AfricaBib 
bibliographic database
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| Found: 202 | Record 1-100 |  |
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 | Becker, Heike and Schulz, Dorothea (eds.) (2017) |
 | Un/making difference through performance and mediation in contemporary Africa |
 | Journal of African Cultural Studies. Volume 29 #2. p. 149-259. |
 | Carwile, Christey (2017) |
| 'The clave comes home': salsa dance and pan-African identity in Ghana |
| African Studies Review. Volume 60 #2. p. 183-207. |
 | Mans, Minette (2017) |
| Changing faces of Aawambo musical arts | |
| Basel: Basler Afrika Bibliographie. Basel Southern Africa Studies #11. 188p. |
| Perman, Tony (2017) |
| Muchongoyo and Mugabeism in Zimbabwe |
| African Studies Review. Volume 60 #1. p. 145-170. |
| Plancke, Carine (2017) |
| Dance performances in post-genocide Rwanda: remaking identity, reconnecting present and past |
| Journal of Eastern African Studies. Volume 11 #2. p. 329-346. |
| Kamp, Linda van de (ed.) (2016) |
| Religious circulation in Transatlantic Africa |
| African Diaspora: a Journal of Transnational Africa in a Global World. Volume 9 #1-2. p. 1-99. |
| Pier, David G. (2016) |
| Dance, discipline, and the liberal self at a Ugandan Catholic boarding school |
| African Studies Review. Volume 59 #3. p. 33-59. |
| Abbe, Josephine Ebiuwa (2015) |
| The choreographic experience of African moonlight games in performance context | |
| Journal of Performing Arts. Volume 5 #1. p. 116-127. |
| Akuupa, Michael (2015) |
| National culture in Post-Apartheid Namibia | |
| Basel: Basler Afrika Bibliographien (Namibia Resource Centre). Basel Namibia studies series #15. 222p. |
| Darko, Jennies Deide (2015) |
| Dance performance, an endorsement for advertised products on television in Ghana | |
| Journal of Performing Arts. Volume 5 #1. p. 128-137. |
| Fofana, Abdoulaye Sayon (2015) |
| Le kania soli: ode et danse traditionnelles guinéennes | |
| Paris: L'Harmattan. 65p. |
| Fraser, Kathleen W (2015) |
| Before they were belly dancers: European accounts of female entertainers in Egypt, 1760-1870 | |
| Jefferson, NC: McFarland and Company. 296p. |
| Green, Alida (2015) |
| The Great War and a new dance beat: opening the South African dance floor | |
| Historia: amptelike orgaan. Volume 60 #1. p. 60-74. |
| Hurley-Glowa, Susan (2015) |
| Cape Verdeans in the Atlantic: the formation of Kriolu music and dance styles on ship and in port | |
| African Music Journal. Volume 10 #1. p. 7-30. |
| Kwakye-Opong, Regina and Salifu, Jebuni Tigwe (2015) |
| Semiotics of costume in Baamaaya Dance Suite of the Dagbamba | |
| Journal of Performing Arts. Volume 5 #1. p. 138-159. |
| Kwashie Kuwor, Sylvanus (2015) |
| Dance as a vital part of Anlo-Ewe traditional media | |
| Journal of Performing Arts. Volume 5 #1. p. 73-100. |
| Moity-Maïzi, Pascale (ed.) (2015) |
| Savoirs et reconnaissance dans les sociétés africaines | |
| Paris: Karthala. Hommes et sociétés. 211p. |
| Plancke, Carine (2015) |
| Donner corps au 'Nouveau Rwanda': danse et reconstruction post-génocidaire | |
| Cahiers d'études africaines. Volume 55 #220. p. 711-738. |
| Aranzadi, Isabela de (2014) |
| Cuban heritage in Africa: deported Ñáñigos to Fernando Po in the 19th century |
| African Sociological Review. Volume 18 #2. p. 2-40. |
| Asiedu, Awo Mana (ed.) (2014) |
