AfricaBib 
bibliographic database
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| Found: 681 |  |
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Record 101-200 |  |
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 | Loughran, Kristyne (2003) |
| Jewelry, Fashion, and Identity: The Tuareg Example | |
| African Arts. Volume 36 #1. Spring. p. 52-65. |
| Clarke, Christa (2003) |
| Defining African Art: Primitive Negro Sculpture and the Aesthetic Philosophy of Albert Barnes | |
| African Arts. Volume 36 #1. Spring. p. 40-51. |
| Anderson, Martha G. (2003) |
| Ikiyan Aru: Ijo Vessels of Sacrifice | |
| African Arts. Volume 36 #1. Spring. p. 24-39. |
| Kreamer, Christine M. (ed.) (2003) |
| A Tribute to Roy Sieber. Part One | |
| African Arts. Volume 36 #1. Spring. p. 12-23. |
| Roberts, Allen F.; Roberts, Mary N. (2002) |
| A Saint in the City: Sufi Arts of Urban Senegal | |
| African Arts. Volume 35 #4. Winter. p. 52-73. |
| Adler, Katrin; Stelzig, Christine (2002) |
| Robert Visser and His Photographs from the Loango Coast | |
| African Arts. Volume 35 #4. Winter. p. 38-51. |
| Labi, Kwame A. (2002) |
| Fante Asafo Flags of Abandzw and Kormantse | |
| African Arts. Volume 35 #4. Winter. p. 28-37. |
| Slogar, Christopher (2002) |
| Carved Ogboni Figures from Abeokuta, Nigeria | |
| African Arts. Volume 35 #4. Winter. p. 14-27. |
| LaGamma, Alisa (2002) |
| Genesis: Ideas of Origin in African Sculpture | |
| African Arts. Volume 35 #3. Autumn. p. 54-74. |
| Marschall, Sabine (2002) |
| Sites of Identity and Resistance: Urban Community Murals and Rural Wall Decoration in South Africa | |
| African Arts. Volume 35 #3. Autumn. p. 40-52. |
| West, Harry G.; Sharpes, Stacy (2002) |
| Dealing with the Devil: Meaning and the Marketplace in Makonde Sculpture | |
| African Arts. Volume 35 #3. Autumn. p. 32-39. |
| Harney, Elizabeth (2002) |
| The Ecole de Dakar: Pan-Africanism in Paint and Textile | |
| African Arts. Volume 35 #3. Autumn. p. 12-31. |
| Davis, Shawn R. (2002) |
| Dogon Funerals | |
| African Arts. Volume 35 #2. Summer. p. 66-77. |
| Cameron, Elisabeth L. (2002) |
| Art of the Lega: Meaning and Metaphor in Central Africa | |
| African Arts. Volume 35 #2. Summer. p. 44-65. |
| Ottenberg, Simon (2002) |
| Sources and Themes in the Art of Obiora Udechukwu | |
| African Arts. Volume 35 #2. Summer. p. 30-43. |
| MacGaffey, Wyatt (2002) |
| Ethnographic Notes on Kongo Musical Instruments | |
| African Arts. Volume 35 #2. Summer. p. 12-19. |
| Jules-Rosette, Bennetta (2002) |
| Leopold Senghor: The Strength of Contradictions | |
| African Arts. Volume 35 #2. p. 4-7. |
| Derefaka, A.A.; Anozie, F.N. (2002) |
| Economic and Cultural Prehistory of the Niger Delta | |
| African Arts. Volume 35 #1. Spring. p. 78-83. |
| Sieber, Roy; Hecht, Barry (2002) |
| Eastern Nigerian Art from the Toby and Barry Hecht Collection | |
| African Arts. Volume 35 #1. Spring. p. 56-76. |
| Wilcox, Rosalinde G. (2002) |
| Commercial Transactions and Cultural Interactions from the Delta to Douala and beyond | |
| African Arts. Volume 35 #1. Spring. p. 42-55. |
| Bentor, Eli (2002) |
| Spatial Continuities: Masks and Cultural Interactions between the Delta and Southeastern Nigeria | |
| African Arts. Volume 35 #1. Spring. p. 26-41. |
| Anderson, Martha G.; Peek, Philip M. (2002) |
| Ways of the Rivers: Arts and Environment of the Niger Delta | |
| African Arts. Volume 35 #1. Spring. p. 12-25. |
| Binkley, David A. (2001) |
| Spectacular Display: The Art of Nkanu Initiation Rituals | |
