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 | Coombes, Annie E. and Sapire, Hilary (2019) |
 | HIV/AIDS in South Africa: Gender, Art and Activism – Introduction |
| Journal of Southern African Studies. Volume 45 #1. p. 111-112. |
| Coombes, Annie E. (2019) |
| Positive Living: Visual Activism and Art in HIV/AIDS Rights Campaigns |
| Journal of Southern African Studies. Volume 45 #1. p. 143-174. |
| Lee, Rebekah (2019) |
| Art, Activism and the Academy: Productive Tensions and the Next Generation of HIV/AIDS Research in South Africa |
| Journal of Southern African Studies. Volume 45 #1. p. 113-119. |
| Mills, Elizabeth (2019) |
| Art, Vulnerability and HIV in Post-Apartheid South Africa |
| Journal of Southern African Studies. Volume 45 #1. p. 175-195. |
 | Bisschoff, Lizelle (ed.) (2017) |
| Special issue: African digital arts |
 | Critical African studies. Volume 9 #3. p. 261-390. |
 | Gosselink, Martine and Holtrop, Maria and Ross, Robert and Badenhorst, Geoffrey (eds.) (2017) |
| Good Hope: South Africa and The Netherlands from 1600 | |
| Amsterdam: Rijks Museum. 376p. |
| Mueller, Baerbel (ed.) (2017) |
| [Applied] foreign affairs: investigating spatial phenomena in rural and urban Sub-Saharan Africa | |
| Basel: Birkhäuser Verlag AG. 450p. |
| Randall, Laurence (2017) |
| L'exil et la négociation du manque dans trois romans de Calixthe Beyala |
| Canadian Journal of African Studies. Volume 51 #3. p. 429-443. |
| Samou, Jean-Blaise (2017) |
| Sémiotique et rhétorique de la duplicité dans la peinture de Bernard Baïfang |
| Canadian Journal of African Studies. Volume 51 #2. p. 237-255. |
| Boudraa, Nabil and Krause, Joseph (eds.) (2016) |
| Special Issue: Maghrebi artistic and literary expressions in the 21st century |
| The Journal of North African Studies. Volume 21 #2. p. 178-334. |
| Brandwijk, Naomi and Aboutaleb, Ahmed (eds.) (2016) |
| Afrika 010 | |
| Rotterdam: Wereldmuseum Rotterdam. 144p. |
| Cooper, Brenda (2016) |
| Floating in an antibubble from South Africa to Salford: a mosaic of pictures and stories | |
| Trenton: Africa World Press. 198p. |
| Klanten, Robert and Ehmann, Sven and Barlow, Ben (eds.) (2016) |
| Africa rising: fashion, design and lifestyle from Africa | |
| Berlin: Gestalten. 334p. |
| Kraidy, Marwan M. (2016) |
| The naked blogger of Cairo: creative insurgency in the Arab world | |
| Cambridge, MA: Harvard University Press. 293p. |
| N'Guessan, Kra (2016) |
| L'Afrique vue d'Afrique: regards croisés | |
| Paris: L'Harmattan. 211p. |
| Obi-Young, Otosirieze (ed.) (2016) |
| Enter Naija: the book of places |
| Brittle Papers. 152p. |
| van Niekerk, Angelique and Conradie, Marthinus (2016) |
| Branding through art: the commercial value of visual and linguistic signs of art |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 233-251. |
| Vogl, Mary (2016) |
| Art journals in Morocco: new ways of seeing and saying |
| The Journal of North African Studies. Volume 21 #2. p. 235-257. |
| Witz, Lelsie (ed.) (2016) |
| Special edition: Red Assemby: the work remains | |
| Kronos: Journal of Cape History. #42. 248p. |
| Booyens, Irma and Rogerson, Christian M. (2015) |
| Creative tourism in Cape Town: an innovation perspective |
| Urban Forum. Volume 26 #4. p. 405-424. |
| Ekotto, Frieda and Harrow, Kenneth W. (eds.) (2015) |
| Rethinking African cultural production | |
| Bloomington: Indiana University Press. 204p. |
