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| Found: 106 | Record 1-100 |  |
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 | Coquery-Vidrovitch, Catherine and Balandier, Georges (eds.) (2017) |
| L'Afrique des routes: histoire de la circulation des hommes, des richesses et des idées à travers le continent africain | |
| Paris: Musée du quai Branly--Jacques Chirac. 255p. |
 | Vincent, Cédric (ed.) (2016) |
| De l'art (d'être) contemporain | |
 | Cahiers d'études africaines. Volume 56 #223. p. 459-761. |
| Witz, Lelsie (ed.) (2016) |
| Special edition: Red Assemby: the work remains | |
| Kronos: Journal of Cape History. #42. 248p. |
 | Bornand, Sandra and Leguy, Cécile (2015) |
| Des 'paroles d'Afrique' dans un musée: de la valorisation à la transmission | |
| Journal des africanistes. Volume 85. p. 44-78. |
| Ferreira, Irlando (2015) |
| Cabo Verde, economias criativas, que benefícios para o país? O caso Atlantic Music Expo Cabo Verde | |
| Praia, Cabo Verde: Editura. 119p. |
| Gilvin, Amanda (2015) |
 | Games of seduction and games of history: Alioum Moussa's 'Fashion Victims' in Niamey, Niger |
| African Studies Review. Volume 58 #1. p. 55-89. |
| Grant, Julie (2015) |
| Live Aid/8: perpetuating the superiority myth |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 310-326. |
| Ngaïde, Abderrahmane (2015) |
| Suintements de couleurs sous fichues banderoles: essai sur l'art de l'in-vu - (Yiyaaka, Nanaaka/Gissuñu-ko, Dëgguñu-ko) | |
| Paris: L'Harmattan. 143p. |
| Sharkey, Heather J. (2015) |
| 'La belle Africaine': the Sudanese giraffe who went to France |
| Canadian Journal of African Studies. Volume 49 #1. p. 39-65. |
| Bondaz, Julien (2014) |
| L'exposition postcoloniale: musées et zoos en Afrique de l'Ouest (Niger, Mali, Burkina Faso) | |
| Paris: L'Harmattan. 345p. |
| McEwen, Haley and Milani, Tommaso M. (eds.) (2014) |
| 'queer & trans Art-iculations': decolonising gender and sexualities in the global South |
| Agenda: Empowering Women for Gender Equity. Volume 28 #4. 153p. |
| Milbourne, Karen (2014) |
| Earth matters: land as material and metaphor in the arts of Africa | |
| Washington, DC: National Museum of African Art, Smithsonian Institution. 320p. |
| Nazier, Farieda (2014) |
| Beyond the 'After Math': exploring psychological decolonisation in a post-apartheid context of artistic praxis |
| Critical Arts: A Journal of Media Studies. Volume 28 #2. p. 199-215. |
| Tietze, Anna and Botha, Nicholas (2014) |
| Civilising the Cape: public art exhibitions and Cape visual culture, 1851-1910 |
| Journal of Southern African Studies. Volume 40 #6. p. 1177-1191. |
| Greenwood, Megan (2013) |
| Watchful witness: St George's cathedral and the crypt memory and witness centre |
| South African Historical Journal. Volume 65 #1. p. 23-43. |
| Toussaint, Évelyne (2013) |
| Africa remix: une exposition en questions | |
| Éditions la lettre volée. 199p. |
| Bondaz, Julien (2012) |
| Animaux et objets marrons: résistances à la mise en exposition dans les parcs zoologiques et les musées d'Afrique de l'Ouest |
| Civilisations. Volume 61 #1. p. 121-136. |
| Ferraz de Matos, Patrícia (2012) |
