AfricaBib 
bibliographic database
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 | Öbom, Alexander (2020) |
 | Boda Bodas and painted exclusion in Western Uganda |
| Nordic Journal of African Studies. Volume 29 #4. p. 1-25. |
| Wozniak, Magdalena M. (2019) |
| Études des peintures murales médiévales soudanaises de 1963 à nos jours - Essai d'historiographie |
 | Afriques. Volume 10. |
 | Mèhou Zohoncon, Cocou Christian (2017) |
| Enfant visionnaire béni: odju-ori-bi: autobiographie | |
| Paris: L'Harmattan. 183p. |
| Ceuppens, Bambi; Baloji, Sammy (eds.) (2016) |
| Congo art works: peinture populaire | |
| Bruxelles: Racine. 185p. |
| James, Gary M. (2016) |
| Voyage to the interior: the paintings of Gary M. James with additional paintings by Alexander James and including 'Art at the Interface' | |
| Bristol: Clinical Press. 137p. |
| Silvester, Hans (2016) |
| Bench | |
| Arles: Actes sud. 234p. |
| Bougdal, Lahsen (2015) |
| La peinture des femmes marocaines: entretiens | |
| Paris: L'Harmattan. 203p. |
| Criseo, Clément; Verlomme, Malou (2015) |
| Ici c'est bon: enseignes peintes à la main en Afrique de l'Ouest | |
| Paris: Gallimard-Alternatives. 198p. |
| Rossmann, Jean (2015) |
| Quest, chaos, creativity: 'Memorandum: a story with paintings' |
| The English Academy Review. Volume 32 #2. p. 38-52. |
| Taljard, Marlies (2015) |
| 'Wat is die mens wat U so ryk beskenk het?': die uitbeelding van die geveg tussen Karnaval en Lent by Bruegel en T.T. Cloete |
| Tydskrif vir geesteswetenskappe. Volume 55 #2. p. 205-219. |
| Hassim, Shireen (2014) |
| Violent modernity: gender, race and bodies in contemporary South African politics |
| Politikon: South African Journal of Political Studies. Volume 41 #2. p. 167-182. |
| Imperato, Pascal James; Imperato, Austin C.; Sow, Victor Forestier (eds.) (2014) |
| Victor Forestier Sow: a pioneer Malian painter | |
| New York: QCC Art Gallery. 72p. |
| Sanga, Imani (2014) |
| Postcolonial archival fever and the musical archiving of African identity in selected paintings by Elias Jengo |
| Journal of African Cultural Studies. Volume 26 #2. p. 140-154. |
| Bogaert, Pascal (2013) |
| David Mzuguno: the last days of the master | |
| Dar es Salaam: Mkuki na Nyota Publishers. 76p. |
| Hassan, Salah M.; Adams, Sarah; El Salahi, Ibrahim (eds.) (2013) |
| Ibrahim El-Salahi: a visionary modernist | |
| London: Tate. 190p. |
| Kalahari Support Group (2013) |
| Fabels uit de Kalahari | |
| Amsterdam: Rozenberg. 78p. |
| McEwan, Dorothea (2013) |
| The story of Däräsge Maryam: the history, buildings and treasures of a church compound with a painted church in the Semen mountains | |
| Zürich: Lit Verlag. 179p. |
| Greani, Nora (2012) |
| Soixante ans de création à l'École de peinture de Poto Poto (Congo-Brazzaville) | |
| Cahiers d'études africaines. Volume 52 #205. p. 259-267. |
| Goudal, Émilie (2011) |
| Les 'Femmes d'Alger', d'Eugène Delacroix (1834) à Djamel Tatah (1996): déconstruction de la représentation picturale de l'Algérie? | |
| Maghreb et sciences sociales. p. 233-241. |
| Glassie, Henry (2010) |
| Prince Twins Seven-Seven: his art, his life in Nigeria, his exile in America | |
| Bloomington, IN: Indiana University Press. 474p. |
| Kuba, Richard; Hambolu, Musa O. (eds.) (2010) |
| Nigeria 100 years ago: through the eyes of Leo Frobenius and his expedition team | |
| Frankfurt am Main: Frobenius Institute at the Goethe University. 81p. |
 | Lopes, Leão (2010) |
| Bitú | |
| Lussas: DocNet. |
| Bosc-Tiessé, Claire (2009) |
| A century of research on Ethiopian Church painting: a brief overview |
| Journal of Ethiopian Studies. Volume 42 #1-2. June-December. p. 1-23. |
| Coyle, Greg (2009) |
| Joe's hair that talk's: the vibrant sign culture of Ghana | |
| Minneapolis: Women in Progress. 118p. |
| Sylla, Abdou (2009) |
| Cahier critique pour Iba Ndiaye | |
| Éthiopiques: revue socialiste de culture négro-africaine. #83. p. 225-308. |
