Search results |
Previous page | New search |
Search: su=cinema | ||||||||
Found: 411 | Record 1-100 |
Almeida, Fernanda Pinto de; Erasmus, Aidan (2022) | |
Cinema and the Idea of Fieldwork in Sol Plaatje's Journeys | |
History in Africa. Volume 49. p. 39-63. |
Gómez Fernández, Eva; Rodríguez Lajusticia, Francisco Saulo (2022) | |
El Egipto faraónico y el Próximo Oriente Antiguo en el cine estadounidense de comienzos de la Guerra Fría (1945-1960) | |
Santander. Estudios de Patrimonio. Volume 5. p. 289-324. |
Ohene-Asah, Rebecca (2022) | |
Audio-visual heritage preservation and the changing dynamics of Ghana's historical film archives | |
Archives and Records. Volume 43 #3. p. 285-296. |
Piçarra, Maria do Carmo (2022) | |
Margem de certa maneira: o caso da censura a Catembe. | |
Diálogos. Volume 26 #1. p. 62-82. |
Queiroz, José Antônio Souza (2022) | |
Mueda, memória e massacre (1979) e a construção do mito fundacional da Independência de Moçambique (1975) | |
Em Tempo de Histórias. Volume 41 #1. p. 18-36. |
Tavares, Mirian (2022) | |
Da ruína como discurso: Apontamentos sobre cinematografias pós-coloniais | |
Portuguese Literary & Cultural Studies. Volume 34-35. p. 257-276. |
Ziani, M. Naima Benaicha (2022) | |
El cine argelino en femenino. Un espacio de resistencia y reivindicación Desde Assia Djebar hasta Yasmine Chouikh | |
Historia Actual Online. Volume 57. p. 117-130. |
Alfonso González, Julio A. (2021) | |
Amanecer Zulú: Iklwas, Martini-Henrys y celuloide | |
Guerra Colonial. Volume 9. p. 27-45. |
Blum, Françoise; Chomentowski, Gabrielle; Katsakioris, Constantin (2021) | |
Au cœur des réseaux africano-soviétiques: archives et trajectoire de l'écrivain-cinéaste sénégalais Ousmane Sembène | |
Sources. Matériaux & Terrains en études africaines. Volume 3. p. 99-135. |
Dias, Inês Cordeiro (2021) | |
Female gaze and subjectivity in The murmuring coast | |
Revista de Comunicação e Linguagens. Volume 54. p. 122-139. |
Figge, Maja (2021) | |
Towards a caring gaze: aesthetics of decolonization in Sarah Maldoror's Sambizanga | |
Revista de Comunicação e Linguagens. Volume 54. p. 158-175. |
Garvin, Diana (2021) | |
Black markets: Fascist constructions of race in East African marketplace newsreels | |
Journal of Modern European History. Volume 19 #1. p. 103-124. |
Laranjeiro, Catarina (2021) | |
Arma diplomática e ficção: as mulheres nos filmes da Luta de Libertação da Guiné-Bissau | |
Revista de Comunicação e Linguagens. Volume 54. p. 47-64. |
Machado, João Victor Sanches da Matta (2021) | |
As comunidades narradas pelo cinema em Moçambique: uma leitura de Kuxa Kanema, o nascimento do cinema | |
AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 5. p. 54-68. |
Peralta García, Lidia (2021) | |
Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000-2018) | |
Rethinking History. Volume 25 #2. p. 166-185. |
Salvarrey, Teo (2021) | |
Cine y memoria representaciones de la guerra de Argelia en el cine francés y argelino durante los años sesenta | |
Revista Escuela de Historia. Volume 20 #2. |
Gomes, Vinícius Pinto (2020) | |
A Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970) | |
Em Tempo de Histórias. Volume 37. p. 9-27. |
Melo, Victor Andrade de (2020) | |
O combate ao mau cinema: propostas para a exibição de filmes em Cabo Verde dos primeiros anos de independência (1974-1980) | |
Africana studia: revista internacional de estudos africanos. Volume 34. p. 61-72. |
Ramos, Alexandre (2020) | |
Portuguese and Belgian Colonial Cinema: The Filmography of Two Small Big Countries in Africa | |
Cahiers d'études africaines. #239. p. 555-583. |
Rodet, Marie (2020) | |
Documenting the History of Slavery on Film in Kayes, Mali | |
Journal of Global Slavery. Volume 5 #1. p. 89-104. |
El Khachab, Chihab (2019) | |
The Sobky Recipe and the Struggle over 'The Popular' in Egypt | |
Arab Studies Journal. Volume 27 #1. p. 34-61. |
Gallo, Fernanda Bianca Gonçalves (2019) | |
A revolução moçambicana pelas lentes do filme '25' (1976-77) Entrevista com o diretor Celso Luccas | |
AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 3. p. 302-314. |
Goerg, Odile (2019) | |
Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) | |
Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
Khannous, Touria (2019) | |
Panoptic Vision: Disjuncture, Transgressions, and Imagination in Laila Marrakchi's Film Rock the Casbah | |
Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
Steyn, Adriaan (2019) | |
A new laager for a new South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom | |
Leiden: African Studies Centre. African Studies Collection #73. 145p. |
Vucetic, Radina (2019) | |
We Shall Win: Yugoslav Film Cooperation with FRELIMO | |
Revista Crítica de Ciências Sociais. Volume 118. p. 131-150. |
Barbosa, Pedro Oliveira (2018) | |
O cinejornal Kuxa Kanema e a imagem de Samora Machel | |
Oficina do Historiador. Volume 11 #2. p. 139-158. |
Costa, Renata Dariva (2018) | |
Do audiovisual estatal a um cinema angolano: paradigmas sobre a promoção e produção fílmica em Angola | |
Ars Historica. Volume 16. p. 156-171. |
Grandy, Christine (2018) | |
Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 | |
Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
Montes Ibars, Samuel (2018) | |
El legado faraónico en el cine egipcio: una breve aproximación a la obra de Chadi Abdessalam | |
Polis: revista de ideas y formas políticas de la Antigüedad. Volume 30. p. 43-69. |
Piçarra, Maria do Carmo (2018) | |
Angola: (Re-)Imaginar o Nascimento de uma Nação no Cinema Militante | |
Journal of Lusophone Studies. Volume 3 #1. p. 168-194. |
Adamu, Abdalla Uba (2017) | |
Transcultural Connections: Hindi Films, Transborder Fandom and Muslim Hausa Audiences in Northern Nigeria | |
African and Asian Studies. Volume 16 #1-2. p. 103-127. |
Arenas, Fernando (2017) | |
The Filmography of Guinea-Bissau's Sana Na N'Hada: From the Return of Amílcar Cabral to the Threat of Global Drug Trafficking | |
Portuguese Literary & Cultural Studies. Volume 30-31. p. 68-94. |
Iskalat, Ifdal (2017) | |
Jungle Films in Egypt: Race, Anti-Blackness, and Empire | |
Arab Studies Journal. Volume 25 #2. p. 8-33. |
Marchetti, Dominique (ed.) (2017) | |
La circulation des productions culturelles: cinémas, informations et séries télévisées dans les mondes arabes et musulmans | |
Rabat: Centre Jacques-Berque. |
Shule, Vicensia (2017) | |
Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps | |
Journal of African Cinemas. Volume 9 #1. p. 37-54. |
Ureke, Oswelled; Tomaselli, Keyan (2017) | |
From 'African Cinema' to film services industries: a cinematic fact | |
Journal of African Cinemas. Volume 9 #1. p. 75-92. |
Aty, Mourad (2016) | |
Either Triumph or Martyrdom: representation of women in the Algerian Revolutionary-War Movies, the case of the Battle of Algiers | |
Africana studia: revista internacional de estudos africanos. #26. p. 29-33. |
Benchenna, Abdelfettah; Pinhas, Luc (eds.) (2016) | |
Industries culturelles et entrepreneuriat au Maghreb | |
Paris: L'Harmattan. Socio-anthropologie des mondes méditerranéens. 282p. |
Bertho, Elara (2016) | |
Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
Bénard, Marie-Claude (2016) | |
La sortie au cinéma: palaces et ciné-jardins d'Égypte, 1930-1980 | |
Parentheses. Parcours Méditerranéens, Série territoires, traces et tracés. 223p. |
Fisher, Alexander (2016) | |
Modes of 'griot' inscription in African cinema | |
Journal of African Media Studies. Volume 8 #1. p. 5-16. |
Gallo, Fernanda Bianca Gonçalves; Oliveira, Maurício Santos de (2016) | |
Filmando o Patrimônio Cultural Imaterial em Moçambique e Cabo Verde, relato de duas experiências | |
Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #2. p. 101-118. |
Guiga, Lamia Belkaied (2016) | |
Selma Baccar: réalisatrice, productrice et femme politique. L'engagement permanent pour les libertés | |
Africana studia: revista internacional de estudos africanos. #26. p. 45-51. |
Harrow, Kenneth W. (2016) | |
Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes | |
Journal of African Cinemas. Volume 8 #3. p. 233-248. |
Kifouani, Delphe (2016) | |
De l'analogique au numérique: cinémas et spectateurs d'Afrique subsaharienne francophone à l'épreuve du changement | |
Paris: L'Harmattan. Collection images plurielles. 148p. |
Laranjeiro, Catarina (2016) | |
How many nations are we able to imagine? | |
