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Found: 102 | Record 1-100 |
Ololajulo, Babajide Olusoji (2021) | |
The incremental houses of urban fringes: Yoruba personhood and popular culture in Ibadan, Nigeria | |
Journal of Contemporary African Studies. Volume 39 #2. p. 169-184. |
Flint, Adrian (2020) | |
'African witchdoctors' and popular culture: global hierarchies and the reinforcement of the colonial world order | |
Journal of Contemporary African Studies. Volume 38 #4. p. 594-609. |
Ference, Meghan E. (2019) | |
Joyriding: Making Place in Nairobi's Matatu Sector | |
City & Society. Volume 31 #2. p. 188-207. |
Grant, Andrea Mariko (2019) | |
Bringing The Daily Mail to Africa: entertainment websites and the creation of a digital youth public in post-genocide Rwanda | |
Journal of Eastern African Studies. Volume 13 #1. p. 106-123. |
Hendriks, Thomas (2019) | |
Queer(ing) popular culture: Homo-erotic provocations from Kinshasa | |
Journal of African Cultural Studies. Volume 31 #1. p. 71-88. |
Kaarsholm, Preben; Frederiksen, Bodil Folke (2019) | |
Amaoti and Pumwani: Studying urban informality in South Africa and Kenya | |
African Studies. Volume 78 #1. p. 51-73. |
Srinivasan, Sharath; Diepeveen, Stephanie; Karekwaivanane, George (2019) | |
Rethinking publics in Africa in a digital age | |
Journal of Eastern African Studies. Volume 13 #1. p. 2-17. |
Förster, Till; Schlehe, Judith (eds.) (2017) | |
Passages of culture: media and mediality in African societies | |
Journal of African Media Studies. Volume 9 #1. p. 3-90. |
Julius-Adeoye, 'Rantimi Jays (2017) | |
The Nigeria-Biafra war, popular culture and agitation for sovereignty of a Biafran nation | |
Leiden: African Studies Centre. ASC working paper #138. 21p. |
Laachir, Karima (ed.) (2016) | |
Special Issue: the aesthetics and politics of contemporary cultural production in Morocco | |
The Journal of North African Studies. Volume 21 #1. p. 7-147. |
Omenugha, Kate Azuka; Uzuegbunam, Chikezie Emmanuel; Ndolo, Ike S. (2016) | |
Celebrity culture, media and the Nigerian youth: negotiating cultural identities in a globalised world | |
Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 200-216. |
Riedel, Felix (2016) | |
Hexenjagd und Aufklärung in Ghana: von den medialen Inszenierungen des Okkulten zur Realität der Ghettos für Hexenjagdflüchtlinge | |
Köln: Rüdiger Köppe Verlag. Topics in interdisciplinary African studies. 368p. |
Röschenthaler, Ute; Schulz, Dorothea Elisabeth (eds.) (2016) | |
Cultural entrepreneurship in Africa | |
New York, NY: Routledge, Taylor & Francis Group. Routledge African studies #20. 317p. |
Shiino, Wakana; Shiraishi, Soichiro; Ondicho, Tom (eds.) (2016) | |
Re-finding African local assets and city environments: governance, research and reflexivity | |
Fuchu: Research Institute for Languages and Cultures of Asia and Africa, Tokyo University of Foreign Studies. 289p. |
Braun, Lesley Nicole (2015) | |
Cyber Siren: what Mami Wata reveals about the Internet and Chinese presence in Kinshasa | |
Canadian Journal of African Studies. Volume 49 #2. p. 301-318. |
Jedlowski, Alessandro (ed.) (2015) | |
Special issue: across media: mobility and transformation of cultural materials in the digital age | |
Journal of African Media Studies. Volume 7 #1. 99p. |
Kandé Senghor, Fatou (2015) | |
Wala Bok: Une histoire orale du hip hop au Sénégal | |
Dakar: Éditions Amalion. 289p. |
Krings, Matthias (2015) | |
