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Found: 64 | Record 1-64 |
![]() | Uwaegbute, Kingsley Ikechukwu (2021) |
![]() | Christianity and Masquerade Practices among the Youth in Nsukka, Nigeria |
African Studies. Volume 80 #1. p. 40-59. |
![]() | Akoh, Ameh Dennis (2016) |
Legislative gossip as theatre: Odeli and Abule of Ibaji of East-central Nigeria | |
![]() | African Performance Review. Volume 8 #1. p. 17-29. |
![]() | Bouttiaux, Anne-Marie; Albinovanus, Benoit; Divinagracia, Emily; Gérard, Isabelle (eds.) (2013) |
La dynamique des masques en Afrique occidentale = Dynamics of masks in West Africa | |
![]() | Tervuren: Royal Museum for Central Africa. Studies in social sciences and humanities 176. 213p. |
![]() | Beek, Walter van (2012) |
To dance or not to dance? Dogon masks as a tourist arena | |
In: African hosts & their guests: cultural dynamics of tourism. p. 37-57. |
![]() | Boucher, Claude (2012) |
When animals sing and spirits dance: gule wamkulu, the great dance of the Chewa people of Malawi | |
Mua Parish: Kungoni Centre of Culture and Art. 275p. |
![]() | Chinaka, Psalms (2012) |
Liberation as an instrument of self-aggrandizement: the Nigerian 'revolutionary masquerades' in Achebe's 'There was a country' and selected Nigerian works of fiction | |
JALA: the Journal of the African Literature Association. Volume 7 #2. p. 132-146. |
![]() | Chisale, Claude Boucher (ed.) (2012) |
Kasiya Maliro the great mother of Gule Wamkulu: 160 of her children filmed in action | |
![]() | Kungoni Production. |
![]() | Imperato, Gavin H.; Imperato, Pascal James (2012) |
Bundu: Sowei headpieces of the Sande society of West Africa: the Imperato family collection | |
Bayside: Queensborough Community College; Kilima House Publishers. 177p. |
![]() | Ododo, Sunday Enessi (2012) |
Gender ambiguity and iconic paradox in Ebiran Ekuechi 'facekuerade' ritualization | |
![]() | African Performance Review. Volume 6 #2. p. 7-26. |
![]() | Steel, Roderick (ed.) (2012) |
![]() | The balance |
![]() | 3a via Films. |
![]() | Jones, David (2011) |
Masquerade mosaic: Charles Partridge's collection from Eastern Nigeria 1903-1913 | |
Ipswich: Colchester and Ipswich Museum Service. 192p. |
![]() | Nwabueze, Emeka (2011) |
Visions and re-visions: selected discourses on literary criticism | |
Enugu: ABIC Books. 304p. |
![]() | Colleyn, Jean-Paul (2010) |
Les chevaux de la satire = The horses of satire: les kórèdugaw du Mali | |
Paris: Gourcuff Gradenigo. 159p. |
![]() | KuNgoni, Mua (2010) |
Dances of Malawi | |
![]() | Balaka: Montfort Media. |
![]() | Ododo, Sunday Enessi (2010) |
The playing aesthetics of Ebiran Ekuechi 'facekuerade' festival | |
![]() | African Performance Review. Volume 4 #1. p. 12-26. |
![]() | Okoye, Chukwuma (2010) |
![]() | Cannibalization as popular tradition in Igbo masquerade performance |
![]() | Research in African Literatures. Volume 41 #2. p. 19-31. |
![]() | Nwaozuzu, Uche-Chinemere (2009) |
Theatre and globalization: emerging trends in the dialectics of performance in sub-Saharan Africa | |
![]() | African Performance Review. Volume 3 #1. p. 86-99. |
![]() | Wooten, Stephen R. (2009) |
The art of livelihood: creating expressive agri-culture in rural Mali | |
Durham, NC: Carolina Academic Press. 182p. |
![]() | Abuku, Mnena (2008) |
Masks and symbols in masquerade performances among the Tiv of central Nigeria | |
![]() | African Performance Review. Volume 2 #1. p. 19-28. |
![]() | Declich, Francesca (ed.) (2008) |
A hidden guarantee: identity and Gule wankulu between Mozambique and Somalia | |
![]() |
![]() | Israel, Paolo (2008) |
Déchirures et rumeurs: la chasse au sorcier et l'héritage idéologique de la révolution socialiste au Mozambique (Muidumbe, 2002-2003) | |
