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Found: 265 | Record 101-200 |
Fié Doh, Ludovic (2011) | |
Le rôle des musiques populaires urbaines dans les mutations sociopolitiques en Côte d'Ivoire | |
Éthiopiques: revue socialiste de culture négro-africaine. #86. p. 187-213. |
Kahn, Rebecca (2011) | |
'Oop vir misinterpretasie': South African journalism's take-up and representation of the music of Fokofpolisiekar | |
Ecquid Novi: African Journalism Studies. Volume 32 #3. p. 19-33. |
Létourneau, Yanick; Loumède, Colette; Tétrault, Sébastien; Ouichou, Hany; Awadi, Didier (eds.) (2011) | |
Les États-Unis d'Afrique: au-delà du hip hop = United States of Africa: beyond hip hop | |
Montréal, Québec: National Film Board of Canada. |
Mazzoleni, Florent (2011) | |
Musiques modernes et traditionnelles du Mali | |
Bordeaux: Castor Astral. 173p. |
Okuyade, Ogaga (2011) | |
Rethinking militancy and environmental justice: the politics of oil and violence in Nigerian popular musice | |
Africa Today. Volume 58 #1. p. 79-101. |
Perullo, Alex (2011) | |
Politics and popular song: youth, authority, and popular music in East Africa | |
African Music Journal. Volume 9 #1. p. 87-115. |
Reuster-Jahn, Uta; Hacke, Gabriel (2011) | |
The Bongo Flava industry in Tanzania and artists' strategies for success | |
Mainz: Institut für Ethnologie und Afrikastudien, Johannes Gutenberg-Universität. Arbeitspapiere #127. 24p. |
Suriano, Maria (2011) | |
Making the modern: contestations over 'muziki wa dansi' in Tanganyika, ca. 1945-1961 | |
African Studies. Volume 70 #3. p. 393-414. |
Tandia Mouafou, J.J. Rousseau (2011) | |
De Valsero à Antonio: enjeux poétiques et stylistiques d'un échange épistolaire | |
Intel'actuel: revue de lettres et sciences humaines. #10. p. 7-32. |
Tomaselli, Keyan G.; Wright, Handel Kashope (eds.) (2011) | |
Africa, cultural studies and difference | |
London: Routledge. 190p. |
Trapido, Joseph (2011) | |
The political economy of migration and reputation in Kinshasa | |
Africa: Journal of the International African Institute. Volume 81 #2. p. 204-225. |
Van der Waal, Kees (C.S.); Robins, Steven (2011) | |
'De la Rey' and the revival of 'Boer heritage': nostalgia in the post-apartheid Afrikaner culture industry | |
Journal of Southern African Studies. Volume 37 #4. p. 763-779. |
Bruinders, Sylvia (2010) | |
Parading respectability: the Christmas Bands Movement in the Western Cape, South Africa and the constitution of subjectivity | |
African Music Journal. Volume 8 #4. p. 69-83. |
Dorsch, Hauke (2010) | |
'Indépendance cha cha': African pop music since the independence era | |
Afrika Spectrum. Volume 45 #3. p. 131-146. |
Israel, Paolo (2010) | |
The formulaic revolution: 'song and the 'popular memory' of the Mozambican liberation struggle | |
Cahiers d'études africaines. Volume 50 #197. p. 181-216. |
Jewsiewicki, Bogumil (2010) | |
Imaginaire collectif des Katangais au temps de la désindustrialisation: regard du dedans et regard d'en dehors: la photographie de Sammy Baloji et le rap de Baloji Tshiani | |
Cahiers d'études africaines. Volume 50 #198-200. p. 1079-1111. |
Lamont, Mark (2010) | |
Lip-synch gospel: Christian music and the ethnopoetics of identity in Kenya | |
Africa: Journal of the International African Institute. Volume 80 #3. p. 473-496. |