African appropriations: cultural difference, mimesis, and media | |
Bloomington, IN: Indiana University Press. African expressive cultures. 311p. |
Marais, Danie (2015) | |
Pruimtwak & skaduboksers: rubrieke, heildronke en nagedagtes | |
Kaapstad: Tafelberg. 222p. |
Ndiltah, Patrick (2015) | |
Des vidéoclubs pour l'Afrique? 'salles' de cinéma populaires et lieux de sociabilité au Tchad | |
Paris: L'Harmattan. Collection images plurielles. 252p. |
Nederveen, Arda (ed.) (2015) | |
Sabar: Senegal's heartbeat | |
Amsterdam: Arda Nederveen Visuele Producties. |
Baderoon, Gabeba (2014) | |
Regarding muslims: from slavery to post-apartheid | |
Johannesburg: Wits University Press. 207p. |
Beljaars, Ine (2014) | |
The politics of bodily mobility and ethnoracial performativity in a culture of avoidance: dance and difference-making in the Dutch kizomba scene | |
73p. |
Engelbrecht, Theunis (2014) | |
Papegaaislaai | |
Kaapstad: Umuzi. 255p. |
Obadare, Ebenezer; Willems, Wendy (eds.) (2014) | |
Civic agency in Africa: arts of resistance in the 21st century | |
Woodbridge: James Currey. 236p. |
Apedo-Amah, Ayayi Togoata (2013) | |
Théâtres populaires en Afrique: l'exemple de la kantata et du concert-party togolais: essai | |
Lomé: Éditions Awoudy. Collection Tourbillon. 247p. |
Ba, Daha Chérif (2013) | |
Cultures populaires en Sénégambie: l'exemple des Fulbe (1512-1980) | |
Paris: L'Harmattan. Études africaines. 390p. |
Chire, Amina Saïd (ed.) (2013) | |
Djibouti contemporain | |
Paris: Karthala. Hommes et sociétés. 354p. |
Gqola, Pumla Dineo (2013) | |
A renegade called Simphiwe | |
Johannesburg: MFBooks. 158p. |
Mungai, Mbugua wa (2013) | |
Nairobi's 'matatu' men: portrait of a subculture | |
Nairobi: Twaweza Communications. Contact zones NRB #7. 254p. |
Newell, Stephanie; Okome, Onookome (eds.) (2013) | |
Popular culture in Africa: the episteme of the everyday | |
New York: Routledge. Routledge research in cultural and media studies #58. 323p. |
Ofosu, Terry Bright K.; Dei, Tabitha (2013) | |
The 'Azonto' dance - a Ghanaian new creation: exploring new boundaries of popular dance forms | |
African Performance Review. Volume 7 #1. p. 45-64. |
Rofheart, Mahriana (2013) | |
Shifting perceptions of migration in Senegalese literature, film and social media | |
Lanham: Lexington Books. After the empire, The francophone world and postcolonial France. 157p. |
Shipley, Jesse Weaver (2013) | |
Living the hiplife: celebrity and entrepreneurship in Ghanaian popular music | |
Durham: Duke University Press. 329p. |
Ahmed, Imtiaz (ed.) (2012) | |
Democracy and democratisation | |
Identity, Culture and Politics: an Afro-Asian Dialogue. Volume 13 #1. 129p. |
Becker, Heike (2012) | |
Anthropology and the study of popular culture: a perspective from the southern tip op Africa | |
Research in African Literatures. Volume 43 #4. p. 17-37. |
Bisschoff, Lizelle; Overbergh, Ann (2012) | |
Digital as the new popular in African cinema? case studies from the continent | |
Research in African Literatures. Volume 43 #4. p. 112-127. |
Charry, Eric S. (ed.) (2012) | |
Hip hop Africa: new African music in a globalizing world | |
Bloomington, IN: Indiana University Press. African expressive cultures. 390p. |
Falola, Toyin; Fleming, Tyler (eds.) (2012) | |
Music, performance and African identities | |
New York: Routledge. Routledge African studies #3. 346p. |
Hafiez, Nada; Mohamed, Alsadig; Mahmoud, Ahmed; Izzeldin, Ebrahim; Fadul, Mosaab (eds.) (2012) | |
