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bibliographic database
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| Found: 94 | Record 1-94 | |||||||
 | Mans, Minette (2017) |
| Changing faces of Aawambo musical arts | |
| Basel: Basler Afrika Bibliographie. Basel Southern Africa Studies #11. 188p. |
| Kururu-Ndimurukundo, Barbara (ed.) (2016) |
| Anthologie des épithalames burundais: ouvrage bilingue kirundi-français | |
| Paris: L'Harmattan. 208p. |
 | Witulski, Christopher (2016) |
 | The gnawa lions: paths towards learning ritual music in contemporary Morocco |
 | The Journal of North African Studies. Volume 21 #4. p. 599-622. |
| Bailly, Séry (2015) |
| Le Tohourou: un chemin vers la sagesse | |
| Abidjan: Nouvelles Editions Balafons. 130p. |
 | Nederveen, Arda (ed.) (2015) |
| Sabar: Senegal's heartbeat |
| Amsterdam: Arda Nederveen Visuele Producties. |
| Dabo, Sadibou (2014) |
| Musique traditionnelle et civilisation orale chez les Manding | |
| Paris: L'Harmattan. 110p. |
| Djoke Bodjé, Théophile (2014) |
| Le bôgôblô: musique dans la société Atchan, Côte d'Ivoire | |
| Paris: L'Harmattan. 135p. |
| Eagleson, Ian (2014) |
| Continuities and innovation in Luo song style: creating the benga beat in Kenya 1960 to 1996 | |
| African Music Journal. Volume 9 #4. p. 91-122. |
| Fürniss, Susanne (ed.) (2014) |
| Ethnomusicologie et histoire | |
| Journal des africanistes. Volume 84 #2. p. 8-136. |
| Ndong Nneme, Jorgen-Abeso (ed.) (2014) |
| Antologia literaria: volumen I relatos, obras liricas, ensayo, teatro y folclore | |
| Malabo: Centro Cultural Ecuatoguineano. Taller Cultura Literia. 215p. |
| Ondo, Angèle Christine (2014) |
| Mvett Ekang: forme et sens: l'épique dévoile le sens | |
| Paris: L'Harmattan. Études africaines. 208p. |
| Aka, Konin (2013) |
| L'art musical d'un peuple mandé - sud de la Côte d'Ivoire: cas des N'Gain de la sous-préfecture de Bonguéra |
| Tervuren: Musée royal de l'Afrique centrale. Collection digitale. 65p. |
| Dargie, Dave (2013) |
| Kavango music | |
| African Music Journal. Volume 9 #3. p. 122-150. |
| Durán, Lucy (2013) |
| POYI! Bamana 'jeli' music, Mali and the blues |
| Journal of African Cultural Studies. Volume 25 #2. p. 211-246. |
| Jenje-Makwenda, Joyce (2013) |
| Women musicians of Zimbabwe: a celebration of women's struggle for voice and artistic expression | |
| Harare: Joyce Jenje Makwenda. 194p. |
| Weisser, Stéphanie; Falceto, Francis (2013) |
| Investigating 'qeñet' in Amhara secular music: an acoustic and historical study | |
| Annales d'Éthiopie. Volume 28. p. 299-322. |
| Yégnan-Touré G., Angéline (2013) |
| Le Gbofé d'Afounkaha: une forme d'expression musicale de Côte d'Ivoire | |
| Paris: L'Harmattan. Collection univers musical. 176p. |
| Aka, Konin (2012) |
| L'art musical chez les Niaboua, un peuple krou du centre-ouest de la Côte d'Ivoire |
| Tervuren: Musée royal de l'Afrique centrale. Collection digitale. 72p. |
| Alhassan, Jibril Attahiru (2012) |
| Indigenous knowledge acquisition and transfer among members of the Nupe Royal Music Band in Nigeria | |
| African Journal of Library, Archives and Information Science. Volume 22 #1. p. 61-66. |
