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| Found: 61 | Record 1-61 | |||||||
 | Akoh, Ameh Dennis (2016) |
| Legislative gossip as theatre: Odeli and Abule of Ibaji of East-central Nigeria | |
 | African Performance Review. Volume 8 #1. p. 17-29. |
 | Bouttiaux, Anne-Marie and Albinovanus, Benoit and Divinagracia, Emily and Gérard, Isabelle (eds.) (2013) |
| La dynamique des masques en Afrique occidentale = Dynamics of masks in West Africa | |
| Tervuren: Royal Museum for Central Africa. Studies in social sciences and humanities 176. 213p. |
 | Beek, Walter van (2012) |
| To dance or not to dance? Dogon masks as a tourist arena | |
| In: African hosts & their guests: cultural dynamics of tourism. p. 37-57. |
| Boucher, Claude (2012) |
| When animals sing and spirits dance: gule wamkulu, the great dance of the Chewa people of Malawi | |
| Mua Parish: Kungoni Centre of Culture and Art. 275p. |
| Chinaka, Psalms (2012) |
| Liberation as an instrument of self-aggrandizement: the Nigerian 'revolutionary masquerades' in Achebe's 'There was a country' and selected Nigerian works of fiction | |
| JALA: the Journal of the African Literature Association. Volume 7 #2. p. 132-146. |
 | Chisale, Claude Boucher (ed.) (2012) |
| Kasiya Maliro the great mother of Gule Wamkulu: 160 of her children filmed in action | |
| Kungoni Production. |
| Imperato, Gavin H. and Imperato, Pascal James (2012) |
| Bundu: Sowei headpieces of the Sande society of West Africa: the Imperato family collection | |
| Bayside: Queensborough Community College; Kilima House Publishers. 177p. |
| Ododo, Sunday Enessi (2012) |
| Gender ambiguity and iconic paradox in Ebiran Ekuechi 'facekuerade' ritualization | |
| African Performance Review. Volume 6 #2. p. 7-26. |
| Steel, Roderick (ed.) (2012) |
 | The balance |
| 3a via Films. |
| Jones, David (2011) |
| Masquerade mosaic: Charles Partridge's collection from Eastern Nigeria 1903-1913 | |
| Ipswich: Colchester and Ipswich Museum Service. 192p. |
| Nwabueze, Emeka (2011) |
| Visions and re-visions: selected discourses on literary criticism | |
| Enugu: ABIC Books. 304p. |
| Colleyn, Jean-Paul (2010) |
| Les chevaux de la satire = The horses of satire: les kórèdugaw du Mali | |
| Paris: Gourcuff Gradenigo. 159p. |
| KuNgoni, Mua (2010) |
| Dances of Malawi | |
| Balaka: Montfort Media. |
| Ododo, Sunday Enessi (2010) |
| The playing aesthetics of Ebiran Ekuechi 'facekuerade' festival | |
| African Performance Review. Volume 4 #1. p. 12-26. |
| Okoye, Chukwuma (2010) |
| Cannibalization as popular tradition in Igbo masquerade performance |
| Research in African Literatures. Volume 41 #2. p. 19-31. |
| Nwaozuzu, Uche-Chinemere (2009) |
| Theatre and globalization: emerging trends in the dialectics of performance in sub-Saharan Africa | |
| African Performance Review. Volume 3 #1. p. 86-99. |
| Wooten, Stephen R. (2009) |
| The art of livelihood: creating expressive agri-culture in rural Mali | |
| Durham, NC: Carolina Academic Press. 182p. |
| Abuku, Mnena (2008) |
| Masks and symbols in masquerade performances among the Tiv of central Nigeria | |
| African Performance Review. Volume 2 #1. p. 19-28. |
| Declich, Francesca (ed.) (2008) |
| A hidden guarantee: identity and Gule wankulu between Mozambique and Somalia | |
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| Israel, Paolo (2008) |