| African Arts. Volume 34 #4. Winter. p. 48-63. |
| Binkley, David A. (2001) |
| Spectacular Display: The Art of Nkanu Initiation Rituals | |
| African Arts. Volume 34 #4. Winter. p. 48-62. |
| Rush, Dana (2001) |
| Contemporary Vodun Arts of Ouidah, Benin | |
| African Arts. Volume 34 #4. Winter. p. 32-47. |
| Colleyn, Jean-Paul; Farrell, Laurie A. (2001) |
| Bamana: The Art of Existence in Mali | |
| African Arts. Volume 34 #4. Winter. p. 16-31. |
| Picton, John (2001) |
| Undressing Ethnicity | |
| African Arts. Volume 34 #3. p. 66-73. |
| Hynes, Nancy; Picton, John (2001) |
| Yinka Shonibare | |
| African Arts. Volume 34 #3. Autumn. p. 60-73. |
| Lionnet, Francoise (2001) |
| The Mirror and the Tomb: Africa, Museums, and Memory | |
| African Arts. Volume 34 #3. Autumn. p. 50-59. |
| Nelson, Steven (2001) |
| Writing Architecture: The Mousgoum Tolek and Cultural Self-Fashioning at the New Fin de Siecle | |
| African Arts. Volume 34 #3. Autumn. p. 38-49. |
| Spring, Christopher; Barley, Nigel; Hudson, Julie (2001) |
| The Sainsbury African Galleries at the British Museum | |
| African Arts. Volume 34 #3. Autumn. p. 18-37. |
| Rovine, Victoria (2001) |
| Baba Wagué Diakité: 'Respect Yourself as Well as Your Tradition' | |
| African Arts. Volume 34 #2. Summer. p. 64-71. |
| Cameron, Elisabeth L. (2001) |
| More Than the Human Figure: The Marc and Denyse Ginzberg Collection of African Art | |
| African Arts. Volume 34 #2. Summer. p. 50-63. |
| Bettelheim, Judith (2001) |
| Palo Monte Mayombe and its Influence on Cuban Contemporary Art | |
| African Arts. Volume 34 #2. Summer. p. 36-49. |
| Arnoldi, Mary J.; Mason, Michael A. (2001) |
| Reflections on 'African Voices' at the Smithsonian's National Museum of Natural History | |
| African Arts. Volume 34 #2. Summer. p. 16-35. |
| Osasona, Cordelia O. (2001) |
| The Ile Nla: A Colonial Hall in Ile-Ife, Nigeria | |
| African Arts. Volume 34 #1. p. 78-82. |
| Arnoldi, Mary J.; Vogel, Susan (2001) |
| Sòmonò Puppet Masquerades in Kirango, Mali | |
| African Arts. Volume 34 #1. Spring. p. 72-77. |
| Muller, Jean-Claude (2001) |
| Inside, Outside, and Inside Out: Masks, Rulers and Gender among the Dii and Their Neighbors | |
| African Arts. Volume 34 #1. Spring. p. 58-71. |
| Muller, Jean-Claude (2001) |
| Inside, Outside, and Inside Out: Masks, Rulers and Gender among the Dii and Their Neighbors | |
| African Arts. Volume 34 #1. Spring. p. 58-70. |
| Ross, Doran H. (2001) |
| Portfolio: George Hughes | |
| African Arts. Volume 34 #1. Spring. p. 50-57. |
| Roberts, Allen F. (2001) |
| 'Break the Silence': Art and HIVAIDS in KwaZulu-Natal | |
| African Arts. Volume 34 #1. Spring. p. 36-49. |
| Clarke, Christa (2001) |
| A Personal Journey: Central African Art from the Lawrence Gussman Collection | |
| African Arts. Volume 34 #1. Spring. p. 16-34. |
| Geary, Christraud M. (2000) |
| Photographing the Cameroon Grassfields, 1970 to 1984 | |
| African Arts. Volume 33 #4. Winter. p. 70-77. |
| Youmans, Joyce M. (2000) |
| African Art at the Nelson-Atkins Museum of Art | |
| African Arts. Volume 33 #4. Winter. p. 40-61. |
| Nettleton, Anitra C.E. (2000) |
| Home is Where the Art is: Six South African Rural Artists | |
| African Arts. Volume 33 #4. Winter. p. 26-39. |
| Jordan, Manuel (2000) |
| Revisiting Pwo | |
| African Arts. Volume 33 #4. Winter. p. 16-25. |
| Becker, Rayda (2000) |
| The New Monument to the Women of South Africa | |
| African Arts. Volume 33 #4. Winter. p. 1-9. |
| Behrend, Heike (2000) |
| 'Feeling Global': The Likoni Ferry Photographers of Mombasa, Kenya | |
