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bibliographic database
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| Search: su=praise poetry (form) | ||||||||
| Found: 55 | Record 1-55 | |||||||
 | Dissou, Machioudi (2012) |
| Mémoire collective du pays yorúbà et de la nation yorúbà | |
| Porto-Novo: Centre National de Production de Manuels Scolaires (CNPMS). 349p. |
| Magasa, Amidu (2007) |
| Le pouvoir amour: selon Jeli Baba Sisoko: essai de littérature orale bambara | |
| Bamako: Organisation Malienne des Editeurs du Livre (OMEL). Collection Jeli. 380p. |
 | Chirwa, Wiseman Chijere (2001) |
 | Dancing towards Dictatorship: Political Songs and Popular Culture in Malawi |
 | Nordic Journal of African Studies. Volume 10 #1. p. 1-27. |
| Gilman, Lisa (2001) |
| Purchasing Praise: Women, Dancing, and Patronage in Malawi Party Politics |
| Africa Today. Volume 48 #4. Winter. p. 43-64. |
| Neethling, S.J. (2001) |
| A scorn poem: the case of 'Umbombayi' |
| Social Dynamics. Volume 27 #2. p. 43-61. |
 | Schulz, Dorothea E. (2001) |
| Perpetuating the politics of praise: jeli singers, radios, and political mediation in Mali | |
| Köln: Rüdiger Köppe Verlag. Studien zur Kulturkunde #118. 293p. |
| Stroomer, Harry (2001) |
| Islamic poetry of Oromos in northern Kenya | |
| Afrikanistische Arbeitspapiere: Schriftenreihe des Kölner Instituts für Afrikanistik. #65. p. 71-102. |
| Chapman, Michael (1999) |
| From Shaka's court to the trade union rally: praises in a usable past |
| Research in African Literatures. Volume 30 #1. p. 34-43. |
| Hurst, Christopher (1999) |
| Izimbongi, images and identity: interpreting two of the later praise poems of Elizabeth Ncube | |
| Current Writing: Text and Reception in Southern Africa. Volume 11 #1. p. 1-19. |
| Joubert, Annekie; Van Schalkwyk, J.A. (1999) |
| War and Remembrance: The Power of Oral Poetry and the Politics of Hananwa Identity |
| Journal of Southern African Studies. Volume 25 #1. March. p. 29-47. |
| Schulz, Dorothea E. (1999) |
| Pricey Publicity, Refutable Reputations. Jeliw and the Economics of Honour in Mali |
| Paideuma. Volume 45. p. 275-292. |
| McLaughlin, Fiona (1997) |
| Islam and Popular Music in Senegal: The Emergence of a 'New Tradition' |
| Africa: Journal of the International African Institute. Volume 67 #4. p. 560-581. |
| Pellow, Deborah (1997) |
| Male Praise-Singers in Accra: In the Company of Women |
| Africa: Journal of the International African Institute. Volume 67 #4. p. 582-601. |
| Declich, Francesca (1996) |
| Poesia religiosa femminile: 'Nabi-ammaan' nel contesto rurale della Somalia |
| Africa: rivista trimestrale di studi e documentazione. Volume 51 #1. p. 50-79. |
| Ishihara, Minako (1996) |
| Textual Analysis of a Poetic Verse in a Muslim Oromo Society in Kimma Area, Southwestern Ethiopia | |
| Senri Ethnological Studies. #43. p. 207-232. |
| Soares, Benjamin; Hunwick, John O. (1996) |
| Falkeiana IV: The Shaykh as the Locus of Divine Self-Disclosure: A Poem in Praise of Shaykh Hamahu 'Ilah |
| Sudanic Africa. Volume 7. p. 97-112. |
 | Barber, Karin (1995) |
| Money, self-realization and the person in Yorùbá texts | |
| In: Money matters: instability, values and social payments in the modern history of West African communities / ed. by Jane I. Guyer. - Portsmouth, N.H.: Heinemann. p. 205-224. |
