AfricaBib 
bibliographic database
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 | Serrazina, Beatriz (2024) |
 | Urban Policies, Architectural Dissonances, and Not So 'Modern' Buildings in Late Colonial Luanda |
| E-Journal of Portuguese History. Volume 22 #2. p. 234-265. |
| Ejroushi, Aida M. (2023) |
| Hidden Influences: Exploring the Red Castle Restorations During the Italian Colonization of Libya |
| Journal of Planning History. Volume 22 #1. p. 26-46. |
| Lebre, Rui Aristides (2023) |
| Surveying essences, producing culture: virgin landscapes and the architectural reinvention of the late Portuguese empire |
| Africana studia: revista internacional de estudos africanos. Volume 39. p. 49-58. |
| Magalhães, Ana (2023) |
| Arquitetura religiosa em contexto colonial: igrejas em Angola e Moçambique (1950-1970) |
| Lusitania Sacra. Volume 47. p. 193-211. |
| Stanford, Ruth (2023) |
| Design elements evoke embodiment at cultural sites in Rwanda and South Africa |
| Memory Studies. Volume 16 #3. p. 611-620. |
| Ahmed, Ayman Mohamed (2022) |
| Imitation of the Lotus Flower in Architecture its Use in the Decoration of Walls and Ceilings of Palaces, Houses, and Tombs in Ancient Egypt |
| Res Mobilis: Revista internacional de investigación en mobiliario y objetos decorativos. Volume 11 #14. p. 1-20. |
| Elbl, Martin Malcolm (2022) |
| 'Tunnels Below' (Dar Zero ~ Tangier): Urban Myths, a German 'Baron' from Maryland, and a Very Real Portuguese Citadel | |
| Portuguese Studies Review. Volume 30 #1. p. 199-240. |
| Levi, Joseph Abraham (2022) |
| A arte contemporânea guineense: quase cinco décadas de arte na Guiné-Bissau e na Diáspora. Qual é o próximo passo? |
| Politeia: História e Sociedade. Volume 21 #1. p. 171-223. |
| Oliveira, Ana Balona de (2022) |
| Decolonial Imagination and the Unmaking of (Post)Colonial Cities and Tongues: History, Memory, and Futurity in the Work of Angolan, Mozambican, São Tomean, Cabo Verdean, and Portuguese Contemporary Artists |
| Portuguese Literary & Cultural Studies. Volume 34-35. p. 217-256. |
| Pighin, Aline (2022) |
| Politiques de l'authenticité, cité utopique. Bodys Isek Kingelez: origines |
| Histoire urbaine. Volume 63. p. 147-169. |
| Pinto, Paulo Tormenta; Milheiro, Ana Vaz; Miranda, Elisiário; Pinto, Pedro Luz (2022) |
| From monumentality to diversity: Lourenço Marques between the urban plans of Aguiar and Azevedo (1950-1970) |
| Planning Perspectives. Volume 37 #2. p. 401-414. |
| Silvia, Sean (2022) |
| The Battleground of Imperial Memory: The Antique Spoliation of the Complex of Algerian Gazi Hasan Pasa on Kos and Its Contestation |
| Mediterranean Studies. Volume 30 #2. p. 141-162. |
| Afonso, Luís Urbano (2021) |
| Sapi export ivories and Manueline art: a connected history | |
| Viator. Medieval and Renaissance Studies. Volume 52 #1. p. 431-463. |
| Elbl, Martin Malcolm (2021) |
| A Tale of Two Breakwaters: Modelling Portuguese and English Works in the Port of Tangier Bathymetric Space (1500s - 1684) |
| Portuguese Studies Review. Volume 28 #2. p. 55-135. |
| Ettahiri, Ahmed Saleh; El Kacimi, Asmae (2021) |
| L'art dans la ville: Les décors sur plâtre de la mosquée al-Qarawiyyin de Fès |
| Hesperis Tamuda. Volume 56 #2. p. 309-336. |
| Gülzau, Fabian; Mau, Steffen (2021) |
| Walls, Barriers, Checkpoints, No-man's-land. A Typology of Border Infrastructure on the African Continent |
| Comparativ: Zeitschrift für Globalgeschichte und Vergleichende Gesellschaftsforschung. Volume 31 #3-4. p. 411-438. |
| Moussa, Esmahen Ben (2021) |
| Histoire de l'architecture contemporaine en Tunisie (1830-1960): Enjeux historiographiques du cas tunisois |
| Hesperis Tamuda. Volume 56 #3. p. 299-325. |
| Métalsi, Mohamed (2021) |