| The colours of the empire: racialized representations during Portuguese colonialism | |
| New York: Berghahn Books. 288p. |
| Mufuzi, Friday (2012) |
| The Livingstone Museum and its role in postcolonial Zambia, 1964-2006 | |
| Historia: amptelike orgaan. Volume 57 #1. p. 127-140. |
| Ojiambo Ochieng, Ruth (ed.) (2012) |
| Challenging militarism and violence against women: Kasese District, a report | |
| Kampala: Isis-WICCE. 66p. |
| Bondaz, Julien (2011) |
| La négritude revisitée à propos de la réception de l'exposition 'Prèsence africaine' à Dakar (11 mars-26 juin 2011) | |
| Psychopathologie africaine. Volume 36 #2. p. 227-254. |
| Goniwe, Thembinkosi (2011) |
| Debating and framing 'SPace: currencies in contemporary African art' | |
| African Identities. Volume 9 #2. p. 187-248. |
| Muhoma, Catherine and Nyairo, Joyce (2011) |
| Inscribing memory, healing a nation: post-election violence and the search for truth and justice in 'Kenya Burning' |
| Journal of Eastern African Studies. Volume 5 #3. p. 411-426. |
| Tissières, Hélène (2011) |
| Biennale de Dakar 2010: 'In' et 'Off' entre dénonciation et envolée | |
| Éthiopiques: revue socialiste de culture négro-africaine. #86. p. 215-235. |
| Colleyn, Jean-Paul (2010) |
| Les chevaux de la satire = The horses of satire: les kórèdugaw du Mali | |
| Paris: Gourcuff Gradenigo. 159p. |
| Martin, Phyllis M. (2010) |
| Complexity in the missionary experience: the Franciscan missionaries of Mary in Upper Congo |
| Social Sciences and Missions = Sciences sociales et missions. Volume 23 #2. p. 228-253. |
| Williams, Christian A. (2010) |
| 'Remember Cassinga?': an exhibition of photographs and histories |
| Kronos: Journal of Cape History. #36. p. 213-250. |
| Allen, Rika (2009) |
| Art activism in South Africa and the ethics of representation in a time of AIDS |
| Critical Arts: A Journal of Media Studies. Volume 23 #3. p. 396-415. |
| Annuß, Evelyn (ed.) (2009) |
| Stagings made in Namibia: postkoloniale fotografie | |
| Berlin: b-books Verlag. 300p. |
| Anonymous (2009) |
| Beyond stone: Chikabadwa's sculpture | |
| WASI: [bulletin]. Volume 19 #2. April. p. 4-6. |
| Casanovas, Ana and Casanovas, Antonio and Geoffroy-Schneiter, Bérénice (eds.) (2009) |
| La magie des images = Visual encounters | |
| Arquennes: Primedia. #1. 49p. |
| Diagne, Ibrahima (2009) |
| L'Afrique dans l'opinion publique allemande: transferts culturels et formes de perception de l'Afrique dans l'Allemagne de l'entre-deux-guerres et de la Seconde Guerre mondiale (1918-1945) | |
| Berlin: LIT Verlag. #1. 279p. |
| Du Toit, Marijke and Gordon, Jenny (2009) |
| Photographic portraiture, neighbourhood activism and apartheid's industrial legacy: reflections on the 'Breathing Spaces' exhibition |
| Kronos: Journal of Cape History. #35. p. 175-221. |
| Gibson, N.J. (2009) |
| Making art, making identity: moving beyond racialised perceptions of identity through collaborative exhibition in the new South Africa |
| South African Historical Journal. Volume 61 #3. p. 594-620. |
| Hoffmann, Anette (ed.) (2009) |
| What we see: reconsidering an anthropometrical collection from Southern Africa: images, voices, and versioning | |