| Hoesing, Peter (2012) |
| 'Kusamira': singing rituals of wellness in southern Uganda | |
| African Music Journal. Volume 9 #2. p. 94-127. |
| Jones, Claire (2012) |
| A modern tradition: the social history of the Zimbabwean marimba | |
| African Music Journal. Volume 9 #2. p. 32-56. |
| Kaminski, Joseph S. (2012) |
| Asante 'ntahera' trumpets in Ghana: culture, tradition, and sound barrage | |
| Farnham: Ashgate. SOAS musicology series. 203p. |
| Kiel, Hilda (2012) |
| Travel on a song: the roots of Zanzibar 'taarab' | |
| African Music Journal. Volume 9 #2. p. 77-93. |
| Muehrer, Rachel (2012) |
| Playing techniques of the Nnanga of Buganda | |
| African Music Journal. Volume 9 #2. p. 57-76. |
| Muparutsa, Tendai (2012) |
| Multiculturalism and pedagogical eclecticism: towards a pardigm shift in Zimbabwean music education | |
| Zimbabwe Journal of Educational Research. Volume 24 #1. p. 61-68. |
| Ndomondo, Mathayo (2012) |
| A woman can sing and dance but cannot dance with high leaps: musical performance of the Haya of Bukoba, Tanzania | |
| African Music Journal. Volume 9 #2. p. 7-31. |
| Nyathi, Pathisa (2012) |
| Zimbabwe's traditional dances | |
| Bulawayo: Amagugu Publishers. 49p. |
| Tsoubaloko, Francois Haipinge (2012) |
| Issues in ethnomusicology as human science | |
| Journal for Studies in Humanities and Social Sciences. Volume 1 #1. p. 172-179. |
 | Binam Bikoï, Charles (ed.) (2011) |
| Musique(s) traditionnelle(s) d'Afrique: lien entre générations: actes du colloque international de Brazzaville (République du Congo), août 2010 | |
| Yaoundé: Éditions du CERDOTOLA. 169p. |
| Edkins, Fraser; Thram, Diane (eds.) (2011) |
| Hugh Tracey (1903-1977): the Cecil Sharp of Africa | |
| Heritage of Zimbabwe. #30. p. 69-84. |
| Hanafi, Muhammad; el-Kogali, Issraa; Mabor, Mario; Tahir, Gihan El; Zarrouq, Areej; Sir-Alkhatim, Alyaa (eds.) (2011) |
| Made in Sudan: new Sudanese documentary films | |
| Khartoum: Goethe Institut. |
| Katana, Mbabi (2011) |
| The role of indigenous music in modern African education: a Uganda and East African setting | |
| Kampala: Pelican Publishers Ltd. 82p. |
| Odogbor, Peter O. (2011) |
| Musical performance practice in Ovia Osese maiden festival of the Ogori of Nigeria: effects of intermingling of religions and cultures | |
| Journal of Performing Arts. Volume 4 #2. p. 220-234. |
| Okpako, D.T. (2011) |
| Kpeha's song: ethics and culture in Urhobo Udje poetry | |
| Bodija: BookBuilders Editions Africa. 159p. |
| Tracey, Andrew (2011) |
| Chopi Timbila music | |
| African Music Journal. Volume 9 #1. p. 7-32. |
| Amlor, Martin Q. (2010) |
| Cultural synthesis: Euro-African musical elements/idioms in Roman Catholic Church liturgy in the Volta region of Ghana | |
| Orita: Ibadan Journal of Religious Studies. Volume 42 #1. p. 34-50. |
| Jankowsky, Richard C. (2010) |
| Stambeli: music, trance, and alterity in Tunisia | |
| Chicago: University of Chicago Press. Chicago studies in ethnomusicology. 237p. |
| Kubik, Gerhard (2010) |
| Theory of African music | |
| Chicago: University of Chicago Press. Chicago studies in ethnomusicology. |