| The performing arts in Africa - Ghanaian perspectives | |
| Oxfordshire, UK: Ayebia Clarke Publishing Limited. University of Ghana readers, Arts & humanities series #5. 144p. |
 | Beljaars, Ine (2014) |
| The politics of bodily mobility and ethnoracial performativity in a culture of avoidance: dance and difference-making in the Dutch kizomba scene |
| 73p. |
| Beuvier, Franck (2014) |
| Danser les funérailles: associations et lieux de pouvoir au Cameroun | |
| Paris: Éd. de l'École des hautes études en sciences sociales (EHESS). En temps & lieux #56. 302p. |
| Bizas, Eleni (2014) |
| Learning Senegalese sabar: dancers and embodiment in New York and Dakar | |
| New York: Berghahn Books. Dance and performance studies. 154p. |
| Inglese, Francesca (2014) |
| Choreographing Cape Town through goema music and dance | |
| African Music Journal. Volume 9 #4. p. 123-145. |
| Kamga Sofo, Dominique (2014) |
| Festivals de danse traditionnelle africaine et développement | |
| Paris: L'Harmattan. 123p. |
| Kringelbach, Hélène Neveu (2014) |
| Choreographic performance, generations and the art of life in post-colonial Dakar |
| Africa: Journal of the International African Institute. Volume 84 #1. p. 36-54. |
| Moorman, Marissa J. (2014) |
| Anatomy of Kuduro: articulating the Angolan body politic after the war |
| African Studies Review. Volume 57 #3. p. 21-40. |
| Sieveking, Nadine (2014) |
| 'Create your space!': locating contemporary dance in Ouagadougou |
| Africa: Journal of the International African Institute. Volume 84 #1. p. 55-77. |
| Soko, Boston (2014) |
| Vimbuza the healing dance of Northern Malawi | |
| Zomba: Imabili Indigenous Knowledge Publications. Imabali text #4. 261p. |
| Aluede, Charles Onomudo and Omone, Aluede Esther (2013) |
| Ujie music and dance of the Esan: a Nigerian genre on the wheels | |
| Journal of Performing Arts. Volume 4 #4. p. 103-114. |
| Covington-Ward, Yolanda (2013) |
| Transforming communities, recreating selves: interconnected diasporas, performance, and the shaping of Liberian immigrant identity |
| Africa Today. Volume 60 #1. p. 29-53. |
 | Haroun, Mahamat Saleh and Stern, Florence and Démé, Souleymane (eds.) (2013) |
| Grigris |
| New York: Film Movement. |
| Johnson Jones, E. Jean (2013) |
| Mapping the Nama Stap: reed-flutes and Nama Stap | |
| African Performance Review. Volume 7 #1. p. 13-30. |
| Kringelbach, Hélène Neveu (2013) |
| Dance circles: movement, morality and self-fashioning in urban Senegal | |
| New York: Berghahn Books. Dance and performance studies. 236p. |
| Lukwata, John M. (ed.) (2013) |
| The Faculty of Theology of CUEA celebrates the golden jubilee of the convocation of Vatican II (1962-2012): proceedings of the 14th Interdisciplinary Session of the Faculty of Theology of CUEA (2012) | |
| Nairobi: CUEA Press, The Catholic University of Eastern Africa. 170p. |
| Ofosu, Terry Bright K. and Dei, Tabitha (2013) |
| The 'Azonto' dance - a Ghanaian new creation: exploring new boundaries of popular dance forms | |
| African Performance Review. Volume 7 #1. p. 45-64. |
| Ofosu, Terry Bright Kweku (2013) |
| Rap culture and its parallels: the 'La kpa' and Akan praise singing in perspective | |
| Journal of Performing Arts. Volume 4 #4. p. 41-54. |
| Osei, Latipher (2013) |
| Encouraging dance and its notation in Ghanaian basic schools | |