| Basel: Basler Afrika-Bibliographien, Namibia Resource Centre & Southern Africa Library. 233p. |
| Kahora, Billy and Chiba, Yasuyoshi and Mwangi, Boniface (eds.) (2009) |
| Kenya burning: mgogoro baada ya uchaguzi 2007/8 | |
| Nairobi: GoDown Arts Centre. 155p. |
| Julius, Chrischené (2008) |
| 'Digging [d]eeper than the eye approves': oral histories and their use in the 'Digging Deeper' exhibition of the District Six Museum |
| Kronos: Journal of Cape History. #34. p. 106-138. |
| Van Eeden, Jeanne (2008) |
| Collecting South African art in the 1930s: the role of Martin du Toit | |
| Historia: amptelike orgaan. Volume 53 #1. p. 162-196. |
| Anonymous (2007) |
| AIDS art in 3D | |
| WASI: [bulletin]. Volume 17 #2. April. p. 19-21. |
| Loumpet-Galitzine, Alexandra (2007) |
| L'art postcolonial est-il toujours primitif? Réflexions autour d'Africa Remix | |
| Terroirs: revue africaine de sciences sociales et de culture. #3-4. p. 61-70. |
| Sylla, Abdou (2007) |
| 'Trajectoires': entretiens avec Bassam Chaïtou | |
| Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 281-292. |
| Anonymous (2006) |
| The WESM art exhibition | |
| WASI: [bulletin]. Volume 16 #2. April. p. 12-13. |
| Gewald, Jan-Bart (2006) |
| More Than Red Rubber and Figures Alone: A Critical Appraisal of the Memory of the Congo Exhibition at the Royal Museum for Central Africa, Tervuren, Belgium |
| International Journal of African Historical Studies. Volume 39 #3. p. 471-486. |
| Sizaire, Violaine (2006) |
| La mémoire populaire urbaine au Musée de Lubumbashi |
| Civilisations. Volume 54 #1-2. p. 209-222. |
| Tissières, Hélène (2006) |
| Biennale de Dakar 2006: oeuvres exposées et témoignages | |
| Éthiopiques: revue socialiste de culture négro-africaine. #77. p. 285-301. |
 | Kooij, Judith van der (ed.) (2005) |
| Visions contemporaines: Afrikaanse kunstenaars aan het woord | |
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| Shutt, Allison K. and King, Tony (2005) |
| Imperial Rhodesians: The 1953 Rhodes Centenary Exhibition in Southern Rhodesia |
| Journal of Southern African Studies. Volume 31 #2. June. p. 357-379. |
| Stiebel, Lindy (2005) |
| Putting Africa [Back] on the Map: The South African Parliamentary Millennium Project |
| Transformation: Critical Perspectives on Southern Africa. #56. p. 53-67. |
| Kreamer, Christine M. (2004) |
| The Politics of Memory: Ghana's Cape Coast Castle Museum Exhibition 'Crossroads of People, Crossroads of Trade' | |
| Ghana Studies. Volume 7. p. 79-91. |
| Jacobs, Moze and Verkerk, Marjan and Schulte, Birgit and Currid, Brian (eds.) (2003) |
| Visible visions: DPSPD-Project (Daily producers of sustainable development): art in the context of the World summit on sustainable development 2002 in Johannesburg, South Africa = Kunst im Kontext des Weltgipfels für Nachhaltige Entwicklung 2002 in Johannesburg, Südafrika | |
| Essen: EXILE. 132p. |
| Pieprzak, Katarzyna (2003) |
| Citizens and Subjects in the Bank Corporate Visions of Modern Art and Moroccan Identity |
| The Journal of North African Studies. Volume 8 #1. Spring. p. 131-154. |
| Robinson, Jennifer (2003) |
| Johannesburg's 1936 Empire Exhibition: Interaction, Segregation and Modernity in a South African City |
