AfricaBib 
bibliographic database
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 | Pereira, Hugo Silveira (2025) |
 | Witnessing Colonial Warfare in Early-20th Century Portugal: The Photographic Reportage of the Kwamato Campaign in South Angola (1907) |
| International Journal of Military History and Historiography. Volume 45 #1. p. 61-91. |
| Boum, Aomar (2023) |
| Trails of Posters: French Colonial Moroccan Tourism Redux |
| Jewish Quarterly Review. Volume 113 #1. p. 30-35. |
| Costa, Mariana Gomes da (2022) |
| A degenerescência na fotografia da antropobiologia colonial portuguesa |
| Revista de Comunicação e Linguagens. Volume 57. p. 233-264. |
| Krachenski, Naiara (2022) |
| Fotografia e Dominação: para uma história visual do colonialismo alemão (1884-1918) |
| Revista de História. Volume 181. p. 1-35. |
| Pereira, Hugo Silveira (2021) |
| Capital, império e fotografia: evidências dos álbuns fotográficos de empresas coloniais em Angola e Moçambique durante o scramble for Africa |
| História, Ciência, Saúde - Manguinhos. Volume 28 #4. p. 1137-1157. |
| Pereira, Hugo Silveira (2021) |
| O fotógrafo Romão Pereira e a criação de uma paisagem tecnocientífica em Moçambique colonial (1886-1891) |
| Varia Historia. Volume 37 #75. p. 129-148. |
| Pereira, Hugo Silveira (2021) |
| Uma ideia de Império no final da Monarquia Constitucional: as fotos da viagem de D. Luís Filipe às colónias em 1907 |
| Revista de História das Ideias. Volume 39. p. 245-274. |
| Peterson, Derek; Vokes, Richard; Abiti, Nelson; Taylor, Edgar C. (2021) |
| The Unseen Archive of Idi Amin: Making History in a Tight Corner |
| Comparative Studies in Society and History. Volume 63 #1. p. 5-40. |
| Travassos, Lorena Barros (2021) |
| Missões antropológicas de São Tomé (1954) e Angola (1955) Caminhos para a descolonização da fotografia colonial |
| Revista Estudos Históricos. Volume 34 #72. p. 81-106. |
| Hayes, Patricia (2020) |
| Zenzo Nkobi, ZAPU Photographer: Exile, Visibility and the Anteroom of War in Zambia, 1977-1980 |
| Journal of Southern African Studies. Volume 46 #5. p. 941-964. |
| Macagno, Lorenzo (2020) |
| Modern Intimacies and Modernist Landscapes: Chinese Photographs in Late-Colonial Mozambique |
| Lusotopie. Volume 19 #2. p. 181-212. |
| Schneider, Jürg; Weinberg, Paul (2020) |
| No Way Back - Reflections on the Future of the African Photographic Archive |
| History in Africa. Volume 47. p. 167-194. |
| Matos, Patrícia Ferraz de (2019) |
| Fotografias de Angola do Século XIX: o 'Álbum Fotográfico-Literário' de Cunha Moraes |
| Revista Tempos e Espaços em Educação. Volume 12 #31. p. 165-186. |
| Almeida, Pedro Lopes de (2018) |
| The Past Is a Foreign Photo: Image and Travel Writing in the Benguela Railway. Angola, 1920-1930 |
| E-Journal of Portuguese History. Volume 16 #1. |
| Conte, Chris (2018) |
| Power, production, and land use in German East Africa through the photographs of Walther Dobbertin, c. 1910 |
| Journal of Eastern African Studies. Volume 12 #4. p. 632-654. |
| Linssen, Dalia Habib (2018) |
| Reconsidering the Image of the Blue Bra: Photography, Conflict, and Cultural Memory in the 2011-2013 Egyptian Uprising |
| Humanities. Volume 7 #1. |
| Rushohora, Nancy; Kurmann, Eliane (2018) |
| Look at Majimaji! A plea for historical photographs in Tanzania |
| African Studies. Volume 77 #1. p. 87-104. |
| Labuschagne, Pieter A. (2017) |
