AfricaBib 
bibliographic database
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| Search: su=musical groups | ||||||||
| Found: 15 | Record 1-15 | |||||||
 | Eyre, Banning (2015) |
| Lion songs: Thomas Mapfumo and the music that made Zimbabwe | |
| Durham: Duke University Press. 362p. |
| Rabaraona, Rocky A. Harry (2014) |
| L'aventure des Surfs: souvenirs d'un groupe vocal malgache | |
| Paris: L'Harmattan. Graveurs de mémoire, Serie Recits de vie/Arts du spectacle vivant. 283p. |
| Santos, David; Sousa, Vanessa (2014) |
| Voz de Cabo Verde: a história de um povo ... | |
| Alfragide: Fresco Produções. 104p. |
 | Uil, Renske den (2013) |
 | Music to the rescue: defining the meaning of music for youth in the context of human security in Kampala, Uganda |
| 92p. |
 | Whitmore, Aleysia K. (2013) |
| 'Cuban music is African music': negotiating African and the African diaspora on the world music stage | |
| African Music Journal. Volume 9 #3. p. 111-121. |
| Alhassan, Jibril Attahiru (2012) |
| Indigenous knowledge acquisition and transfer among members of the Nupe Royal Music Band in Nigeria | |
| African Journal of Library, Archives and Information Science. Volume 22 #1. p. 61-66. |
| Scott, Claire (2012) |
| Die Antwoord and a delegitimised South African whiteness: a potential counter-narrative? |
 | Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 745-761. |
| Skinner, Ryan Thomas (2012) |
| Cultural politics in the post-colony: music, nationalism and Statism in Mali, 1964-75 |
| Africa: Journal of the International African Institute. Volume 82 #4. p. 511-534. |
| Van Wolputte, Steven; Bleckmann, Laura E. (2012) |
| The ironies of pop: local music production and citizenship in a small Namibian town |
| Africa: Journal of the International African Institute. Volume 82 #3. p. 413-436. |
| Balo, Mario Suarte (2011) |
| Knowledge in traditional musical instruments in the example of' 'timbila' |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 10 #1. p. 98-114. |
| Bruinders, Sylvia (2010) |
| Parading respectability: the Christmas Bands Movement in the Western Cape, South Africa and the constitution of subjectivity | |
| African Music Journal. Volume 8 #4. p. 69-83. |
| Nii-Dortey, Moses N.; Arhine, Adwoa (2010) |
| The performing arts and the post-colonial Ghanaian experience: the Ghana National Symphony Orchestra in perspective | |
| Research Review. Volume 26 #1. p. 37-59. |
| Counsel, Graeme (2009) |
| Mande popular music and cultural policies in West Africa: griots and government policy since independence | |
| Saarbrücken: VDM Verlag. 290p. |
| Emielu, Austin 'Maro (2008) |
| Towards a global 21st century African popular music: Assata Band as a case study | |
| Legon Journal of the Humanities. Volume 19. p. 135-149. |
| Kawase, Itsushi (2007) |
| Filming Itinerant Musicians in Ethiopia: Azmari and Lalibalocc: The Camera as Evidence of Communication |
| Nilo-Ethiopian Studies. #11. p. 29-40. |
| Search: su=musical groups | ||||||||
| Found: 15 | Record 1-15 | |||||||
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