| Déchirures et rumeurs: la chasse au sorcier et l'héritage idéologique de la révolution socialiste au Mozambique (Muidumbe, 2002-2003) | |
| Cahiers d'études africaines. Volume 48 #189-190. p. 209-236. |
| MacNaughton, Patrick R. (2008) |
| A bird dance near Saturday City: Sidi Ballo and the art of West African masquerade | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 300p. |
 | Famule, Olawole Francis (2007) |
| Art and spirituality: the Ijumu Northeastern-Yoruba Egúngún | |
| Ann Arbor, MI: UMI Dissertation Services. 315p. |
| Okagbue, Osita (2007) |
| African theatres and performances | |
| London: Routledge. Theatres of the world. 200p. |
| Rea, Will (2007) |
| On staging performance: the masquerade festival of Ìkòlé Èkìtì |
| Journal of African Cultural Studies. Volume 19 #1. p. 95-111. |
| Beek, Walter E.A. van (2006) |
| Boys and masks among the Dogon | |
| In: Playful performers: African children's masquerades. p. 67-88. |
| Langeveld, Kirsten (2002) |
| Gender and the 'Kankurang' Mask: An Analysis of Myth and Female Ritual |
| Mande Studies. Volume 4. p. 83-100. |
| Probst, Peter (2002) |
| Kalumbas Tänzer und Malandas Zorn: polyzentrische Öffentlichkeit und die Kraft des Performativen in Zentralmalawi |
| Paideuma. Volume 48. p. 125-143. |
| Reed, Daniel B. (2001) |
| Pop Goes the Sacred: Dan Mask Performance and Popular Culture in Postcolonial Côte d'Ivoire |
| Africa Today. Volume 48 #4. Winter. p. 67-85. |
| Arnoldi, Mary Jo (2000) |
| Wild animals and heroic men: visual and verbal arts in the 'Sogo bò' masquerades of Mali |
| Research in African Literatures. Volume 31 #4. p. 63-75. |
| Jansen, Jan (2000) |
| Masking Sunjata: A Hermeneutical Critique | |
| History in Africa. Volume 27. p. 131-141. |
| Jong, Ferdinand de (2000) |
| Secrecy and the State: The Kankurang Masquerade in Senegal |
| Mande Studies. Volume 2. p. 153-173. |
| Vinel, Virginie (2000) |
| Être et devenir Sikoomse: identité et initiation en pays moaaga (Burkina Faso) |
| Cahiers d'études africaines. Volume 40 #158. p. 257-279. |
| Gnonsoa, Angèle (1998) |
| Le gouvernement dans une société de masque: l'exemple des Wè | |
| Quest: An International African Journal of Philosophy. Volume 12 #1. June. p. 105-114. |
| Layiwola, 'Dele (1998) |
| Gèlèdé: metaphysics and gender in an African ritual play | |
| African Notes: Bulletin of the Institute of African Studies, University of Ibadan. Volume 22 #1-2. p. 54-64. |
| Rea, William R. (1998) |
| Rationalising Culture: Youth, Elites and Masquerade Politics |
| Africa: Journal of the International African Institute. Volume 68 #1. p. 98-117. |
| Jong, Ferdinand de (1997) |
| The power of a mask: a contextual analysis of the Senegalese 'Kumpo' mask performance | |
| Focaal: tijdschrift voor antropologie. #29. p. 37-56. |
| Probst, Peter (1997) |
| Danser le SIDA: spectacles du 'nyau' et culture populaire chewa dans le centre du Malawi | |
| Autrepart. #1. p. 91-112. |
| Na'Allah, Abdul-Rasheed (1996) |
| The Origin of Egungun: A Critical Literary Appraisal |
| African Study Monographs. Volume 17 #2. p. 59-68. |
| Aremu, P.S.O. (1995) |
| Engungun Masquerades as Socio-Religious Manifestation | |
| Africana Marburgensia. Volume 28 #1-2. p. 3-13. |
| Ebong, Inih A. (1995) |
| The Aesthetics of Ugliness in Ibibio Dramatic Arts |
| African Studies Review. Volume 38 #3. December. p. 43-59. |
| Phillips, Ruth B. (1995) |