![]() | Cahiers d'études africaines. Volume 48 #189-190. p. 209-236. |
![]() | MacNaughton, Patrick R. (2008) |
A bird dance near Saturday City: Sidi Ballo and the art of West African masquerade | |
Bloomington, IN: Indiana University Press. African expressive cultures. 300p. |
![]() | Bortolot, Alexander Ives (2007) |
![]() | A language for change: creativity and power in Mozambican Makonde masked performance, circa 1900-2004 |
316p. |
![]() | Famule, Olawole Francis (2007) |
Art and spirituality: the Ijumu Northeastern-Yoruba Egúngún | |
Ann Arbor, MI: UMI Dissertation Services. 315p. |
![]() | Okagbue, Osita (2007) |
African theatres and performances | |
London: Routledge. Theatres of the world. 200p. |
![]() | Rea, Will (2007) |
![]() | On staging performance: the masquerade festival of Ìkòlé Èkìtì |
![]() | Journal of African Cultural Studies. Volume 19 #1. p. 95-111. |
![]() | Beek, Walter E.A. van (2006) |
Boys and masks among the Dogon | |
![]() | In: Playful performers: African children's masquerades. p. 67-88. |
![]() | Ottenberg, Simon; Binkley, David A. (eds.) (2006) |
Playful performers: African children's masquerades | |
![]() | New Brunswick, NJ: Transaction Publishers. 261p. |
![]() | Langeveld, Kirsten (2002) |
![]() | Gender and the 'Kankurang' Mask: An Analysis of Myth and Female Ritual |
![]() | Mande Studies. Volume 4. p. 83-100. |
![]() | Probst, Peter (2002) |
![]() | Kalumbas Tänzer und Malandas Zorn: polyzentrische Öffentlichkeit und die Kraft des Performativen in Zentralmalawi |
![]() | Paideuma. Volume 48. p. 125-143. |
![]() | Reed, Daniel B. (2001) |
![]() | Pop Goes the Sacred: Dan Mask Performance and Popular Culture in Postcolonial Côte d'Ivoire |
![]() | Africa Today. Volume 48 #4. Winter. p. 67-85. |
![]() | Arnoldi, Mary Jo (2000) |
![]() | Wild animals and heroic men: visual and verbal arts in the 'Sogo bò' masquerades of Mali |
![]() | Research in African Literatures. Volume 31 #4. p. 63-75. |
![]() | Jansen, Jan (2000) |
![]() | Masking Sunjata: A Hermeneutical Critique |
![]() | History in Africa. Volume 27. p. 131-141. |
![]() | Jong, Ferdinand de (2000) |
![]() | Secrecy and the State: The Kankurang Masquerade in Senegal |
![]() | Mande Studies. Volume 2. p. 153-173. |
![]() | Vinel, Virginie (2000) |
![]() | Être et devenir Sikoomse: identité et initiation en pays moaaga (Burkina Faso) |
![]() | Cahiers d'études africaines. Volume 40 #158. p. 257-279. |
![]() | Gnonsoa, Angèle (1998) |
Le gouvernement dans une société de masque: l'exemple des Wè | |
![]() | Quest: An International African Journal of Philosophy. Volume 12 #1. June. p. 105-114. |
![]() | Layiwola, 'Dele (1998) |
Gèlèdé: metaphysics and gender in an African ritual play | |
![]() | African Notes: Bulletin of the Institute of African Studies, University of Ibadan. Volume 22 #1-2. p. 54-64. |
![]() | Rea, William R. (1998) |
![]() | Rationalising Culture: Youth, Elites and Masquerade Politics |
![]() | Africa: Journal of the International African Institute. Volume 68 #1. p. 98-117. |
![]() | Jong, Ferdinand de (1997) |
The power of a mask: a contextual analysis of the Senegalese 'Kumpo' mask performance | |
![]() | Focaal: tijdschrift voor antropologie. #29. p. 37-56. |
![]() | Probst, Peter (1997) |
Danser le SIDA: spectacles du 'nyau' et culture populaire chewa dans le centre du Malawi | |
![]() | Autrepart. #1. p. 91-112. |
![]() | Na'Allah, Abdul-Rasheed (1996) |
![]() | The Origin of Egungun: A Critical Literary Appraisal |
![]() | African Study Monographs. Volume 17 #2. p. 59-68. |
![]() | Aremu, P.S.O. (1995) |
Engungun Masquerades as Socio-Religious Manifestation | |
![]() | Africana Marburgensia. Volume 28 #1-2. p. 3-13. |
![]() | Ebong, Inih A. (1995) |
![]() | The Aesthetics of Ugliness in Ibibio Dramatic Arts |
