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bibliographic database
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| Found: 83 | Record 1-83 | |||||||
 | Niyonkuru, Aimé-Parfait (2018) |
 | Burundi-Tambour: Commentaire juridique d'une réglementation polémique |
 | Recht in Afrika = Law in Africa = Droit en Afrique. Volume 21 #2. p. 189-207. |
| Perman, Tony (2015) |
| A tale of two mbiras | |
| African Music Journal. Volume 10 #1. p. 102-126. |
 | Skinner, Ryan Thomas (2015) |
| Bamako sounds: the Afropolitan ethics of Malian music | |
| Minneapolis: University of Minnesota Press. 233p. |
| Tracey, Andrew (2015) |
| The system of the mbira | |
| African Music Journal. Volume 10 #1. p. 127-149. |
| Dabo, Sadibou (2014) |
| Musique traditionnelle et civilisation orale chez les Manding | |
| Paris: L'Harmattan. 110p. |
| Djoke Bodjé, Théophile (2014) |
| Le bôgôblô: musique dans la société Atchan, Côte d'Ivoire | |
| Paris: L'Harmattan. 135p. |
| Fürniss, Susanne (ed.) (2014) |
| Ethnomusicologie et histoire | |
| Journal des africanistes. Volume 84 #2. p. 8-136. |
| Itoua, Daniel Isaac (2014) |
| Instruments de musique traditionnelle des Mbôsí du Congo: secrets et applications | |
| Paris: L'Harmattan. Études africaines. 170p. |
| Jethro, Duane (2014) |
| Vuvuzela magic: the production and consumption of 'African' cultural heritage during the FIFA 2010 World Cup |
| African Diaspora: a Journal of Transnational Africa in a Global World. Volume 7 #2. p. 177-204. |
| Omasombo, Jean (ed.) (2014) |
| Tanganyika: espace fécondé par le lac et le rail | |
| Tervuren: Koninklijk Museum voor Midden-Afrika. Monographies des provinces de la République démocratique du Congo #7. 438p. |
| Blench, Roger (2013) |
| Methods and results in the reconstruction of music history in Africa and a case study of instrumental polyphony |
| Azania: Archaeological Research in Africa. Volume 48 #1. p. 31-64. |
| Boamah, Emmanuel (2013) |
| Nketia's contribution to African pianism: an innovation to the literature of African art music | |
| Journal of Performing Arts. Volume 4 #4. p. 11-24. |
| Johnson Jones, E. Jean (2013) |
| Mapping the Nama Stap: reed-flutes and Nama Stap | |
| African Performance Review. Volume 7 #1. p. 13-30. |
| Tracey, Andrew; Gumboreshumba, Laina (2013) |
| Transcribing the Venda 'tshikona'. reedpipe dance | |
| African Music Journal. Volume 9 #3. p. 25-39. |
| Volper, Julien (2013) |
| Call to the hunt: the one-note xylophone of the DRC | |
| African Music Journal. Volume 9 #3. p. 7-20. |
| Yégnan-Touré G., Angéline (2013) |
| Le Gbofé d'Afounkaha: une forme d'expression musicale de Côte d'Ivoire | |
| Paris: L'Harmattan. Collection univers musical. 176p. |
| Boamah, Emmanuel (2012) |
| The concept of African pianism |
| Legon Journal of the Humanities. Volume 23. p. 141-154. |
| Jones, Claire (2012) |
| A modern tradition: the social history of the Zimbabwean marimba | |
| African Music Journal. Volume 9 #2. p. 32-56. |
| Kaminski, Joseph S. (2012) |
| Asante 'ntahera' trumpets in Ghana: culture, tradition, and sound barrage | |
| Farnham: Ashgate. SOAS musicology series. 203p. |
| Muehrer, Rachel (2012) |
| Playing techniques of the Nnanga of Buganda | |
| African Music Journal. Volume 9 #2. p. 57-76. |
| Balo, Mario Suarte (2011) |
