Search results |
Previous page | New search |
Search: su=music | ||||||||
Found: 482 | Record 1-100 |
Endong, Floribert Patrick C.; Ndobo, Eugenie Grace Essoh (2023) | |
'Singing in Tongues' as Esotericism and Postmodern Christianity. A Study of Contemporary Nigerian Gospel Music | |
Cahiers d'études africaines. Volume 249. p. 157-179. |
Alves, Amanda Palomo (2021) | |
Aquarela angolana: música e lazer na 'Luanda Lusotropical' (1961-1970). | |
Diálogos. Volume 25 #2. p. 168-191. |
Amha, Azeb; Slotta, James; Sarvasy, Hannah S. (2021) | |
Singing the individual: name tunes in Oyda and Yopno | |
Frontiers in Psychology. Volume 12. |
Carnevale, Alessia (2021) | |
Recording another History: Songs, Martyrs, and the Cultural Memory of the Tunisian Left | |
Studi Magrebini. Volume 19 #2. p. 266-292. |
Martin, Denis-Constant (2021) | |
Un itinéraire de recherche du terrain aux archives: Le Cap (Afrique du Sud), fêtes, musiques, 'identités', politique | |
Sources. Matériaux & Terrains en études africaines. Volume 3. p. 189-221. |
Mendonça Júnior, Francisco Carlos Guerra (2021) | |
A música como forma de resistência em Angola: Da música anticolonial ao rap de intervenção | |
África: Revista do Centro de Estudos Africanos. Volume 42. p. 39-60. |
Mendonça Júnior, Francisco Carlos Guerra de (2021) | |
'A cultura estava influenciada pelo idioma inglês': A construção da identidade nacional no rap de Moçambique | |
e-Cadernos Ces. Volume 36. |
Mukuna, Kazadi Wa (2021) | |
The evolution of harmony in the music of the Democratic Republic of Congo (DRC) | |
África: Revista do Centro de Estudos Africanos. Volume 42. p. 20-38. |
Ntahomvukiye, Ariel Fabrice (2021) | |
Musique, mémoire et identité chez les Burundais exilés au Rwanda | |
Cahiers d'études africaines. Volume 243. p. 559-584. |
Alves, Amanda Palomo (2020) | |
Escrever, compor, cantar!: o encontro da literatura angolana com a música no combate ao colonialismo (1940-1950) | |
Convergência Lusíada. Volume 31 #43. p. 78-91. |
Bennett, Kirsty (2020) | |
One thousand and one nights of tango: Moving between Argentina, North Africa, and the Middle East | |
Atlantic Studies: Global Currents. Volume 17 #1. p. 65-90. |
Bialoborska, Magdalena (2020) | |
Panorama musical numa roça no sul de São Tomé: Ribeira Peixe antes e depois da independência | |
Africana studia: revista internacional de estudos africanos. Volume 34. p. 131-149. |
Djebbari, Elina (2020) | |
Dancing salsa in Benin: Connecting the Creole Atlantic | |
Atlantic Studies: Global Currents. Volume 17 #1. p. 110-134. |
Jiménez Sedano, Livia (2020) | |
Kizomba beyond Angolan-ness and Lusofonia: The transnational dance floor | |
Atlantic Studies: Global Currents. Volume 17 #1. p. 91-109. |
Kapchan, Deborah (2020) | |
The Fetish of Trance: Performing the Festive Sacred at the Essaouira Gnawa Festival of World Music | |
Hesperis Tamuda. Volume 55 #4. p. 31-50. |
Lipenga, Ken Junior (2020) | |
Youth, alcohol and the forging of community in Malawian hip-hop music | |
Nordic Journal of African Studies. Volume 29 #3. p. 1-15. |
Manetta, Delphine (2020) | |
Le don et la 'foutaise': Une analyse de chants dans la campagne électorale de novembre 2012 dans des villages jàana (Burkina Faso) | |
Cahiers d'études africaines. #237. p. 7-30. |
Ngungui, Angelina (2020) | |
A música 'Os Meninos do Huambo': uma experiência de aula-oficina com estudantes do 1º ano de licenciatura em História do Instituto Superior de Ciências da Educação de Benguela | |
Revista Internacional em Língua Portuguesa. Volume 37. p. 157-172. |