| Layiwola, Dele (ed.) (2015) |
| The city state of Ibadan: texts and contexts | |
| Ibadan: Institute of African Studies, University of Ibadan. 333p. |
| Le Lay, Maëline and Malaquais, Dominique and Siegert, Nadine (eds.) (2015) |
| Archive (re)mix: vues d'Afrique | |
| Rennes: Presses universitaires de Rennes. 242p. |
| Okeke-Agulu, Chika (2015) |
| Postcolonial modernism: art and decolonization in twentieth-century Nigeria | |
| Durham: Duke University Press. 357p. |
| Soyinka, Wole (ed.) (2015) |
| Reimagining pan-Africanism: distinguished Mwalimu Nyerere lecture series 2009-2013 | |
| Dar es Salaam: Mkuki na Nyota Publishers Ltd. 258p. |
| Urbain, Olivier and McClain Opiyo, Lindsay (eds.) (2015) |
| Special issue on the arts and peacebuilding |
| African Conflict and Peacebuilding Review. Volume 5 #1. 173p. |
 | Anonymous (2014) |
| Eastern African literary and cultural studies |
| London: Routledge. |
| Blin, Odile (ed.) (2014) |
| Arts et cultures d'Afrique: vers une anthropologie solidaire | |
| Mont-Saint-Aignan: Presses universitaires de Rouen et du Havre. 227p. |
| Bolaane, Maitseo (2014) |
| San cross-border cultural heritage and identity in Botswana, Namibia and South Africa |
| African Study Monographs. Volume 35 #1. p. 41-64. |
| Khellas, Mériem (2014) |
| Le premier Festival culturel panafricain: Alger, 1969: une grande messe populaire | |
| Paris: L'Harmattan. 82p. |
| Lwanda, John (2014) |
| Diaspora, domicile and debate: a preliminary artistic and cultural search for a Malawi identity from pre-colonial times to 2014 |
| The Society of Malawi Journal. Volume 67 #1. p. 16-45. |
| Milbourne, Karen (2014) |
| Earth matters: land as material and metaphor in the arts of Africa | |
| Washington, DC: National Museum of African Art, Smithsonian Institution. 320p. |
| Oloruntoba-Oju, Taiwo and Petersen, Kirsten Holst (eds.) (2014) |
| Culture & the contemporary African: a festschrift for Mai Palmberg | |
| Sandared: Recito Förlag. 402p. |
| Savage, Polly and Loder, Robert and Picton, John (eds.) (2014) |
| Making art in Africa 1960-2010 | |
| Farnham: Lund Humphries Publishers. 304p. |
| Seror, Céline (ed.) (2014) |
| IAM: intense art magazine: the first magazine dedicated to art, women and Africa = Le premier mangazine dédié à l'art, les femmes et l'Afrique | |
| Amsterdam: IAM - Intense Art Magazine. |
| Tamba, Moustapha and Blin, Myriam Odile (2014) |
| 50 ans de cultures noires au Sénégal: (1960-2010) | |
| Paris: L'Harmattan. 267p. |
| Tomaselli, Keyan G. (ed.) (2014) |
| Special issue: San representation, part I |
| Critical Arts: A Journal of Media Studies. Volume 28 #3. p. 465-592. |
| Witte, Marleen de (ed.) (2014) |
| 'African': a contested qualifier in global Africa |
| African Diaspora: a Journal of Transnational Africa in a Global World. Volume 7 #2. p. 165-289. |
| Woets, Rhoda (2014) |
| The recreation of modern and African art at Achimota School in the Gold Coast (1927-52) |
| The Journal of African History. Volume 55 #3. p. 445-465. |
| Barnes, Hazel (ed.) (2013) |
| Arts activism, education, and therapies: transforming communities across Africa |
| Matatu: Journal for African Culture and Society. Volume 44. 308p. |
| Bisschoff, Lizelle and Peer, Stefanie van de (eds.) (2013) |
| Art and trauma in Africa: representations of reconciliation in music, visual arts, literature and film | |
| London: I.B. Tauris. 21. 325p. |
