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Found: 430 | Record 1-100 | ![]() |
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![]() | Almeida, Fernanda Pinto de; Erasmus, Aidan (2022) |
![]() | Cinema and the Idea of Fieldwork in Sol Plaatje's Journeys |
History in Africa. Volume 49. p. 39-63. |
![]() | Gómez Fernández, Eva; Rodríguez Lajusticia, Francisco Saulo (2022) |
![]() | El Egipto faraónico y el Próximo Oriente Antiguo en el cine estadounidense de comienzos de la Guerra Fría (1945-1960) |
Santander. Estudios de Patrimonio. Volume 5. p. 289-324. |
![]() | Ohene-Asah, Rebecca (2022) |
![]() | Audio-visual heritage preservation and the changing dynamics of Ghana's historical film archives |
Archives and Records. Volume 43 #3. p. 285-296. |
![]() | Piçarra, Maria do Carmo (2022) |
![]() | Margem de certa maneira: o caso da censura a Catembe. |
Diálogos. Volume 26 #1. p. 62-82. |
![]() | Queiroz, José Antônio Souza (2022) |
![]() | Mueda, memória e massacre (1979) e a construção do mito fundacional da Independência de Moçambique (1975) |
Em Tempo de Histórias. Volume 41 #1. p. 18-36. |
![]() | Tavares, Mirian (2022) |
![]() | Da ruína como discurso: Apontamentos sobre cinematografias pós-coloniais |
Portuguese Literary & Cultural Studies. Volume 34-35. p. 257-276. |
![]() | Ziani, M. Naima Benaicha (2022) |
![]() | El cine argelino en femenino. Un espacio de resistencia y reivindicación Desde Assia Djebar hasta Yasmine Chouikh |
Historia Actual Online. Volume 57. p. 117-130. |
![]() | Alfonso González, Julio A. (2021) |
![]() | Amanecer Zulú: Iklwas, Martini-Henrys y celuloide |
Guerra Colonial. Volume 9. p. 27-45. |
![]() | Blum, Françoise; Chomentowski, Gabrielle; Katsakioris, Constantin (2021) |
![]() | Au cœur des réseaux africano-soviétiques: archives et trajectoire de l'écrivain-cinéaste sénégalais Ousmane Sembène |
Sources. Matériaux & Terrains en études africaines. Volume 3. p. 99-135. |
![]() | Dias, Inês Cordeiro (2021) |
![]() | Female gaze and subjectivity in The murmuring coast |
Revista de Comunicação e Linguagens. Volume 54. p. 122-139. |
![]() | Figge, Maja (2021) |
![]() | Towards a caring gaze: aesthetics of decolonization in Sarah Maldoror's Sambizanga |
Revista de Comunicação e Linguagens. Volume 54. p. 158-175. |
![]() | Garvin, Diana (2021) |
![]() | Black markets: Fascist constructions of race in East African marketplace newsreels |
Journal of Modern European History. Volume 19 #1. p. 103-124. |
![]() | Laranjeiro, Catarina (2021) |
![]() | Arma diplomática e ficção: as mulheres nos filmes da Luta de Libertação da Guiné-Bissau |
Revista de Comunicação e Linguagens. Volume 54. p. 47-64. |
![]() | Machado, João Victor Sanches da Matta (2021) |
![]() | As comunidades narradas pelo cinema em Moçambique: uma leitura de Kuxa Kanema, o nascimento do cinema |
AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 5. p. 54-68. |
![]() | Peralta García, Lidia (2021) |
![]() | Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000-2018) |
Rethinking History. Volume 25 #2. p. 166-185. |
![]() | Salvarrey, Teo (2021) |
![]() | Cine y memoria representaciones de la guerra de Argelia en el cine francés y argelino durante los años sesenta |
Revista Escuela de Historia. Volume 20 #2. |
![]() | Gomes, Vinícius Pinto (2020) |
![]() | A Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970) |
Em Tempo de Histórias. Volume 37. p. 9-27. |
![]() | Melo, Victor Andrade de (2020) |
![]() | O combate ao mau cinema: propostas para a exibição de filmes em Cabo Verde dos primeiros anos de independência (1974-1980) |