| Sylla, Abdou (2009) |
| Ibrahima Kébé: art brut ou art naïf? | |
| Éthiopiques: revue socialiste de culture négro-africaine. #82. p. 273-282. |
| Jewsiewicki, Bogumil (2008) |
| Residing in Kinshasa: between colonial modernization and globalization |
| Research in African Literatures. Volume 39 #4. p. 105-119. |
| Sylla, Abdou (2008) |
| Les arts plastiques sénégalais contemporains: évolutions et tendances (2ème partie) | |
| Éthiopiques: revue socialiste de culture négro-africaine. #81. p. 219-243. |
| Van Eeden, Jeanne (2008) |
| Collecting South African art in the 1930s: the role of Martin du Toit | |
| Historia: amptelike orgaan. Volume 53 #1. p. 162-196. |
| Matiyane, Titus (2007) |
| Cities of the world | |
| Rotterdam: 010 Publishers. 112p. |
| Sylla, Abdou (2007) |
| 'Trajectoires': entretiens avec Bassam Chaïtou | |
| Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 281-292. |
| Wiles, Colette (2007) |
| Robert Paul | |
| Heritage of Zimbabwe. #26. p. 102-112. |
| (2006) |
| AIDS on canvass | |
| WASI: [bulletin]. Volume 17 #1. December. p. 12-14. |
| (2006) |
| Poetry as by-product | |
| WASI: [bulletin]. Volume 17 #1. December. p. 15-18. |
| Bouayed, Anissa (2006) |
| A l'ombre d'Alger: l'intrusion silencieuse des artistes algériens dans les lieux culturels de la cité oranaise |
| Insaniyat: revue algérienne d'anthropologie et de sciences sociales. Volume 10 #32-33. p. 155-172. |
| Danjie, Joseph (2006) |
| AfricAura: the African way: fifty-two themes on African perspectives in the context of globalization = AfricAura: la voie africaine: cinquante-deux thèmes sur les perspectives africaines face à la mondialisation | |
| Vaduz: International Music and Art Foundation of Vaduz, Liechtenstein in coop. with Haley's of Athol, Massachusetts. 88p. |
| Pankhurst, Rita; Pankhurst, Richard (2006) |
| King Lalibela: his supposed travels, tribulations and achievements | |
| Annales d'Éthiopie. Volume 22. p. 45-71. |
| Pawlowska, Aneta (2006) |
| The past and present in gender art of South Africa | |
| Africana Bulletin. #54. p. 147-167. |
| Boavida, Isabel; Ramos, Manuel João (2005) |
| Ambiguous legitimacy: the legend of the Queen of Sheba in popular Ethiopian painting | |
| Annales d'Éthiopie. Volume 21. p. 85-92. |
| Groot, Erlend de (2005) |
| The Earliest Eyewitness Depictions of Khoikhoi: Andries Beeckman in Africa | |
| Itinerario: European Journal of Overseas History. Volume 29 #1. p. 17-50. |
| Henze, Paul B. (2005) |
| Arsi Oromo tomb art: its evolution and current status | |
| Annales d'Éthiopie. Volume 21. p. 177-192. |
| Mercier, Jacques (2005) |
| Les miroirs des anges, ou l'invention du SMS dans la peinture éthiopienne | |
| Annales d'Éthiopie. Volume 21. p. 139-153. |
| Mookantsa, S. (2005) |
| Talented Chippa survives through art | |
| Kutlwano. Volume 46 #12. December. p. 36-37. |
| Cnockaert, André (2004) |
| À propos de la peinture populaire urbaine congolaise | |
| Congo-Afrique: économie, culture, vie sociale. Volume 44 #386. p. 366-373. |
| Lesch, Ann M.; Fadl, Osman (eds.) (2004) |
| Coping with torture: images from Sudan | |
| Trenton, NJ: The Red Sea Press. 113p. |
| McDonald, Christie (2004) |
| Ethnography, Literature, and Art in the Work of Anne Eisner (Putnam): Making Sense of Colonial Life in the Ituri Forest |
| Research in African Literatures. Volume 35 #4. p. 1-16. |
| Mercier, Jacques (2004) |
| Le diable et les enfers dans la peinture éthiopienne | |
| Annales d'Éthiopie. Volume 20. p. 57-96. |
| Tissières, Hélène (2004) |
| Représentation et écriture au Sénégal: deux peintres, Abdoullay Ndoye et Chalys Lèye, à la croisée des arts | |
| Éthiopiques: revue socialiste de culture négro-africaine. #73. p. 195-206. |
| Giguet, Frédéric (2003) |
| Poésie et peinture dans l' oeuvre de L.S. Senghor | |
| Éthiopiques: revue socialiste de culture négro-africaine. #70. p. 47-78. |