| Botma, Gabriël J. (2013) |
| Cultural capital and change: Afrikaans arts journalism and the democratic transformation of South Africa | |
| Ecquid Novi: African Journalism Studies. Volume 34 #2. p. 15-34. |
| Cooksey$edt, Susan and Poynor, Robin and Vanhee, Hein and Forbes, Carlee S. (eds.) (2013) |
| Kongo across the waters | |
| Gainesville: University Press of Florida. 458p. |
| Enz, Molly Krueger and Bryson, Devin (eds.) (2013) |
| Special Issue: Fed up: creating a new type of Senegal through the arts |
| African Studies Quarterly. Volume 14 #3. p. 1-156. |
| Grabski, Joanna and Magee, Carol L. (eds.) (2013) |
| African art, interviews, narratives: bodies of knowledge at work | |
| Bloomington, IN: Indiana University Press. 194p. |
| Laachir, Karima (ed.) (2013) |
| Contemporary Moroccan cultural production: between dissent and co-optation |
| Journal of African Cultural Studies. Volume 25 #3. 371p. |
| Manuh, Takyiwaa and Sutherland-Addy, Esi (eds.) (2013) |
| Africa in contemporary perspective: a textbook for undergraduate students | |
| Legon-Accra: Sub-Saharan Publishers. 510p. |
| National Curriculum Development Centre, Kampala (2013) |
| Uganda Advanced Certificate of Education teaching syllabi for Art & Design, English Literature, Local Language: general paper |
| Kampala: National Curriculum Development Centre. #6. 299p. |
| Salami, Gitti and Visonà, Monica Blackmun (eds.) (2013) |
| A companion to modern African Art | |
| Chichester: Wiley Blackwell. #6. 626p. |
| Beurden, Jos van (2012) |
| The return of cultural and historical treasures: the case of the Netherlands | |
| Amsterdam: KIT Publishers. 88p. |
| Bierschenk, Thomas (ed.) (2012) |
| 50 Jahre Unabhängigkeit in Afrika: Kontinuitäten, Brüche, Perspektiven | |
| Köln: Köppe. #29. 572p. |
| Booyens, Irma (2012) |
| Creative industries, inequality and social development: developments, impacts and challenges in Cape Town |
| Urban Forum. Volume 23 #1. p. 43-60. |
| Cakpo, Érick (2012) |
| Émergence de l'art d'inspiration chrétienne au Bénin (XVIIe-XXe siècles): missions chrétiennes et arts locaux | |
| Paris: L'Harmattan. 157p. |
| Collier, Gordon (ed.) (2012) |
| Focus on Nigeria: literature and culture |
| Matatu: Journal for African Culture and Society. Volume 40. 498p. |
| Heidenreich-Seleme, Lien and O'Toole, Sean (eds.) (2012) |
| Über(w)unden: art in troubled times | |
| Auckland Park: Jacana Media. 269p. |
| Heinicke, Julius and Veit-Wild, Flora (eds.) (2012) |
| Kuvaka ukama: building bridges: a tribute to Flora Veit-Wild | |
| Heidelberg: Weiss, Kalliope Paperbacks. 377p. |
 | Kouoh, Koyo and Knight, Anna and Diop, Carole Small and Leye, David Clément (eds.) (2012) |
| Condition report: symposium on building art institutions in Africa = État des lieux: symposium sur la création d'institutions d'art en Afrique | |
| Ostfildern: Hatje Cantz. |
| Kreamer, Christine Mullen and Bird, Randall (eds.) (2012) |
| African cosmos: stellar arts | |
| New York: The Monacelli Press. 368p. |
| Manjate, Teresa and Bavo, Carlos (eds.) (2012) |
| Desenvolvimento e diversidade cultural em Moçambique: homogeneidade global, diversidade local | |
| Maputo: Centro de Estudos Africanos, Universidade Eudardo Mondlane. 400p. |
| Miller, Ivor L. (2012) |
| Bongó Itá: leopard society music and language in West Africa, Western Cuba, and New York City |
| African and Black Diaspora: An International Journal. Volume 5 #1. p. 85-103. |