Nogueira, Gláucia (2020) | |
Músicas europeias do século XIX em Cabo Verde: espaços da sua apropriação | |
Cabo dos Trabalhos. Volume 20. p. 1-15. |
Pereira, Matheus Serva (2020) | |
Colonialismo-tardio, pós-colonialismo e cultura popular nos subúrbios de Maputo: um olhar a partir da marrabenta (1945-1987) | |
Africana studia: revista internacional de estudos africanos. Volume 34. p. 95-115. |
Sanga, Imani (2020) | |
Musical figures of enslavement and resistance in Semzaba's Kiswahili play 'Tendehogo' | |
African Studies. Volume 79 #3. p. 323-338. |
Schneidermann, Nanna (2020) | |
Ugandan music stars between political agency, patronage, and market relations: cultural brokerage in times of elections | |
Nordic Journal of African Studies. Volume 29 #4. p. 1-19. |
Suriano, Maria (2020) | |
Transnational Music Collaborations, Affective Networks and Everyday Practices of Convivial Solidarity in 'Ujamaa' Dar es Salaam | |
Journal of Southern African Studies. Volume 46 #5. p. 985-1008. |
Valdigem, Catarina; Santos, Rogério (2020) | |
Sebastião Coelho e a construção sonora da angolanidade | |
Africana studia: revista internacional de estudos africanos. Volume 34. p. 151-169. |
Wane, Marílio (2020) | |
Marrabenta: as dinâmicas históricas e socioculturais no contexto do seu surgimento | |
Africana studia: revista internacional de estudos africanos. Volume 34. p. 117-130. |
Alves, Amanda Palomo (2019) | |
O 'Agrupamento Kissanguela' e a canção no pós-independência em Angola (1975-1979) | |
Afro-Ásia. Volume 60. p. 213-249. |
Legg, Benjamin (2019) | |
Angolamania: Affective Bonds with Angola in the Music of the Cabo Verdean Diaspora | |
Portuguese Literary & Cultural Studies. Volume 32. p. 95-114. |
Marye, Hewan Semon (2019) | |
Ityopyawinnät and Addis Abäba's Popular Music Scene | |
Aethiopica: International Journal of Ethiopian and Eritrean Studies. Volume 22. p. 96-123. |
Pereira, Matheus Serva (2019) | |
Batuques negros, ouvidos brancos: colonialismo e homogeneização de práticas socioculturais do sul de Moçambique (1890-1940) | |
Revista Brasileira de História. Volume 39 #80. p. 155-177. |
Wiedemann, Felix (2019) | |
The Local and the Global in Networks of Lebanese and Algerian Rappers | |
Open Library of Humanities. Volume 5 #1. |
Carter-Ényì, Aaron (2018) | |
Hooked on Sol-Fa: the do-re-mi heuristic for Yorùbá speech tones | |
Africa: Journal of the International African Institute. Volume 88 #2. p. 267-290. |
Gebremariam, Simeneh Betreyohannes (2018) | |
The Azmari Tradition in Addis Ababa: Change and Continuity | |
Northeast African Studies. Volume 18 #1-2. p. 31-57. |
Geerlings, Lonneke (2018) | |
Performances in the theatre of the Cold War: the American Society of African Culture and the 1961 Lagos Festival | |
Journal of Transatlantic Studies. Volume 16 #1. p. 1-19. |
Hoesing, Peter J. (2018) | |
Nabuzaana Omunozzi w'Eddagala: Hearing Kiganda Ecology in the Music of Kusamira Ritual Healing Repertories | |
History in Africa. Volume 45. p. 347-371. |
Mosobalaje, Adebayo (2018) | |
Textual migration in Ebenezer Obey's 'juju' music | |
African Studies. Volume 77 #1. p. 67-86. |
Rosa, Ricardo D. (2018) | |
Cape Verdean Counter Cultural Hip-Hop(s) & the Mobilization of the Culture of Radical Memory: Public Pedagogy for Liberation or Continued Colonial Enslavement | |
Journal of Cape Verdean Studies. Volume 3 #1. p. 92-113. |
Sitoe, Tirso Hilário (2018) | |
Para Além de uma Escolha: Da música de crítica e protesto social às identidades político-partidárias em Moçambique | |