| Journal of Performing Arts. Volume 4 #4. p. 55-62. |
| Prinsloo, Jeanne and Moletsane, Relebohile (eds.) (2013) |
| Sex, gender and childhood |
| Agenda: Empowering Women for Gender Equity. #97. 126p. |
| Schauert, Paul (2013) |
| Managing culture: discipline, artistry, and alternative education in Ghana's State dance ensembles |
| Africa Today. Volume 60 #3. p. 3-33. |
| Uzor, Tia-Monique (2013) |
| The evolving face of 'Iwa Akwa' | |
| African Performance Review. Volume 7 #1. p. 104-115. |
| Yao, Koffi Célestin (2013) |
| N'dolo: chants, jeux et danses en pays baoulé | |
| Paris: L'Harmattan. |
| Yégnan-Touré G., Angéline (2013) |
| Le Gbofé d'Afounkaha: une forme d'expression musicale de Côte d'Ivoire | |
| Paris: L'Harmattan. Collection univers musical. 176p. |
| Baldé, Fanceni and Silva, Cleunismar and Fidélis, Mary (2012) |
| Produtos, técnicas e saberes da tradição bijagó: artesanato, danças e trajes, gastronomia | |
| Bissau: Tinguena. 155p. |
| Boucher, Claude (2012) |
| When animals sing and spirits dance: gule wamkulu, the great dance of the Chewa people of Malawi | |
| Mua Parish: Kungoni Centre of Culture and Art. 275p. |
| Chisale, Claude Boucher (ed.) (2012) |
| Kasiya Maliro the great mother of Gule Wamkulu: 160 of her children filmed in action | |
| Kungoni Production. |
| Coutelet, Nathalie (2012) |
| Féral Benga: de la danse nègre à la chorégraphie africaine | |
| Cahiers d'études africaines. Volume 52 #205. p. 199-215. |
| Firenzi, Tara (2012) |
| The changing functions of traditional dance in Zulu society: 1830-present | |
| International Journal of African Historical Studies. Volume 45 #3. p. 403-425. |
| Ndomondo, Mathayo (2012) |
| A woman can sing and dance but cannot dance with high leaps: musical performance of the Haya of Bukoba, Tanzania | |
| African Music Journal. Volume 9 #2. p. 7-31. |
| Nwadigwe, Charles E. (2012) |
| Body, space, and technology: interrogating conventionality in postmodern african dance theatre | |
| African Performance Review. Volume 6 #2. p. 27-42. |
| Schauert, Paul (2012) |
| Staging unity, performing subjectivities: Nkrumah, nation-building, and the Ghana Dance Ensemble | |
| Ghana Studies. Volume 15-16. p. 373-412. |
| Stuffelbeam, Katharine (2012) |
| Performing advocacy: women's music and dance in Dagbon, Northern Ghana | |
| African Music Journal. Volume 9 #2. p. 154-169. |
| Tsoubaloko, Francois Haipinge (2012) |
| Issues in ethnomusicology as human science | |
| Journal for Studies in Humanities and Social Sciences. Volume 1 #1. p. 172-179. |
| Ayettey, Benjamin Obido (2011) |
| The social significance of the Djara dance among the Dagbamba of Northern Ghana | |
| Journal of Performing Arts. Volume 4 #2. p. 189-198. |
| Callaci, Emily (2011) |
| Dancehall politics: mobility, sexuality, and spectacles of racial respectability in late colonial Tanganyika, 1930s-1961 |
| The Journal of African History. Volume 52 #3. p. 365-384. |
| Gabail, Laurent (2011) |
| Comment dansent les institutions: classes d'âge et rapports de sexe chez les Bassari de Guinée | |
| Journal des africanistes. Volume 81 #1. p. 9-33. |
| Jallat, Denis and Fonkoua, Romuald (eds.) (2011) |
| Colloque international politiques sportives et culturelles France - Sénégal: Dakar, 21-25 juin 2010 = International symposium sports and cultural policies France - Senegal: Dakar, 21-25 June 2010 | |
