AfricaBib 
bibliographic database
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 | Almeida, Fernanda Pinto de; Erasmus, Aidan (2022) |
 | Cinema and the Idea of Fieldwork in Sol Plaatje's Journeys |
| History in Africa. Volume 49. p. 39-63. |
| Gómez Fernández, Eva; Rodríguez Lajusticia, Francisco Saulo (2022) |
| El Egipto faraónico y el Próximo Oriente Antiguo en el cine estadounidense de comienzos de la Guerra Fría (1945-1960) |
| Santander. Estudios de Patrimonio. Volume 5. p. 289-324. |
| Ohene-Asah, Rebecca (2022) |
| Audio-visual heritage preservation and the changing dynamics of Ghana's historical film archives |
| Archives and Records. Volume 43 #3. p. 285-296. |
| Piçarra, Maria do Carmo (2022) |
| Margem de certa maneira: o caso da censura a Catembe. |
| Diálogos. Volume 26 #1. p. 62-82. |
| Queiroz, José Antônio Souza (2022) |
| Mueda, memória e massacre (1979) e a construção do mito fundacional da Independência de Moçambique (1975) |
| Em Tempo de Histórias. Volume 41 #1. p. 18-36. |
| Tavares, Mirian (2022) |
| Da ruína como discurso: Apontamentos sobre cinematografias pós-coloniais |
| Portuguese Literary & Cultural Studies. Volume 34-35. p. 257-276. |
| Ziani, M. Naima Benaicha (2022) |
| El cine argelino en femenino. Un espacio de resistencia y reivindicación Desde Assia Djebar hasta Yasmine Chouikh |
| Historia Actual Online. Volume 57. p. 117-130. |
| Alfonso González, Julio A. (2021) |
| Amanecer Zulú: Iklwas, Martini-Henrys y celuloide |
| Guerra Colonial. Volume 9. p. 27-45. |
| Blum, Françoise; Chomentowski, Gabrielle; Katsakioris, Constantin (2021) |
| Au cœur des réseaux africano-soviétiques: archives et trajectoire de l'écrivain-cinéaste sénégalais Ousmane Sembène |
| Sources. Matériaux & Terrains en études africaines. Volume 3. p. 99-135. |
| Dias, Inês Cordeiro (2021) |
| Female gaze and subjectivity in The murmuring coast |
| Revista de Comunicação e Linguagens. Volume 54. p. 122-139. |
| Figge, Maja (2021) |
| Towards a caring gaze: aesthetics of decolonization in Sarah Maldoror's Sambizanga |
| Revista de Comunicação e Linguagens. Volume 54. p. 158-175. |
| Garvin, Diana (2021) |
| Black markets: Fascist constructions of race in East African marketplace newsreels |
| Journal of Modern European History. Volume 19 #1. p. 103-124. |
| Laranjeiro, Catarina (2021) |
| Arma diplomática e ficção: as mulheres nos filmes da Luta de Libertação da Guiné-Bissau |
| Revista de Comunicação e Linguagens. Volume 54. p. 47-64. |
| Machado, João Victor Sanches da Matta (2021) |
| As comunidades narradas pelo cinema em Moçambique: uma leitura de Kuxa Kanema, o nascimento do cinema |
| AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 5. p. 54-68. |
| Peralta García, Lidia (2021) |
| Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000-2018) |
| Rethinking History. Volume 25 #2. p. 166-185. |
| Salvarrey, Teo (2021) |
| Cine y memoria representaciones de la guerra de Argelia en el cine francés y argelino durante los años sesenta |
| Revista Escuela de Historia. Volume 20 #2. |
| Gomes, Vinícius Pinto (2020) |
| A Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970) |
| Em Tempo de Histórias. Volume 37. p. 9-27. |
| Melo, Victor Andrade de (2020) |
| O combate ao mau cinema: propostas para a exibição de filmes em Cabo Verde dos primeiros anos de independência (1974-1980) |
| Africana studia: revista internacional de estudos africanos. Volume 34. p. 61-72. |
| Ramos, Alexandre (2020) |
| Portuguese and Belgian Colonial Cinema: The Filmography of Two Small Big Countries in Africa |
| Cahiers d'études africaines. #239. p. 555-583. |
| Rodet, Marie (2020) |
| Documenting the History of Slavery on Film in Kayes, Mali |
| Journal of Global Slavery. Volume 5 #1. p. 89-104. |
| El Khachab, Chihab (2019) |
| The Sobky Recipe and the Struggle over 'The Popular' in Egypt |
| Arab Studies Journal. Volume 27 #1. p. 34-61. |
| Gallo, Fernanda Bianca Gonçalves (2019) |
| A revolução moçambicana pelas lentes do filme '25' (1976-77) Entrevista com o diretor Celso Luccas |
| AbeÁfrica: revista da associação brasileira de estudos africanos. Volume 3. p. 302-314. |
| Goerg, Odile (2019) |
| Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) |
| Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
