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Search: su=musicology | ||||||||
Found: 22 | Record 1-22 |
![]() | Lewis, Tony (2016) |
Ethnomusicology, world music and analysis in African music | |
Australasian Review of African Studies. Volume 37 #1. p. 95-117. |
![]() | Roberts, Andrew D. (2016) |
![]() | The Awkward Squad: Arts Graduates from British Tropical Africa before 1940 |
Journal of Imperial and Commonwealth History. Volume 44 #5. p. 798-814. |
![]() | Béné, Koffi Maximin (2015) |
Drummologie akan | |
Paris: L'Harmattan. 108p. |
![]() | Perman, Tony (2015) |
A tale of two mbiras | |
African Music Journal. Volume 10 #1. p. 102-126. |
![]() | Solomon, Thomas (ed.) (2015) |
African musics in context: institutions, culture, identity | |
![]() | Kampala: Fountain Publishers. 365p. |
![]() | Tracey, Andrew (2015) |
The system of the mbira | |
African Music Journal. Volume 10 #1. p. 127-149. |
![]() | Fürniss, Susanne (ed.) (2014) |
Ethnomusicologie et histoire | |
![]() | Journal des africanistes. Volume 84 #2. p. 8-136. |
![]() | Boamah, Emmanuel (2013) |
Nketia's contribution to African pianism: an innovation to the literature of African art music | |
Journal of Performing Arts. Volume 4 #4. p. 11-24. |
![]() | Boamah, Emmanuel (2012) |
![]() | The concept of African pianism |
![]() | Legon Journal of the Humanities. Volume 23. p. 141-154. |
![]() | Kaminski, Joseph S. (2012) |
Asante 'ntahera' trumpets in Ghana: culture, tradition, and sound barrage | |
Farnham: Ashgate. SOAS musicology series. 203p. |
![]() | Nannyonga-Tamusuza, Sylvia; Solomon, Thomas (eds.) (2012) |
Ethnomusicology in East Africa: perspectives from Uganda and beyond | |
![]() | Kampala: Fountain Publishers. 255p. |
![]() | Stone-MacDonald, Angela; Stone, Ruth M. (2012) |
![]() | The feedback interview and video recording in African research settings |
![]() | Africa Today. Volume 59 #4. p. 3-22. |
![]() | Edkins, Fraser; Thram, Diane (eds.) (2011) |
Hugh Tracey (1903-1977): the Cecil Sharp of Africa | |
Heritage of Zimbabwe. #30. p. 69-84. |
![]() | Scharfenberger, Angela (2011) |
West African women in music: an analysis of scholarship, women's participation in music in West Africa: a reflection on fieldwork, self, and understanding | |
African Music Journal. Volume 9 #1. p. 221-246. |
![]() | Jankowsky, Richard C. (2010) |
Stambeli: music, trance, and alterity in Tunisia | |
Chicago: University of Chicago Press. Chicago studies in ethnomusicology. 237p. |
![]() | Kubik, Gerhard (2010) |
Theory of African music | |
Chicago: University of Chicago Press. Chicago studies in ethnomusicology. |
![]() | Beeko, Eric Odame (2007) |
![]() | Creative processes in Akan musical cultures: innovation within tradition |
Ann Arbor, MI: UMI Dissertation Services. 214p. |
![]() | Schrag, Brian Edward (2007) |
How Bamiléké music-makers create culture in Cameroon | |
Ann Arbor, MI: UMI Dissertation Services. 320p. |
![]() | South African Society for Research in Music (SASRIM) (2006) |
![]() | SAMUS: South African music studies |
Capetown: Sabinet Host. |
![]() | Omíbíyě-Obidike, M.A. (ed.) (2001) |
African art music in Nigeria: Felá Sówándé Memorial | |
Ibadan: Stirling-Horden Publishers (Nig.) Ltd.. 176p. |
![]() | Gray, John (1991) |
African music: a bibliographical guide to the traditional, popular, art, and liturgical musics of Sub-Saharan Africa | |
![]() | New York: Greenwood Press. African Special Bibliographic Series #14. 499p. |
![]() | Blacking, John (1974) |
How musical is man? | |
Seattle: University of Washington Press. The John Danz lectures. 116p. |
Search: su=musicology | ||||||||
Found: 22 | Record 1-22 |
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