| Ngalasso-Mwatha, Musanji (ed.) (2012) |
| L'environnement francophone en milieu plurilingue | |
| Pessac: Presses universitaires de Bordeaux. #4. 602p. |
| Odiboh, Freeborn (2012) |
| Modern Nigerian art: art pricing and the Nigerian economy, 1960 to 2008 | |
| Research Review. Volume 27 #2. p. 59-74. |
| Schulz, Dorothea Elisabeth (2012) |
| Culture and customs of Mali | |
| Westport, Conn: Greenwood. 201p. |
| Udechukwu, Obiora and Okeke-Agulu, Chika and Soyinka, Wole (eds.) (2012) |
| Ezumeezu: essays on Nigerian art & architecture: a festschrift in honour of Demas Nwoko | |
| Glassboro, NJ: Goldline & Jacobs Pub.. 256p. |
| Barz, Gregory and Cohen, Judah M. (eds.) (2011) |
| The culture of AIDS in Africa: hope and healing in music and the arts | |
| New York: Oxford University Press. 500p. |
| Eyene, Christine and Schwarz, Katrina and Coltart, David and Chikukwa, Raphael (eds.) (2011) |
| Seeing ourselves: Zimbabwe Pavilion, 54th international art exhibition, La Biennale di Venezia 2011 | |
| Milano: Charta. 73p. |
| Kalakuta Trust (2011) |
| Chimurenga chronic: 18-24 May 2008 | |
| Chimurenga. 96p. |
| Koening, Robert J. and Cade, Peter H. (2011) |
| The SMA African Art museum: guide to collections |
| Tenafly, NJ: African Art Museum of the S.M.A. Fathers. 64p. |
| Marchal, Henri (2011) |
| Ancêtre, pouvoir, représentation: cultures des peuples du bassin du Congo | |
| Mondes et cultures. Volume 71. p. 62-70. |
| Munthali, Taweni C. (2011) |
| International perspectives in creative business entrepreneurship | |
| Arts Development and Marketing Consultancy. 178p. |
| Swigert-Gacheru, Margaretta (2011) |
| Globalizing East African Culture: From Junk to jua kali Art |
| Perspectives on Global Development and Technology. Volume 10 #1. p. 127-142. |
| Aka-Evy, Jean-Luc (2010) |
| Les arts au creuset de la pensée congolaise contemporaine | |
| Cahiers d'études africaines. Volume 50 #198-200. p. 1215-1240. |
| Falola, Toyin and Ngom, Fallou (eds.) (2010) |
| Facts, fiction, and African creative imaginations | |
| London: Routledge. #1. 332p. |
| Hervieu-Wane, Fabrice (2010) |
| Made in Dakar: actualité de la culture sénégalaise | |
| Dakar: La Rochette. 319p. |
| Kapoor, Rashmi (2010) |
| African aesthetics and African culture | |
| Indian Journal of African Studies. Volume 16 #1-2. p. 89-98. |
| National Curriculum Development Centre, Kampala (2010) |
| Primary six curriculum set one | |
| Kampala: National Curriculum Development Centre. 332p. |
| Ndinga Nziengui, Alphonse (2010) |
| Art et pouvoir politique en Afrique subsaharienne: archéologie d'une injustice | |
| Palabres actuelles: revue de la Fondation Raponda-Walker pour la Science et la Culture. #4. p. 263-284. |
| Okeke-Agulu, Chika (2010) |
| Contemporary African art history and the scholarship: Nka roundtable II | |
| Nka: journal of contemporary African art. #29. p. 81-151. |
 | Siegert, Nadine (2010) |
| António Ole: from the border of the city to the shore of the island | |
| In: Nka: journal of contemporary African art. Durham, NC: Duke university press. |
| Stewart, Graham (2010) |
| Mirage of us: a reflection on the role of the Web in widening access to references on southern African arts, culture and heritage |
| Tydskrif vir letterkunde. Volume 47 #2. p. 129-142. |
| Abungu, George and Abungu, Lorna (2009) |
| Lamu: Kenya's enchanted island | |
| New York: Rizzoli. 280p. |