Africana studia: revista internacional de estudos africanos. Volume 34. p. 61-72. |
![]() | Ramos, Alexandre (2020) |
![]() | Portuguese and Belgian Colonial Cinema: The Filmography of Two Small Big Countries in Africa |
Cahiers d'études africaines. #239. p. 555-583. |
![]() | Rodet, Marie (2020) |
![]() | Documenting the History of Slavery on Film in Kayes, Mali |
Journal of Global Slavery. Volume 5 #1. p. 89-104. |
![]() | El Khachab, Chihab (2019) |
![]() | The Sobky Recipe and the Struggle over 'The Popular' in Egypt |
Arab Studies Journal. Volume 27 #1. p. 34-61. |
![]() | Gallo, Fernanda Bianca Gonçalves (2019) |
![]() | A revolução moçambicana pelas lentes do filme '25' (1976-77) Entrevista com o diretor Celso Luccas |
AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 3. p. 302-314. |
![]() | Goerg, Odile (2019) |
![]() | Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) |
Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
![]() | Khannous, Touria (2019) |
![]() | Panoptic Vision: Disjuncture, Transgressions, and Imagination in Laila Marrakchi's Film Rock the Casbah |
Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
![]() | Steyn, Adriaan (2019) |
![]() | A new laager for a new South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom |
![]() | Leiden: African Studies Centre. African Studies Collection #73. 145p. |
![]() | Vucetic, Radina (2019) |
![]() | We Shall Win: Yugoslav Film Cooperation with FRELIMO |
Revista Crítica de Ciências Sociais. Volume 118. p. 131-150. |
![]() | Barbosa, Pedro Oliveira (2018) |
![]() | O cinejornal Kuxa Kanema e a imagem de Samora Machel |
Oficina do Historiador. Volume 11 #2. p. 139-158. |
![]() | Costa, Renata Dariva (2018) |
![]() | Do audiovisual estatal a um cinema angolano: paradigmas sobre a promoção e produção fílmica em Angola |
Ars Historica. Volume 16. p. 156-171. |
![]() | Grandy, Christine (2018) |
![]() | Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 |
Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
![]() | Montes Ibars, Samuel (2018) |
![]() | El legado faraónico en el cine egipcio: una breve aproximación a la obra de Chadi Abdessalam |
Polis: revista de ideas y formas políticas de la Antigüedad. Volume 30. p. 43-69. |
![]() | Piçarra, Maria do Carmo (2018) |
![]() | Angola: (Re-)Imaginar o Nascimento de uma Nação no Cinema Militante |
Journal of Lusophone Studies. Volume 3 #1. p. 168-194. |
![]() | Adamu, Abdalla Uba (2017) |
![]() | Transcultural Connections: Hindi Films, Transborder Fandom and Muslim Hausa Audiences in Northern Nigeria |
African and Asian Studies. Volume 16 #1-2. p. 103-127. |
![]() | Arenas, Fernando (2017) |
![]() | The Filmography of Guinea-Bissau's Sana Na N'Hada: From the Return of Amílcar Cabral to the Threat of Global Drug Trafficking |
Portuguese Literary & Cultural Studies. Volume 30-31. p. 68-94. |
![]() | Iskalat, Ifdal (2017) |
![]() | Jungle Films in Egypt: Race, Anti-Blackness, and Empire |
Arab Studies Journal. Volume 25 #2. p. 8-33. |
![]() | Marchetti, Dominique (ed.) (2017) |
![]() | La circulation des productions culturelles: cinémas, informations et séries télévisées dans les mondes arabes et musulmans |
![]() | Rabat: Centre Jacques-Berque. |
![]() | Shule, Vicensia (2017) |
![]() | Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps |
![]() | Journal of African Cinemas. Volume 9 #1. p. 37-54. |
![]() | Ureke, Oswelled; Tomaselli, Keyan (2017) |
![]() | From 'African Cinema' to film services industries: a cinematic fact |
![]() | Journal of African Cinemas. Volume 9 #1. p. 75-92. |
![]() | Aty, Mourad (2016) |