| Farias, Paulo Fernando de Moraes (1995) |
| Praise splits the subject of speech: constructions of kingship in the Manden and Borgu | |
| In: Power, marginality and African oral literature / ed. by Graham Furniss and Liz Gunner. - Cambridge [etc.]: Cambridge University Press. p. 225-243. |
| Mphande, Lupenga (1993) |
| Ngoni praise poetry and the Nguni diaspora |
| Research in African Literatures. Volume 24 #4. p. 99-122. |
| Akinyemi, A. (1992) |
| Rárà chanters: Yorùbá royal image makers | |
| Afrikanistische Arbeitspapiere: Schriftenreihe des Kölner Instituts für Afrikanistik. #31. p. 69-90. |
| Agbotón, S. (1991) |
| La portée historique des louanges familiales: Dravó Xólú Kode et les descendants de Sèjí | |
| Studia Africana. #2. p. 9-42. |
| Barber, Karin (1991) |
| I Could Speak until Tomorrow: Oriki Women and the Past in a Yoruba Town | |
| Edinburgh: Edinburgh University Press for the International African Institute, London. International African library #7. 354p. |
| Ogede, Ode S. (1991) |
| Imagery in the praise poetry of the Igede 'Adiyah' poet Micah Ichegbeh |
| Research in African Literatures. Volume 22 #3. p. 149-170. |
| Boadi, L.A. (1989) |
| Praise poetry in Akan |
| Research in African Literatures. Volume 20 #2. p. 181-193. |
| Gunner, Elizabeth (1988) |
| Power House, Prison House: An Oral Genre and Its Use in Shembe, Isaiah Nazareth Baptist Church |
| Journal of Southern African Studies. Volume 14 #2. January. p. 204-227. |
| Rycroft, David K.; Ngcobo, A. Bhekabantu (eds.) (1988) |
| The praises of Dingana = (Izibongo zikaDingana) | |
| Durban: Killie Campbell Africana Library. Killie Campbell Africana Library publications #3. 258p. |
| Dilley, Roy M. (1987) |
| Spirits, Islam and Ideology: A Study of a Tukulor Weavers' Song (Dillere) |
| Journal of Religion in Africa. Volume 17 #3. October. p. 245-279. |
| Arhin, Kwame (1986) |
| The Asante Praise Poems: The Ideology of Patrimonialism |
| Paideuma. Volume 32. p. 163-197. |
| Barbier, Jean-Claude (1986) |
| 'Tu es devant et nous sommes derrière...' | |
| Politique africaine. #22. p. 101-110. |
| Erlmann, Veit; Adama, Souleymane (1986) |
| Konu Raabe: A Fulbe Booku Song on Rabih b. Fadlallah | |
| Africana Marburgensia. Volume 19 #2. p. 79-94. |
| Deluz, A. (1984) |
| Qui a trahi Badiegoro? Un chant de Bolia sur la conquête française en pays gouro, Côte d'Ivoire | |
| Genève-Afrique: acta africana. Volume 22 #2. p. 119-135. |
| Fortune, G. (1984) |
| Some recurrent structures in Shona praise poetry |
| African Studies. Volume 43 #2. p. 161-169. |
| Pilaszewicz, Stanislaw (1984) |
| The craft of the Hausa oral praise-poets | |
| In: Folklore in Africa today = Folklore en Afrique d'aujourd'hui. p. 269-276. |
| Rennie, J.K. (1984) |
| Cattle, conflict and court cases: the praise poetry of Ila leadership |
| Research in African Literatures. Volume 15 #4. p. 530-567. |
| Rycroft, David K. (1984) |
| An 1842 version of Dingana's eulogies |
| African Studies. Volume 43 #2. p. 249-274. |
| Danmole, H.O. (1983) |
| Muhammad Ath-Th¯an¯i's 'Qas¯idah 'an Waq'at Offa': a historical analysis | |
| Research Bulletin. Volume 14-17. p. 69-87. |
| Ifwanga-wa-Pindi (1983) |
| M'Saángu: chant d'exaltation chez les Yaka: quelques considérations thématiques et stylistiques | |