| Non-verbal and paralinguistic political communication in sport: an analysis of images of Springbok rugby |
 | Communicatio: South African journal for communication theory and research. Volume 43 #1. p. 80-102. |
| Vicente, Filipa Lowndes (2017) |
| Black Women's Bodies in the Portuguese Colonial Visual Archive (1900-1975) |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 16-67. |
| Bavoux, Claude (2016) |
| Une histoire de la photographie à Madagascar, des origines aux années 1940 | |
| Tsingy. Volume 19. p. 38-97. |
 | Bonnén, Peter (2016) |
| Djiboutis farver: fotografier = The colors of Djibouti: photographs | |
| Kopenhagen: Davids Samling. 20p. |
| Brown, Michael Christopher (2016) |
| Libyan sugar | |
| Santa Fe: Twin Palms. 411p. |
| Dhillon, Mohinder (2016) |
| My camera, my life | |
| Dar es Salaam: Mkuki na Nyota Publishers. |
| Etoundi Essamba, Angèle (2016) |
| Force et fierté: 30 ans de photographie de la femme africaine = Strength & pride | |
| Amsterdam: Essamba Art. 224p. |
| Godin, Marie (2016) |
| Theatre and photography as new contentious repertoires of Congolese women in the diaspora: towards another politics of representation of rape |
| African Diaspora: a Journal of Transnational Africa in a Global World. Volume 9 #1-2. p. 101-127. |
| Halliday, Amy (2016) |
| The human/animal in contemporary South African photography |
| Journal of African Cultural Studies. Volume 28 #1. p. 44-60. |
| Hoogendoorn, Gijsbert; Gregory, James (2016) |
| Instagrammers, urban renewal and the Johannesburg inner city |
| Urban Forum. Volume 27 #4. p. 399-414. |
| Jacobs, Sean (2016) |
| Instagramming Africa |
| Journal of African Media Studies. Volume 8 #1. p. 91-102. |
| Klanten, Robert; Ehmann, Sven; Barlow, Ben (eds.) (2016) |
| Africa rising: fashion, design and lifestyle from Africa | |
| Berlin: Gestalten. 334p. |
| Lichtenstein, Alex; Halpern, Rick (eds.) (2016) |
| Margaret Bourke-White and the dawn of apartheid | |
| Bloomington, IN: Indiana University Press. 127p. |
| Macharia, Keguro (2016) |
| 5 reflections on trans* & taxonomy (with Neo Musangi) |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 495-506. |
| Pain, Marc (2016) |
| Kasaï rencontre avec le roi des Lele: carnets de voyage 1980-1981 | |
| Bruxelles: Husson. 143p. |
| Parrott, Fiona (ed.) (2016) |
| Becoming fathers: reproductive journeys in Malawi = Ulendo wakufuma kuchinyamata kuya ku udada ku Malawi |
| Amsterdam: University of Amsterdam [et al.]. 53p. |
| Sibiloni, Michele (2016) |
| Fuck it | |
| Zürich: Edition Patrick Frey. |
| Särkkä, Timo (2016) |
| The lure of Katanga copper: Tanganyika Concessions Limited and the anatomy of mining and mine exploration 1899-1906 |
| South African Historical Journal. Volume 68 #3. p. 318-341. |
| Udé, Iké (2016) |
| Nollywood portraits: a radical beauty | |
| Milano: Skira Rizzoli. 190p. |
 | Yigbe, Dotsé; Glasman, Joël (eds.) (2016) |
| Intermédialité en situation coloniale et postcoloniale: l'exemple du Togo | |
| Mont Cameroun: Afrikanische Zeitschrift für interkulturelle Studien zum deutschsprachigen Raum. #1. 90p. |
| Amrouche, Pierre (2015) |
| Regards de masques: carnets de route au Gabon | |
| Paris: Présence africaine. 188p. |
| Bertoni, Angelo (2015) |
| Photographier la ville coloniale: les transformations de Casablanca, entre cartes postales et inventaire photographique (1912-1929) | |
| Outre-mers: revue d'histoire. Volume 103 #388-389. p. 179-202. |
| Boudjelal, Bruno (2015) |