| Amoah, Joshua A. (2009-2010) |
| The use of traditional musical genre as a pre-compositional resource in Ghanaian contemporary choral art music: perspectives from Newlove Annan's 'Ewuradze' | |
| Journal of Performing Arts. Volume 4 #1. p. 42-62. |
| Aka, Konin (2009) |
| Traditions musicales chez deux peuples Gour du nord-est de la Côte d'Ivoire: cas des Nafana et des Dégha de la région de Bondoukou |
| Tervuren: Musée royal de l'Afrique centrale. 47p. |
| Amuah, Isaac R. (2009) |
| Cultural diversity in music education: indigenous Ghanaian music in the curriculum of a higher institution in Ghana | |
| Drumspeak: international journal of research in the humanities. Volume 2 #3. p. 95-110. |
| Mathangwane, Joyce T. (2009) |
| Bakalanga traditional music: some cultural insights |
| Botswana Notes and Records. Volume 41. p. 83-94. |
| Amlor, Martin Q. (2008) |
| Ebibindwom in African Christian liturgy: its status and impact on Methodist Church liturgy in the Fante communities of Ghana | |
| Drumspeak: international journal of research in the humanities. Volume 1 #2. p. 141-167. |
| Fürniss, Susanne (2008) |
| The adoption of the circumcision ritual 'bèkà' by the Baka-Pygmies in Southeast Cameroon | |
| African Music Journal. Volume 8 #2. p. 92-113. |
| Imbert-Bouchard, Matthieu; Dupire, Cédric (eds.) (2008) |
| L'homme qu'il faut à la place qu'il faut = The right man at the right place |
| Paris: Studio Shaiprod. |
| Obiang, Ludovic (2008) |
| 'Faire musique de tout bois': l'inventivité traditionnelle comme fondement d'une politique nationale de la musique au Gabon |
| Cahiers d'études africaines. Volume 48 #191. p. 567-584. |
| Pululu, Makela; Kambandu, Mali; Ndasowa, Villant; Meck, Dorothy; Levitan, Joanne (eds.) (2008) |
| African Shorts Documentary Project 'Love' | |
| Cape Town: Encounters. |
| Aka, Konin (2007) |
| La vie musicale chez les Agni-N'dénéan (région est de la Côte d'Ivoire) |
| Tervuren: Musée royal de l'Afrique centrale. 87p. |
 | Beeko, Eric Odame (2007) |
| Creative processes in Akan musical cultures: innovation within tradition |
| Ann Arbor, MI: UMI Dissertation Services. 214p. |
| Mapana, Kedmon (2007) |
| Changes in performance styles: a case study of 'muheme', a musical tradition of the Wagogo of Dodoma, Tanzania |
| Journal of African Cultural Studies. Volume 19 #1. p. 81-93. |
| Ngaïde, Abderrahmane (2007) |
| Musique et danse chez les Haratin de Mauritanie: conscience identitaire et/ou dissidence culturelle? | |
| Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #15-16. p. 1-25. |
| Tourny, Olivier (2007) |
| Musiques traditionnelles d'Éthiopie | |
| Annales d'Éthiopie. Volume 23. p. 13-312. |
| Dehoux, Vincent (2006) |
| Live... eviL? | |
| Journal des africanistes. Volume 76 #2. p. 7-43. |
| Hefaied, Saloua Ben (2006) |
| Musique tunisienne entre identité et pluralité: Malouf tunisien et vécu social | |
| Revue d'histoire maghrébine. Volume 33 #123. p. 43-56. |
| Guignard, Michel (2005) |
| Musique, honneur et plaisir au Sahara: musique et musiciens dans la société Maure | |
| Paris: Geuthner. 264p. |
| Bolay, Anna (2004) |