| In: Mélanges de culture et de linguistique africaines; publiés à la mémoire de Leo Stappers. p. 203-239. |
| Yankah, Kwesi (1983) |
| To praise or not to praise the king: the Akan apae in the context of referential poetry |
| Research in African Literatures. Volume 14 #3. p. 381-400. |
| White, Landeg (1982) |
| Power and the Praise Poem |
| Journal of Southern African Studies. Volume 9 #1. October. p. 8-32. |
| Barber, Karin (1981) |
| Documenting Social and Ideological Change through Yoruba Oriki: A Stylistic Analysis | |
| Journal of the Historical Society of Nigeria. Volume 10 #4. June. p. 39-52. |
| Johnston, Thomas F. (1981) |
| Humanized Animal and Bird Figures in Tsonga Songtexts | |
| Africana Marburgensia. Volume 14 #2. p. 55-72. |
| Yankah, Kwesi (1981) |
| Giving unto the king praises that are not due: the problem of anachronism in Akan royal praise performance | |
| Ba Shiru. Volume 12 #1. p. 17-30. |
| Dangambo, Abdulkadir (1979) |
| The use of kiraarii and taakee in Hausa oral praise songs: Shata, Narambada and Sa'idu Faru | |
| Nigeria Magazine. #128-129. p. 89-99. |
| Gunner, Elizabeth (1979) |
| Songs of innocence and experience: women as composers and performers of Izibongo, Zulu praise poetry |
| Research in African Literatures. Volume 10 #2. p. 239-267. |
| Joseph, George (1979) |
| The Wolof oral praise song for Semu Coro Wende |
| Research in African Literatures. Volume 10 #2. p. 145-178. |
| Kuse, Wandile F. (1979) |
| Izibongo zeenkosi (the praises of kings): aspects of Xhosa heroic poetry |
| Research in African Literatures. Volume 10 #2. p. 208-238. |
| Emenanjo, E. Nolue (1978) |
| An Igbo folk-song: a linguistic study | |
| African Languages. Volume 4. p. 96-109. |
| Gunner, E. (1978) |
| Women as composers and performers of Zulu praise poetry: some praise poems | |
| In: Southern African research in progress; collected papers: 3. p. 1-17. |
| Awe, Bolanle (1974) |
| Praise poems as historical data: the example of the Yoruba Oriki |
| Africa: Journal of the International African Institute. Volume 44 #4. p. 331-349. |
| Johnston, Thomas F. (1973) |
| Aspects of Tsonga History through Song | |
| Africana Marburgensia. Volume 6 #1. p. 17-37. |
| Karimou, Mahamane (1972) |
| Rôle du 'griot' dans la société sonrai-djerma (Niger) | |
| Annales de l'Université d'Abidjan, Série I: Histoire. Volume 1. p. 97-108. |
| Turkson, Ato (1972) |
| Evolution of the Fante sacred Lyric | |
| Research Review. Volume 9 #3. p. 1-12. |
| February, V.A. (1970) |
| A Nguni legacy | |
| Kroniek van Afrika. #4. p. 281-288. |
| Smith, Michael G. (1957) |
| The Social Functions and Meaning of Hausa Praise-Singing |
| Africa: Journal of the International African Institute. Volume 27 #1. January. p. 26-45. |
| Ryser, Brandyn; Wilhem, H. de; Kuypers, Gerardus (eds.) (1742) |
| Gelukwenschingen aan den zeer geleerden heere, den heere J. E. J. Capitein, wanneer zyn edle onder de voorzitting van den wytberoemden hoogleeraar, Joan van den Honert, zyn onderzoek-schrivt, waar in zyn edle bewees, dat het regt der slaaven tegens de christelyke vryheyd niet strydig is, verdedigde | |
| Leyden: by Samuel Luchtmans. |
| Search: su=praise poetry (form) | ||||||||
| Found: 55 | Record 1-55 | |||||||
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