Cadernos de Estudos Africanos. #35. p. 135-148. |
Bahule, Cremilde (2017) | |
O Uso das LWC's na Música Moçambicana | |
Revista Internacional em Língua Portuguesa. Volume 32. p. 207-225. |
Cardão, Marcos (2017) | |
'Muamba, Banana e Cola.' O Duo Ouro Negro e o Tropicalismo Desnacionalizador | |
Portuguese Literary & Cultural Studies. Volume 30-31. p. 174-191. |
Israel, Paolo (2017) | |
Mueda Massacre: The Musical Archive | |
Journal of Southern African Studies. Volume 43 #6. p. 1157-1179. |
Kleist, Nauja; Thorsen, Dorte (eds.) (2017) | |
Hope and uncertainty in contemporary African migration | |
New York, NY: Routledge. 199p. |
Kufakurinani, Ushehwedu; Mwatwara, Wesley (2017) | |
Zimdancehall and the Peace Crisis in Zimbabwe | |
African Conflict and Peacebuilding Review. Volume 7 #1. p. 33-50. |
Mans, Minette (2017) | |
Changing faces of Aawambo musical arts | |
Basel: Basler Afrika Bibliographie. Basel Southern Africa Studies #11. 188p. |
Torp, Claudius (2017) | |
Missionary Education and Musical Communities in Sub-Saharan Colonial Africa | |
Itinerario: European Journal of Overseas History. Volume 41 #2. p. 235-251. |
Alves, Amanda Palomo (2016) | |
Oh, Muxima! A formação da música popular urbana de Angola e o grupo 'N'gola Ritmos' (1940-1950) | |
Revista Tempo, Espaço, Linguagem. Volume 7 #2. p. 193-218. |
Amico, Marta (2016) | |
La résistance des Touaregs au prisme de la 'World Music' | |
Cahiers d'études africaines. Volume 56 #224. p. 821-844. |
Bialoborska, Magdalena (2016) | |
Vungu Téla Estudo da Música Santomense: Uma proposta de métodos, técnicas e objetivos | |
Cadernos de Estudos Africanos. #32. p. 97-122. |
Brito-Semedo, Manuel (2016) | |
Gastronomia, música e dança no ciclo de vida do homem cabo-verdiano | |
Revista de Estudos Cabo-Verdianos. Volume 1. p. 69-85. |
Damodaran, Sumangala; Sitas, Ari (2016) | |
The musical journey: re-centring AfroAsia through an arc of musical sorrow | |
Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 252-268. |
Eve, Prosper (ed.) (2016) | |
Esclavage: nouvelles approches | |
Revue historique de l'océan Indien. #13. p. 417-478. |
Ficquet, Eloi; Omer, Ahmed Hassen; Osmond, Thomas (eds.) (2016) | |
Movements in Ethiopia = Ethiopia in movement | |
Los Angeles: Tsehai Publishers. |
Fisher, Alexander (2016) | |
Modes of 'griot' inscription in African cinema | |
Journal of African Media Studies. Volume 8 #1. p. 5-16. |
Gomes, Simone Caputo (2016) | |
Literatura e música: ecos de cabo-verdianidade | |
Revista de Estudos Cabo-Verdianos. Volume 1. p. 127-136. |
Klanten, Robert; Ehmann, Sven; Barlow, Ben (eds.) (2016) | |
Africa rising: fashion, design and lifestyle from Africa | |
Berlin: Gestalten. 334p. |
Lambrechts, Lizabé (2016) | |
Performing the aporias of the archive: towards a future for South African music archives | |
Historia: amptelike orgaan. Volume 61 #1. p. 132-154. |
Lewis, Tony (2016) | |
Ethnomusicology, world music and analysis in African music | |
Australasian Review of African Studies. Volume 37 #1. p. 95-117. |
Nascimento, Washington Santos (2016) | |
Liceu Vieira Dias e o N'gola Ritmos: música e resistência anticolonial em Angola | |
Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #1. p. 75-98. |
Naylor, Phillip C. (2016) | |
Paul Bowles and Morocco's music | |
The Journal of North African Studies. Volume 21 #4. p. 550-598. |
Okonkwo, Christopher (2016) | |
Chinua Achebe's 'Blue notes': toward a critical recording of 'Things fall apart's blues and jazz sensibility | |
