnational perspective: the loud silencing of black South Africa | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #2. p. 18-30. |
| Olver, Thomas; Meyer, Stephan (2004) |
| Introduction: African shores and transatlantic interlocutions | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #2. p. 1-17. |
| Lalu, Premesh (2004) |
| Incomplete histories: Steve Biko, the politics of self-writing and the apparatus of reading | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #1. p. 107-126. |
| De Kadt, Elizabeth (2004) |
| The past in the present: family histories written by German-speakers in KwaZulu-Natal, South Africa | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #1. p. 96-106. |
| Clingman, Stephen (2004) |
| Bram Fischer and the question of identity | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #1. p. 61-79. |
| Sandwith, Corinne (2004) |
| Contesting a 'cult(ure) of respectability': anti-colonial resistance in the Western Cape, 1935-1950 | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #1. p. 33-60. |
| Chapman, Michael (2004) |
| A case of story: Coetzee, Gordimer, Bosman...! | |
| Current Writing: Text and Reception in Southern Africa. Volume 16 #1. p. 1-14. |
| Stobie, Cheryl (2003) |
| Somewhere in the double rainbow: queering the nation in recent South African fiction | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #2. p. 117-137. |
| Kauer, Ute (2003) |
| Nation and gender: female identity in contemporary South African writing | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #2. p. 106-116. |
| Samuelson, Meg (2003) |
| Cracked vases and untidy seams: narrative structure and closure in the Truth and Reconciliation Commission and South African fiction | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #2. p. 63-76. |
| Gunner, Liz (2003) |
| Exile and the diasporic voice: Bloke Modisane's BBC radio plays 1969-1987 | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #2. p. 49-62. |
| Merrington, Peter (2003) |
| C. Louis Leipoldt's 'Valley Trilogy' and contested South African nationalisms in the early twentieth century | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #2. p. 32-48. |
| Gaylard, Gerald (2003) |
| Post-dialectic: politics in postcolonial African fiction | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 135-150. |
| Buthelezi, Mbongiseni; Hurst, Christopher (2003) |
| A Brazilian theatre model meets Zulu performance conventions: Westville Prison, the case in point | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 123-134. |
| Swart, Sandra (2003) |
| Mythic Bushmen in Afrikaans literature: the 'Dwaalstories' of Eugène N. Marais | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 91-108. |
| Bell, David (2003) |
| The persistent presence of the past in contemporary writing in South Africa | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 63-73. |
| Dimitriu, Ileana (2003) |
| The end of history: reading Gordimer's post-apartheid novels | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 17-37. |
| Auga, Ulrike (2003) |
| Intellectuals between resistance and legitimation: the cases of Nadine Gordimer and Christa Wolf | |
| Current Writing: Text and Reception in Southern Africa. Volume 15 #1. p. 1-16. |
| Jacobs, J.U. (2002) |
| Translating the 'Heart of Darkness': cross-cultural discourse in the contemporary Congo book | |
| Current Writing: Text and Reception in Southern Africa. Volume 14 #2. p. 104-117. |
| Wallmach, Kim (2002) |
| 'Seizing the surge of language by its soft, bare skull': simultaneous interpreting, the Truth Commission and 'Country of My Skull' | |
| Current Writing: Text and Reception in Southern Africa. Volume 14 #2. p. 64-82. |
| Search: pe=Current Writing: Text and Reception in Southern Africa | ||||||||
| Found: 178 | Record 1-100 | |
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