AfricaBib 
bibliographic database
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| Search: su=musicology | ||||||||
| Found: 22 | Record 1-22 | |||||||
 | Lewis, Tony (2016) |
| Ethnomusicology, world music and analysis in African music | |
| Australasian Review of African Studies. Volume 37 #1. p. 95-117. |
| Roberts, Andrew D. (2016) |
 | The Awkward Squad: Arts Graduates from British Tropical Africa before 1940 |
| Journal of Imperial and Commonwealth History. Volume 44 #5. p. 798-814. |
 | Béné, Koffi Maximin (2015) |
| Drummologie akan | |
| Paris: L'Harmattan. 108p. |
| Perman, Tony (2015) |
| A tale of two mbiras | |
| African Music Journal. Volume 10 #1. p. 102-126. |
 | Solomon, Thomas (ed.) (2015) |
| African musics in context: institutions, culture, identity | |
 | Kampala: Fountain Publishers. 365p. |
| Tracey, Andrew (2015) |
| The system of the mbira | |
| African Music Journal. Volume 10 #1. p. 127-149. |
| Fürniss, Susanne (ed.) (2014) |
| Ethnomusicologie et histoire | |
| Journal des africanistes. Volume 84 #2. p. 8-136. |
| Boamah, Emmanuel (2013) |
| Nketia's contribution to African pianism: an innovation to the literature of African art music | |
| Journal of Performing Arts. Volume 4 #4. p. 11-24. |
| Boamah, Emmanuel (2012) |
| The concept of African pianism |
| Legon Journal of the Humanities. Volume 23. p. 141-154. |
| Kaminski, Joseph S. (2012) |
| Asante 'ntahera' trumpets in Ghana: culture, tradition, and sound barrage | |
| Farnham: Ashgate. SOAS musicology series. 203p. |
| Nannyonga-Tamusuza, Sylvia and Solomon, Thomas (eds.) (2012) |
| Ethnomusicology in East Africa: perspectives from Uganda and beyond | |
| Kampala: Fountain Publishers. 255p. |
| Stone-MacDonald, Angela and Stone, Ruth M. (2012) |
| The feedback interview and video recording in African research settings |
| Africa Today. Volume 59 #4. p. 3-22. |
| Edkins, Fraser and Thram, Diane (eds.) (2011) |
| Hugh Tracey (1903-1977): the Cecil Sharp of Africa | |
| Heritage of Zimbabwe. #30. p. 69-84. |
| Scharfenberger, Angela (2011) |
| West African women in music: an analysis of scholarship, women's participation in music in West Africa: a reflection on fieldwork, self, and understanding | |
| African Music Journal. Volume 9 #1. p. 221-246. |
| Jankowsky, Richard C. (2010) |
| Stambeli: music, trance, and alterity in Tunisia | |
| Chicago: University of Chicago Press. Chicago studies in ethnomusicology. 237p. |
| Kubik, Gerhard (2010) |
| Theory of African music | |
| Chicago: University of Chicago Press. Chicago studies in ethnomusicology. |
 | Beeko, Eric Odame (2007) |
| Creative processes in Akan musical cultures: innovation within tradition |
| Ann Arbor, MI: UMI Dissertation Services. 214p. |
| Schrag, Brian Edward (2007) |
| How Bamiléké music-makers create culture in Cameroon | |
| Ann Arbor, MI: UMI Dissertation Services. 320p. |
 | South African Society for Research in Music (SASRIM) (2006) |
| SAMUS: South African music studies |
| Capetown: Sabinet Host. |
| Omíbíyě-Obidike, M.A. (ed.) (2001) |
| African art music in Nigeria: Felá Sówándé Memorial | |
| Ibadan: Stirling-Horden Publishers (Nig.) Ltd.. 176p. |
| Gray, John (1991) |
| African music: a bibliographical guide to the traditional, popular, art, and liturgical musics of Sub-Saharan Africa | |
| New York: Greenwood Press. African Special Bibliographic Series #14. 499p. |
| Blacking, John (1974) |
| How musical is man? | |
| Seattle: University of Washington Press. The John Danz lectures. 116p. |
| Search: su=musicology | ||||||||
| Found: 22 | Record 1-22 | |||||||
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