| Algérie, clos comme on ferme un livre: vanishing into reality | |
| Marseille: Bec en l'air. 176p. |
| Coquibus, Émile (2015) |
| Capitaine Émile Coquibus: journaux d'Afrique (1901-1910) | |
| Paris: L'Harmattan/ECPAD. Racines du présent. 339p. |
| Delfosse, Colin (2015) |
| Toute arme forgée contre moi sera sans effet | |
| Paris: Éditions 77. 47p. |
| Farber, Leora (ed.) (2015) |
| Special issue: archival addresses: photographies, practices, positionalities |
| Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 1-181. |
| Fundação João Lopes (2015) |
| Cidade velha: ribeira grande de Santiago | |
| Imprensa Nacional. 71p. |
| Godeau, Vincent (2015) |
| La photographie africaine contemporaine | |
| Paris: L'Harmattan. 390p. |
| Gouéry, Franck; Jeangène Vilmer, Jean-Baptiste (2015) |
| Érythrée: entre splendeur et isolement | |
| Paris: Non Lieu. 166p. |
| Mali. Ministère de la culture (2015) |
| Telling time: rencontres de Bamako, biennale africaine de la photographie, 10ème édition | |
| Heidelberg; Berlin: Kehrer Verlag. 455p. |
| Mazina, Teddy (2015) |
| Des tambours sur l'oreille d'un sourd: Burundi | |
| Bruxelles: Africalia. Africalia editions. 155p. |
| Tewelde, Yonatan T. (2015) |
| Seeing the image of an Eritrean Hero |
| Journal of African Cultural Studies. Volume 27 #2. p. 172-180. |
 | Zeitlyn, David (2015) |
| Archiving a Cameroonian photographic studio |
| In: Kominko, Maja (ed.), From dust to digital: ten years of the Endangered Archives Programme. Cambridge, Great Britain: Open Book Publishers. |
| Adedayo, 'dayo (2014) |
| Nigeria the magical: a photographic journey | |
| Abuja: DayoAdedayo Photography. 203p. |
| Arnoldi, Mary Jo; Sullivan, Jack (eds.) (2014) |
| Special issue: Narratives of the African landscape: perspectives on sustainability |
| Africa Today. Volume 61 #1. 140p. |
| Buggenhagen, Beth (2014) |
| A snapshot of happiness: photo albums, respectability and economic uncertainty in Dakar |
| Africa: Journal of the International African Institute. Volume 84 #1. p. 78-100. |
| Fouquet, Thomas; Bazenguissa-Ganga, Rémy (eds.) (2014) |
| Le dossier: blackness | |
| Politique africaine. #136. p. 5-133. |
| Heslenfeld, Thijs (2014) |
| Emp·ty | |
| Putten: Oost West Thijs Best. |
| Mnyaka, Phindezwa (2014) |
| An imperial past in ruins: Joseph Denfield's photographs of East London, 1960-1965 |
| Journal of Southern African Studies. Volume 40 #4. p. 801-818. |
| Mnyaka, Phindezwa Elizabeth; Bank, Leslie (2014) |
| Salvage anthropology in a city without history: East London and photographic collections of Joseph Denfield, 1950-1969 |
| South African Historical Journal. Volume 66 #1. p. 55-78. |
| Nora, Elizabeth; Van Zuylen-Menesguen, Vanessa (2014) |
| Africa | |
| Paris: Éditions du Regard. L'insensé photo #12. 152p. |
| Simonson, Karina (2014) |
| Litvaks in South Africa: How to Photograph Nelson Mandela? |
| Ufahamu. Volume 38 #1. p. 55-67. |
| Smith, Ruth M. (2014) |
| Young Somali women's individual and collective understanding of cultural and religious identity through narrative participatory photography | |
| Bildhaan: An International Journal of Somali Studies. Volume 14. p. 25-49. |
| Tavares, José Luiz (2014) |
| Coração de lava | |
| Mindelo, Cabo Verde: US Edições. 207p. |
| Vium, Christian (2014) |
| Icons of becoming: documenting undocumented migration from West Africa to Europe | |
| Cahiers d'études africaines. Volume 54 #213-214. p. 217-240. |