| African Arts. Volume 33 #3. Autumn. p. 70-77. |
| Sieber, Roy; Herreman. Frank (2000) |
| Hair in African Art and Culture | |
| African Arts. Volume 33 #3. Autumn. p. 54-69. |
| Hoover, Deborah H. (2000) |
| Revealing the Mbusa as Art: Women Artists in Zambia | |
| African Arts. Volume 33 #3. Autumn. p. 40-52. |
| Ivanov, Paola (2000) |
| African Art in the Ethnologisches Museum in Berlin | |
| African Arts. Volume 33 #3. Autumn. p. 18-39. |
| Roberts, Allen F.; Roberts, Mary N. (2000) |
| Portfolio: 'Papisto Boy' | |
| African Arts. Volume 33 #2. Summer. p. 72-79. |
| Ravenhill, Philip L. (2000) |
| Likeness and Nearness: The Intentionality of the Head in Baule Art | |
| African Arts. Volume 33 #2. Summer. p. 60-71. |
| Nolte, Jacqueline (2000) |
| The Drawings of Bongi Bengu | |
| African Arts. Volume 33 #2. Summer. p. 46-59. |
| Zahan, Dominique (2000) |
| The Two Worlds of Ciwara | |
| African Arts. Volume 33 #2. Summer. p. 35-45. |
| Zahan, Dominique; Roberts, A.F. (2000) |
| The Two Worlds of Ciwara | |
| African Arts. Volume 33 #2. p. 34-45. |
| Wooten, Stephen R. (2000) |
| Antelope Headdresses and Champion Farmers: Negotiating Meaning and Identity through the Bamana Ciwara Complex | |
| African Arts. Volume 33 #2. Summer. p. 18-33. |
| Kasfir, Sidney L. (2000) |
| Artists' Reputations: Negotiating Power through Separation and Ambiguity | |
| African Arts. Volume 33 #1. Spring. p. 70-77. |
| LaGamma, A. (2000) |
| Art and the Oracle: Spirit Voices of Africa | |
| African Arts. Volume 33 #1. p. 52-69. |
| Beumers, Erna; Abspoel, Peter (2000) |
| The African Collection of the Wereldmuseum, Rotterdam | |
| African Arts. Volume 33 #1. p. 18-39. |
| Rush, Dana (1999) |
| Eternal Potential: Chromolithographs in Vodunland | |
| African Arts. Volume 32 #4. Winter. p. 60-75. |
| Bester, Rory; Buntman, Barbara (1999) |
| Bushman(ia) and Photographic Intervention | |
| African Arts. Volume 32 #4. Winter. p. 50-59. |
| Hassan, Salah M. (1999) |
| Native to Native: The Sculpture of Ousmane Sow | |
| African Arts. Volume 32 #4. Winter. p. 36-49. |
| Curran, Douglas (1999) |
| Nyau Masks and Ritual | |
| African Arts. Volume 32 #3. Autumn. p. 68-77. |
| Hart, W.A. (1999) |
| Early Nineteenth-Century Chiefs' Horns from Coastal Liberia | |
| African Arts. Volume 32 #3. Autumn. p. 62-67. |
| Petridis, Constantine (1999) |
| Luluwa Masks | |
| African Arts. Volume 32 #3. Autumn. p. 32-47. |
| Stokes, Deborah (1999) |
| Rediscovered Treasures: African Beadwork at the Field Museum, Chicago | |
| African Arts. Volume 32 #3. Autumn. p. 18-31. |
| Nooter, Nancy I. (1999) |
| The Gates of Shendi | |
| African Arts. Volume 32 #2. Summer. p. 70-73. |
| Roy, Christopher D. (1999) |
| African Art from the Bareiss Collection | |
| African Arts. Volume 32 #2. Summer. p. 52-69. |
| Renne, Elisha P.; Usman, Dakyes S. (1999) |
| Bicycle Decoration and Everyday Aesthetics in Northern Nigeria | |
| African Arts. Volume 32 #2. Summer. p. 46-51. |
| Parsons, Sarah W. (1999) |
| Interpreting Projections, Projecting Interpretations: Reconsideration of the 'Phallus' in Esu Iconography | |
| African Arts. Volume 32 #2. Summer. p. 36-45. |
| Jordan, Manuel (1999) |
| Chokwe!: Art and Initiation among Chokwe and Related Peoples | |
| African Arts. Volume 32 #2. Summer. p. 18-35. |
| Jordan, Manuel (1999) |
| Chokwe! | |
| African Arts. Volume 32 #2. Summer. p. 18. |
| Rinder, Lindsey (1999) |
| African Art at Stanford University | |
| African Arts. Volume 32 #1. Spring. p. 68-83. |