| Présence africaine. #183. 206p. |
| Pier, David (2011) |
| The branded arena: Ugandan 'traditional' dance in the marketing era |
| Africa: Journal of the International African Institute. Volume 81 #3. p. 413-433. |
| Quaye, David E.A. (2011) |
| Analysing the traditional dance on stage within the university: in close reference to Opoku's legacy | |
| Journal of Performing Arts. Volume 4 #2. p. 103-111. |
| Suriano, Maria (2011) |
| Making the modern: contestations over 'muziki wa dansi' in Tanganyika, ca. 1945-1961 |
| African Studies. Volume 70 #3. p. 393-414. |
| Ugoli, Chris (2011) |
| The national troupe of Nigeria: choreographic and performance styles | |
| Journal of Performing Arts. Volume 4 #2. p. 112-118. |
| Aranzadi, Isabela de (2010) |
| A drum's trans-Atlantic journey from Africa to the Americas and back after the end of slavery: Annobonese and Fernandino musical cultures |
| African Sociological Review. Volume 14 #1. p. 20-47. |
| Dessertine, Audrey (2010) |
| Une initiation diffuse à la sexualité: le 'sabar' des Wolof du Sénégal |
| Civilisations. Volume 59 #1. p. 89-108. |
| KuNgoni, Mua (2010) |
| Dances of Malawi | |
| Balaka: Montfort Media. |
| Mani, Enoch (2010) |
| Bassari fire dance as a source of cultural tourism | |
| Ghana. 60p. |
| Plancke, Carine (2010) |
| On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville |
| Africa: Journal of the International African Institute. Volume 80 #4. p. 620-641. |
| Ugolo, Christopher E. (2010) |
| Ogunde's dance choreography and the quest for national unity in Nigeria | |
| African Performance Review. Volume 4 #2. p. 41-53. |
| Vallet, Alíenor (ed.) (2010) |
| Bô, l'empreinte du rythme |
| Regards Entrecroisés Nord Sud. |
| Boukobza, Julie (2009) |
| Danser l'Orient: touristes et pratiquantes transnationales de la danse orientale au Caire | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 203-226. |
| Facci, Serena (2009) |
| Dances across the boundary: Banande and Bakonzo in the twentieth century |
| Journal of Eastern African Studies. Volume 3 #2. p. 350-366. |
| Green, Alida (2009) |
| Dancing with literature: an overview of South African ballroom dancing | |
| New contree: a journal of historical and human sciences for Southern Africa. #57. p. 53-70. |
| Kapur, N. (2009) |
| Dialogue through dance | |
| Awaaz (Nairobi, Kenya). Volume 6 #2. p. 45-47. |
| Laguna, Juan (ed.) (2009) |
| Princesa de África |
| Barcelona: Cameo Media. |
| Lassibille, Mahalia (2009) |
| Les scènes de la danse: entre espace touristique et politique chez les Peuls woDaaBe du Niger | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 309-335. |
| Locke, David (2009) |
| Simultaneous multidimensionality in African music: musical cubism | |
| African Music Journal. Volume 8 #3. p. 8-37. |
| Plancke, Carine (2009) |
| Rites, chants et danses de jumeaux chez les Punu du Congo-Brazzaville | |
| Journal des africanistes. Volume 79 #1. p. 177-208. |
| Raout, Julien (2009) |
| Au rythme du tourisme: le monde transnational de la percussion guinéenne | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 175-201. |
| Van der Eecken, Tineke (2009) |
| Café d'Afrique | |
| YouWriteOn.Com. 292p. |
| Akunna, Gladys Ijeoma (2008) |
| Dance as mental therapeutic in the African experience: beyond the speculation | |
| African Performance Review. Volume 2 #1. p. 9-18. |