Either Triumph or Martyrdom: representation of women in the Algerian Revolutionary-War Movies, the case of the Battle of Algiers | |
Africana studia: revista internacional de estudos africanos. #26. p. 29-33. |
![]() | Benchenna, Abdelfettah; Pinhas, Luc (eds.) (2016) |
Industries culturelles et entrepreneuriat au Maghreb | |
![]() | Paris: L'Harmattan. Socio-anthropologie des mondes méditerranéens. 282p. |
![]() | Bertho, Elara (2016) |
Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
![]() | Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
![]() | Bénard, Marie-Claude (2016) |
La sortie au cinéma: palaces et ciné-jardins d'Égypte, 1930-1980 | |
Parentheses. Parcours Méditerranéens, Série territoires, traces et tracés. 223p. |
![]() | Fisher, Alexander (2016) |
![]() | Modes of 'griot' inscription in African cinema |
![]() | Journal of African Media Studies. Volume 8 #1. p. 5-16. |
![]() | Gallo, Fernanda Bianca Gonçalves; Oliveira, Maurício Santos de (2016) |
![]() | Filmando o Patrimônio Cultural Imaterial em Moçambique e Cabo Verde, relato de duas experiências |
Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #2. p. 101-118. |
![]() | Guiga, Lamia Belkaied (2016) |
Selma Baccar: réalisatrice, productrice et femme politique. L'engagement permanent pour les libertés | |
Africana studia: revista internacional de estudos africanos. #26. p. 45-51. |
![]() | Harrow, Kenneth W. (2016) |
![]() | Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
![]() | Journal of African Cinemas. Volume 8 #3. p. 233-248. |
![]() | Kifouani, Delphe (2016) |
De l'analogique au numérique: cinémas et spectateurs d'Afrique subsaharienne francophone à l'épreuve du changement | |
Paris: L'Harmattan. Collection images plurielles. 148p. |
![]() | Laranjeiro, Catarina (2016) |
![]() | How many nations are we able to imagine? |
Comunicação e Sociedade. Volume 29. p. 93-106. |
![]() | Nwosu, Maik (2016) |
The comic imagination in modern African literature and cinema: a poetics of laughter | |
New York: Routlege. Routledge interdisciplinary perspectives on literature #62. 147p. |
![]() | Oliveira, Janaina Perreira de (2016) |
![]() | Descolonizando telas: o FESPACO e os primeiros tempos do cinema africano |
Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #1. p. 50-74. |
![]() | Omoera, Osakue Stevenson (2016) |
![]() | Benin Video-film: A Case for the Documentary Genre |
Ufahamu. Volume 39 #2. p. 147-161. |
![]() | Osinubi, Taiwo Adetunji; Hoad, Neville (eds.) (2016) |
![]() | Queer valences in African literatures and film |
![]() | Research in African Literatures. Volume 47 #2. 191p. |
![]() | Parsons, Neil (2016) |
![]() | Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
![]() | Journal of African Cinemas. Volume 8 #2. p. 133-154. |
![]() | Schefer, Raquel (2016) |
![]() | Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau |
Comunicação e Sociedade. Volume 29. p. 53-77. |
![]() | Stewart, Katy (2016) |
![]() | Between memory and erasure: Zézé Gamboa's O Grande Kilapy and the legacy of portuguese colonialism |
Comunicação e Sociedade. Volume 29. p. 255-269. |
![]() | Tavares, Maria (2016) |
![]() | 'Mulheres Novas Com Cabeças Limpas': Pitfalls of the Revolution in Licínio Azevedo's Virgem Margarida |
Journal of Lusophone Studies. Volume 1 #1. p. 153-176. |
![]() | Van de Peer, Stefanie (ed.) (2016) |
![]() | Special issue: the North in African cinemas |
![]() | Journal of African Cinemas. Volume 8 #1. p. 3-128. |
![]() | (2015) |
![]() | Awotélé: la revue des critiques ciné |
Pantin: Sudu Connexion. |
![]() | Abdelkrim, M'hammed Oubella (2015) |