Mareri, Lydia A. (2010) | |
The relationship between hip hop music and aggression among secondary school youth in Kenya | |
Egerton Journal of Humanities, Social Sciences and Education. Volume 9. p. 132-145. |
Mhiripiri, Nhamo Anthony (2010) | |
The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period | |
Journal of African Media Studies. Volume 2 #2. p. 209-223. |
Owona Nguini, Mathias Eric (ed.) (2010) | |
Dossier: Le Congo entre deux eaux: une mise en perspective géo-politique et socio-systémique | |
Enjeux: bulletin d'analyses géopolitiques pour l'Afrique centrale. #43. p. 8-50. |
Pongweni, Alec J.C. (2010) | |
Ways of knowing, ways of understanding and ways of coping: HIV/AIDS, poverty and governance in Zimbabwean popular music | |
Marang: Journal of Language and Literature. #20. p. 129-153. |
Rathnaw, Dennis M. (2010) | |
The eroticization of bikutsi: reclaiming female space through popular music and media | |
African Music Journal. Volume 8 #4. p. 48-68. |
Sanga, Imani (2010) | |
Postcolonial cosmopolitan music in Dar es Salaam: Dr. Remmy Ongala and the traveling sounds | |
African Studies Review. Volume 53 #3. p. 61-76. |
Sanga, Imani (2010) | |
The practice and politics of hybrid soundscapes in 'Muziki wa Injili' in Dar es Salaam, Tanzania | |
Journal of African Cultural Studies. Volume 22 #2. p. 145-156. |
Simatei, Peter (2010) | |
Kalenjin popular music and the contestation of national space in Kenya | |
Journal of Eastern African Studies. Volume 4 #3. p. 425-434. |
Tououi bi Irié, Ernest (2010) | |
Le zouglou en quête d'une identité | |
Cahiers du CERLESHS. Volume 25 #36. p. 205-232. |
Trapido, Joseph (2010) | |
Love and money in Kinois popular music | |
Journal of African Cultural Studies. Volume 22 #2. p. 121-144. |
Watkins, Lee Wiliam (2010) | |
Keeping it real: amaXhosa 'iimbongi' making mimesis do its thing in the hip-hop and rap music of the Eastern Cape | |
African Music Journal. Volume 8 #4. p. 24-47. |
White, Bob W.; Yoka Lye Mudaba (eds.) (2010) | |
Musique populaire et société à Kinshasa: une ethnographie de l'écoute | |
Paris: L'Harmattan. Mémoires lieux de savoir, Archive congolaise. 290p. |
Brempong, Owusu (2009-2010) | |
Folktale performance in highlife songs: an empirical observation | |
Journal of Performing Arts. Volume 4 #1. p. 14-28. |
Collins, John (2009-2010) | |
Highlife and Nkrumah's independence ethos | |
Journal of Performing Arts. Volume 4 #1. p. 89-100. |
Allingham, Rob (2009) | |
From 'Noma Kumnyama' to 'Pata Pata': a history | |
African Music Journal. Volume 8 #3. p. 117-131. |
Asigbo, Alex (2009) | |
Oral performance as therapy: the example of Perry-Como Okoye | |
African Performance Review. Volume 3 #1. p. 74-85. |
Chirambo, Reuben (2009) | |
Corruption, tribalism and democracy: coded messages in Wambali Mkandawire's popular songs in Malawi | |
Critical Arts: A Journal of Media Studies. Volume 23 #1. p. 42-63. |
Counsel, Graeme (2009) | |
Digitising and archiving Syliphone recordings in Guinea | |
Australasian Review of African Studies. Volume 30 #1. p. 144-150. |
Hilhorst, Sean (2009) | |
Remmy Ongala: capitalist transition and popular music in Tanzania 1979-2002 | |
Journal of African Cultural Studies. Volume 21 #2. p. 105-126. |
Jones, Jeremy (ed.) (2009) | |
Child and youth study in Africa | |
CODESRIA Bulletin. #3-4. 62p. |