Comunicação e Sociedade. Volume 29. p. 93-106. |
Nwosu, Maik (2016) | |
The comic imagination in modern African literature and cinema: a poetics of laughter | |
New York: Routlege. Routledge interdisciplinary perspectives on literature #62. 147p. |
Oliveira, Janaina Perreira de (2016) | |
Descolonizando telas: o FESPACO e os primeiros tempos do cinema africano | |
Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #1. p. 50-74. |
Omoera, Osakue Stevenson (2016) | |
Benin Video-film: A Case for the Documentary Genre | |
Ufahamu. Volume 39 #2. p. 147-161. |
Osinubi, Taiwo Adetunji; Hoad, Neville (eds.) (2016) | |
Queer valences in African literatures and film | |
Research in African Literatures. Volume 47 #2. 191p. |
Parsons, Neil (2016) | |
Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 | |
Journal of African Cinemas. Volume 8 #2. p. 133-154. |
Schefer, Raquel (2016) | |
Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau | |
Comunicação e Sociedade. Volume 29. p. 53-77. |
Stewart, Katy (2016) | |
Between memory and erasure: Zézé Gamboa's O Grande Kilapy and the legacy of portuguese colonialism | |
Comunicação e Sociedade. Volume 29. p. 255-269. |
Tavares, Maria (2016) | |
'Mulheres Novas Com Cabeças Limpas': Pitfalls of the Revolution in Licínio Azevedo's Virgem Margarida | |
Journal of Lusophone Studies. Volume 1 #1. p. 153-176. |
Van de Peer, Stefanie (ed.) (2016) | |
Special issue: the North in African cinemas | |
Journal of African Cinemas. Volume 8 #1. p. 3-128. |
(2015) | |
Awotélé: la revue des critiques ciné | |
Pantin: Sudu Connexion. |
Abdelkrim, M'hammed Oubella (2015) | |
L'adaptation cinématographique des romans de Tahar Ben Jelloun: la fabrication des films | |
Agadir: Souss Impression Édition Agadir. 237p. |
Abdul-Jabbar, Wisam Kh. (2015) | |
Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) | |
The Journal of North African Studies. Volume 20 #2. p. 159-171. |
Belguidoum, Saïd; Cattedra, Raffaele; Iraki, Aziz (eds.) (2015) | |
Dossier: villes et urbanités au Maghreb | |
In: L'année du Maghreb. #12. p. 11-210. |
Bisschoff, Lizelle (ed.) (2015) | |
Special issue: Cinema in East Africa | |
Journal of African Cinemas. Volume 7 #2. p. 71-201. |
Brenas, Alain; El-Khoury, Toufic (eds.) (2015) | |
La ville méditerranéenne au cinéma | |
Paris: Orizons. Cinématographies. 226p. |
Buchanan, Sarah B. (2015) | |
When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' | |
Research in African Literatures. Volume 46 #3. p. 190-213. |
Ekotto, Frieda; Harrow, Kenneth W. (eds.) (2015) | |
Rethinking African cultural production | |
Bloomington: Indiana University Press. 204p. |
Fernandes, Walter; Hurst, Miguel (2015) | |
Angola cinemas: uma ficção da liberdade = a fiction of freedom | |
Göttingen: Steidl. 237p. |
Frassinelli, Pier Paolo (2015) | |
Heading south: theory, 'Viva Riva!' and 'District 9' | |
Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
Fronty, François; Kifouani, Delphe (eds.) (2015) | |
La diversité du documentaire de création en Afrique | |
Paris: L'Harmattan. Collection images plurielles. 206p. |
Fuhrmann, Wolfgang (2015) | |
Imperial projections: screening the German colonies | |
New York: Berghahn Books. Film Europa, German cinema in an international context. 309p. |
Gadjigo, Samba; Silverman, Jason (eds.) (2015) | |
Sembène!: the inspiring story of the father of African cinema | |
New York, NY: Kino Lorber. |
Goerg, Odile (2015) | |
Fantômas sous les tropiques: aller au cinéma en Afrique coloniale | |
Paris: Vendémiaire. Collection Empires. 285p. |
Harrow, Kenneth W. (ed.) (2015) | |
ASR Forum: what's new in African cinema? | |
African Studies Review. Volume 58 #3. p. 5-92. |
Krings, Matthias (2015) | |
African appropriations: cultural difference, mimesis, and media | |
Bloomington, IN: Indiana University Press. African expressive cultures. 311p. |
Marais, Danie (2015) | |
Pruimtwak & skaduboksers: rubrieke, heildronke en nagedagtes | |
Kaapstad: Tafelberg. 222p. |
Mboti, Nyasha; Tomaselli, Keyan (2015) | |
New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept | |
Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
Motsaathebe, Gilbert (2015) | |
