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 | Cressier, Patrice and Touri, Abdelaziz (2019) |
 | Le long voyage des chapiteaux du Royal Golf de Dar Es-Salam à Rabat: utilisation et réutilisation d'un élément clef de l'architecture islamique d'Occident en époque moderne et contemporaine |
| Hesperis Tamuda. Volume 54 #1. p. 41-64. |
| Nachouane, Nour Eddine and Knidiri, Aicha (2019) |
| Les fondouks d'artisanat de Marrakech: de l'immatérialité du patrimoine à sa mise en scène touristique |
| Hesperis Tamuda. Volume 54 #1. p. 285-303. |
| Prevost, Virginie (2019) |
| Des haouanet puniques aux ksour médiévaux: des bateaux dans les montagnes tunisiennes |
| Acta Orientalia Belgica. Volume 32. p. 111-126. |
| Arnaíz Seco, Javier (2018) |
| El puente de la Primera Puerta | |
| Cuadernos del Archivo Central de Ceuta. Volume 22. p. 235-258. |
| Grandy, Christine (2018) |
| Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 |
| Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
| Hesham, Eman Shokry and Baller, Inken (2018) |
| Changing Perspectives on Responsible Heritage Site Management: The Case of Luxor City, Egypt |
| História: Questões e Debates. Volume 66 #1. p. 141-165. |
| Jiménez-Vicario, Pedro Miguel and García-Martínez, Pedro and Ródenas-López, Manuel Alejandro (2018) |
| The influence of North African and Middle Eastern architectures in the birth and development of modern architecture in Central Europe (1898-1937) |
| Mediterranean Historical Review. Volume 33 #2. p. 179-198. |
| Manfrè, Valeria (2018) |
| Picturing North African Cities in the Sixteenth Century |
| Eikonocity. Volume 3 #1. p. 11-30. |
| Peters, Tom F. (2018) |
| The El-Kantara Bridge in Algeria: An Early Development of Cantilevering Construction and What we can Learn from its Documentation in Text and Image (1862-63) | |
| Construction History, International Journal of the Construction History Society. Volume 33 #1. p. 69-82. |
| Rovisco, Eduarda (2018) |
| 'Lembranças da Terra'. Notas para uma etnografia da produção de artesanato nas cidades do Mindelo e da Praia, Cabo Verde |
| Trabalhos de Antropologia e Etnologia. Volume 58. p. 699-721. |
| Urquizar Herrera, Antonio (2018) |
| Las arquitecturas del norte de África y los monumentos islmánicos de España en las descripciones de la Edad Moderna |
| eHumanista: Journal of Iberian Studies. Volume 40. p. 226-234. |
| Bellisari, Andrew (2017) |
| The Art of Decolonization: The Battle for Algeria's French Art, 1962-70 |
| Journal of Contemporary History. Volume 52 #3. p. 625-645. |
| Garrido Castellano, Carlos (2017) |
| Imágenes globales y contextos locales. Comparando las bienales de La Habana y Johannesburgo |
| Iberoamericana. América Latina, España, Portugal: Ensayos sobre letras, historia y sociedad. Notas. Reseñas iberoamericanas. Volume 17 #66. p. 73-87. |
| Gozalbes Cravioto, Carlos (2017) |
| Las Torres de Alcalá: una fortificación beréber en la costa del Rif (Marruecos) | |
| Cuadernos del Archivo Central de Ceuta. Volume 21. p. 29-52. |
| Palma Crespo, Antonio David (2017) |
| La Guerra de África (1859-60) mostrada por el Arte | |
| Cuadernos del Archivo Central de Ceuta. Volume 21. p. 111-166. |
| Raposo, Sílvia (2017) |
| As balas no dorso do crocodilo: escultura, memória e resistência em Moçambique |
| Forum Sociológico. Volume 31. |
| Santos, Carlos dos (2017) |
| Os Jesuítas em Cabo Verde e o seu projeto arquitetónico não materializado |
| Mátria Digital. Volume 5. p. 179-204. |
| Bastos, Jorge de Novaes (2016) |
| O Palácio dos Capitães-Generais na Ilha de Moçambique | |
| A Cidade de Évora. Volume 1. p. 206-217. |