| Representing woman: Sande masquerades of the Mende of Sierra Leone | |
| Los Angeles, CA: UCLA Fowler Museum of Cultural History. 199p. |
| Aguilar, Laurel Birch de (1994) |
| Nyau masks of the Chewa: an oral historical introduction; Masks in social roles; Masks: outsiders and socio-historical experience |
| The Society of Malawi Journal. Volume 47 #2. p. 3-53. |
| Arnoldi, Mary Jo (1994) |
| Political History and Social Commentary in Malian Sogobo Theatre |
| Africa Today. Volume 41 #2. p. 39-49. |
| Durantel, Jean-Marc (1994) |
| La danse du masque noir: rites funéraires des Mossé du Kadiogo (Burkina Faso) | |
| Systèmes de pensée en Afrique noire. #13. p. 219-229. |
| Okafor, Chinyere Grace (1994) |
| From the heart of masculinity: Ogbodo-Uke women's masking |
| Research in African Literatures. Volume 25 #3. p. 7-17. |
| Hart, W.A. (1993) |
| A West African Masquerade in 1815 |
| Journal of Religion in Africa. Volume 23 #2. May. p. 136-146. |
| Kalilu, R.O. Rom (1993) |
| Costumes and the origin of Egúngún |
| African Studies. Volume 52 #1. p. 55-69. |
| Okafor, Chinyere Grace (1991) |
| Behind the inscrutable wonder: the dramaturgy of the mask performance in traditional African society |
| Research in African Literatures. Volume 22 #4. p. 39-52. |
| Schoffeleers, J.M. (1991) |
| Mannen- en vrouwentheater in de Malawiaanse dorpscultuur | |
| Antropologische verkenningen. Volume 10 #4. p. 36-45. |
| Nwabueze, Emeka (1989) |
| The masquerade as hero in Igbo traditional society | |
| Frankfurter afrikanistische Blätter. #1. p. 95-107. |
| Nwabueze, P. Emeka (1989) |
| Igbo-Ikwu Revisited |
| Transafrican Journal of History. Volume 18. p. 187-192. |
| Picton, John (1989) |
| On Placing Masquerades in Ebira |
| African Languages and Cultures. Volume 2 #1. p. 73-92. |
| Ahura, Tar (1988) |
| Origins and development of the masquerade theatre among the Tiv of Benue State of Nigeria | |
| Nigeria Magazine. Volume 56 #3-4. p. 41-51. |
| Adams, Monni (Marie-Jeanne) (1987) |
| Current Directions in the Study of Masking in Africa | |
| Africana Journal. Volume 14 #2-3. p. 89-114. |
| Binkley, David A. (1987) |
| Avatar of Power: Southern Kuba Masquerade Figures in a Funerary Context |
| Africa: Journal of the International African Institute. Volume 57 #1. p. 75-97. |
| Nwabueze, P. Emeka (1984) |
| Igbo Masquerade Performance and the Problem of Alien Intervention: Transition from Cult to Theatre | |
| Ufahamu. Volume 14 #1. p. 74-92. |
| Aremu, P.S.O. (1983) |
| Spiritual and physical identity of Yoruba Egungun costumes: a general survey | |
| Nigeria Magazine. #147. p. 47-54. |
| Harper, P. (1981) |
| The inter-relation of the arts in the performance of masquerades as an expression of oral tradition in Nigeria | |
| Black Orpheus: A Journal of African and Afro-American Literature. Volume 4 #1. p. 1-6. |
| Phillips, Ruth B. (1978) |
| Masking in Mende Sande Society |
| Africa: Journal of the International African Institute. Volume 48 #3. p. 265-277. |
| Olajubu, Oludare and Ojo, J.R.O. (1977) |
| Some Aspects of Oyo Yoruba Masquerades |
| Africa: Journal of the International African Institute. Volume 47 #3. p. 253-275. |
| Danford, John (ed.) (1960) |
| Nigeria in costume | |
| London: L. Van Leer. 102p. |
| Search: su=masquerades | ||||||||
| Found: 61 | Record 1-61 | |||||||
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