Kubik, Gerhard (2009) | |
Central African guitar song composers: the second and third generations: field recordings 1962-2009 | |
Vienna: Department of Musicology, University of Vienna. Vienna series in ethnomusicology #3. 48p. |
Lwanda, John (2009) | |
Music advocacy, the media and the Malawi political public sphere, 1958-2007 | |
Journal of African Media Studies. Volume 1 #1. p. 135-154. |
McCoy, Jason (2009) | |
Making violence ordinary: radio, music and the Rwandan genocide | |
African Music Journal. Volume 8 #3. p. 85-96. |
Ndawouo, Martine Fandio (2009) | |
De la subjectivité et de la délocutivité comme stratégie argumentative: lecture pragmatique de la chanson populaire camerounaise | |
Nordic Journal of African Studies. Volume 18 #1. p. 91-109. |
Olatunji, Myke O. (2009) | |
Yabis music: an instrument of social change in Nigeria | |
Journal of African Media Studies. Volume 1 #2. p. 309-328. |
Oti, Sonny (2009) | |
Highlife music in West Africa: down memory lane... | |
Lagos: Malthouse Press. 192p. |
Riber, Jordan (ed.) (2009) | |
Mwamba Ngoma = Tune the drum | |
Media for Development International. |
Rice, Alison (ed.) (2009) | |
Métropoles maghrébines | |
Expressions maghrébines. Volume 8 #2. 150p. |
Sanogo, Kassim (ed.) (2009) | |
Ça vibre dans nos têtes = Made in Mali | |
Lussas: Doc Net. |
Schumann, Anne (2009) | |
Popular music and political change in Côte d'Ivoire: the divergent dynamics of 'zouglou' and reggae | |
Journal of African Media Studies. Volume 1 #1. p. 117-133. |
Shain, Richard M. (2009) | |
The re(public) of salsa: Afro-Cuban music in 'fin-de-siècle' Dakar | |
Africa: Journal of the International African Institute. Volume 79 #2. p. 186-206. |
Thiaw, Rama (ed.) (2009) | |
Boul Fallé, la voie de la lutte | |
Paris: Docnet films. |
Veit-Wild, Flora (2009) | |
'Zimbolicious': the creative potential of linguistic innovation: the case of Shona-English in Zimbabwe | |
Journal of Southern African Studies. Volume 35 #3. p. 683-697. |
Wetaba, Aggrey Nganyi R. (2009) | |
Kenyan hip-hop as a site of negotiating urban youth identities in Nairobi | |
Göttingen: Sierke Verlag. 450p. |
Adekoya, J.S. (2008) | |
Thematic study of songs that promote Islamic teachings in Yorubaland | |
Orita: Ibadan Journal of Religious Studies. Volume 40 #2. p. 103-127. |
Becker, Heike; Dastile, Nceba (2008) | |
Global and African: exploring hip-hop artists in Philippi township, Cape Town | |
Anthropology Southern Africa. Volume 31 #1-2. p. 20-29. |
Bourderionnet, Olivier (2008) | |
Displacement in French/displacement of French: the reggae and R'n'B of Tiken Jah Fakoly and Corneille | |
Research in African Literatures. Volume 39 #4. p. 14-23. |
Cloete, Nadine Angel (ed.) (2008) | |
Jitsfinger: maak it aan | |
UCT Honours Production. |
Coester, Markus (2008) | |
Localising African popular music transnationally: 'Highlife-travellers' in Britain in the 1950s and 1960s | |
Journal of African Cultural Studies. Volume 20 #2. p. 133-144. |
Emielu, Austin 'Maro (2008) | |
Towards a global 21st century African popular music: Assata Band as a case study | |
Legon Journal of the Humanities. Volume 19. p. 135-149. |
Englert, Birgit (2008) | |
Ambiguous relationships: youth, popular music and politics in contemporary Tanzania | |
Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 71-96. |