| Bavoux, Claude (2016) |
| Une histoire de la photographie à Madagascar, des origines aux années 1940 | |
| Tsingy. Volume 19. p. 38-97. |
| Beeckmans, Luce and Bigon, Liora (2016) |
| The making of the central markets of Dakar and Kinshasa: from colonial origins to the post-colonial period |
| Urban History. Volume 43 #3. p. 412-434. |
| Beresford, Amanda (2015) |
| Picasso's Les Femmes d'Alger series (1954-55) and the Algerian War of Independence |
| Journal of the Western Society for French History. Volume 43. |
| Thompson, Drew (2015) |
| Color lines according to the photographer Ricardo Rangel | |
| Africana studia: revista internacional de estudos africanos. Volume 25. p. 119-142. |
| Zerbini, Laurick (2015) |
| Écriture photographique de Jacques Bertho: Un conservatoire des architectures de l'Ouest africain |
| Histoire, monde et cultures religieuses. #33. p. 21-38. |
| Fernandes, Ana Silva and Sá, Manuel Fernandes de and Póvoas, Rui Fernandes (2012) |
| Entre a tradição e a informalidade: a arquitectura popular em São Tomé | |
| Africana studia: revista internacional de estudos africanos. #18. p. 201-224. |
| Sidot, Philippe (2012) |
| Des hommes et des anges. Regard sur la peinture éthiopienne |
| Histoire et missions chrétiennes. #24. p. 97-100. |
| Gozalbes Cravioto, Enrique (2010) |
| Tánger el Viejo - Tandja el Balia y las Atarazanas. El enigma de unas fortificaciones norteafricanas |
| Cuadernos del Archivo Central de Ceuta. Volume 19. p. 47-66. |
| Barnard, Alan and Dowson, Thomas A. and Layton, Robert and Lenssen-Erz, Tilman and Le Quellec, Jean-Loic and Lewis-Williams, J.D. and Solomon, Anne (2008) |
| Myths, Making and Consciousness: Differences in Dynamics in San Rock Arts | |
| Current Anthropology. Volume 49 #1. February. p. 59-86. |
| Chikowero, Moses (2008) |
| 'Our People Father, They Haven't Learned Yet': Music and Postcolonial Identities in Zimbabwe, 1980-2000 |
 | Journal of Southern African Studies. Volume 34 #1. March. p. 145-160. |
| Lwanda, John (2008) |
| Poets, Culture and Orature: A Reappraisal of the Malawi Political Public Sphere, 1953-2006 |
| Journal of Contemporary African Studies. Volume 26 #1. January. p. 71-101. |
| Magalasi, Mufunanji (2008) |
| Malawian Popular Commercial State Drama: Origins, Challenges and Growth |
| Journal of Southern African Studies. Volume 34 #1. March. p. 161-177. |
| Abderrezak, Hakim (2007) |
| The Modern Harem in Mokneche's 'Le Harem de Mme Osmane' and 'Viva Laldjerie' |
| The Journal of North African Studies. Volume 12 #3. September. p. 347-368. |
| Adeleke, Durotoye A. (2007) |
| Communication in the Yoruba court: reflections from Yoruba video films |
| África: Revista do Centro de Estudos Africanos. Volume 27-28. p. 115-133. |
| Ademuleya, Babasehinde A. (2007) |
| The Concept of Ori in the Traditional Yoruba Visual Representation of Human Figures |
| Nordic Journal of African Studies. Volume 16 #2. p. 212-220. |
| Akinwumi, Tunde M. (2007) |
| Diffusion of 'upo' funerary and 'egungun' textiles in the Niger-Benue confluence area | |
| Lagos Historical Review. Volume 7. p. 134-159. |
| Akpabio, E. (2007) |
| Attitude of Audience Members to Nollywood Films |
| Nordic Journal of African Studies. Volume 16 #1. p. 90-100. |
| Asakitikpi, A.O. (2007) |
| Functions of Hand Woven Textiles Among Yoruba Women in Southwestern Nigeria |
| Nordic Journal of African Studies. Volume 16 #1. p. 101-115. |
| Batra, Kanika (2007) |
| 'Daughters Who Know the Languages of Power' | |
| Interventions: International Journal of Postcolonial Studies. Volume 9 #1. March. p. 124-138. |