| Bigham, Elizabeth (1999) |
| Issues of Authorship in the Portrait Photographs of Seydou Keita | |
| African Arts. Volume 32 #1. Spring. p. 56-67. |
| Vogel, Susan M. (1999) |
| Known Artists But Anonymous Works: Fieldwork and Art History | |
| African Arts. Volume 32 #1. Spring. p. 40-55. |
| Yai, Olabiyi B. (1999) |
| Tradition and the Yoruba Artist | |
| African Arts. Volume 32 #1. Spring. p. 32-35. |
| Strother, Z.S. (1999) |
| Gabama A Fingungu and the Secret History of Twentieth-Century Art | |
| African Arts. Volume 32 #1. Spring. p. 18-31. |
| Roberts, Mary N. (1998) |
| The Naming Game: Ideologies of Luba Artistic Identity | |
| African Arts. Volume 31 #4. Fall. p. 56-73. |
| Heldman, Mariyln E. (1998) |
| A Fifteenth-Century Ethiopian Artist | |
| African Arts. Volume 31 #4. Fall. p. 48-55. |
| Walker, Roslyn A. (1998) |
| Olowe of Ise: 'Anonymous' Has a Name | |
| African Arts. Volume 31 #4. Fall. p. 38-47. |
| La Gamma, Alisa (1998) |
| Beyond Master Hands: The Lives of the Artists | |
| African Arts. Volume 31 #4. Fall. p. 24-37. |
| LaGamma, Alisa (1998) |
| Authorship in African Art | |
| African Arts. Volume 31 #4. p. 18-23. |
| Van Wyk, Gary N. (1998) |
| The Mural Art of Basotho Women | |
| African Arts. Volume 31 #3. Summer. p. 58-65. |
| Oram, Jenny (1998) |
| Float Traditions in Sierra Leone and the Gambia | |
| African Arts. Volume 31 #3. Summer. p. 50-56. |
| Wolff, Norma H.; Warren, D. Michael (1998) |
| The Agbeni Shango Shrine in Ibadan | |
| African Arts. Volume 31 #3. Summer. p. 36-49. |
| Cameron, Elisabeth L. (1998) |
| Men Portraying Women: Representations in African Masks | |
| African Arts. Volume 31 #2. Spring. p. 72-79. |
| Reed, Bess (1998) |
| Playing with Prohibitions | |
| African Arts. Volume 31 #2. Spring. p. 71. |
| Cameron, Elisabeth L. (1998) |
| Women=Masks: Initiation Arts in North-Western Province, Zambia | |
| African Arts. Volume 31 #2. Spring. p. 50-61. |
| Röschenthaler, Ute M. (1998) |
| Honoring Ejagham Women | |
| African Arts. Volume 31 #2. Spring. p. 38-49. |
| Weil, Peter M. (1998) |
| Women's Masks and the Power of Gender in Mande History | |
| African Arts. Volume 31 #2. Spring. p. 28-37. |
| Kasfir, Sidney L. (1998) |
| Elephant Women, Furious and Majestic: Women's Masquerades in Africa and the Diaspora | |
| African Arts. Volume 31 #2. Spring. p. 18-27. |
| Harding, Frances (1998) |
| 'To Present the Self in a Special Way': Disguise and Display in Tiv Kwaghhir Performance | |
| African Arts. Volume 31 #1. Winter. p. 56-67. |
| Oguibe, Olu (1998) |
| El Anatsui: Beyond Death and Nothingness | |
| African Arts. Volume 31 #1. Winter. p. 48-55. |
| Mark, Peter; Jong, Ferdinand de; Chupin, Clemence (1998) |
| Ritual and Masking Traditions in Jola Men's Initiation | |
| African Arts. Volume 31 #1. Winter. p. 36-47. |
| Drewal, Henry J. (1998) |
| Beads, Body, and Soul | |
| African Arts. Volume 31 #1. Winter. p. 18-35. |
| Vogel, Susan M. (1997) |
| Baule: African Art | |
| African Arts. Volume 30 #4. p. 64-77. |
| Nevadomsky, Joseph (1997) |
| Contemporary Art and Artists in Benin City | |
| African Arts. Volume 30 #4. p. 54-63. |
| Curnow, Kathy (1997) |
| The Art of Fasting: Benin's Ague Ceremony | |
| African Arts. Volume 30 #4. Fall. p. 46-53. |
| Gore, Charles (1997) |
| Remembering R.E. Bradbury: An Interview with Peter Morton-Williams | |
| African Arts. Volume 30 #4. p. 36-45. |
| Search: pe=African Arts | ||||||||
| Found: 681 | |
|
Record 101-200 | |
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