L'adaptation cinématographique des romans de Tahar Ben Jelloun: la fabrication des films | |
Agadir: Souss Impression Édition Agadir. 237p. |
![]() | Abdul-Jabbar, Wisam Kh. (2015) |
![]() | Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) |
![]() | The Journal of North African Studies. Volume 20 #2. p. 159-171. |
![]() | Belguidoum, Saïd; Cattedra, Raffaele; Iraki, Aziz (eds.) (2015) |
Dossier: villes et urbanités au Maghreb | |
![]() | In: L'année du Maghreb. #12. p. 11-210. |
![]() | Bisschoff, Lizelle (ed.) (2015) |
![]() | Special issue: Cinema in East Africa |
![]() | Journal of African Cinemas. Volume 7 #2. p. 71-201. |
![]() | Brenas, Alain; El-Khoury, Toufic (eds.) (2015) |
La ville méditerranéenne au cinéma | |
![]() | Paris: Orizons. Cinématographies. 226p. |
![]() | Buchanan, Sarah B. (2015) |
![]() | When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' |
![]() | Research in African Literatures. Volume 46 #3. p. 190-213. |
![]() | Ekotto, Frieda; Harrow, Kenneth W. (eds.) (2015) |
Rethinking African cultural production | |
![]() | Bloomington: Indiana University Press. 204p. |
![]() | Fernandes, Walter; Hurst, Miguel (2015) |
Angola cinemas: uma ficção da liberdade = a fiction of freedom | |
Göttingen: Steidl. 237p. |
![]() | Frassinelli, Pier Paolo (2015) |
![]() | Heading south: theory, 'Viva Riva!' and 'District 9' |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
![]() | Fronty, François; Kifouani, Delphe (eds.) (2015) |
La diversité du documentaire de création en Afrique | |
![]() | Paris: L'Harmattan. Collection images plurielles. 206p. |
![]() | Fuhrmann, Wolfgang (2015) |
Imperial projections: screening the German colonies | |
New York: Berghahn Books. Film Europa, German cinema in an international context. 309p. |
![]() | Gadjigo, Samba; Silverman, Jason (eds.) (2015) |
![]() | Sembène!: the inspiring story of the father of African cinema |
![]() | New York, NY: Kino Lorber. |
![]() | Goerg, Odile (2015) |
Fantômas sous les tropiques: aller au cinéma en Afrique coloniale | |
Paris: Vendémiaire. Collection Empires. 285p. |
![]() | Harrow, Kenneth W. (ed.) (2015) |
![]() | ASR Forum: what's new in African cinema? |
![]() | African Studies Review. Volume 58 #3. p. 5-92. |
![]() | Krings, Matthias (2015) |
African appropriations: cultural difference, mimesis, and media | |
Bloomington, IN: Indiana University Press. African expressive cultures. 311p. |
![]() | Marais, Danie (2015) |
Pruimtwak & skaduboksers: rubrieke, heildronke en nagedagtes | |
Kaapstad: Tafelberg. 222p. |
![]() | Mboti, Nyasha; Tomaselli, Keyan (2015) |
![]() | New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
![]() | Motsaathebe, Gilbert (2015) |
![]() | The rise of film production and the politics of the star system in South Africa |
![]() | Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
![]() | Ndiltah, Patrick (2015) |
Des vidéoclubs pour l'Afrique? 'salles' de cinéma populaires et lieux de sociabilité au Tchad | |
Paris: L'Harmattan. Collection images plurielles. 252p. |
![]() | Sharpe, Mani (2015) |
![]() | Representing masculinity in postcolonial Algerian cinema |
![]() | The Journal of North African Studies. Volume 20 #3. p. 450-465. |
![]() | Tchouaffe, Jean Olivier (2015) |
Passion of the reel: cinematic versus modernist political fictions in Cameroon | |
Bristol: Intellect Books. 218p. |
![]() | Tomaselli, Keyan (2015) |
![]() | Accessing the archive: a TV history of Afrikaans film |
![]() | Journal of African Cinemas. Volume 7 #1. p. 3-14. |
![]() | Ayakoroma, Barclays Foubiri (2014) |
Trends in Nollywood: a study of selected genres | |
