AfricaBib 
bibliographic database
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| Found: 681 | Record 1-100 |  |
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 | Abbink, Jon (2015) |
 | Extensions of the self: artistry and identity in the headrests and stools of southwest Ethiopian peoples |
 | African Arts. Volume 48 #4. p. 46-59. |
| Braun, Lesley Nicole (2015) |
| Trading virtue for virtuosity: the artistry of Kinshasa's concert danseuses |
| African Arts. Volume 47 #4. p. 48-57. |
| Repetti, Massimo (2007) |
| African Wave | |
| African Arts. Volume 40 #2. Summer. p. 16-35. |
| Berns, Maria C. (2007) |
| Pottery-Making in Bonakire, Ghana | |
| African Arts. Volume 40 #1. Spring. p. 86-91. |
| Aronson, Lisa (2007) |
| Ewe Ceramics as the Visualization of Vodun | |
| African Arts. Volume 40 #1. Spring. p. 80-85. |
| Goldner, Janet (2007) |
| The Women of Kalabougou (Mali) | |
| African Arts. Volume 40 #1. Spring. p. 74-79. |
| Van Wyk, Gary (2007) |
| Clive Sithole: Interview | |
| African Arts. Volume 40 #1. Spring. p. 71-73. |
| Aguilar, Laurel B. (2007) |
| Metaphors, Myths and Making Pots | |
| African Arts. Volume 40 #1. Spring. p. 64-70. |
| Thompson, Barbara (2007) |
| Namsifueli Nyeki | |
| African Arts. Volume 40 #1. Spring. p. 54-63. |
| Forni, Silvia (2007) |
| Ceramics Arts in Africa: Containers of Life | |
| African Arts. Volume 40 #1. Spring. p. 42-53. |
| Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: Marks of Identity | |
| African Arts. Volume 40 #1. Spring. p. 30-41. |
| Slogar, Christopher (2007) |
| Early Ceramics from Calabar, Nigeria | |
| African Arts. Volume 40 #1. Spring. p. 18-29. |
| Berzock, Kathleen B.; Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: A Curator's Perspective | |
| African Arts. Volume 40 #1. Spring. p. 11-17. |
| Bay, Edna G. (2007) |
| On Ouidah Asen | |
| African Arts. Volume 40 #1. Spring. p. 6-8. |
| Mara, Cheick C. (2006) |
| Dara, Mali: A Festival of Remembrance and a Celebration of Community | |
| African Arts. Volume 39 #4. p. 78-85. |
| Nettleton, Anitra (2006) |
| Samson Mudzunga, Dzingoma, and New Mythologies | |
| African Arts. Volume 39 #4. Winter. p. 68-79. |
| Roberts, Polly N.; Hughes, Henry M.; Brown, Carol; Diba, Viye; Nelson, Steven; Van Rensberg, Storm J. (2006) |
| Dak'Art 2006: Positions and Perspectives | |
| African Arts. Volume 39 #4. Winter. p. 54-57. |
| Kraamer, Malika (2006) |
| Ghanaian Interweaving in the Nineteenth Century | |
| African Arts. Volume 39 #4. Winter. p. 36-56. |
| Becker, Cynthia (2006) |
| The Amazigh Textiles and Dress in Morocco | |
| African Arts. Volume 39 #3. Autumn. p. 42-56. |
| Becker, Cynthia (2006) |
| Amazigh Textiles and Dress in Morocco: Metaphors of Motherhood | |
| African Arts. Volume 39 #3. Autumn. p. 42-55. |
| Simbao, Ruth Kerkham (2006) |
| A Crown on the Move: Stylistic Integration of the Luba-Lunda Complex in Luba-Lunda Complex in Lunda-Kazembe Performance | |
| African Arts. Volume 39 #3. Autumn. p. 26-41. |
| Cancel, Robert (2006) |
| Asserting/Inventing Traditions on the Luapula | |
| African Arts. Volume 39 #3. Autumn. p. 12-26. |
| Pankhurst, Richard (2006) |
| Ethiopian Painting of King Takla Haymanot's War with the Dervishes | |
| African Arts. Volume 39 #2. Summer. p. 64-67. |
| Seligmann, Thomas K. (2006) |
| Going Global: Tuareg Jewelry in the International Marketplace | |
| African Arts. Volume 39 #2. Summer. p. 48-63. |
| Doris, David T. (2006) |
| Destiny World: Textile Casualties in Southern Nigeria | |
| African Arts. Volume 39 #2. Summer. p. 36-47. |
| Adams, Sarah (2006) |