| Goscinny, Yves (2003) |
| Tingatinga: the popular paintings from Tanzania | |
| Dar es Salaam: La Petite Galerie. 164p. |
| Goscinny, Yves (ed.) (2003) |
| Tribute to George Lilanga: a solo-exhibition of George Lilanga's recent paintings and sculptures at the Alliance Française of Dar es Salaam, Tanzania (September 18-October 6, 2001) | |
| Dar es Salaam: East African Movies Ltd. 104p. |
| Jewsiewicki, Bogumil (2003) |
| Mami Wata: la peinture urbaine au Congo | |
| Paris: Gallimard. Le temps des images. 236p. |
| Vidal-Bué, Marion (2003) |
| Les peintres de l'Algérie pendant la période française | |
| Mondes et cultures. Volume 63 #1-4. p. 462-467. |
| Grabski, Joanna L. (2002) |
| The historical invention and contemporary practice of modern Senegalese art: three generations of artists in Dakar | |
| Ann Arbor, MI: UMI Dissertation Services. 277p. |
| Maupeu, Hervé (2002) |
| Peinture kenyane, artistes kikuyu | |
| L'Afrique orientale. p. 397-420. |
| Khatib, Abdelkebir (2001) |
| L'art contemporain arabe: prolégomènes | |
| Neuilly: Éditions Al Manar. Approches et rencontres. 129p. |
| Sylla, Abdou (2001) |
| La question de la figuration dans l'islam et la peinture sous verre sénégalaise | |
| Éthiopiques: revue socialiste de culture négro-africaine. #66-67. p. 97-122. |
| Deliry-Antheaume, Élisabeth (2000) |
| Murs des écoles, école des murs en Afrique du Sud: les institutions éducatives vues du dehors | |
| Autrepart. #17. p. 167-182. |
| Marschall, Sabine (2000) |
| A Postcolonial Reading of Mural Art in South Africa |
| Critical Arts: A Journal of Media Studies. Volume 14 #2. p. 96-121. |
| Roberts, Allen F.; Roberts, Mary Nooter (2000) |
| 'Paintings like prayers': the hidden side of Senegalese reverse-glass 'image/texts' |
| Research in African Literatures. Volume 31 #4. p. 76-96. |
| Binet, Jacques (1999) |
| Peinture africaine | |
| Mondes et cultures. Volume 59 #1-2. p. 37-48. |
| Boëtsch, Gilles; Savarese, Eric (1999) |
| Le corps de l'Africaine: érotisation et inversion |
| Cahiers d'études africaines. Volume 39 #153. p. 123-144. |
| Damiani, A. (1999) |
| Des gardiens aux Massaï, Marie-Agnès Maillard ou la rencontre | |
| Éthiopiques: revue socialiste de culture négro-africaine. #63. 2ème semestre. p. 117-122. |
| Mantuba-Ngoma, Mabiala (1999) |
| Les tendances actuelles de la peinture congolaise moderne | |
| Annales aequatoria. Volume 20. p. 455-464. |
| Marschall, Sabine (1999) |
| A Critical Investigation into the Impact of Community Mural Art |
| Transformation: Critical Perspectives on Southern Africa. #40. p. 55-86. |
| Bank, Andrew (1998) |
| The Return of the Noble Savage: The Changing Image of Africans in Cape Colony Art, 1800-1850 |
| South African Historical Journal. #39. November. p. 17-43. |
| Dauvois, D. (1998) |
| Voir Descartes en peinture | |
| Éthiopiques: revue socialiste de culture négro-africaine. #60. p. 119-132. |
| Garlake, M. (1998) |
| A changed world | |
| Gallery (Harare, Zimbabwe). #18. December. p. 16-20. |
| Gilbert, Michelle (1998) |
| Concert Parties: Paintings and Performance |
| Journal of Religion in Africa. Volume 28 #1. p. 62-92. |
| Huggins, D. (1998) |
| New forms for old | |
| Gallery (Harare, Zimbabwe). #18. December. p. 3-9. |
| Schaedler, Karl-Ferdinand (1998) |
| Die Tingatinga-Schule: tanzanische Quadratmaler aus der Rosenfeld-Sammlung = The Tingatinga school: Tanzanian square painters from the Rosenfeld collection | |
| München: Panterra Verlag. 80p. |
| Wright, G. (1998) |
| Charting interior and exterior landscapes | |
| Gallery (Harare, Zimbabwe). #18. December. p. 10-15. |
| Grignon, François (1997) |
| Les pierrots du bidonville: peintres de 'matatu' à Nairobi, Kenya | |
| Autrepart. #1. p. 151-160. |
| Murray, B. (1997) |
| Painting the essence: the harmony and equilibrium of Thakor Patel | |
| Gallery (Harare, Zimbabwe). #11. March. p. 16-19. |
| Murray, B. (1997) |