| Knowledge in traditional musical instruments in the example of' 'timbila' |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 10 #1. p. 98-114. |
| Dargie, Dave (2011) |
| The Xhosa umrhubhe mouthbow: an extraordinary musical instrument | |
| African Music Journal. Volume 9 #1. p. 33-55. |
| Aranzadi, Isabela de (2010) |
| A drum's trans-Atlantic journey from Africa to the Americas and back after the end of slavery: Annobonese and Fernandino musical cultures |
| African Sociological Review. Volume 14 #1. p. 20-47. |
| Dijk, Marcel van (2010) |
| The Lala kalimba: the correlation between instrument and style | |
| African Music Journal. Volume 8 #4. p. 84-100. |
| Zemp, Hugo; Soro, Sikaman (2010) |
| Talking balafons | |
| African Music Journal. Volume 8 #4. p. 6-23. |
| Aka, Konin (2009) |
| Traditions musicales chez deux peuples Gour du nord-est de la Côte d'Ivoire: cas des Nafana et des Dégha de la région de Bondoukou |
| Tervuren: Musée royal de l'Afrique centrale. 47p. |
| Anku, Willie (2009) |
| Drumming among the Akan and Anlo Ewe of Ghana: an introduction | |
| African Music Journal. Volume 8 #3. p. 38-64. |
| Arhine, Adwoa (2009) |
| Speech surrogates of Africa: a study of the Fante 'mmensuon' | |
| Legon Journal of the Humanities. Volume 20. p. 105-122. |
| Thiaw, Ibrahima (ed.) (2009) |
| Instruments traditionnels de musique et de communication d'Afrique: expo mai-novembre 2009 | |
| Dakar: Musée Théodore Monod d'art africain. 79p. |
| Aka, Konin; Guiraud, Gustave (2008) |
| Les instruments de musique Gban (Région centre-ouest de la Côte d'Ivoire) |
| Tervuren: Musée royal de l'Afrique centrale. 40p. |
| Babani, M.S. (2008) |
| La musique de l'algaita dans les sultanats et lamidats du Nord-Cameroun, de 1904 [1804] à 2004 | |
| Journal of environment and culture. Volume 5 #1. p. 56-64. |
| Faseun, Oluwafemi (2008) |
| Talking drum as an instrument for music making and communication in West Africa: a case study of 'dundun' | |
| Liberian Studies Journal. Volume 33 #2. p. 59-76. |
| Makahamadze, Tompson; Sibanda, Fortune (2008) |
| 'Melodies to God': the place of music, instruments and dance in the Seventh Day Adventist Church in Masvingo Province, Zimbabwe |
| Exchange: Journal of Contemporary Christianities in Context. Volume 37 #3. p. 290-309. |
| Obiang, Ludovic (2008) |
| 'Faire musique de tout bois': l'inventivité traditionnelle comme fondement d'une politique nationale de la musique au Gabon |
| Cahiers d'études africaines. Volume 48 #191. p. 567-584. |
| Adedeji, Femi (2007) |
| Instrumentation as a stylistic determinant in Nigerian gospel music | |
| Research Review. Volume 23 #2. p. 43-59. |
| Aka, Konin (2007) |
| La vie musicale chez les Agni-N'dénéan (région est de la Côte d'Ivoire) |
| Tervuren: Musée royal de l'Afrique centrale. 87p. |
| Aka, Konin (2007) |
| Les instruments de musique Koulango (région nord-est de la Côte d'Ivoire) |
| Tervuren: Musée royal de l'Afrique centrale. 35p. |
| Dargie, Dave (2007) |
| 'Umakhweyane': a musical bow and its contribution to Zulu music | |
| African Music Journal. Volume 8 #1. p. 60-81. |
 | Kaminski, Joseph S. (2007) |
| Asante ivory trumpets in Ghana: traditions, repertories, histories, metaphysics | |
| Ann Arbor, MI: UMI Dissertation Services. 376p. |
| Reuster-Jahn, Uta (2007) |