| Khannous, Touria (2019) |
| Panoptic Vision: Disjuncture, Transgressions, and Imagination in Laila Marrakchi's Film Rock the Casbah |
| Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
 | Steyn, Adriaan (2019) |
| A new laager for a new South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom |
 | Leiden: African Studies Centre. African Studies Collection #73. 145p. |
| Vucetic, Radina (2019) |
| We Shall Win: Yugoslav Film Cooperation with FRELIMO |
| Revista Crítica de Ciências Sociais. Volume 118. p. 131-150. |
| Barbosa, Pedro Oliveira (2018) |
| O cinejornal Kuxa Kanema e a imagem de Samora Machel |
| Oficina do Historiador. Volume 11 #2. p. 139-158. |
| Costa, Renata Dariva (2018) |
| Do audiovisual estatal a um cinema angolano: paradigmas sobre a promoção e produção fílmica em Angola |
| Ars Historica. Volume 16. p. 156-171. |
| Grandy, Christine (2018) |
| Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 |
| Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
| Montes Ibars, Samuel (2018) |
| El legado faraónico en el cine egipcio: una breve aproximación a la obra de Chadi Abdessalam |
| Polis: revista de ideas y formas políticas de la Antigüedad. Volume 30. p. 43-69. |
| Piçarra, Maria do Carmo (2018) |
| Angola: (Re-)Imaginar o Nascimento de uma Nação no Cinema Militante |
| Journal of Lusophone Studies. Volume 3 #1. p. 168-194. |
| Adamu, Abdalla Uba (2017) |
| Transcultural Connections: Hindi Films, Transborder Fandom and Muslim Hausa Audiences in Northern Nigeria |
| African and Asian Studies. Volume 16 #1-2. p. 103-127. |
| Arenas, Fernando (2017) |
| The Filmography of Guinea-Bissau's Sana Na N'Hada: From the Return of Amílcar Cabral to the Threat of Global Drug Trafficking |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 68-94. |
| Iskalat, Ifdal (2017) |
| Jungle Films in Egypt: Race, Anti-Blackness, and Empire |
| Arab Studies Journal. Volume 25 #2. p. 8-33. |
| Marchetti, Dominique (ed.) (2017) |
| La circulation des productions culturelles: cinémas, informations et séries télévisées dans les mondes arabes et musulmans |
| Rabat: Centre Jacques-Berque. |
| Shule, Vicensia (2017) |
| Piracy, politics and control: the paradox of Tanzania's Kiswahili video film tax stamps |
| Journal of African Cinemas. Volume 9 #1. p. 37-54. |
| Ureke, Oswelled; Tomaselli, Keyan (2017) |
| From 'African Cinema' to film services industries: a cinematic fact |
| Journal of African Cinemas. Volume 9 #1. p. 75-92. |
| Aty, Mourad (2016) |
| Either Triumph or Martyrdom: representation of women in the Algerian Revolutionary-War Movies, the case of the Battle of Algiers | |
| Africana studia: revista internacional de estudos africanos. #26. p. 29-33. |
 | Benchenna, Abdelfettah; Pinhas, Luc (eds.) (2016) |
| Industries culturelles et entrepreneuriat au Maghreb | |
| Paris: L'Harmattan. Socio-anthropologie des mondes méditerranéens. 282p. |
| Bertho, Elara (2016) |
| Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
| Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
| Bénard, Marie-Claude (2016) |
| La sortie au cinéma: palaces et ciné-jardins d'Égypte, 1930-1980 | |
| Parentheses. Parcours Méditerranéens, Série territoires, traces et tracés. 223p. |
| Fisher, Alexander (2016) |
| Modes of 'griot' inscription in African cinema |
| Journal of African Media Studies. Volume 8 #1. p. 5-16. |
| Gallo, Fernanda Bianca Gonçalves; Oliveira, Maurício Santos de (2016) |
| Filmando o Patrimônio Cultural Imaterial em Moçambique e Cabo Verde, relato de duas experiências |
| Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #2. p. 101-118. |
| Guiga, Lamia Belkaied (2016) |
| Selma Baccar: réalisatrice, productrice et femme politique. L'engagement permanent pour les libertés | |
| Africana studia: revista internacional de estudos africanos. #26. p. 45-51. |
| Harrow, Kenneth W. (2016) |
| Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
| Journal of African Cinemas. Volume 8 #3. p. 233-248. |
| Kifouani, Delphe (2016) |
| De l'analogique au numérique: cinémas et spectateurs d'Afrique subsaharienne francophone à l'épreuve du changement | |
| Paris: L'Harmattan. Collection images plurielles. 148p. |
| Laranjeiro, Catarina (2016) |
| How many nations are we able to imagine? |