NAZRA: New Sudanese documentary films | |
Khartoum: Goethe Institut. |
Klein, Debra (2012) | |
A political economy of lifestyle and aesthetics: Yorùbá artists produce and transform popular culture | |
Research in African Literatures. Volume 43 #4. p. 128-146. |
Ligaga, Dina (2012) | |
'Virtual expressions': alternative online spaces and the staging of Kenyan popular cultures | |
Research in African Literatures. Volume 43 #4. p. 1-16. |
Mbah, Emmanuel M.; Salm, Steven J. (eds.) (2012) | |
Globalization and the African experience | |
Durham, NC: Carolina Academic Press. African world series. 299p. |
Mudimbe, V.Y. (ed.) (2012) | |
Contemporary African cultural productions | |
Dakar: CODESRIA. 328p. |
Mustapha, Abdul Raufu (ed.) (2012) | |
Special issue on 'The African public sphere: concepts, histories, voices, and processes' | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 37 #1. 118p. |
Newell, Sasha (2012) | |
The Modernity Bluff: Crime, Consumption, and Citizenship in Côte d'Ivoire | |
Chicago: The University of Chicago Press. 305p. |
Okome, Onookome; Newell, Stephanie (eds.) (2012) | |
Measuring time: Karin Barber and the study of everyday Africa | |
Research in African Literatures. Volume 43 #4. 195p. |
Osumare, Halifu (2012) | |
The hiplife in Ghana: the West African indigenization of hip-hop | |
Basingstoke: Palgrave Macmillan. 219p. |
Raji, Remi (2012) | |
Playful blasphemies: postproverbials as archetypes of modernity in Yorùbá culture | |
Trier: WVT, Wissenschaftlicher Verlag Trier. LuKA, Studien zu Literaturen und Kunst Afrikas #3. 168p. |
Schielke, Samuli (2012) | |
The perils of joy: contesting mulid festivals in contemporary Egypt | |
Syracuse, NY: Syracuse University Press. Contemporary issues in the Middle East. 269p. |
Witte, Marleen de (2012) | |
Television and the Gospel of Entertainment in Ghana | |
Exchange: Journal of Contemporary Christianities in Context. Volume 41 #2. p. 144-164. |
Abé, Claude (2011) | |
L'espace public au ras du sol en postcolonie: travail de l'imagination et interpellation du politique au Cameroun | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 36 #2. p. 137-173. |
Akinyemi, Akintunde (ed.) (2011) | |
African creative expressions: mother tongue and other tongues | |
Eckersdorf: Pia Thielmann & Eckhard Breitinger. Bayreuth African studies series #89. 265p. |
Akpabli, Kofi (2011) | |
Tickling the Ghanaian: encounters with contemporary culture | |
Accra: TREC. 142p. |
Callaci, Emily (2011) | |
Dancehall politics: mobility, sexuality, and spectacles of racial respectability in late colonial Tanganyika, 1930s-1961 | |
The Journal of African History. Volume 52 #3. p. 365-384. |
Hanafi, Muhammad; el-Kogali, Issraa; Mabor, Mario; Tahir, Gihan El; Zarrouq, Areej; Sir-Alkhatim, Alyaa (eds.) (2011) | |
Made in Sudan: new Sudanese documentary films | |
Khartoum: Goethe Institut. |
Mbakwe, Nkechinyere (2011) | |
Die Heilung des Wortes: zur Bedeutung der Oralität in nigerianischen Homevideos | |
Berlin: Universitätsbibliothek der Technischen Universität Berlin. 197p. |
Mills, Ivy (2011) | |
Sutura: Gendered Honor, Social Death, and the Politics of Exposure in Senegalese Literature and Popular Culture | |
Ph.D. dissertation (Fall 2011). Berkeley: University of California. 175p. |
Rangoajane, Francis L. (2011) | |
Political shifts and black theatre in South Africa | |
370p. |
Thalén, Oliver (2011) | |
Ghanaian entertainment brokers: urban change, and 'Afro-cosmopolitanism', with neo-liberal reform | |
