AfricaBib 
bibliographic database
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| Search: su=folk drama | ||||||||
| Found: 53 | Record 1-53 | |||||||
 | Adekannbi, Janet; Dada, Kehinde I. (2017) |
| Women's preference for folk/modern media in disseminating HIV/AIDS information in a selected rural community in Oyo State, Nigeria | |
| African Journal of Library, Archives and Information Science. Volume 27 #1. |
 | Donkor, David Afriyie (2016) |
| Spiders of the market: Ghanaian trickster performance in a web of neoliberalism | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 232p. |
| Diala, Isidore (2014) |
| Esiaba Irobi's drama and the postcolony: theory and practice of postcolonial performance | |
| Ibadan: Kraft Books. 316p. |
| Ogunbiyi, Yemi (ed.) (2014) |
| Drama and theatre in Nigeria: a critical source book | |
 | Lagos: Tanus Books Limited. 736p. |
| Klein, Debra (2012) |
 | A political economy of lifestyle and aesthetics: Yorùbá artists produce and transform popular culture |
| Research in African Literatures. Volume 43 #4. p. 128-146. |
| Irobi, Esiaba (2007) |
| Feminist aesthetics in African theatre of the colonial period | |
| African Performance Review. Volume 1 #2-3. p. 56-74. |
| Matzke, Christine (2004) |
| Shakespeare and surgery in the Eritrean liberation struggle: performance culture in Orota | |
| Journal of Eritrean Studies (Asmara). Volume 3 #1. May. p. 26-40. |
| Müller, Bernard (2004) |
| L'année prochaine à Ile-Ife!: la ville idéale dans la construction de l'identité yoruba | |
| Journal des africanistes. Volume 74 #1-2. p. 159-179. |
| Pereira, Paulo Alves (2004) |
| Aspekte darstellender Kunst in Mosambik: Tradition und Gegenwart | |
| DASP-Hefte Mosambik. #113. p. 100-114. |
| Musa, Dauda E. (2003) |
| Theatre and religion: 'Kyen-Eku' as performance and ritual among the Eggon | |
| Afrika und Übersee: Sprachen, Kulturen. Volume 86 #2. p. 235-248. |
| El-Bushra, Judy; Dolan, Chris (2002) |
| Don't Touch, Just Listen! Popular Performance from Uganda |
| Review of African Political Economy. Volume 29 #91. March. p. 37-52. |
| Ododo, Sunday E. (2001) |
| Theatrical Aesthetics and Functional Values of Ekuechi Masquerade Ensemble of the Ebira People of Nigeria |
| African Study Monographs. Volume 22 #1. p. 1-36. |
 | Alidou, Ousseina D. (2000) |
| Popular Hausa drama in Niger and the politics of its appropriation | |
| In: African Visions: Literary images, political change, and social struggle in contemporary Africa. p. 193-208. |
| Diawara, Gaoussou (1999) |
| Théâtres et sociétés au Mali | |
| Bamako: Éditions Tériya. 252p. |
| Ebong, Inih A. (1995) |
| The Aesthetics of Ugliness in Ibibio Dramatic Arts |
| African Studies Review. Volume 38 #3. December. p. 43-59. |
| Ogundeji, P.A. (1995) |
| Yoruba drama and religion: the pre- & post-colonial situations | |
| Orita: Ibadan Journal of Religious Studies. Volume 27 #2. p. 100-111. |
| Peterson, Bhekizizwe (1995) |
| 'All work and no play makes civilisation unattractive to the masses': theatre and mission education at Mariannhill, 1900-1925 |
| African Studies. Volume 54 #2. p. 32-51. |
| Arnoldi, Mary Jo (1994) |
| Political History and Social Commentary in Malian Sogobo Theatre |
| Africa Today. Volume 41 #2. p. 39-49. |
| Camara, Sory Saba Djadjé (1994) |
| Grain de vision: Afrique noire drame et liturgie | |
| Talence: Centre d'Étude d'Afrique Noire. Travaux et documents #42. 44p. |
| Machut-Mendecka, Ewa (1994) |
| Arabic traditional theatre | |
| Africana Bulletin. #42. p. 75-95. |
| Mda, Zakes (1994) |
| Learning from the ancient wisdom of Africa: in the creation and distribution of messages | |
| Current Writing: Text and Reception in Southern Africa. Volume 6 #2. p. 139-150. |
| Buputu Kitok Mwan (1993) |
| Il teatro popolare degli Ekonda, Zaïre |
| Africa: rivista trimestrale di studi e documentazione. Volume 48 #2. p. 199-215. |
| Amali, Idris O.O. (1992) |
| Indigenous Nigerian Oral Drama as an Instrument of Social Regulation: A Study of Ogbllo Secret Society of Idoma | |
| Ufahamu. Volume 20 #1. p. 56-67. |
| Drewal, Margaret Thompson (1991) |
| The State of Research on Performance in Africa |
| African Studies Review. Volume 34 #3. December. p. 1-64. |