Research in African Literatures. Volume 47 #1. p. 109-127. |
Posthumus, Bram (2016) | |
Guinea: masks, music and minerals | |
London: Hurst & Company. 273p. |
Röschenthaler, Ute; Diawara, Mamadou (eds.) (2016) | |
Copyright Africa: how intellectual property, media and markets transform immaterial cultural goods | |
Canon Pyon: Sean Kingston Publishing. 393p. |
Adjei, Godwin K. (2015) | |
Creative transformation in African art music: a case study | |
Contemporary Journal of African Studies. Volume 3 #1. p. 39-67. |
Amoros, Luis Gimenez (2015) | |
Azawan: precolonial musical culture and Saharawi nationalism in the refugee camps of the Hamada desert in Algeria | |
African Music Journal. Volume 10 #1. p. 31-51. |
Braun, Lesley Nicole (2015) | |
Trading virtue for virtuosity: the artistry of Kinshasa's concert danseuses | |
African Arts. Volume 47 #4. p. 48-57. |
Bushidi, Cécile Feza (2015) | |
Reflections on the fabrication of musical folklore in Kenya from the early 1920s to the late 1970s | |
Les Cahiers d'Afrique de l'Est / The East African Review. Volume 50. p. 8-21. |
Casely-Hayford, Gus; Fargion, Janet Topp; Wallace, Marion (eds.) (2015) | |
West Africa: word, symbol, song | |
London: British Library. 160p. |
Dargie, Dave (2015) | |
The voice of a prisoner: recordings of Joseph Ntwanambi in the Ruhleben prisoner of war camp, Berlin, 1917 | |
African Music Journal. Volume 10 #1. p. 180-199. |
Darko, Jennies Deide (2015) | |
Dance performance, an endorsement for advertised products on television in Ghana | |
Journal of Performing Arts. Volume 5 #1. p. 128-137. |
Eve, Prosper (ed.) (2015) | |
Esclavage: nouvelles approches | |
Revue historique de l'océan Indien. #12. p. 153-223. |
Ferreira, Irlando (2015) | |
Cabo Verde, economias criativas, que benefícios para o país? O caso Atlantic Music Expo Cabo Verde | |
Praia, Cabo Verde: Editura. 119p. |
Gaulier, Armelle; Gary-Tounkara, Daouda (eds.) (2015) | |
Dossier: musique et pouvoir, pouvoirs des musiques dans les Afriques | |
Afrique contemporaine. #254. p. 13-102. |
Gunner, Liz (ed.) (2015) | |
Performance and social meaning | |
Journal of African Cultural Studies. Volume 27 #3. p. 247-369. |
Hurley-Glowa, Susan (2015) | |
Cape Verdeans in the Atlantic: the formation of Kriolu music and dance styles on ship and in port | |
African Music Journal. Volume 10 #1. p. 7-30. |
Ndemesah, Fausta Fonju (2015) | |
Performing change: singing and dancing for AIDS in Cameroon, a show of semantic noise | |
Afriche e Orienti. #1-2. p. 150-166. |
Nyamful, Anthony Yaw (2015) | |
The need for the study of music therapy in Ghanaian tertiary institutions | |
Globus: journal of Methodist University College Ghana. #3. p. 80-91. |
Reynolds, Jonathan T. (2015) | |
Sovereignty and struggle: Africa and Africans in the era of the Cold War, 1945-1994 | |
New York, NY: Oxford University Press. African world histories. 129p. |
Skinner, Ryan Thomas (2015) | |
An Afropolitan Muse | |
Research in African Literatures. Volume 46 #2. p. 15-31. |
Webb, Gavin (2015) | |
'Ma la ma wie Ga': ('I will sing and speak Ga'): Wulomei and the articulations of Ga identity in stylized form | |
African Music Journal. Volume 10 #1. p. 52-83. |
Asiedu, Awo Mana (ed.) (2014) | |
The performing arts in Africa - Ghanaian perspectives | |
Oxfordshire, UK: Ayebia Clarke Publishing Limited. University of Ghana readers, Arts & humanities series #5. 144p. |
Aterianus-Owanga, Alice; Guedj, Pauline (eds.) (2014) | |
Musique dans l''Atlantique noir' | |