| Journal of Southern African Studies. Volume 29 #3. September. p. 759-789. |
| Touré, Kal (ed.) (2003) |
| Rencontres d'Africains photographes | |
| VM Group. |
| Anonymous (2002) |
| El Negro and the Hottentot Venus: issues of repatriation | |
| Pula: Botswana Journal of African Studies. Volume 16 #1. p. 1-69. |
| Motswakhumo, B. (2002) |
| Thapong exhibition | |
| Zebra's Voice. Volume 29 #1. August. p. 10-11. |
| Motswakhumo, B. (2002) |
| M.C.E. exhibition | |
| Zebra's Voice. Volume 29 #1. August. p. 8-9. |
| Hess, Janet B. (2001) |
| Exhibiting Ghana: Display, Documentary, and 'National' Art in the Nkrumah Era |
| African Studies Review. Volume 44 #1. April. p. 59-77. |
| Anonymous (2000) |
| The millennium art exhibition | |
| WASI: [bulletin]. Volume 11 #2. April. p. 13-14. |
| Somjee, S.H. (2000) |
| Exhibiting identities in Kenya's museums | |
| NMK Horizons. Volume 4 #2. July. p. 16-17. |
| Somjee, S.H. (2000) |
| Private Society, Public Display (Asian-African Heritage Exhibition at Nairobi) | |
| Kenya Past and Present. #31. p. 55-60. |
| Atondi, Ibéa (1999) |
| La violence muséale: aux origines d'un discours ambigu |
| Cahiers d'études africaines. Volume 39 #155-156. p. 905-921. |
| Suteau, Rachel (1999) |
| Publics des musées africains: les visiteurs de l'exposition 'Vallées du Niger' à Conakry (République de Guinée) |
| Cahiers d'études africaines. Volume 39 #155-156. p. 951-978. |
| Anonymous (1998) |
| Médaille d'argent à l'anthurium mauricien | |
| Prosi. Volume 30 #359. déc.. p. 30-32. |
| Crabb, T. (1998) |
| Anthills, moths, drawing | |
| Gallery (Harare, Zimbabwe). #18. December. p. 21-23. |
| Esterhuyse, Petro (1998) |
| Afrikamaskers vandag | |
| South African Journal of Ethnology. Volume 21 #2. p. 70-77. |
| Garlake, M. (1998) |
| A changed world | |
| Gallery (Harare, Zimbabwe). #18. December. p. 16-20. |
| Godby, Michael (1998) |
| Dismantling the Symbolic Structure of Afrikaner Nationalism: Gideon Mendel's 'Beloofde Land' Photographs (1989) |
| South African Historical Journal. #39. November. p. 111-128. |
| Huggins, D. (1998) |
| New forms for old | |
| Gallery (Harare, Zimbabwe). #18. December. p. 3-9. |
| Laurentin, M. and Quinones, V. and Lebon, C. (1998) |
| African illustrators' exhibition at Bologna '99 | |
| African Publishing Review. Volume 7 #2. March-April. p. 5. |
| Wright, G. (1998) |
| Charting interior and exterior landscapes | |
| Gallery (Harare, Zimbabwe). #18. December. p. 10-15. |
| Zoara, R. (1998) |
| D'un salon à un autre | |
| Lettre mensuelle de JURECO. Volume 12 #139-140. juil.-août. p. 42, 44. |
| Anonymous (1997) |
| Midlands artists mount an inspiring exhibition | |
| Moto. #177. October. p. 18. |
| Anonymous (1997) |
| Image & form | |
| Gallery (Harare, Zimbabwe). #12. June. p. 14-17. |
| Garlake, M. (1997) |
| Sensation | |
| Gallery (Harare, Zimbabwe). #14. December. p. 20-22. |
| Garlake, M. (1997) |
| Throw a six and go to Venice | |
| Gallery (Harare, Zimbabwe). #13. September. p. 20-23. |
| Huggins, D. (1997) |
| Crossroads | |
| Gallery (Harare, Zimbabwe). #12. June. p. 5-13. |
| Marks, F. (1997) |