| The perceptive eye and disciplined hand: Richard Witikani | |
| Gallery (Harare, Zimbabwe). #11. March. p. 7-10. |
| Parry, E. (1997) |
| Potency and power: the painted snakes of the Matopo | |
| Zimbabwean Prehistory. #22. April. p. 21-25. |
| Ranger, Terence O. (1997) |
| Making Zimbabwean Landscapes: Painters, Projections and Priests |
| Paideuma. Volume 43. p. 59-73. |
| Biaya, T.K. (1996) |
| La culture urbaine dans les arts populaires d'Afrique: analyse de l'ambiance zaïroise |
| Canadian Journal of African Studies. Volume 30 #3. p. 345-370. |
| Bradshaw, B. (1996) |
| Digging deep | |
| Gallery (Harare, Zimbabwe). #9. September. p. 16-20. |
| Chennells, A. (1996) |
| Empire's offspring. Pt. 1 | |
| Gallery (Harare, Zimbabwe). #7. March. p. 3-6. |
| Chennells, A. (1996) |
| Empire's offspring. Pt. 2 | |
| Gallery (Harare, Zimbabwe). #8. June. p. 7-10. |
| Geiling, A. (1996) |
| Art ... and something more | |
| Gallery (Harare, Zimbabwe). #7. March. p. 10-11. |
| Lindfors, Bernth (1996) |
| Hottentot, Bushman, Kaffir: Taxonomic Tendencies in Nineteenth-Century Racial Iconography |
| Nordic Journal of African Studies. Volume 5 #2. p. 1-30. |
| Mpulubusi, T. (1996) |
| Tsodilo Hills facelift | |
| Kutlwano. Volume 34 #9. September. p. 14-15. |
| Murray, B. (1996) |
| Ishmael Wilfred: painting the spirits | |
| Gallery (Harare, Zimbabwe). #10. December. p. 8-11. |
| Pouillon, François (1996) |
| La peinture monumentale en Algérie: un art pédagogique |
| Cahiers d'études africaines. Volume 36 #141-142. p. 183-213. |
 | Pinfold, John; Barringer, Terry; Holden, Carole (eds.) (1995) |
| Images of Africa: the pictorial record | |
| African Research and Documentation. #68. 114p. |
| Whaley, A. (1995) |
| In hope of flight: painter-magician, Rashid Jogee | |
| Gallery (Harare, Zimbabwe). #6. December. p. 6-9. |
| (1994) |
| Images of Malawi | |
| WASI: [bulletin]. Volume 6 #1. December. p. 13-17. |
| Curling, P. (1994) |
| Space and place: structure and romanticism in the work of Robert Paul | |
| Gallery (Harare, Zimbabwe). #1. September. p. 8-11. |
| Iselin, Regula (1994) |
| Reading Pictures: On the Value of the Copperplates in the 'Beschryvinghe' of Pieter de Marees (1602) as Source Material for Ethnohistorical Research |
| History in Africa. Volume 21. p. 147-170. |
| Klopper, Sandra (1994) |
| A man of splendid appearance: Angas's 'Utimuni, nephew of Chaka the late Zulu king' |
| African Studies. Volume 53 #2. p. 2-24. |
| Molapo, B. (1994) |
| Picture perfect paintings, the Basner way | |
| Kutlwano. Volume 32 #11. November. p. 11-12. |
| Kondor, L. (1993) |
| Zimbabwe's rock art | |
| Southern African Art. Volume 2 #1. p. 27-28. |
| Pankhurst, Richard (1993) |
| Secular Themes in Ethiopian Ecclesiastical Manuscripts. IV. A Catalogue of Illustrations of Historical and Ethnographic Interest in the Juel-Jensen Collection |
| Journal of Ethiopian Studies. Volume 26 #2. December. p. 81-95. |
| Sergio, P. (1993) |
| Julinya Vidigal: pontinha viva de intercâmbio artístico entre Brasil e Moçambique? | |
| Tempo. #1199. 28 de nov.. p. 24-27. |
| Kinahan, J. (1992-1993) |
| Namibia's rock art heritage: is time running out on the past? | |
| Namibia Yearbook. #3. p. 62-65. |
| Dembour, Marie-Bénédicte (1992) |
| La chicote comme symbole du colonialisme belge? |
| Canadian Journal of African Studies. Volume 26 #2. p. 205-225. |
| Jackson, P. (1992) |
| Opening of the Commemoration Exhibition of select works by Robert Paul (1906-1980): paintings and drawings of the inauguration on 3rd December 1991 of 110 Livingstone avenue as the new venue for gallery delta | |
| Heritage of Zimbabwe. #11. p. 131-137. |
| Lieros, H. (1992) |
| The current state of Zimbabwean painting | |
| Southern African Art. Volume 1 #1. p. 15-17. |
| Search: su=painting | ||||||||
| Found: 130 | Record 1-100 | |
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