| Alubafi Fubah, Mathias (2013) |
| The Thomas Hardie Dalrymple Grassfields photographs collection 1937-1942 (Royal Commonwealth Society Collections, University of Cambridge Library) | |
| African Research and Documentation. #123. p. 25-35. |
| Behrend, H. (2013) |
| Contesting Visibility: Photographic practices on the East African coast | |
| Bielefeld: Transcript Verlag. |
| Behrend, Heike (2013) |
| Contesting visibility: photographic practices on the East African coast | |
| Bielefeld: Transcript. Image. 265p. |
| Enwezor, Okwui; Bester, Rory; Godby, Michael (eds.) (2013) |
| Rise and fall of apartheid: photography and the bureaucracy of everyday life | |
| Munich: Prestel. 543p. |
| Garb, Tamar; Amkpa, Awam (eds.) (2013) |
| Distance and desire: encounters with the African archive | |
| Göttingen: Steidl. The Walther collection. 352p. |
| Jones, Adam (ed.) (2013) |
| Through a glass, darkly: photographs of the Leipzig Mission from East Africa, 1896-1939 | |
| Leipzig: Leipziger Universitätsverlag. 150p. |
| Kiyaya, John (2013) |
| John Kiyaya, Tanzania photographer and people of Lake Tanganyika = Mpiga Picha Mtanzania na watu wa Ziwa Tanganyika = Photographe tanzanien et les gens du Lac Tanganyika | |
| Dar es Salaam: Mkuki na Nyota Publishers. |
| Mills, Stephen; Mills, Bhavna (2013) |
| Nairobi: then & now | |
| Nairobi: Mills Publishing Ltd. 127p. |
| Peffer, John; Cameron, Elisabeth Lynn (eds.) (2013) |
| Portraiture and photography in Africa | |
| Bloomington, IN: Indiana University Press. African expressive cultures. 452p. |
| Rizzo, Lorena (2013) |
| Between the book and the lamp: interiors of bureaucracy and the materiality of colonial power | |
| African Historical Review. Volume 45 #2. p. 31-51. |
| Sabir, Ahmed (2013) |
| Mémoire du Maroc: des années cinquante en images | |
| Agadir: Publications Laboratoire LPOT FLSH Univérsité Ibn Zohr. 231p. |
| Schadeberg, Jürgen (2013) |
| Jürgen Schadeberg: South Africa: six decades | |
| Pretoria: Unisa Press. 272p. |
| Seiderer, Anna (2013) |
| The legacy of Pierre Fatumbi Verger in the Whydah Historical Museum (Benin): development of an ambivalent concept of hybridity |
| History in Africa. Volume 40. p. 295-312. |
| Waalboer, Martin (2013) |
| A dream called Harper | |
| Martin Waalboer. 149p. |
| Behrend, H. (2012) |
| 'The Terror of the Feast': Photography, textiles and memory in weddings along the East African Coast | |
| In: Vokes, R. (ed.), Photography in Africa. Oxford: James Currey. p. 229-240. |
| Fontaine, Hugues (2012) |
| Un train en Afrique: Djibouti-Éthiopie = African train | |
| Addis Ababa: Centre français des études éthiopiennes. 309p. |
| Hossfeld, Johannes (ed.) (2012) |
| Mwangalio Tofauti: [nine photographers from Kenya] | |
| Nairobi: Native Intelligence. Contact zones NRB #5. 259p. |
| Kouoh, Koyo; Mbaye, Aliou; Tine, Alioune (eds.) (2012) |
| Chronique d'une révolte: photographies d'une saison de protestation = Chronicle of a revolt: photographs of a season of protest | |
| Dakar: Raw Material Company. 344p. |
| Kroll, Catherine (2012) |
| The tyranny of the visual: Alex La Guma and the anti-apartheid documentary image |
| Research in African Literatures. Volume 43 #3. p. 54-83. |
| Lachheb, Mona (ed.) (2012) |
| Penser le corps au Maghreb | |
| Paris: Karthala. Hommes et sociétés. 283p. |
| Laryea, Korklu A. (2012) |