| Bay, Edna G. (2007) |
| On Ouidah Asen | |
| African Arts. Volume 40 #1. Spring. p. 6-8. |
| Berzock, Kathleen B. and Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: A Curator's Perspective | |
| African Arts. Volume 40 #1. Spring. p. 11-17. |
| Bridger, Nicholas J. and Chataigné, Henriette (2007) |
| Une expression du christianisme dans l'art du Nigeria: Kevin Carroll et l'Atelier d'Oye-Ekiti |
| Histoire, monde et cultures religieuses. #2. p. 95-118. |
| de la Rosa, A. Jose F. and Marin, Sergio G. (2007) |
| The Rock Art Site of Risco Blanco (Tenerife, Canary Islands) and the Saharan Horsemen Cycle | |
| Sahara: Prehistory and History of the Sahara. Volume 18. May. p. 69-84. |
| Duran, Lucy (2007) |
| Ngaraya: Women and Musical Mastery in Mali | |
| Bulletin of the School of Oriental and African Studies. Volume 70 #3. October. p. 569-602. |
| Dwyer, Kevin (2007) |
| Moroccan Cinema and the Promotion of Culture |
| The Journal of North African Studies. Volume 12 #3. September. p. 277-286. |
| Edwards, Brian T. (2007) |
| Marock in Morocco: Reading Moroccan Films in the Age of Circulation |
| The Journal of North African Studies. Volume 12 #3. September. p. 287-307. |
| Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: Marks of Identity | |
| African Arts. Volume 40 #1. Spring. p. 30-41. |
| Gilbert, Shirli (2007) |
| Singing Against Apartheid: ANC Cultural Groups and the International Anti-Apartheid Struggle |
| Journal of Southern African Studies. Volume 33 #2. June. p. 421-441. |
| Gugler, Josef (2007) |
| Ali Zaoua: The Harsh Life of Street Children and the Poetics of Childhood |
| The Journal of North African Studies. Volume 12 #3. September. p. 369-379. |
| Keenan, Jeremy (2007) |
| Who Thought Rock Art Was About Archaeology? The Role of Prehistory in Algeria's Terror |
| Journal of Contemporary African Studies. Volume 25 #1. January. p. 119-140. |
| Khalil, Andrea (2007) |
| The Myth of Masculinity in the Films of Merzak Allouache |
| The Journal of North African Studies. Volume 12 #3. September. p. 329-345. |
| Lang, Robert (2007) |
| Sexual Allegories of National Identity in Nouri Bouzid's 'Bezness' (1992) |
| The Journal of North African Studies. Volume 12 #3. September. p. 309-328. |
| McCall, Grant S. (2007) |
| Add Shamans and Stir? A Critical Review of the Shamanism Model of Forager Rock Art Production | |
| Journal of Anthropological Archaeology. Volume 26 #2. June. p. 224-233. |
| Monroe, J. Cameron (2007) |
| Continuity, Revolution or Evolution on the Slave Coast of West Africa? Royal Architecture and Political Order in Precolonial Dahomey |
| The Journal of African History. Volume 48 #3. November. p. 349-373. |
| Noguera, Alessandro M. and Minozzi, Stefano L. and Soffiantini, Michele (2007) |
| Old Tracks and Rock Art Sites on the Emeri Highland, Jebel Uweinat (Libya) | |
| Sahara: Prehistory and History of the Sahara. Volume 18. May. p. 47-68. |
| Polak, Rainer (2007) |
| Performing Audience: On the Social Constitution of Focused Interaction at Celebrations in Mali |
| Anthropos. Volume 102 #1. p. 3-18. |
| Repetti, Massimo (2007) |
| African Wave | |
| African Arts. Volume 40 #2. Summer. p. 16-35. |
| Simola, Raisa (2007) |
| Notion of Hybridity in the Discourse of Some Contemporary West African Artists |
| Nordic Journal of African Studies. Volume 16 #2. p. 197-211. |
| Slogar, Christopher (2007) |
| Early Ceramics From Calabar, Nigeria | |
| African Arts. Volume 40 #1. Spring. p. 18-29. |
| Tuomi, Krista (2007) |
| Organisational Shifts in the Feature Film Industry: Implications for South Africa |
