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Search: su=hip hop | ||||||||
Found: 21 | Record 1-21 |
![]() | Lipenga, Ken Junior (2020) |
![]() | Youth, alcohol and the forging of community in Malawian hip-hop music |
Nordic Journal of African Studies. Volume 29 #3. p. 1-15. |
![]() | Becker, Heike; Schulz, Dorothea (eds.) (2017) |
![]() | Un/making difference through performance and mediation in contemporary Africa |
![]() | Journal of African Cultural Studies. Volume 29 #2. p. 149-259. |
![]() | Appert, Catherine M. (2016) |
![]() | Locating hip hop origins: popular music and tradition in Senegal |
![]() | Africa: Journal of the International African Institute. Volume 86 #2. p. 237-262. |
![]() | Aterianus-Owanga, Alice; Moulard, Sophie (eds.) (2016) |
Le dossier: polyphonies du rap | |
![]() | Politique africaine. #141. p. 5-145. |
![]() | Lambert, Michael C. (2016) |
![]() | Changes: reflections on Senegalese youth political engagement, 1988-2012 |
![]() | Africa Today. Volume 63 #2. p. 33-51. |
![]() | Rantala, Janne (2016) |
![]() | 'Hidrunisa samora': invocations of a dead political leader in Maputo rap |
![]() | Journal of Southern African Studies. Volume 42 #6. p. 1143-1160. |
![]() | Kandé Senghor, Fatou (2015) |
Wala Bok: Une histoire orale du hip hop au Sénégal | |
Dakar: Éditions Amalion. 289p. |
![]() | Lepeytre, Laurène (2015) |
![]() | Du piment sur les lèvres = Chilly on the lips |
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![]() | Samuel, Ayeni Adekunle (ed.) (2015) |
A very good bad guy: the story of Innocent '2Face' Idibia | |
Lagos: Nigerian Entertainment Today. 396p. |
![]() | Traoré, Mahamadou Amadou (2015) |
Jeux de mots: slam | |
Paris: L'Harmattan. 59p. |
![]() | Akande, Peju (2014) |
Avant-garde: the cool DJ Jimmy Jatt story | |
Lagos: Radi8 Ltd. 168p. |
![]() | Fouquet, Thomas; Bazenguissa-Ganga, Rémy (eds.) (2014) |
Le dossier: blackness | |
![]() | Politique africaine. #136. p. 5-133. |
![]() | Quarcoo, Millicent; Amuzu, Evershed Kwasi; Owusu, Augustina Pokua (2014) |
Codeswitching as a means and a message in hiplife music in Ghana | |
![]() | Contemporary Journal of African Studies. Volume 2 #2. p. 1-32. |
![]() | Tissières, Hélène Colette (2013) |
Créations et défis au Sénégal: Sembène, Diop, Diadji et Awadi | |
Paris: L'Harmattan. 170p. |
![]() | Tucker, Boima (2013) |
![]() | Musical violence: gangsta rap and politics in Sierra Leone |
Uppsala: Nordiska Afrikainstitutet. Current African issues #52. 82p. |
![]() | Charry, Eric S. (ed.) (2012) |
Hip hop Africa: new African music in a globalizing world | |
Bloomington, IN: Indiana University Press. African expressive cultures. 390p. |
![]() | Mbaye, Jenny Fatou (2011) |
![]() | Reconsidering cultural entrepreneurship: hip hop music economy and social change in Senegal, Francophone West Africa |
London: London School of Economics and Political Science. 373p. |
![]() | Reuster-Jahn, Uta; Hacke, Gabriel (2011) |
![]() | The Bongo Flava industry in Tanzania and artists' strategies for success |
Mainz: Institut für Ethnologie und Afrikastudien, Johannes Gutenberg-Universität. Arbeitspapiere #127. 24p. |
![]() | Wetaba, Aggrey Nganyi R. (2009) |
Kenyan hip-hop as a site of negotiating urban youth identities in Nairobi | |
Göttingen: Sierke Verlag. 450p. |
![]() | Dijck, Bart van (ed.) (2005) |
![]() | Mzansi: een trip door Zuidafrikaanse subculturen |
![]() | Antwerpen: Axe Entertainment. |
![]() | Stroeken, Koen (2005) |
![]() | Immunizing Strategies: Hip-Hop and Critique in Tanzania |
![]() | Africa: Journal of the International African Institute. Volume 75 #4. p. 488-509. |
Search: su=hip hop | ||||||||
Found: 21 | Record 1-21 |
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