Ibadan: Kraft Books Limited. 365p. |
![]() | Bisschoff, Lizelle; Murphy, David (eds.) (2014) |
Africa's lost classics: new histories of African cinema | |
![]() | London: Legenda. Moving image #5. 217p. |
![]() | Dipio, Dominica (2014) |
Gender terrains in African cinema | |
Braamfontein: Unisa Press. African humanities series. 227p. |
![]() | Fotsing Fondjo, Luc; Fall, Moustapha (eds.) (2014) |
Traditions orales postcoloniales: discours d'ouverture de Boubacar Boris Diop | |
![]() | Paris: L'Harmattan. Racines du présent. 208p. |
![]() | Mboti, Nyasha (ed.) (2014) |
![]() | Special issue: Everyday violence(s) and visualities in Africa |
![]() | Journal of African Cinemas. Volume 6 #2. 122p. |
![]() | Milstein, Emily (2014) |
![]() | Nation-Building Through Film in Post-Apartheid South Africa |
Ufahamu. Volume 38 #1. p. 177-191. |
![]() | Mwanza, Rachel; Mbépongo Bilamba, Dédy (2014) |
Survivre pour voir ce jour | |
Paris: Michalon. Témoignage. 185p. |
![]() | Overbergh, Ann (2014) |
![]() | Technological innovation and the diversification of audiovisual storytelling circuits in Kenya |
![]() | Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
![]() | Paleker, Gairoonisa (2014) |
![]() | The State, citizens and control: film and African audiences in South Africa, 1910-1948 |
![]() | Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
![]() | Prabhu, Anjali (2014) |
Contemporary cinema of Africa and the diaspora | |
![]() | Malden: John Wiley & Sons. 261p. |
![]() | Senekal, Burgert A.; Stemmet, Jan-Ad (2014) |
![]() | The gods must be connected: an investigation of Jamie Uys' connections in the Afrikaans film industry using social network analysis |
![]() | Communicatio: South African journal for communication theory and research. Volume 40 #1. p. 1-19. |
![]() | Stefanson, Blandine; Petly, Sheila (eds.) (2014) |
Africa | |
Bristol: Intellect Books. Directory of world cinema #30. 420p. |
![]() | Uys, Gerhard (2014) |
![]() | The 'Maestro Film Project' |
![]() | Journal of African Media Studies. Volume 6 #1. p. 43-55. |
![]() | Visser, Gustav (2014) |
The film industry and South African urban change | |
![]() | Urban Forum. Volume 25 #1. p. 13-34. |
![]() | Armanios, Febe; Armstutz, Andrew (2013) |
![]() | Emerging Christian media in Egypt: Clerical authority and the visualization of women in Coptic video films |
International Journal of Middle East Studies. Volume 45 #3. p. 513-533. |
![]() | Bisschoff, Lizelle; Van de Peer, Stefanie (eds.) (2013) |
Art and trauma in Africa: representations of reconciliation in music, visual arts, literature and film | |
London: I.B. Tauris. International library of cultural studies 21. 325p. |
![]() | De Groof, Matthias (2013) |
![]() | Deep focus: the films of Jean-Pierre Bekolo in the context of African cinema |
Ann Arbor: Proquest. 260p. |
![]() | Eltringham, Nigel (ed.) (2013) |
Framing Africa: portrayals of a continent in contemporary mainstream cinema | |
New York, NY: Berghahn Books. 183p. |
![]() | Garritano, Carmela (2013) |
African video movies and global desires: a Ghanaian history | |
Athens, OH: Ohio University. Ohio University research in international studies. Africa series #91. 246p. |
![]() | Genova, James Eskridge (2013) |
Cinema and development in West Africa | |
Bloomington: Indiana University Press. 206p. |
![]() | Gronemann, Claudia; Pasquier, Wilfried (eds.) (2013) |
Scènes des genres au Maghreb: masculinités, critique queer et espaces du féminin/masculin | |
![]() | Amsterdam: Rodopi. Francopolyphonies #11. 339p. |
Search: su=cinema | ||||||||
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