Journal of African Media Studies. Volume 3 #2. p. 227-240. |
Wasserman, Herman (ed.) (2011) | |
Popular media, democracy and development in Africa | |
London: Routledge. 288p. |
Dangarembga, Tsitsi (2010) | |
The popular arts and culture in the texture of the public sphere in Africa | |
Dakar: Council for the Development of Social Science Research in Africa (CODESRIA). Codesria lecture series #4. 11p. |
Englert, Birgit (2010) | |
In need of connection: reflections on youth and the translation of film in Tanzania | |
Stichproben - Vienna Journal of African Studies. Volume 10 #18. p. 137-159. |
Falola, Toyin; Ngom, Fallou (eds.) (2010) | |
Facts, fiction, and African creative imaginations | |
London: Routledge. Routledge African studies #1. 332p. |
Holdridge, Christopher (2010) | |
Laughing with Sam Sly: the cultural politics of satire and colonial British identity in the Cape Colony, c. 1840-1850 | |
Kronos: Journal of Cape History. #36. p. 28-53. |
Lame, Danielle de; Rassool, Ciraj (eds.) (2010) | |
Popular snapshots and tracks to the past: Cape Town, Nairobi, Lubumbashi | |
Tervuren: Royal Museum for Central Africa. Collection Sciences Humaines 171. 294p. |
Makhulu, Anne-Maria; Buggenhagen, Beth Anne; Jackson, Stephen (eds.) (2010) | |
Hard work, hard times: global volatility and African subjectivities | |
Berkeley, CA: University of California Press. 224p. |
Mwangi, Evan (2010) | |
The incomplete rebellion: Mau Mau movement in twenty-first-century Kenyan popular culture | |
Africa Today. Volume 57 #2. p. 87-113. |
Narunsky-Laden, Sonja; Glenn, Ian (eds.) (2010) | |
Cultural economy in post-transitional South Africa | |
Critical Arts: A Journal of Media Studies. Volume 24 #1. 172p. |
Obiaya, Ikechukwu (2010) | |
Nollywood on the Internet: a preliminary analysis of an online Nigerian video-film audience | |
Journal of African Media Studies. Volume 2 #3. p. 321-338. |
Sabry, Tarik (2010) | |
Cultural encounters in the Arab world: on media, the modern and the everyday | |
London: I.B. Tauris. Library of modern Middle East studies #89. 228p. |
Saint, Lily (2010) | |
Not Western: race, reading, and the South African photocomic | |
Journal of Southern African Studies. Volume 36 #4. p. 939-958. |
Benga, Ndiouga (2009) | |
Espace public et culture populaire en Afrique | |
Annales de la Faculté des lettres et sciences humaines. #39. p. 108-123. |
Falola, Toyin; Agwuele, Augustine (eds.) (2009) | |
Africans and the politics of popular culture | |
Rochester, NY: University of Rochester Press. Rochester studies in African history and the diaspora. 333p. |
Jones, Jeremy (ed.) (2009) | |
Child and youth study in Africa | |
CODESRIA Bulletin. #3-4. 62p. |
Prestholdt, Jeremy (2009) | |
The afterlives of 2Pac: imagery and alienation in Sierra Leone and beyond | |
Journal of African Cultural Studies. Volume 21 #2. p. 197-218. |
Frenkel, Ronit (ed.) (2008) | |
Feminism and contemporary culture in South Africa | |
African Studies. Volume 67 #1. p. 1-138. |
Githiora, Chege (ed.) (2008) | |
East African culture, language and society | |
Journal of African Cultural Studies. Volume 20 #1. 132p. |
Grundlingh, Albert M.; Huigen, Siegfried (2008) | |
Van volksmoeder tot fokofpolisiekar: kritiese opstelle oor Afrikaanse herinneringsplekke | |
Stellenbosch: Sun Press. 221p. |
Guseh, James S. (2008) | |
Slogans and mottos on commercial vehicles: a reflection of Liberian philosophy and culture | |