![]() | African Studies Review. Volume 38 #3. December. p. 43-59. |
![]() | Phillips, Ruth B. (1995) |
Representing woman: Sande masquerades of the Mende of Sierra Leone | |
Los Angeles, CA: UCLA Fowler Museum of Cultural History. 199p. |
![]() | Aguilar, Laurel Birch de (1994) |
![]() | Nyau masks of the Chewa: an oral historical introduction; Masks in social roles; Masks: outsiders and socio-historical experience |
![]() | The Society of Malawi Journal. Volume 47 #2. p. 3-53. |
![]() | Arnoldi, Mary Jo (1994) |
![]() | Political History and Social Commentary in Malian Sogobo Theatre |
![]() | Africa Today. Volume 41 #2. p. 39-49. |
![]() | Durantel, Jean-Marc (1994) |
La danse du masque noir: rites funéraires des Mossé du Kadiogo (Burkina Faso) | |
![]() | Systèmes de pensée en Afrique noire. #13. p. 219-229. |
![]() | Okafor, Chinyere Grace (1994) |
![]() | From the heart of masculinity: Ogbodo-Uke women's masking |
![]() | Research in African Literatures. Volume 25 #3. p. 7-17. |
![]() | Hart, W.A. (1993) |
![]() | A West African Masquerade in 1815 |
![]() | Journal of Religion in Africa. Volume 23 #2. May. p. 136-146. |
![]() | Kalilu, R.O. Rom (1993) |
![]() | Costumes and the origin of Egúngún |
![]() | African Studies. Volume 52 #1. p. 55-69. |
![]() | Okafor, Chinyere Grace (1991) |
![]() | Behind the inscrutable wonder: the dramaturgy of the mask performance in traditional African society |
![]() | Research in African Literatures. Volume 22 #4. p. 39-52. |
![]() | Schoffeleers, J.M. (1991) |
Mannen- en vrouwentheater in de Malawiaanse dorpscultuur | |
![]() | Antropologische verkenningen. Volume 10 #4. p. 36-45. |
![]() | Nwabueze, Emeka (1989) |
The masquerade as hero in Igbo traditional society | |
![]() | Frankfurter afrikanistische Blätter. #1. p. 95-107. |
![]() | Nwabueze, P. Emeka (1989) |
![]() | Igbo-Ikwu Revisited |
![]() | Transafrican Journal of History. Volume 18. p. 187-192. |
![]() | Picton, John (1989) |
![]() | On Placing Masquerades in Ebira |
![]() | African Languages and Cultures. Volume 2 #1. p. 73-92. |
![]() | Ahura, Tar (1988) |
Origins and development of the masquerade theatre among the Tiv of Benue State of Nigeria | |
![]() | Nigeria Magazine. Volume 56 #3-4. p. 41-51. |
![]() | Adams, Monni (Marie-Jeanne) (1987) |
Current Directions in the Study of Masking in Africa | |
![]() | Africana Journal. Volume 14 #2-3. p. 89-114. |
![]() | Binkley, David A. (1987) |
![]() | Avatar of Power: Southern Kuba Masquerade Figures in a Funerary Context |
![]() | Africa: Journal of the International African Institute. Volume 57 #1. p. 75-97. |
![]() | Nwabueze, P. Emeka (1984) |
Igbo Masquerade Performance and the Problem of Alien Intervention: Transition from Cult to Theatre | |
![]() | Ufahamu. Volume 14 #1. p. 74-92. |
![]() | Aremu, P.S.O. (1983) |
Spiritual and physical identity of Yoruba Egungun costumes: a general survey | |
![]() | Nigeria Magazine. #147. p. 47-54. |
![]() | Harper, P. (1981) |
The inter-relation of the arts in the performance of masquerades as an expression of oral tradition in Nigeria | |
![]() | Black Orpheus: A Journal of African and Afro-American Literature. Volume 4 #1. p. 1-6. |
![]() | Phillips, Ruth B. (1978) |
![]() | Masking in Mende Sande Society |
![]() | Africa: Journal of the International African Institute. Volume 48 #3. p. 265-277. |
![]() | Olajubu, Oludare; Ojo, J.R.O. (1977) |
![]() | Some Aspects of Oyo Yoruba Masquerades |
![]() | Africa: Journal of the International African Institute. Volume 47 #3. p. 253-275. |
![]() | Danford, John (ed.) (1960) |
Nigeria in costume | |
London: L. Van Leer. 102p. |
Search: su=masquerades | ||||||||
Found: 64 | Record 1-64 |
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