| Transformation: Critical Perspectives on Southern Africa. #63. p. 68-91. |
| Vambe, Mauruce T. (2007) |
| 'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 |
| African Identities. Volume 5 #3. December. p. 355-369. |
| Adams, Sarah (2006) |
| In My Garment There is Nothing But God: Recent Work by Ibrahim El Salahi | |
| African Arts. Volume 39 #2. Summer. p. 26-35. |
| Agberia, John T. (2006) |
| The Adane-Okpe Masquerade Festival of the Okpe People | |
| Journal of Asian and African Studies. Volume 41 #3. p. 261-273. |
| Allen, Lara (2006) |
| From Rights to Responsibilities: Identity Politics and Ethnographic Methodology, Dialogues With South African Musicians |
| Social Dynamics. Volume 32 #2. p. 50-80. |
| Argenti, Nicolas (2006) |
| Remembering the Future: Slavery, Youth and Masking in the Cameroon Grassfields | |
| Social Anthropology. Volume 14 #1. February. p. 49-69. |
| Askew, Kelly M. (2006) |
| Sung and Unsung: Musical Reflections on Tanzanian Postsocialisms |
| Africa: Journal of the International African Institute. Volume 76 #1. p. 15-43. |
| Becker, Cynthia (2006) |
| Amazigh Textiles and Dress in Morocco: Metaphors of Motherhood | |
| African Arts. Volume 39 #3. Autumn. p. 42-55. |
| Bridges, Roy (2006) |
| Images of Exploration in Afria: The Art of James Augustus Grant on the Nile Expedition of 1860-1863 | |
| Terrae Incognitae. Volume 38. p. 55-74. |
| Campbell, Crystal Z. (2006) |
| Sculpting a Pan-African Culture in the Art of Negritude: A Model for African Artist |
| Journal of Pan African Studies. Volume 1 #6. p. 28-42. |
| Cancel, Robert (2006) |
| Asserting/Inventing Traditions on the Luapula | |
| African Arts. Volume 39 #3. Autumn. p. 12-26. |
| Cantone, Cleo (2006) |
| A Mosque in a Mosque: Some Observations on the Rue Blanchot Mosque in Dakar and its Relation to Other Mosques in the Colonial Period |
| Cahiers d'études africaines. Volume 46 #182. p. 363-387. |
| Casco, Jose A.S. (2006) |
| The Language of the Young People: Rap, Urban Culture and Protest in Tanzania | |
| Journal of Asian and African Studies. Volume 41 #3. p. 229-248. |
| Chingombe, W. and Pedzisai, E. (2006) |
| Craft Industry Impacts on the Environmental and a Community's Social Welfare: Masvingo-Ngundu Highway in Zimbabwe |
| Journal of Sustainable Development in Africa. Volume 8 #1. Spring. |
| Croucher, Sarah (2006) |
| People, Not Pots: Locally Produced Ceramics and Identity on the Nineteenth-Century East African Coast |
| International Journal of African Historical Studies. Volume 39 #1. p. 107-124. |
| Davis, Shawn (2006) |
| Visual Griots of Mali: Empowering Youth Through the Art of Photography | |
| African Arts. Volume 39 #1. p. 70-83. |
| Doortmont, Michel (2006) |
| Producing a Received View of Gold Coast Elite Society? C.F. Hutchison's Pen Pictures of Modern Africans and African Celebrities |
| History in Africa. Volume 33. p. 473-493. |
| Doris, David T. (2006) |
| Destiny World: Textile Casualties in Southern Nigeria | |
| African Arts. Volume 39 #2. Summer. p. 36-47. |
| Grabski, Joanna (2006) |
| Painting Fictions/Painting History | |
| African Arts. Volume 39 #1. Spring. p. 38-51. |
| Gyimah, C. (2006) |
| The Impact of Tourism on Rural Development: The Kwabre District as a Case Study |
| Ghana Journal of Development Studies. Volume 3 #2. December. p. 99-117. |
| Hart, William (2006) |
| Trophies of Grace? The 'Art' Collecting Activities of the United Brethren in Christ Missionaries in Nineteenth Century Sierra Leone | |
| African Arts. Volume 39 #2. Summer. p. 15-25. |
| Haynes, Jonathan (2006) |
| Political Critique in Nigerian Video Films |