| Les poètes-musiciens éthiopiens (azmari) et leurs constructions identitaires: des marginaux qui aspirent à la normalité |
| Cahiers d'études africaines. Volume 44 #176. p. 815-839. |
| Counsel, Graeme (2004) |
| Popular Music and Politics in Sekou Toure's Guinea | |
| Australasian Review of African Studies. Volume 26 #1. June. p. 26-42. |
 | Live, Y.-S.; Hamon, J.-F. (eds.) (2004) |
| Diversité et spécificités des musiques traditionnelles de l'océan Indien | |
| Kabaro. Volume 2 #2-3. 296p. |
| Ciantar, Philip (2003) |
| Continuity and change in the Libyan 'ma'l°uf' musical tradition | |
| Libyan Studies. Volume 34. p. 137-146. |
| Falceto, Francis (2003) |
| Casimir Mondon-Vidailhet et la musique éthiopienne | |
| Annales d'Éthiopie. Volume 19. p. 119-147. |
| Mondon-Vidailhet, Casimir (2003) |
| La musique éthiopienne | |
| Annales d'Éthiopie. Volume 19. p. 148-187. |
| Muurling, Nienke (2003) |
| Relaties smeden: de rol van een 'jelimuso' (griotte) in Mali | |
| Amsterdam: Aksant. 178p. |
| Gunderson, Frank (2001) |
| From 'Dancing with Porcupines' to 'Twirling a Hoe': Musical Labor Transformed in Sukumaland, Tanzania |
| Africa Today. Volume 48 #4. Winter. p. 3-25. |
| Hill, Stephen (2001) |
| The Death of Mganda? Continuity and Transformation in Matengo Music |
| Africa Today. Volume 48 #4. Winter. p. 27-41. |
| Mizuno, Nobuo (2001) |
| The Saqiya, the Lyre, and the Qasida: A Sketch of the Egyptian Soundscape | |
| Senri Ethnological Studies. #55. p. 1-12. |
| Schulz, Dorothea E. (2001) |
| Perpetuating the politics of praise: jeli singers, radios, and political mediation in Mali | |
| Köln: Rüdiger Köppe Verlag. Studien zur Kulturkunde #118. 293p. |
| Manel, Zé; Diop, Wasis; Lamko, Koulsy (eds.) (200*) |
| Bintou Wéré, un opéra du Sahel: un opéra | |
| Kanari Films. |
| Dontsa, L. (1999) |
| Whistling: A Performance Technique and a Cultural Phenomenon | |
| South African Journal of Ethnology. Volume 22 #4. p. 173-181. |
| Schulz, Dorothea E. (1999) |
| Pricey Publicity, Refutable Reputations. Jeliw and the Economics of Honour in Mali |
| Paideuma. Volume 45. p. 275-292. |
| Bamba, Sorry (1996) |
| De la tradition à la world music | |
| Paris: L'Harmattan. 267p. |
| Mowah, Frank Uche (1996) |
| The poetry of the Egwu Ota of Asaba: a mytho-historical experience |
| Africa: rivista trimestrale di studi e documentazione. Volume 51 #2. p. 159-173. |
 | Durán, Lucy (1995) |
| 'Jelimusow': the superwomen of Malian music | |
| In: Power, marginality and African oral literature / ed. by Graham Furniss and Liz Gunner. - Cambridge [etc.]: Cambridge University Press. p. 197-207. |
| Vinck, H. (1995) |
| Histoire de l'enregistrement de la musique mongo | |
| Annales aequatoria. Volume 16. p. 153-174. |
| Noiret, F. (1991) |
| The faith in tune: Christian folk songs in the Betsileo (Madagascar) |
| Exchange: Journal of Contemporary Christianities in Context. Volume 20 #1. p. 46-55. |
| Avorgbedor, Daniel K. (1990) |
| Some contributions of 'halo' music to research theory and pragmatics in Ghana | |
| Bulletin of the International Committee on Urgent Anthropological and Ethnological Research. #32-33. p. 61-80. |
| Omojola, Bode (1990) |
| Kiriboto music in Yoruba culture | |