| The Mwera lamellophone 'luliimba' | |
| African Music Journal. Volume 8 #1. p. 6-20. |
| (2006) |
| On the way out ... | |
| Kutlwano. Volume 47 #2. February. p. 15-16. |
| Baroin, Catherine (2006) |
| Le luth chez les Toubou: approche comparative et évolution | |
| Journal des africanistes. Volume 76 #1. p. 59-80. |
 | Hitchcock, Robert K. (ed.) (2006) |
| Updating the San: image and reality of an African people in the 21st century | |
| Senri Ethnological Studies. #70. 299p. |
| Mans, Minette (ed.) (2006) |
| Centering on African practice in musical arts education | |
| Cape Town: African Minds, for the Pan-African Society of Musical Arts Education. 260p. |
| Mujlisul Ulama of South Africa (2006) |
| Sautush Shaitaan: the voice of Shaitaan: music and singing | |
| Benoni: Young Men's Muslim Association. 116p. |
| Phibion, Otukile Sindiso (2006) |
| Bakalanga traditional music instruments ('Zwilidzo zwa ntolo zwe Bakalanga') |
| Botswana Notes and Records. Volume 38. p. 74-88. |
| Wasamba, P. (2004) |
| Nyatiti and enanga praise poetry in East Africa: perspectives and insights | |
| Nairobi Journal of Literature. #2. March. p. 1-9. |
| Mondon-Vidailhet, Casimir (2003) |
| La musique éthiopienne | |
| Annales d'Éthiopie. Volume 19. p. 148-187. |
 | Omíbíyì-Obidike, M.A. (ed.) (2001) |
| African art music in Nigeria: Felá Sówándé Memorial | |
| Ibadan: Stirling-Horden Publishers (Nig.) Ltd.. 176p. |
| Diallo, Mamadou (2000) |
| La musique malienne: sauvegarde et dynamique | |
| Bamako: Le Figuier. 94p. |
| Neeley, P. (2000) |
| Drumming and freedom of worship or praising God as civil disobedience | |
| Research Review. #14. June. p. 168-172. |
| Osakwe-Mokwunyei, J.N. (1999-2001) |
| Other talking instruments of Africa: a study of the Aniocha-Igbo gourd trumpet | |
| Legon Journal of the Humanities. Volume 12. p. 89-102. |
| Amu, Misonu (1999) |
| Creativity and Tradition in Nnwonkoro: The Contribution of Maame Afua Abasa | |
| Research Review. Volume 15 #1. p. 1-14. |
| Phuthego, Mothusi (1999) |
| Segaba, an African Zither and Its Potential for Music Education |
| Botswana Notes and Records. Volume 31. p. 119-128. |
| Brearley, J. (1997) |
| Three cassettes of traditional music recorded in Botswana from 1982 to 1994 |
| Botswana Notes and Records. Volume 29. p. 143-144. |
| Anku, W. (1996-1997) |
| Holistic considerations of West African drum music analysis: an assessment | |
| Journal of Performing Arts. Volume 2 #2. p. 12-16. |
| Brearley, John (1996) |
| The Segankuru: A Bush Fiddle or a Bowed Bow? Some of its Exponents and Their Songs |
| Botswana Notes and Records. Volume 28. p. 121-144. |
| Sérgio, P. (1996) |
| Marimbeiros: pobres, talentosos e roubados?... | |
| Tempo. #1331. 23 de junho. p. 4-9. |
| Banda, T. (1995) |
| Nao troco a primogenitude da música pela política | |
| Tempo. #1287. 20 de agosto. p. 28-31. |
| Sérgio, P. (1994) |
| Música ligeira Moçambicana-2: associaçao dos músicos: um sonho, um projeto? | |
| Tempo. #1227. 26 de junho. p. 25-29. |
| Brandily, Monique (1993) |
| La pratique musicale traditionnelle en Libye et ses instruments | |
| Maghreb Review. Volume 18 #1-2. p. 116-134. |
| Fürniss, Susanne (1993) |
| Les instruments de musique de Centrafrique au musée de l'Homme: collections et collecteurs | |