| Ayettey, Ben Obido (2008) |
| The Baamaya dance suite: a tale of Dagbamba | |
| Research Review. Volume 24 #2. p. 61-74. |
| Ayouch, Nabil and Lebbos, Carmen (eds.) (2008) |
| Whatever Lola wants |
| Casablanca: Ali n' Productions. |
| Igweonu, Kene (2008) |
| Re/negotiating interculturalism: Africa in Caribbean dance performances | |
| African Performance Review. Volume 2 #2-3. p. 103-124. |
| MacNaughton, Patrick R. (2008) |
| A bird dance near Saturday City: Sidi Ballo and the art of West African masquerade | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 300p. |
| Makahamadze, Tompson and Sibanda, Fortune (2008) |
| 'Melodies to God': the place of music, instruments and dance in the Seventh Day Adventist Church in Masvingo Province, Zimbabwe |
| Exchange: Bulletin of Third World Christian Literature. Volume 37 #3. p. 290-309. |
| Mpoyi, Ladi Bidinga (ed.) (2008) |
| Lula | |
| AJC! atelier jeunes cinéastes. |
| Nwaru, Christian I. (2008) |
| Dance as a signifying practice: a study of 'Iri-Agha' | |
| African Performance Review. Volume 2 #1. p. 29-42. |
| Carter, Katherine Leigh (2007) |
| Batuku dance and Creole language: Cape Verdean women respond to economic globalization | |
| Ann Arbor, MI: UMI Dissertation Services. 200p. |
| Doki, Gowon Ama (2007) |
| Signifying systems in traditional African theatre aesthetics: the 'Girinya' ritual dance of the Tiv people of Nigeria | |
| African Performance Review. Volume 1 #2-3. p. 7-26. |
| Kringelbach, Hélène Neveu (2007) |
| 'Le poids du succès': construction du corps, danse et carrière à Dakar | |
| Politique africaine. #107. p. 81-101. |
| Kruger, Jaco (2007) |
| Singing psalms with owls: a Venda 20th century musical history part two: 'tshikona', beer songs and personal songs | |
| African Music Journal. Volume 8 #1. p. 36-59. |
| Menuez, Douglas and Scheier, Rachel (2007) |
| Transcendent spirit: the orphans of Uganda | |
| New York: Beaufort Books. |
| Montgomery, Eric James (2007) |
| Converting the converters: the transformative power of Ewe Gorovodu in modernity | |
| Ann Arbor, MI: UMI Dissertation Services. 310p. |
| Roy, Christopher D. (ed.) (2007) |
| Birds of the wilderness: the beauty competition of the Wodaabe people of Niger | |
| Christopher D. Roy. |
| Vambe, Mauruce T. (2007) |
| 'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 |
| African Identities. Volume 5 #3. December. p. 355-369. |
| Castaldi, Francesca (2006) |
| Choreographies of African identities: négritude, dance, and the National Ballet of Senegal | |
| Urbana, IL: University of Illinois Press. 246p. |
| Damon, Anne (2006) |
| ''Aqwaqwam' ou la danse des cieux |
| Cahiers d'études africaines. Volume 46 #182. p. 261-290. |
| Kanters, Natasja (ed.) (2006) |
| Danse de la beauté | |
| Kaoke Productions. |
| Lassibille, Mahalia (2006) |
| Les danses woDaaBe entre spectacles touristiques et scènes internationales: les coulisses d'une migration chorégraphique | |
| Autrepart. #40. p. 113-129. |
| Mans, Minette (ed.) (2006) |
| Centering on African practice in musical arts education | |
| Cape Town: African Minds, for the Pan-African Society of Musical Arts Education. 260p. |
| Mboya, J. (2006) |
| Shall we watch dance? | |
| Wajibu. Volume 21 #1. April-May. p. 10-12. |
| Search: su=dance | ||||||||
| Found: 202 | Record 1-100 | |
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