| Bulletin of the International Committee on Urgent Anthropological and Ethnological Research. #32-33. p. 121-142. |
| Bender, Wolfgang (ed.) (1989) |
| Perspectives on African music | |
| Bayreuth: Bayreuth University. Bayreuth African studies series #9. 139p. |
| Instituto de Investigação Científica Tropical, Lisboa (1989) |
| Novas perspectivas em etnomusicologia: seminário, Lisboa, 16 a 20 de Maio de 1983 | |
| Lisboa: Ministério da Educação. 89p. |
| Okafor, Richard C. (1989) |
| Music, women and social mobilization in Nigeria | |
| Nigeria Magazine. Volume 57 #1-2. January-June. p. 18-26. |
| Dargie, David (1988) |
| Xhosa music: its techniques and instruments, with a collection of songs | |
| Cape Town: Philip. 235p. |
| Gansemans, Jos (1988) |
| Les instruments de musique du Rwanda: étude ethnomusicologique | |
| Tervuren: Musée Royal de l'Afrique Centrale. Annalen. Wetenschappen van de mens 127. 361p. |
| Akpabot, Samuel Ekpe (1986) |
| Foundation of Nigerian traditional music | |
| Ibadan: Spectrum. 113p. |
| Brandily, M. (1986) |
| Qu'exprime-t-on par et dans la musique traditionnelle? Quelques exemples libyens | |
| Maghreb Review. Volume 11 #2-4. p. 53-57. |
| Hürter, Friedegard (1986) |
| Heilung und Musik in Afrika | |
| Frankfurt am Main; Bern; New York: Lang. Europäische Hochschulschriften. Reihe 36, Musikwissenschaft #21. 151p. |
| Rakotomalala, Mireille Mialy (1986) |
| Bibliographie critique d'intérêt ethnomusicologique sur la musique malagasy | |
| Antananarivo: Université d'Antananarivo, Institut de Civilisations, Musée d'Art et d'Archéologie. Travaux et documents #27. 107p. |
| Daw, Ali al-; Muhammad, Abd-Alla (1985) |
| Traditional musical instruments in Sudan | |
| Khartoum: Institute of African and Asian Studies. 83p. |
| Dedy, Séri (1982) |
| Opinions des publics face à la musique ivoirienne | |
| Annales de l'Université d'Abidjan, Série F: Ethnosociologie. Volume 10. p. 101-119. |
| Vorbichler, Anton (1978) |
| Die Funktion von Musik, Gesang und Tanz in der Oralliteratur der Balese-Efe, Nordost-Zaire | |
| Afrika und Übersee: Sprachen, Kulturen. Volume 61 #3-4. p. 241-257. |
| Blacking, John (1974) |
| How musical is man? | |
| Seattle: University of Washington Press. The John Danz lectures. 116p. |
| Tracey, Hugh (1974) |
| African Music in Education | |
| South African Journal of African Affairs. Volume 4 #1. p. 33-37. |
| Mensah, Atta Arman (1971) |
| Performing arts in Zambia: music and dance | |
| Bulletin of the International Committee on Urgent Anthropological and Ethnological Research. #13. p. 67-82. |
| Giorgetti, Filiberto (1957) |
| Musica Africana: sua tecnica e acustica | |
| Bologna: Nigrizia. Museum Combonianum #10. 128p. |
| Giorgetti, P. Filiberto (1951) |
| Note di musica Zande: (con trascrizioni musicali di uccelli, tamburi, xilofoni e canti Zande) | |
| Verona: Missioni Africane. Museum Combonianum #5. 36p. |
| Rouch, Jean (ed.) (1951) |
| Les hommes qui font la pluie, Yenendi | |
| Dakar: Institut Français d'Afrique Noire. |
| Search: su=traditional music | ||||||||
| Found: 94 | Record 1-94 | |||||||
| Previous page | New search |