| Tapfuma Gutsa: 'Man is born free but he is everywhere in chains' | |
| Gallery (Harare, Zimbabwe). #14. December. p. 3-7. |
| Marks, F. (1997) |
| The colour of memory: works by Helen Kedgley and Suzy Pennington | |
| Gallery (Harare, Zimbabwe). #12. June. p. 22-24. |
| Muncke, L. (1997) |
| The McEwen Collection at the Museum of Mankind, London | |
| Gallery (Harare, Zimbabwe). #14. December. p. 8-10. |
| Schmidt, C. (1997) |
| Fletching dimensions | |
| Gallery (Harare, Zimbabwe). #14. December. p. 23-25. |
| Sibanda, D. (1997) |
| Contemporary maskings | |
| Gallery (Harare, Zimbabwe). #13. September. p. 12-15. |
| Sylvester, Christine (1997) |
| A Woman's Place: Images of Women in Zimbabwean Society | |
| Gallery (Harare, Zimbabwe). #12. June. p. 19-21. |
| Sitoe, J. (1995) |
| Facim/95: cresce presença de expositores nacionais | |
| Tempo. #1289. 3 de set.. p. 12-15. |
| Sérgio, P. (1995) |
| Presidente Chissano: alto-patrono da CNCD? | |
| Tempo. #1281. 9 de julho. p. 27-30. |
| Sérgio, P. (1995) |
| Museu Nacional de Arte: 'recycle, reuse, recreate': 'nada se perde, tudo se transforma'?... | |
| Tempo. #1277. 11 de junho. p. 25-27. |
| Anonymous (1994?) |
| Le mois de la photo à Paris: catalogue général | |
| Italiques. #4. p. 39-41. |
 | Anonymous (1994) |
| Tribal art: the quarterly journal of the art, culture and history of traditional peoples and new world civilizations | |
| San Francisco, CA: Primedia. |
| Bedaux, R.M.A. and Waals, J.D. van der (eds.) (1994) |
| Djenné, beeld van een Afrikaanse stad | |
| Leiden: Rijksmuseum voor Volkenkunde. 186p. |
| Laissone, I. (1994) |
| Facim/94 e PTA: Africa austral e oriental 'descobrem-se' | |
| Tempo. #1237. 4 de set.. p. 4-8. |
| Oliveira, J. (1994) |
| Pintora moçambicana absorve raízes de Trás-os-Montes | |
| Tempo. #1229. 10 de julho. p. 31-32. |
| Sérgio, P. (1994) |
| Eugénio de Lemos: pinto por necessidade interior | |
| Tempo. #1241. 2 de out.. p. 32-34. |
| Sérgio, P. (1994) |
| Reinata: a ceramista maconde que quer falar com o Presidente Chissano | |
| Tempo. #1226. 19 de junho. p. 24-27. |
| Sérgio, P. (1994) |
| Arte contemporânea Moçambicana-9: ninguém investe no futuro? | |
| Tempo. #1224. 5 de junho. p. 23-26. |
| Sérgio, P. (1994) |
| Casa de Moçambique em Portugal: Sangue novo na convivência social? | |
| Tempo. #1211. 27 de fev.. p. 29-32. |
| Sérgio, P. (1993) |
| Bienal TDM'93 cada obra vale milhoes ... | |
| Tempo. #1156. 17 de jan.. p. 18-25. |
| Anonymous (1992) |
| Malawian art and artists | |
| WASI: [bulletin]. Volume 4 #1. December. p. 9-12. |
| Anonymous (1992) |
| The Boers are coming: Kenyan businessmen wait in anticipation for major South African Exhibition | |
| Business Trend Review. Volume 1 #12. May. p. 6, 8. |
| Sanga, G. (1992) |
| San art: I Dream a World exhibitions | |
| Zebra's Voice. Volume 19 #3-4. p. 6-7. |
| Saúte, N. (1992) |
| Expo 92 Sevilha: o adeus do milénio | |
| Tempo. #1145. 1 de nov.. p. 14-18. |
| Lloyd, F. (1991) |
| Booksellers harbour great expectations | |
| Africa South. #13. August. p. 40-43. |
| Search: su=exhibitions | ||||||||
| Found: 106 | Record 1-100 | |
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