| Research pathways in African Studies: an interpretation of selected photographs depicting traditional economic activities in the Willis Eugene Bell photo archive | |
| African Research and Documentation. #118. p. 51-68. |
| Muecke*, Stephen; Pam, Max (2012) |
| Contingency in Madagascar: photography, encounters, writing | |
| Bristol: Intellect. Critical photography series #4. 159p. |
 | Sohier, Estelle (2012) |
| Le roi des rois et la photographie: politique de l'image et pouvoir royal en Éthiopie sous le règne de Ménélik II | |
| Paris: Publications de la Sorbonne. Publications de la Sorbonne, Série internationale. 378p. |
| Thompson, T. Jack (2012) |
| Light on darkness? Missionary photography of Africa in the nineteenth and early twentieth centuries | |
| Grand Rapids, MI: W.B. Eerdmans Pub. Co.. Studies in the history of Christian missions. 286p. |
| Van der Vlies, Andrew (2012) |
| Queer knowledge and the politics of the gaze in contemporary South African photography: Zanele Muholi and others |
| Journal of African Cultural Studies. Volume 24 #2. p. 140-156. |
| Viljoen, Stella (2012) |
| Made, laid and paid: photographic masculinities in a black men's magazine |
| Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 648-670. |
| Wylie, Diana; Bank, Andrew (eds.) (2012) |
| Special issue: Documentary photography in South Africa |
| Kronos: Journal of Cape History. #38. p. 6-288. |
| Yudelman, Dale (2012) |
| Life under democracy | |
| Johannesburg: Jacana Media. 221p. |
| Alexander, Jane (2011) |
| Jane Alexander surveys (from the Cape of Good Hope) | |
| New York: Museum for African Art. 189p. |
| Fotsing Mangoua, Robert (2011) |
| Apartheid et intermédialité chez André Brink et Célestin Monga | |
| Intel'actuel: revue de lettres et sciences humaines. #10. p. 71-86. |
| Garb, Tamar (ed.) (2011) |
| Figures & fictions: contemporary South African photography | |
| Göttingen: Steidl. 312p. |
| Hayes, Patricia (2011) |
| Seeing and being seen: politics, art and the everyday in Omar Badsha's Durban photography, 1960s-1980s |
| Africa: Journal of the International African Institute. Volume 81 #4. p. 544-566. |
| Jones, David (2011) |
| Masquerade mosaic: Charles Partridge's collection from Eastern Nigeria 1903-1913 | |
| Ipswich: Colchester and Ipswich Museum Service. 192p. |
| Martínez Vázquez, Ricardo; Muholi, Zanele (eds.) (2011) |
| Zanele Muholi | |
| Madrid: Casa África La Fábrica. Fotógrafas africanas #1. 108p. |
| Muhoma, Catherine; Nyairo, Joyce (2011) |
| Inscribing memory, healing a nation: post-election violence and the search for truth and justice in 'Kenya Burning' |
| Journal of Eastern African Studies. Volume 5 #3. p. 411-426. |
| Feyder, Sophie (2010) |
| 'Think positive, make negatives': black popular photography and urban identities in Johannesburg townships, 1920-1960 | |
| 194p. |
| Godby, Michael (2010) |
| Alfred Martin Duggan-Cronin's photographs for 'The Bantu Tribes of South Africa' (1928-1954): the construction of an ambiguous idyll |
| Kronos: Journal of Cape History. #36. p. 54-83. |
| Jewsiewicki, Bogumil (2010) |
| Imaginaire collectif des Katangais au temps de la désindustrialisation: regard du dedans et regard d'en dehors: la photographie de Sammy Baloji et le rap de Baloji Tshiani | |
| Cahiers d'études africaines. Volume 50 #198-200. p. 1079-1111. |
| Search: su=photography | ||||||||
| Found: 239 | Record 1-100 | |
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