| In My Garment There is Nothing But God: Recent Work by Ibrahim El Salahi | |
| African Arts. Volume 39 #2. Summer. p. 26-35. |
| Hart, William (2006) |
| Trophies of Grace? The 'Art' Collecting Activities of the United Brethren in Christ Missionaries in Nineteenth Century Sierra Leone | |
| African Arts. Volume 39 #2. Summer. p. 15-25. |
| Davis, Shawn (2006) |
| Visual Griots of Mali: Empowering Youth through the Art of Photography | |
| African Arts. Volume 39 #1. p. 70-83. |
| Richards, Colin (2006) |
| The Double Agent (Durant Sihlali) | |
| African Arts. Volume 39 #1. Spring. p. 60-71. |
| Sanyal, Sunanda K. (2006) |
| Modernism and Cultural Politics in East Africa | |
| African Arts. Volume 39 #1. Spring. p. 50-60. |
| Grabski, Joanna (2006) |
| Painting Fictions/Painting History | |
| African Arts. Volume 39 #1. Spring. p. 38-51. |
| Okeke-Ogulu, Chika (2006) |
| Nationalism and the Rhetoric of Modernism in Nigeria | |
| African Arts. Volume 39 #1. Spring. p. 26-38. |
| Hess, Janet (2006) |
| Spectacular Nation: Nkrumahist Art and Resistance Iconography in the Ghanaian Independence Era | |
| African Arts. Volume 39 #1. Spring. p. 16-27. |
| Okeke-Agulu, Chika (2006) |
| The Challenge of the Modern | |
| African Arts. Volume 39 #1. Spring. p. 14-16. |
| Peffer, John (2005) |
| Notes on African Art, History, and Diasporas within | |
| African Arts. Volume 38 #4. Winter. p. 70-79. |
| Ogbechie, Sylvester (2005) |
| The Historical Life of Objects | |
| African Arts. Volume 38 #4. Winter. p. 62-70. |
| Visona, Monica (2005) |
| Redefining Twentieth Century African Art | |
| African Arts. Volume 38 #4. Winter. p. 54-62. |
| Richards, Polly (2005) |
| Masques Dogons in a Challenging World | |
| African Arts. Volume 38 #4. Winter. p. 46-54. |
| Bentor, Eli (2005) |
| Challenges to Rural Festivals with the Return to Democratic Rule in Southeastern Nigeria | |
| African Arts. Volume 38 #4. Winter. p. 38-46. |
| Forster, Till (2005) |
| Layers of Awareness | |
| African Arts. Volume 38 #4. Winter. p. 32-39. |
| Doris, David (2005) |
| Symptoms and Strangeness in Yoruba Anti-Aesthetics | |
| African Arts. Volume 38 #4. Winter. p. 24-32. |
| Bird, Randall (2005) |
| The Merina Landscape in Early Nineteenth Century Highlands Madagascar | |
| African Arts. Volume 38 #4. Winter. p. 18-25. |
| Vogel, Susan (2005) |
| Whither African Art? | |
| African Arts. Volume 38 #4. Winter. p. 12-16. |
| Vogel, Susan (2005) |
| Whither African Art? | |
| African Arts. Volume 38 #4. Winter. |
| Kasfir, Sidney L. (2005) |
| Narrating Trauma as Modernity: Kenyan Artists and the American Embassy Bombing | |
| African Arts. Volume 38 #3. Autumn. p. 66-78. |
| Schmahmann, Brenda (2005) |
| Stitches as Sutures: Trauma and Recovery in Works by Women in the Mapula Embroidery Project | |
| African Arts. Volume 38 #3. Autumn. p. 52-68. |
| Miller, Kim (2005) |
| Trauma, Testimony, and Truth: Contemporary South African Artists Speak (Sue Williamson) | |
| African Arts. Volume 38 #3. Autumn. p. 40-53. |
| Mirzoeff, Nicholas (2005) |
| Invisible Again: Rwanda Representation after Genocide | |
| African Arts. Volume 38 #3. Autumn. p. 36-46. |
| Van der Watt, Liese (2005) |
| Witnessing Trauma in Post-Apartheid South Africa: The Question of Generational Responsibility (Minnette Vari and Kendell Geers) | |
| African Arts. Volume 38 #3. Autumn. p. 26-36. |
| Hill, Shannen (2005) |
| Iconic Autopsy: Postmortem Portraits of Bantu Stephen Biko | |
| African Arts. Volume 38 #3. Autumn. p. 14-27. |
| Nevadomsky, Joseph (2005) |
| Casting in Contemporary Benin | |