Cahiers d'études africaines. Volume 54 #216. p. 861-1136. |
Beljaars, Ine (2014) | |
The politics of bodily mobility and ethnoracial performativity in a culture of avoidance: dance and difference-making in the Dutch kizomba scene | |
73p. |
Diawara, Mamadou (2014) | |
'La bibliothèque coloniale', la propriété intellectuelle et la romance du développement en Afrique | |
Canadian Journal of African Studies. Volume 48 #3. p. 445-461. |
Eve, Prosper (ed.) (2014) | |
Esclavage: nouvelles approches | |
Revue historique de l'océan Indien. #11. p. 552-624. |
Inglese, Francesca (2014) | |
Choreographing Cape Town through goema music and dance | |
African Music Journal. Volume 9 #4. p. 123-145. |
Kuka, Hajooj; Markovitz, Steven (eds.) (2014) | |
Beats of the Antonov | |
Sudan: Refugee Club/Big World Cinema. |
Lwanda, John (2014) | |
Diaspora, domicile and debate: a preliminary artistic and cultural search for a Malawi identity from pre-colonial times to 2014 | |
The Society of Malawi Journal. Volume 67 #1. p. 16-45. |
Marmone, Giordano (2014) | |
Alliances militaires et musicales sur le mont Nyiro: le système d'âge des Samburu à l'épreuve des nouveaux paradigmes du conflit | |
Les Cahiers d'Afrique de l'Est / The East African Review. Volume 49. p. 87-98. |
Mattavelli, Enrica (2014) | |
'Got to keep on moving': roots and routes of the musical construction of the promised land negotiating narratives of place and identity through Reggae music | |
Leiden University. 83p. |
Mavouba-Sokate, Georges (2014) | |
La construction d'une conscience nationale au Congo par les musiciens | |
Paris: L'Harmattan. Points de vue. 129p. |
McNeill, Fraser G. (2014) | |
AIDS, politics, and music in South Africa | |
Cambridge: Cambridge University Press. International African library. 278p. |
Mugishagwe, Allan (2014) | |
Music and notions of citizenship in the humanitarian work of two NGOs in Uganda | |
African Music Journal. Volume 9 #4. p. 71-90. |
Okigbo, Austin (2014) | |
Contesting cultural meaning in a post-apartheid South African HIV/AIDS music event | |
African Music Journal. Volume 9 #4. p. 54-70. |
Olsen, Kathryn (2014) | |
Music and social change in South Africa: Maskanda past and present | |
Philadelphia: Temple University Press. 222p. |
Sanga, Imani (2014) | |
Postcolonial archival fever and the musical archiving of African identity in selected paintings by Elias Jengo | |
Journal of African Cultural Studies. Volume 26 #2. p. 140-154. |
Skali, Faouzi (2014) | |
Esprit de Fès | |
Casablanca: Langages du Sud. 224p. |
Topp Fargion, Janet (2014) | |
Taarab music in Zanzibar in the twentieth century: a story of 'old is gold' and flying spirits | |
Burlington, VT: Ashgate. SOAS musicology series. 237p. |
Aluede, Charles Onomudo; Omone, Aluede Esther (2013) | |
Ujie music and dance of the Esan: a Nigerian genre on the wheels | |
Journal of Performing Arts. Volume 4 #4. p. 103-114. |
Bisschoff, Lizelle; Van de Peer, Stefanie (eds.) (2013) | |
Art and trauma in Africa: representations of reconciliation in music, visual arts, literature and film | |
London: I.B. Tauris. International library of cultural studies 21. 325p. |
Boamah, Emmanuel (2013) | |
Nketia's contribution to African pianism: an innovation to the literature of African art music | |
Journal of Performing Arts. Volume 4 #4. p. 11-24. |
Fair, Laura (2013) | |
Historia ya Jamii ya Zanzibar Na Nyimbo za Siti Binti Saad | |
Nairobi: Twaweza Communications. 112p. |
Search: su=music | ||||||||
Found: 482 | Record 1-100 |
Previous page | New search |