The rise of film production and the politics of the star system in South Africa | |
Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
Ndiltah, Patrick (2015) | |
Des vidéoclubs pour l'Afrique? 'salles' de cinéma populaires et lieux de sociabilité au Tchad | |
Paris: L'Harmattan. Collection images plurielles. 252p. |
Sharpe, Mani (2015) | |
Representing masculinity in postcolonial Algerian cinema | |
The Journal of North African Studies. Volume 20 #3. p. 450-465. |
Tchouaffe, Jean Olivier (2015) | |
Passion of the reel: cinematic versus modernist political fictions in Cameroon | |
Bristol: Intellect Books. 218p. |
Tomaselli, Keyan (2015) | |
Accessing the archive: a TV history of Afrikaans film | |
Journal of African Cinemas. Volume 7 #1. p. 3-14. |
Ayakoroma, Barclays Foubiri (2014) | |
Trends in Nollywood: a study of selected genres | |
Ibadan: Kraft Books Limited. 365p. |
Bisschoff, Lizelle; Murphy, David (eds.) (2014) | |
Africa's lost classics: new histories of African cinema | |
London: Legenda. Moving image #5. 217p. |
Dipio, Dominica (2014) | |
Gender terrains in African cinema | |
Braamfontein: Unisa Press. African humanities series. 227p. |
Fotsing Fondjo, Luc; Fall, Moustapha (eds.) (2014) | |
Traditions orales postcoloniales: discours d'ouverture de Boubacar Boris Diop | |
Paris: L'Harmattan. Racines du présent. 208p. |
Mboti, Nyasha (ed.) (2014) | |
Special issue: Everyday violence(s) and visualities in Africa | |
Journal of African Cinemas. Volume 6 #2. 122p. |
Milstein, Emily (2014) | |
Nation-Building Through Film in Post-Apartheid South Africa | |
Ufahamu. Volume 38 #1. p. 177-191. |
Mwanza, Rachel; Mbépongo Bilamba, Dédy (2014) | |
Survivre pour voir ce jour | |
Paris: Michalon. Témoignage. 185p. |
Overbergh, Ann (2014) | |
Technological innovation and the diversification of audiovisual storytelling circuits in Kenya | |
Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
Paleker, Gairoonisa (2014) | |
The State, citizens and control: film and African audiences in South Africa, 1910-1948 | |
Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
Prabhu, Anjali (2014) | |
Contemporary cinema of Africa and the diaspora | |
Malden: John Wiley & Sons. 261p. |
Senekal, Burgert A.; Stemmet, Jan-Ad (2014) | |
The gods must be connected: an investigation of Jamie Uys' connections in the Afrikaans film industry using social network analysis | |
Communicatio: South African journal for communication theory and research. Volume 40 #1. p. 1-19. |
Stefanson, Blandine; Petly, Sheila (eds.) (2014) | |
Africa | |
Bristol: Intellect Books. Directory of world cinema #30. 420p. |
Uys, Gerhard (2014) | |
The 'Maestro Film Project' | |
Journal of African Media Studies. Volume 6 #1. p. 43-55. |
Visser, Gustav (2014) | |
The film industry and South African urban change | |
Urban Forum. Volume 25 #1. p. 13-34. |
Armanios, Febe; Armstutz, Andrew (2013) | |
Emerging Christian media in Egypt: Clerical authority and the visualization of women in Coptic video films | |
International Journal of Middle East Studies. Volume 45 #3. p. 513-533. |
Bisschoff, Lizelle; Van de Peer, Stefanie (eds.) (2013) | |
Art and trauma in Africa: representations of reconciliation in music, visual arts, literature and film | |
London: I.B. Tauris. International library of cultural studies 21. 325p. |
De Groof, Matthias (2013) | |
Deep focus: the films of Jean-Pierre Bekolo in the context of African cinema | |
Ann Arbor: Proquest. 260p. |
Eltringham, Nigel (ed.) (2013) | |
Framing Africa: portrayals of a continent in contemporary mainstream cinema | |
New York, NY: Berghahn Books. 183p. |
Garritano, Carmela (2013) | |
African video movies and global desires: a Ghanaian history | |
Athens, OH: Ohio University. Ohio University research in international studies. Africa series #91. 246p. |
Genova, James Eskridge (2013) | |
Cinema and development in West Africa | |
Bloomington: Indiana University Press. 206p. |
Gronemann, Claudia; Pasquier, Wilfried (eds.) (2013) | |
Scènes des genres au Maghreb: masculinités, critique queer et espaces du féminin/masculin | |
Amsterdam: Rodopi. Francopolyphonies #11. 339p. |
Search: su=cinema | ||||||||
Found: 411 | Record 1-100 |
Previous page | New search |