| African Arts. Volume 38 #2. Summer. p. 66. |
| Nicklin, Keith; Salmons, Jill (2005) |
| Hippies of Elmina | |
| African Arts. Volume 38 #2. Summer. p. 60-65. |
| Petridis, Constantine (2005) |
| Bwadi Bwa Chikwanca: A Ram Mask of the Bakwa Luntu | |
| African Arts. Volume 38 #2. Summer. p. 50-59. |
| Boram-Hays, Carol (2005) |
| Borders of Beads: Questions of Identity in the Beadwork of the Zulu-Speaking People | |
| African Arts. Volume 38 #2. Summer. p. 38-49. |
| Chappel, Tim H.J. (2005) |
| Joshua Adelakun of Mede | |
| African Arts. Volume 38 #1. Spring. p. 74-84. |
| Morton-Williams, Peter (2005) |
| A Superb Yoruba Horseman | |
| African Arts. Volume 38 #1. Spring. p. 72-73. |
| Turner, Tom (2005) |
| Images of Power, Images of Humiliation | |
| African Arts. Volume 38 #1. Spring. p. 60-71. |
| Reed, Bess (2005) |
| Spirits Incarnate: Cultural Revitalization in a Nigerian Masquerade Festival | |
| African Arts. Volume 38 #1. Spring. p. 50-61. |
| Bessire, Aimee (2005) |
| Sukuma Figures, Boundaries, and the Arousal of Spectacle | |
| African Arts. Volume 38 #1. Spring. p. 36-51. |
| Van Der Walt, Liese (2005) |
| Tracing Berni Searle | |
| African Arts. Volume 37 #4. Winter. p. 74-79. |
| Van Der Watt, Liese (2004) |
| Tracing Berni Searle | |
| African Arts. Volume 37 #4. Winter. p. 74-80. |
| Klopper, Sandra (2004) |
| Sacred Fragments: Looking Back at the Art of Paul Stopforth | |
| African Arts. Volume 37 #4. Winter. p. 68-74. |
| Godby, Michael; Dhlomo-Mautloa, Bongi (2004) |
| Art and Politics in a Changing South Africa: Bongi Dhlomo in Conversation with Michael Godby | |
| African Arts. Volume 37 #4. Winter. p. 62-67. |
| Wylie, Diana (2004) |
| 'From the Bottom of Our Hearts': Making Art in a Time of Struggle | |
| African Arts. Volume 37 #4. Winter. p. 56-62. |
| Godby, Michael (2004) |
| After Apartheid: 10 South African Documentary Photographers | |
| African Arts. Volume 37 #4. Winter. p. 36-42. |
| Delmont, Elizabeth (2004) |
| South African Heritage Development in the First Decade of Democracy | |
| African Arts. Volume 37 #4. Winter. p. 30-36. |
| Gaylard, Joseph (2004) |
| The Craft Industry in South Africa: A Review of Ten Years of Democracy | |
| African Arts. Volume 37 #4. Winter. p. 26-30. |
| Klopper, Sandra (2004) |
| The Unofficial History | |
| African Arts. Volume 37 #4. Winter. p. 18-27. |
| Klopper, Sandra; Godby, Michael (2004) |
| South Africa after Apartheid | |
| African Arts. Volume 37 #4. Winter. p. 16-18. |
| Ross, Doran H. (2004) |
| Artists Advertising Themselves: Contemporary Studio Facades in Ghana | |
| African Arts. Volume 37 #3. p. 72-79. |
| Silverman, Raymond A. (2004) |
| Painting Ethiopia: The Life and Work of Qes Adamu Tesfaw | |
| African Arts. Volume 37 #3. Autumn. p. 62-71. |
| Papini, Robert (2004) |
| Dance Uniform History in the Church of Nazareth Baptists: The Move to Tradition | |
| African Arts. Volume 37 #3. Autumn. p. 48-64. |
| Pankhurst, Rita; Pankhurst, Richard (2004) |
| Ethiopian Figurines from Mugar Monastery in Shawa | |
| African Arts. Volume 37 #3. Autumn. p. 42-48. |
| Spring, Christopher; Hudson, Julie (2004) |
| Urban Textile Traditions of Tunisia | |
| African Arts. Volume 37 #3. Autumn. p. 23-42. |
| Van Damme-Linseele, Annemieke (2004) |
| Nkanu and Mbeko Art and Ritual | |
| African Arts. Volume 37 #3. Autumn. p. 12-23. |
| Cameron, Elisabeth L. (2004) |
| Dancing a New Face: Contemporary Sala Mpasu Masquerades | |
| African Arts. Volume 37 #2. Summer. p. 74-79. |
| Adedze, Agbenyega (2004) |
| Commemorating the Chief: The Politics of Postage Stamps in West Africa | |