| Journal des africanistes. Volume 63 #2. p. 81-119. |
| Sebastiao, N.M. (1991) |
| Música Angolana de tradiçao oral | |
| Mensagem. #6. p. 24-33. |
| Sérgio, P. (1991) |
| Espetáculos moçambicanos no exterior: um negócio que pode da certo | |
| Tempo. #1060. 3 de fev.. p. 20-26. |
| Ndikumana, R. (1990) |
| Le triomphe du tambour | |
| Grands lacs. #37. 2éme trimestre. p. 16-17. |
| Elias, A. (1989) |
| Zé Guimaraes, atencao sobre ritmos tradicionais | |
| Tempo. #954. 22 de jan.. p. 53-55. |
| Gansemans, Jos (1989) |
| Volksmuziekinstrumenten, getuigen en resultaat van een interetnische samenleving: een organologische studie met betrekking tot Aruba, Bonaire en Curaçao | |
| Tervuren: Koninklijk Museum voor Midden-Afrika. Annalen. Wetenschappen van de mens 128. 185p. |
| Zaucha, Grazyna (1989) |
| Voertuigen van de spraak: de muziekinstrumenten van de Mande griot en smid | |
| Leiden: Kunsthistorisch Instituut, Rijksuniversiteit. 102p. |
| Brearley, John (1988) |
| Music and Musicians of the Kalahari |
| Botswana Notes and Records. Volume 20. p. 77-90. |
| Dargie, David (1988) |
| Xhosa music: its techniques and instruments, with a collection of songs | |
| Cape Town: Philip. 235p. |
| Gansemans, Jos (1988) |
| Les instruments de musique du Rwanda: étude ethnomusicologique | |
| Tervuren: Musée Royal de l'Afrique Centrale. Annalen. Wetenschappen van de mens 127. 361p. |
| Dargie, Dave (1986) |
| Musical bows in Southern Africa | |
| Africa Insight. Volume 16 #1. p. 42-52. |
| Dias, Margot (1986) |
| Instrumentos musicais de Moçambique | |
| Lisboa: Instituto de Investigação Científica Tropical, Centro de Antropologia Cultural e Social. 244p. |
 | Rocha, Ilidio (1986) |
| A morte dos Ngodo chopes: uma dramática forma de resistência cultural | |
| In: Moçambique: aspectos da cultura material. p. 33-47. |
| Daw, Ali al-; Muhammad, Abd-Alla (1985) |
| Traditional musical instruments in Sudan | |
| Khartoum: Institute of African and Asian Studies. 83p. |
| Larson, Thomas J. (1985) |
| Musical Instruments of the Hambukushu | |
| South African Journal of Ethnology. Volume 8 #1. March. p. 5-11. |
| Lo-Bamijoko, J. Nwosu (1983) |
| Classification of Igbo musical instruments | |
| Nigeria Magazine. #144. p. 38-58. |
| Omondi, Washington A. (1983) |
| The lyre, 'thum', in Luo society: a historical sketch | |
| In: Nilotic studies: proceedings of the international symposium on languages and history of the Nilotic peoples, Cologne, January 4-6, 1982 Dl. 1. p. 127-144. |
| Furioli, A. (1982-1983) |
| La musica Etiopica | |
| Quaderni di studi Etiopici. #3-4. p. 60-78. |
| Aning, B.A. (1982) |
| Turning the Kora: A Case of the Norms of a Gambian Musician | |
| Journal of African Studies (UCLA). Volume 9 #3. Fall. p. 164-175. |
| Djedje, Jacqueline C. (1982) |
| The Concept of Patronage: An Examination of Hausa and Dagomba One-String Fiddle Traditions | |
| Journal of African Studies (UCLA). Volume 9 #3. Fall. p. 116-127. |
| Mensah, Atta A. (1982) |
| Gyil: The Dagara-Lobi Xylophone | |
| Journal of African Studies (UCLA). Volume 9 #3. Fall. p. 139-154. |
 | Pairault, Claude (ed.) (19**) |
| Kee | |
| Vincennes: Visages d'Afrique. |
| Search: su=musical instruments | ||||||||
| Found: 83 | Record 1-83 | |||||||
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