| Comunicação e Sociedade. Volume 29. p. 93-106. |
| Nwosu, Maik (2016) |
| The comic imagination in modern African literature and cinema: a poetics of laughter | |
| New York: Routlege. Routledge interdisciplinary perspectives on literature #62. 147p. |
| Oliveira, Janaina Perreira de (2016) |
| Descolonizando telas: o FESPACO e os primeiros tempos do cinema africano |
| Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #1. p. 50-74. |
| Omoera, Osakue Stevenson (2016) |
| Benin Video-film: A Case for the Documentary Genre |
| Ufahamu. Volume 39 #2. p. 147-161. |
 | Osinubi, Taiwo Adetunji; Hoad, Neville (eds.) (2016) |
| Queer valences in African literatures and film |
| Research in African Literatures. Volume 47 #2. 191p. |
| Parsons, Neil (2016) |
| Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
| Journal of African Cinemas. Volume 8 #2. p. 133-154. |
| Schefer, Raquel (2016) |
| Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau |
| Comunicação e Sociedade. Volume 29. p. 53-77. |
| Stewart, Katy (2016) |
| Between memory and erasure: Zézé Gamboa's O Grande Kilapy and the legacy of portuguese colonialism |
| Comunicação e Sociedade. Volume 29. p. 255-269. |
| Tavares, Maria (2016) |
| 'Mulheres Novas Com Cabeças Limpas': Pitfalls of the Revolution in Licínio Azevedo's Virgem Margarida |
| Journal of Lusophone Studies. Volume 1 #1. p. 153-176. |
| Van de Peer, Stefanie (ed.) (2016) |
| Special issue: the North in African cinemas |
| Journal of African Cinemas. Volume 8 #1. p. 3-128. |
 | (2015) |
| Awotélé: la revue des critiques ciné |
| Pantin: Sudu Connexion. |
| Abdelkrim, M'hammed Oubella (2015) |
| L'adaptation cinématographique des romans de Tahar Ben Jelloun: la fabrication des films | |
| Agadir: Souss Impression Édition Agadir. 237p. |
| Abdul-Jabbar, Wisam Kh. (2015) |
| Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) |
| The Journal of North African Studies. Volume 20 #2. p. 159-171. |
 | Belguidoum, Saïd; Cattedra, Raffaele; Iraki, Aziz (eds.) (2015) |
| Dossier: villes et urbanités au Maghreb | |
| In: L'année du Maghreb. #12. p. 11-210. |
| Bisschoff, Lizelle (ed.) (2015) |
| Special issue: Cinema in East Africa |
| Journal of African Cinemas. Volume 7 #2. p. 71-201. |
| Brenas, Alain; El-Khoury, Toufic (eds.) (2015) |
| La ville méditerranéenne au cinéma | |
| Paris: Orizons. Cinématographies. 226p. |
| Buchanan, Sarah B. (2015) |
| When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' |
| Research in African Literatures. Volume 46 #3. p. 190-213. |
| Ekotto, Frieda; Harrow, Kenneth W. (eds.) (2015) |
| Rethinking African cultural production | |
| Bloomington: Indiana University Press. 204p. |
| Fernandes, Walter; Hurst, Miguel (2015) |
| Angola cinemas: uma ficção da liberdade = a fiction of freedom | |
| Göttingen: Steidl. 237p. |
| Frassinelli, Pier Paolo (2015) |
| Heading south: theory, 'Viva Riva!' and 'District 9' |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
| Fronty, François; Kifouani, Delphe (eds.) (2015) |
| La diversité du documentaire de création en Afrique | |
| Paris: L'Harmattan. Collection images plurielles. 206p. |
| Fuhrmann, Wolfgang (2015) |
| Imperial projections: screening the German colonies | |
| New York: Berghahn Books. Film Europa, German cinema in an international context. 309p. |
 | Gadjigo, Samba; Silverman, Jason (eds.) (2015) |
| Sembène!: the inspiring story of the father of African cinema |
| New York, NY: Kino Lorber. |
| Goerg, Odile (2015) |
| Fantômas sous les tropiques: aller au cinéma en Afrique coloniale | |
| Paris: Vendémiaire. Collection Empires. 285p. |
| Harrow, Kenneth W. (ed.) (2015) |
| ASR Forum: what's new in African cinema? |
| African Studies Review. Volume 58 #3. p. 5-92. |
| Krings, Matthias (2015) |
| African appropriations: cultural difference, mimesis, and media | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 311p. |
| Marais, Danie (2015) |
| Pruimtwak & skaduboksers: rubrieke, heildronke en nagedagtes | |
| Kaapstad: Tafelberg. 222p. |
| Mboti, Nyasha; Tomaselli, Keyan (2015) |
| New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept |
| Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
| Motsaathebe, Gilbert (2015) |
| The rise of film production and the politics of the star system in South Africa |
| Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
| Ndiltah, Patrick (2015) |
| Des vidéoclubs pour l'Afrique? 'salles' de cinéma populaires et lieux de sociabilité au Tchad | |
| Paris: L'Harmattan. Collection images plurielles. 252p. |
| Sharpe, Mani (2015) |
| Representing masculinity in postcolonial Algerian cinema |
| The Journal of North African Studies. Volume 20 #3. p. 450-465. |
| Tchouaffe, Jean Olivier (2015) |
| Passion of the reel: cinematic versus modernist political fictions in Cameroon | |
| Bristol: Intellect Books. 218p. |
| Tomaselli, Keyan (2015) |
| Accessing the archive: a TV history of Afrikaans film |
| Journal of African Cinemas. Volume 7 #1. p. 3-14. |
| Ayakoroma, Barclays Foubiri (2014) |
| Trends in Nollywood: a study of selected genres | |
| Ibadan: Kraft Books Limited. 365p. |
| Bisschoff, Lizelle; Murphy, David (eds.) (2014) |
| Africa's lost classics: new histories of African cinema | |
| London: Legenda. Moving image #5. 217p. |
| Dipio, Dominica (2014) |
| Gender terrains in African cinema | |
| Braamfontein: Unisa Press. African humanities series. 227p. |
| Fotsing Fondjo, Luc; Fall, Moustapha (eds.) (2014) |
| Traditions orales postcoloniales: discours d'ouverture de Boubacar Boris Diop | |
| Paris: L'Harmattan. Racines du présent. 208p. |
| Mboti, Nyasha (ed.) (2014) |
| Special issue: Everyday violence(s) and visualities in Africa |
| Journal of African Cinemas. Volume 6 #2. 122p. |
| Milstein, Emily (2014) |
| Nation-Building Through Film in Post-Apartheid South Africa |
| Ufahamu. Volume 38 #1. p. 177-191. |
| Mwanza, Rachel; Mbépongo Bilamba, Dédy (2014) |
| Survivre pour voir ce jour | |
| Paris: Michalon. Témoignage. 185p. |
| Overbergh, Ann (2014) |
| Technological innovation and the diversification of audiovisual storytelling circuits in Kenya |
| Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
| Paleker, Gairoonisa (2014) |
| The State, citizens and control: film and African audiences in South Africa, 1910-1948 |
| Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
| Prabhu, Anjali (2014) |
| Contemporary cinema of Africa and the diaspora | |
| Malden: John Wiley & Sons. 261p. |
| Senekal, Burgert A.; Stemmet, Jan-Ad (2014) |
| The gods must be connected: an investigation of Jamie Uys' connections in the Afrikaans film industry using social network analysis |
| Communicatio: South African journal for communication theory and research. Volume 40 #1. p. 1-19. |
| Stefanson, Blandine; Petly, Sheila (eds.) (2014) |
| Africa | |
| Bristol: Intellect Books. Directory of world cinema #30. 420p. |
| Uys, Gerhard (2014) |
| The 'Maestro Film Project' |
| Journal of African Media Studies. Volume 6 #1. p. 43-55. |
| Visser, Gustav (2014) |
| The film industry and South African urban change | |
| Urban Forum. Volume 25 #1. p. 13-34. |
| Armanios, Febe; Armstutz, Andrew (2013) |
| Emerging Christian media in Egypt: Clerical authority and the visualization of women in Coptic video films |
| International Journal of Middle East Studies. Volume 45 #3. p. 513-533. |
| Bisschoff, Lizelle; Van de Peer, Stefanie (eds.) (2013) |
| Art and trauma in Africa: representations of reconciliation in music, visual arts, literature and film | |
| London: I.B. Tauris. International library of cultural studies 21. 325p. |
 | De Groof, Matthias (2013) |
| Deep focus: the films of Jean-Pierre Bekolo in the context of African cinema |
| Ann Arbor: Proquest. 260p. |
| Eltringham, Nigel (ed.) (2013) |
| Framing Africa: portrayals of a continent in contemporary mainstream cinema | |
| New York, NY: Berghahn Books. 183p. |
| Garritano, Carmela (2013) |
| African video movies and global desires: a Ghanaian history | |
| Athens, OH: Ohio University. Ohio University research in international studies. Africa series #91. 246p. |
| Genova, James Eskridge (2013) |
| Cinema and development in West Africa | |
| Bloomington: Indiana University Press. 206p. |
| Gronemann, Claudia; Pasquier, Wilfried (eds.) (2013) |
| Scènes des genres au Maghreb: masculinités, critique queer et espaces du féminin/masculin | |
| Amsterdam: Rodopi. Francopolyphonies #11. 339p. |
| Search: su=cinema | ||||||||
| Found: 411 | Record 1-100 | |
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