| African affairs: the journal of the Royal African Society. Volume 105 #421. October. p. 511-533. |
| Hess, Janet (2006) |
| Spectacular Nation: Nkrumahist Art and Resistance Iconography in the Ghanaian Independence Era | |
| African Arts. Volume 39 #1. Spring. p. 16-27. |
| Kidula, Jean N. (2006) |
| Ethnomusicology, The Music Canon, and African Music: Positions, Tensions, and Resolutions in the African Academy |
| Africa Today. Volume 52 #3. Spring. p. 99-113. |
| Kraamer, Malika (2006) |
| Ghanaian Interweaving in the Nineteenth Century | |
| African Arts. Volume 39 #4. Winter. p. 36-56. |
| Makhado, Zwoitwa and Kepe, Thembela (2006) |
| Crafting a Livelihood: Local-Level Trade in Mats and Baskets in Pondoland, South Africa | |
| Development Southern Africa. Volume 23 #4. October. p. 497-509. |
| Mara, Cheick C. (2006) |
| Dara, Mali: A Festival of Remembrance and a Celebration of Community | |
| African Arts. Volume 39 #4. p. 78-85. |
| Marx, Lesley (2006) |
| 'Cinema, Glamour, Atrocity': Narratives of Trauma |
| Social Dynamics. Volume 32 #2. p. 22-49. |
| Marx, Lesley (2006) |
| Home on the Range: The Americanization of My Father | |
| Safundi: The Journal of South African and American Studies. #23. July. |
| Mguni, Siyakha (2006) |
| King's Monuments: Identifying 'Formlings' in Southern African San Rock Paintings | |
| Antiquity. Volume 80 #309. September. p. 583-598. |
| Muller, Carol L. (2006) |
| American Musical Surrogacy: A View From Post-World War II South Africa | |
| Safundi: The Journal of South African and American Studies. Volume 7 #3. July. |
| Mwangi, Evan (2006) |
| Painted Metaphors: The Use of Visual Arts in Contemporary African Novels |
| GEFAME Journal of African Studies. Volume 3 #1. July. |
| Naaeke, Anthony (2006) |
| African Art and Persuasion: The Rhetoric of the 'Bera' Among the Dagaaba of Ghana | |
| Journal of Dagaare Studies. Volume 6. p. 21-28. |
| Nettleton, Anitra (2006) |
| Samson Mudzunga, Dzingoma, and New Mythologies | |
| African Arts. Volume 39 #4. Winter. p. 68-79. |
| Okeke-Agulu, Chika (2006) |
| The Challenge of the Modern | |
| African Arts. Volume 39 #1. Spring. p. 14-16. |
| Okeke-Ogulu, Chika (2006) |
| Nationalism and the Rhetoric of Modernism in Nigeria | |
| African Arts. Volume 39 #1. Spring. p. 26-38. |
| Olaniyan, Oluyemi (2006) |
| The Manifestation of Nigerian: National Identity Through Music | |
| Tinabantu: journal of African national affairs. Volume 2 #2. |
| Olateju, Moji A. and Yusuf, Yisa K. (2006) |
| Backchannel Communications in Ola Rotimi's 'Our Husband Has Gone Mad Again' |
| Nordic Journal of African Studies. Volume 15 #4. p. 520-535. |
| Oloruntoba-Oju, Taiwo (2006) |
| Dede n de ku iku n de Dede: Fe/Female Sexuality and Dominance in Nigerian Video Films |
| Stichproben - Vienna Journal of African Studies. Volume 6 #11. |
| Orlando, Valerie (2006) |
| The Afrocentric Paradigm and Womanist Agendas in Ousmane Sembene's 'Faat Kine (2001)' |
| Comparative Studies of South Asia, Africa and the Middle East. Volume 26 #2. p. 213-224. |
| Pankhurst, Richard (2006) |
| Ethiopian Painting of King Takla Haymanot's War With the Dervishes | |
| African Arts. Volume 39 #2. Summer. p. 64-67. |
| Paradise, Thomas R. (2006) |
| Perception of Seismic Risk in a Muslim City |
| The Journal of North African Studies. Volume 11 #3. September. p. 243-262. |
| Peabody, Stanton (2006) |
| Women Who Made a Difference: A Special Record | |
| Liberian Studies Journal. Volume 31 #1. p. 63-89. |
| Search: su=Architecture and the Arts | ||||||||
| Found: 2278 | Record 1-100 | |
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