| African Arts. Volume 37 #2. Summer. p. 68-74. |
| Levin, Jessica (2004) |
| Sculpted Posts: Architectural Decoration on Gabonese Stamps | |
| African Arts. Volume 37 #2. Summer. p. 62-69. |
| Adedze, Agbenyega (2004) |
| Re-Presenting Africa: Commemorative Postage Stamps of the Colonial Exhibition of Paris (1931) | |
| African Arts. Volume 37 #2. Summer. p. 58-63. |
| Posnansky, Merrick (2004) |
| Propaganda for the Millions: Images of Africa (Stamps) | |
| African Arts. Volume 37 #2. Summer. p. 53-58. |
| Alpers, Edward A. (2004) |
| Folk Art and Personal Independence in Tanzania: Fundi Mdawalo bin Milonge | |
| African Arts. Volume 37 #2. Summer. p. 44-51. |
| Sanyal, Sunanda K. (2004) |
| Kabiito Richard's Painting: A Local Reinvention in a Global Perspective | |
| African Arts. Volume 37 #2. Summer. p. 34-43. |
| Schildkrout, Enid (2004) |
| Drawing Tradition: Dogon Children Art in the Age of Tourism | |
| African Arts. Volume 37 #1. Spring. p. 46-54. |
| Blier, Suzanne Preston (2004) |
| African Creation Myths as Political Strategy | |
| African Arts. Volume 37 #1. Spring. p. 38-46. |
| Thornton, John K. (2004) |
| Origin Traditions and History in Central Africa | |
| African Arts. Volume 37 #1. Spring. p. 32-39. |
| Nevadomsky, Joseph (2004) |
| Art and Science in Benin Bronzes | |
| African Arts. Volume 37 #1. Spring. p. 1-7. |
| Borgatti, Jean M. (2004) |
| The Otsa Festival of the Ekperi: Igbo Age-Grade Masquerades on the West Bank of the Niger? | |
| African Arts. Volume 36 #4. Winter. p. 40-60. |
| Grabski, Joanna L. (2004) |
| Dakar's Urban Landscapes: Locating Modern Art and Artists in the City | |
| African Arts. Volume 36 #4. Winter. p. 28-40. |
| Foss, Perkins (2004) |
| Where Gods and Mortals Meet: Continuity and Renewal in Urhobo Art | |
| African Arts. Volume 36 #4. Winter. p. 12-27. |
| Stokes, Deborah (2003) |
| Documentary Observations: The African Photographs of William B. Fagg | |
| African Arts. Volume 36 #4. p. 58-71. |
| Thompson, Carol (2003) |
| High Museum of Art, Atlanta, Georgia | |
| African Arts. Volume 36 #3. Autumn. p. 66-75. |
| Hufbauer, Benjamin; Reed, Bess (2003) |
| Adamma: A Contemporary Igbo Maiden Spirit | |
| African Arts. Volume 36 #3. Autumn. p. 56-65. |
| Ross, Doran H. (2003) |
| African Art at the Museum of Fine Arts, Houston | |
| African Arts. Volume 36 #3. Autumn. p. 34-55. |
| Van Wyk, Gary (2003) |
| Illuminated Signs: Style and Meaning in the Beadwork of the Xhosa- and Zulu Speaking Peoples | |
| African Arts. Volume 36 #3. Autumn. p. 12-33. |
| Geary, Christeaud M. (2003) |
| The Incidental Photographer: Roy Sieber and His African Images | |
| African Arts. Volume 36 #2. Summer. p. 66-81. |
| Arnoldi, Mary Jo (2003) |
| Symbolically Inscribing the City: Public Monuments in Mali, 1995-2002 | |
| African Arts. Volume 36 #2. Summer. p. 56-65. |
| Moffett, Dana; Mellor, Stephen (2003) |
| The Curator-Conservator Collaboration Remembering Roy Sieber | |
| African Arts. Volume 36 #2. Summer. p. 44-55. |
| Green, Rebecca L. (2003) |
| Lamba Hoany: Proverb Cloths from Madagascar | |
| African Arts. Volume 36 #2. Summer. p. 30-43. |
| Kreamer, Christine M. (ed.) (2003) |
| A Tribute to Roy Sieber. Part Two | |
| African Arts. Volume 36 #2. Summer. p. 10-29. |
| Gott, Suzanne (2003) |
| Golden Emblems of Material Benevolence: Transformations of Form and Meaning in Akan Regalia | |
| African Arts. Volume 36 #1. Spring. p. 66-81. |
| Search: pe=African Arts | ||||||||
| Found: 681 | Record 1-100 | |
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