Journal of African Cultural Studies. Volume 20 #2. p. 159-171. |
Kareithi, Peter; Kariithi, Nixon (2008) | |
'Black Hawk Down' and the framing of Somalia: pop culture as news and news as pop fiction | |
Africa Media Review. Volume 16 #1. p. 1-20. |
Kaviti, L. (2008) | |
Hip-hop music: artistic creativity gone bad | |
Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 96-119. |
Ludl, Christine (2008) | |
'To skip a step': new representation(s) of migration, success and politics in Senegalese rap and theatre | |
Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 97-122. |
Magalasi, Mufunanji (2008) | |
Repression and comedic performances: Kamuzu Banda's rule and Kwathu's 'Ku Chipatala' and Umodzi's 'Akapasule' | |
African Performance Review. Volume 2 #2-3. p. 48-64. |
Morna, Colleen Lowe; Ndlovu, Sikhonzile (eds.) (2008) | |
Gender and tabloids in southern Africa: mirror on the media | |
Johannesburg: Gender Links. 100p. |
Simone, AbdouMaliq (2008) | |
Some reflections on making popular culture in urban Africa | |
African Studies Review. Volume 51 #3. p. 75-89. |
Van der Westhuizen, Janis (2008) | |
Popular culture, discourse and divergent identities: reconstructing South Africa as an African State | |
African Identities. Volume 6 #1. p. 45-61. |
Ambridge, Lindsay June (2007) | |
Searching History: The Non-Elite in Ancient Egypt | |
History Compass. Volume 5 #2. p. 632-645. |
Baller, Susann (2007) | |
Youth, theatre and sports: creating 'conscious' citizens within the Senegalese 'nawetaan' movement | |
Africa Insight. Volume 37 #3. p. 376-387. |
Dolby, Nadine (2006) | |
Popular Culture and Public Space in Africa: The Possibilities of Cultural Citizenship | |
African Studies Review. Volume 49 #3. December. p. 31-47. |
Loimeier, Roman (2006) | |
Coming to terms with 'popular culture': the 'ulama' and the state in Zanzibar | |
In: The global worlds of the Swahili: interfaces of Islam, identity and space in 19th and 20th-century East Africa. p. 111-130. |
Lukalo, Fibian Kavulani (2006) | |
Extended handshake or wrestling match? Youth and urban culture celebrating politics in Kenya | |
Uppsala: Nordiska Afrikainstitutet. Discussion paper #32. 66p. |
Dijck, Bart van (ed.) (2005) | |
Mzansi: een trip door Zuidafrikaanse subculturen | |
Antwerpen: Axe Entertainment. |
Jacobs, Sean (2005) | |
Big Brother, l'Afrique te regarde | |
Politique africaine. #100. p. 125-145. |
Ndjio, Basile (2005) | |
Carrefour de la Joie: Popular Deconstruction of the African Postcolonial Public Sphere | |
Africa: Journal of the International African Institute. Volume 75 #3. p. 265-294. |
Fenn, John Bennett (2004) | |
Rap and ragga musical cultures, lifestyles, and performances in Malawi | |
Ann Arbor, MI: UMI. 246p. |
Wekesa, Peter Wafula (2004) | |
The Politics of Marginal Forms: Popular Music, Cultural Identity and Political Opposition in Kenya | |
Africa Development: A Quarterly Journal of CODESRIA. Volume 29 #4. p. 92-112. |
Jewsiewicki, Bogumil (2003) | |
Mami Wata: la peinture urbaine au Congo | |
Paris: Gallimard. Le temps des images. 236p. |
(1999) | |
Co.@rtnews: Southern African review of contemporary art and culture | |
Johannesburg: Co. rtnews Pty. Ltd. |
Remes, Pieter Walter (1998) | |
'Karibu geto langu / Welcome in my ghetto': urban youth, popular culture and language in 1990s Tanzania | |
Search: su=popular culture | ||||||||
Found: 102 | Record 1-100 |
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