Githiora, Chege (ed.) (2008) | |
East African culture, language and society | |
Journal of African Cultural Studies. Volume 20 #1. 132p. |
Gunner, Liz (2008) | |
City textualities: 'isicathamiya', reciprocities and voices from the streets | |
Social Dynamics. Volume 34 #2. p. 156-173. |
Kafkaboy; Biz-Ark-Human; Naicker, Tamar (eds.) (2008) | |
Tha paradigm shift; Aunty Sally/Uncle Selwyn | |
Flacko Productions. |
Kalu, Ogbu U. (2008) | |
Holy praiseco: negotiating sacred and popular music and dance in African Pentecostalism | |
The Ghana Bulletin of Theology. Volume 3. December. p. 111-142. |
Kola, Jean-François (2008) | |
Les chanteurs 'zouglou' de Côte d'Ivoire: des griots des temps modernes? | |
Éthiopiques: revue socialiste de culture négro-africaine. #80. p. 27-52. |
Lwanda, John (2008) | |
Poets, Culture and Orature: A Reappraisal of the Malawi Political Public Sphere, 1953-2006 | |
Journal of Contemporary African Studies. Volume 26 #1. January. p. 71-101. |
Martin, Jean-Philippe (ed.) (2008) | |
Manou Gallo: rhythm gal | |
Moulard-Kouka, Sophie (2008) | |
'Sénégal yewuleen!': analyse anthropologique du rap à Dakar: liminarité, contestation et culture populaire | |
Bordeaux: Université Bordeaux 2. 211p. |
Ogisi, Arugha A. (2008) | |
Socio-economic factors in the evolution of popular music in southwestern Nigeria | |
Humanities Review Journal. Volume 8. p. 59-71. |
Reuster-Jahn, Uta (2008) | |
'Bongo Flava' and the electoral campaign 2005 in Tanzania | |
Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 41-69. |
Ricard, Alain (2008) | |
Le 'taarab est comme le concert party...': réflexions comparatives | |
Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 123-136. |
Rosenberg, Aaron L. (2008) | |
Making the case for popular songs in East Africa: Samba Mapangala and Shaaban Robert | |
Research in African Literatures. Volume 39 #3. p. 99-120. |
Schumann, Anne (2008) | |
The beat that beat apartheid: the role of music in the resistance against apartheid in South Africa | |
Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 17-39. |
Steingo, Gavin (2008) | |
Historicizing kwaito | |
African Music Journal. Volume 8 #2. p. 76-91. |
Awadi, Didier; Froiss, Pee (eds.) (2007) | |
FangAfrika: La voix des sans-voix | |
Paris: Stay Calm!. |
Bender, Wolfgang (2007) | |
Der nigerianische Highlife: Musik und Kunst in der populären Kultur der 50er und 60er Jahre | |
Wuppertal: Peter Hammer Verlag. Edition Trickster im Peter Hammer Verlag. 572p. |
Carter, Sandra (2007) | |
Morocco, youth bands, social networking and the Internet | |
Maghreb Review. Volume 32 #4. p. 349-375. |
Collins, John (2007) | |
Popular performance and culture in Ghana: the past 50 years | |
Ghana Studies. Volume 10. p. 9-64. |
Feidangai, Bruno (2007) | |
Per una geografia sociale e culturale della musica popolare urbana nella Repubblica Centrafricana: i 'ködrö' di Bangui | |
Terra d'Africa. #16. p. 211-231. |
Grundlingh, Albert (2007) | |
Die historiese in die hede: dinamika van die De la Rey-fenomeen in Afrikanerkringe, 2006-2007 | |
New contree: a journal of historical and human sciences for Southern Africa. #53. p. 135-154. |
Kasule, Sam (2007) | |
Resistant voices in African popular performance | |
African Performance Review. Volume 1 #1. p. 38-49. |
Lorentzon, Leif (2007) | |