| Okafor, Chinyere Grace (1991) |
| Behind the inscrutable wonder: the dramaturgy of the mask performance in traditional African society |
| Research in African Literatures. Volume 22 #4. p. 39-52. |
| Schoffeleers, J.M. (1991) |
| Mannen- en vrouwentheater in de Malawiaanse dorpscultuur | |
| Antropologische verkenningen. Volume 10 #4. p. 36-45. |
| Agovi, Kofi Ermeleh (1988) |
| The aesthetics of creative communication in African performance situations | |
| Research Review. Volume 4 #1. p. 1-9. |
| Ahura, Tar (1988) |
| Origins and development of the masquerade theatre among the Tiv of Benue State of Nigeria | |
| Nigeria Magazine. Volume 56 #3-4. p. 41-51. |
| Amankulor, James Ndukaku; Okafor, Chinyere G. (1988) |
| Continuity and Change in Traditional Nigerian Theater among the Igbo in the Era of Colonial Politics | |
| Ufahamu. Volume 16 #3. p. 35-50. |
| Mlama, P.O. (1988) |
| Théâtre et société en Tanzanie | |
| Bulletin des études africaines de l'INALCO. Volume 8 #15. p. 39-62. |
| Spencer, J.S. (1988) |
| A historical background to the contemporary theatre in sierra leone | |
| In: International journal of Sierra Leone studies. Volume 1. p. 26-35. |
| Beik, Janet (1987) |
| Hausa theatre in Niger: a contemporary oral art | |
| New York: Garland. Critical studies in black life and culture. 327p. |
| Gbilekaa, S.E.T. (1987) |
| Comedy and comic forms in Tiv drama | |
| Nigeria Magazine. Volume 55 #4. p. 37-42. |
| Kamlongera, Christopher F. (1987) |
| Theatre Censorship in Africa: A Preliminary Study | |
| Africana Marburgensia. Volume 20 #2. p. 18-37. |
| Owomoyela, Oyekan (1986) |
| Creative historiography and critical determinism in Nigerian theater |
| Research in African Literatures. Volume 17 #2. p. 234-251. |
| Ahmed, Umaru B. (1985) |
| A taxonomy of Hausa Drama | |
| Nigeria Magazine. Volume 53 #1. p. 19-32. |
| Amali, Emmanuel (1985) |
| Proverbs as concept of Idoma performing arts | |
| Nigeria Magazine. Volume 53 #3. p. 30-37. |
| Ogunbiyi, Yemi (1985) |
| The performing arts in Nigerian Culture | |
| In: Nigerian history and culture. p. 318-340. |
 | Götrick, Kacke (1984) |
| Apidan theatre and modern drama: a study in a traditional Yoruba theatre and its influence on modern drama by Yoruba playwrights | |
| Göteborg: Graphic Systems. 271p. |
| Kofoworola, Ziky O. (1984) |
| The impact of drama in the northern states of Nigeria | |
| Nigeria Magazine. #151. p. 30-39. |
| Rivière, Claude (1984) |
| Le tragique ritualisé dans le vécu Africain | |
| Le mois en Afrique: revue française d'études politiques africaines. Volume 20 #231-232. p. 114-126. |
| Cancel, Robert (1981) |
| Inshimi performance techniques of the Zambian Tabwa: elements and experience | |
| Ba Shiru. Volume 12 #1. p. 47-65. |
| Oti, Sonny (1981) |
| The role of drama in education in Nigeria | |
| Nigeria Magazine. #134-135. p. 96-103. |
| Ugonna, Nnabuenyi (1981) |
| An introductory study of the Mmonwu theatre of the central Igbo | |
| Ikenga: Journal of African Studies. Volume 5 #1. p. 53-63. |
| Agovi, James Kofi (1980) |
| Of actors, performers and audience in traditional African drama | |
| Présence africaine. #116. p. 141-158. |
| Amankulor, J.N. (1980) |
| Festival theatre in traditional africa: an essay in dramatic theory | |
| Kiabàrà: Journal of the Humanities. Volume 3 #2. p. 85-106. |
| Amankulor, James N. (1980) |
| Dance as element of artistic synthesis in traditional Igbo festival theatre | |
| Okike: an African Journal of New Writing. #17. p. 84-95. |
| Nzewi, Meki (1979) |
| Traditional theatre practice | |
| Nigeria Magazine. #128-129. p. 15-25. |
| Graft, J.C. de (1976) |
| Roots in African drama and theatre | |
| African Literature Today. #8. p. 1-25. |
| Kesteloot, Lilyan (1972) |
| Acteurs et valeurs dans l'épopée Bambara de Segou |
| Canadian Journal of African Studies. Volume 6 #1. p. 29-41. |
| Messenger, J.C. (1971) |
| Ibibio drama |
| Africa: Journal of the International African Institute. Volume 41 #3. p. 208-222. |
| Ottenberg, Simon (1970) |
| The analysis of an African play | |
| Research Review. Volume 7 #3. p. 66-84. |
| Search: su=folk drama | ||||||||
| Found: 53 | Record 1-53 | |||||||
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