| Casanovas, Ana and Casanovas, Antonio and Geoffroy-Schneiter, Bérénice (eds.) (2009) |
| La magie des images = Visual encounters | |
| Arquennes: Primedia. #1. 49p. |
| Perilli, Maria Laura (2009) |
| L'arte contemporanea del Maghreb: rapporti vecchi e nuovi con l'Europa | |
| Roma: De Luca. |
| Anonymous (2008) |
| Maghreb-Afrique noire: quelles cultures en partage? | |
| Cultures sud. #169. 221p. |
| Botma, Gabriël J. (2008) |
| Poles apart: mapping the field of arts journalism in South Africa |
| Critical Arts: A Journal of Media Studies. Volume 22 #1. p. 83-100. |
| Hunsinger, Wolfgang (2008) |
| Zeitgenössische Werke marokkanischer Künstler: Traditionsverankerung und emanzipatorische Bestrebungen | |
| Weimar: Verlag und Datenbank für Geisteswissenschaften (VDG). 267p. |
| Khanna, Ranjana (2008) |
| Algeria cuts: women and representation, 1830 to the present | |
| Stanford, CA: Stanford university press. 301p. |
| Maaba, Brown Bavusile (2008) |
| Challenges to repatriation and preservation of tangible heritage in South Africa: Black art and the experiences of the Ifa Lethu Foundation |
| South African Historical Journal. Volume 60 #3. p. 500-513. |
| Martínez-Jacquet, Elena (2008) |
| Releyendo a Griaule: reflexión sobre el arte y la memoria del pueblo dogón de Malí | |
| Studia Africana. #19. p. 155-162. |
| Miliani, Hadj and Obadia, Lionel (eds.) (2008) |
| Art et transculturalité au Maghreb: incidences et résistances: Actes de la journée d'études organisée par le Centre de recherches en anthroplogie sociale et culturelle (CRASC) et le réseau Diversité des expressions culturelles et artistiques et mondialisations (DCAM) de l'Agence universitaire de Francophonie, Oran, 2-3 décembre 2006 | |
| Paris: Agence universitaire de la Francophonie (AUF). 142p. |
| Murray, Sally-Ann (2008) |
| On Ivan Vladislavic on Willem Boshof on conceptual art | |
| Current Writing: Text and Reception in Southern Africa. Volume 20 #1. p. 16-37. |
| Ross, Eric (2008) |
| Culture and customs of Senegal | |
| Westport, CT: Greenwood. 127p. |
| Abderrezak, Hakim (2007) |
| The Modern Harem in Mokneche's 'Le Harem de Mme Osmane' and 'Viva Laldjerie' |
| The Journal of North African Studies. Volume 12 #3. September. p. 347-368. |
| Anonymous (2007) |
| The revival of Wachiona Ndani? | |
| WASI: [bulletin]. Volume 17 #3. August. p. 11-13. |
| Asakitikpi, A.O. (2007) |
| Functions of Hand Woven Textiles Among Yoruba Women in Southwestern Nigeria |
| Nordic Journal of African Studies. Volume 16 #1. p. 101-115. |
| Batra, Kanika (2007) |
| 'Daughters Who Know the Languages of Power' | |
| Interventions: International Journal of Postcolonial Studies. Volume 9 #1. March. p. 124-138. |
| Bender, Wolfgang (2007) |
| Der nigerianische Highlife: Musik und Kunst in der populären Kultur der 50er und 60er Jahre | |
| Wuppertal: Peter Hammer Verlag. 572p. |
| Berliner, David S. (2007) |
| Caryatid Drums of Baga Women | |
| Arts and Cultures: Antiquity, Africa, Oceania, Asia, Americas. #8. p. 212-223. |
| Berns, Maria C. (2007) |
| Pottery-Making in Bonakire, Ghana | |
| African Arts. Volume 40 #1. Spring. p. 86-91. |
 | Bolzt, Kerstin (2007) |
| Women as Artists in Contemporary Zimbabwe | |
| M.A. Thesis: Bayreuth University, Bayreuth, Germany. 319p. |
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| Found: 1310 | Record 1-100 | |
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