Jazz in 'Drum': an ambiguous discourse the short stories in the 1950s | |
JALA: the Journal of the African Literature Association. Volume 1 #1. p. 214-227. |
Moisakamo, T. (2007) | |
Mapetla: the new kid on the block | |
Kutlwano. Volume 48 #1. January. p. 8-9. |
Blé, Raoul Germain (2006) | |
Zouglou et réalités sociales des jeunes en Côte d'Ivoire | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 31 #1. p. 168-184. |
Borgeaud, Pierre-Yves; N'Dour, Youssou (eds.) (2006) | |
Retour à Gorée | |
Lausanne: CAB Productions. |
Collins, John (2006) | |
A century of changing locations of Ghanaian commercial popular entertainment venues | |
Transactions of the Historical Society of Ghana. #10. p. 149-170. |
Jamanca, Adulai (ed.) (2006) | |
José Carlos Schwarz: the voice of the people | |
Lisbon: Lx Filmes. |
Maupeu, Hervé; Wa-Mûngai, Mbûgua (2006) | |
La politique des bars gikuyu de Nairobi | |
Cahiers d'études africaines. Volume 46 #182. p. 313-331. |
Nannyonga-Tamusuza, Sylvia (2006) | |
Constructing the popular: challenges of archiving Ugandan 'popular' music | |
Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 33-52. |
Santos, Yara dos (2006) | |
Ildo Lobo: a voz crioula | |
Lisboa: SeteCaminhos. 211p. |
Ssewakiryanga, Richard; Isabirye, Joel (2006) | |
'From war cacophonies to rhythms of peace': popular cultural music in post-1986 Uganda | |
Current Writing: Text and Reception in Southern Africa. Volume 18 #2. p. 53-73. |
White, Bob W.; Lye, Yoka (2006) | |
Audience-based research in the era of democratization | |
Civilisations. Volume 54 #1-2. p. 223-236. |
António, Jorge (ed.) (2005) | |
Angola: histórias da música popular | |
Lisboa: Lx filmes. |
Billon, Yves; Lecomte, Henri (eds.) (2005) | |
Ali Farka Touré: ça coule de source | |
Paris: L'Harmattan. |
Bulu, Léon Tsambu (2005) | |
Épure d'un développement de l'industrie du disque congolaise par le mécénat privé | |
Africa Media Review. Volume 13 #2. p. 36-67. |
Collins, John (2005) | |
A Social History of Ghanaian Popular Entertainment since Independence | |
Transactions of the Historical Society of Ghana. #9. p. 17-40. |
Kohlhagen, Dominik (2005) | |
Frime, escroquerie et cosmopolitisme: le succès du 'coupé-décalé' en Afrique et ailleurs | |
Politique africaine. #100. p. 92-105. |
Mbembe, Achille (2005) | |
Variations on the beautiful in the Congolese world of sounds | |
Politique africaine. #100. p. 71-91. |
Nyairo, Joyce; Ogude, James (2005) | |
Popular Music, Popular Politics: Unbwogable and the Idioms of Freedom in Kenyan Popular Music | |
African Affairs: The Journal of the Royal African Society. Volume 104 #415. April. p. 225-249. |
Nyamnjoh, Francis B.; Fokwang, Jude (2005) | |
Entertaining Repression: Music and Politics in Postcolonial Cameroon | |
African Affairs: The Journal of the Royal African Society. Volume 104 #415. April. p. 251-274. |
Perullo, Alex (2005) | |
Hooligans and Heroes: Youth Identity and Hip-Hop in Dar es Salaam, Tanzania | |
Africa Today. Volume 51 #4. Summer. p. 75-101. |
Puig, Nicolas (2005) | |
Sha'abî 'populaire': usages et significations d'une notion ambiguë dans le monde de la musique en Égypte | |
Civilisations. Volume 53 #1-2. p. 23-44. |
Search: su=popular music | ||||||||
Found: 265 | Record 101-200 |
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