| La médina de Tanger à l'épreuve de la modernité: L'histoire d'une ville arabo-islamique face aux puissances internationales |
| Hesperis Tamuda. Volume 56 #3. p. 327-363. |
| Norridge, Zoe (2021) |
| 'Papaoutai'? Family memory, parental loss and Rwandan artists today |
| Memory Studies. Volume 14 #2. p. 159-179. |
| Peterson, Derek; Vokes, Richard; Abiti, Nelson; Taylor, Edgar C. (2021) |
| The Unseen Archive of Idi Amin: Making History in a Tight Corner |
| Comparative Studies in Society and History. Volume 63 #1. p. 5-40. |
| Tagemouati, Naima Lahbil (2021) |
| La médina de Fès: De l'oubli à la quête de sens |
| Hesperis Tamuda. Volume 56 #4. p. 123-155. |
| Teixeira, André; Gil, Luís; Karra, Azzeddine (2021) |
| L'appropriation portugaise des villes marocaines atlantiques à la fin du Moyen Âge: Fortification et espace urbain à Safi et à Azemmour |
| Hesperis Tamuda. Volume 56 #2. p. 177-205. |
| Vacha, Andrea (2021) |
| Iconography of Gungunhana: representations of the black king in Portugal (1890-1940) |
| Práticas da História. Volume 12. p. 53-93. |
| Wilbaux, Quentin (2021) |
| Une lecture architecturale de la qoubba almoravide de Marrakech |
| Hesperis Tamuda. Volume 56 #3. p. 139-158. |
| Wortmann, Kimberly T. (2021) |
| Reading Ibadi Women's Legacies through Stone Town's Built Environment |
| Islamic Africa. Volume 12 #1. p. 1-26. |
| Abdelrahman, Rania (2020) |
| Envisioning 'Freedom': Liberated Gender Identities in Young Egyptian Women Artists' Oral and Visual Narratives |
| Studi Magrebini. Volume 18 #2. p. 135-163. |
| Blanco Vázquez, Luis (2020) |
| Iglesias y capillas de Ifni y Sáhara patrimonio histórico-religioso español en la costa noroeste de África |
| Estudios del Patrimonio Cultural. Volume 18. p. 24-57. |
| Bouron, Jean-Marie (2020) |
| De briques et de tôles: Les enjeux idéels et matériels des édifices catholiques en Afrique de l'Ouest |
| Cahiers d'études africaines. #237. p. 151-167. |
| Costa, Miguel Reimão; Batista, Desidério (2020) |
| A paisagem de produção e a arquitetura vernacular no Alto Atlas em Marrocos. O caso particular do território dos Ait Attik, entre a permanência e a mudança | |
| Arqueologia Medieval. Volume 15. p. 289-302. |
| Fenk, Anne-Katrin; Lee, Rachel; Motylinska, Monika (2020) |
| Unlikely Collaborations? Planning Experts from both Sides of the Iron Curtain and the Making of Abuja |
| Comparativ: Zeitschrift für Globalgeschichte und Vergleichende Gesellschaftsforschung. Volume 30 #1-2. p. 38-59. |
| Maligorne, Yvan; Poupon, Frédéric; Sghaïer, Yamen; Touj, Fatma (2020) |
| Architecture et pratiques funéraires préromaines dans la nécropole du nord-ouest à Dougga |
| Antiquités africaines. Volume 56. p. 183-205. |
| Manzo, Andrea (2020) |
| The Great Aksumite Decorated Stelae: Architectural Characteristics, Functions, and Meanings |
| Aethiopica: International Journal of Ethiopian and Eritrean Studies. Volume 22. p. 7-30. |
| Pereira, Denise Perdigão; Medina, Maria Teresa de Guimarães; Martins, Aracy Alves (2020) |
| A formação artística em Cabo Verde desenvolvida pela Mindelo - Escola Internacional de Arte |
| Revista Internacional em Língua Portuguesa. Volume 38. p. 19-47. |
| Sousa, Luís Costa e (2020) |
| Os arquitectos cativos: emergência da fortificação europeia no Marrocos de finais do século XVI |
| e-Strategica. Volume 4. p. 87-105. |
| Triki, Rachida (2020) |
| Les débuts de l'art moderne en Tunisie |
| Anales de Historia del Arte. Volume 30. p. 27-31. |
| Wolffhardt, Tobias (2020) |
| Transforming African Cities: United Nations Technical Assistance, Urban Development, and Modernization in a Decade of Decolonization, c. 1955-1965 |
| Comparativ: Zeitschrift für Globalgeschichte und Vergleichende Gesellschaftsforschung. Volume 30 #1-2. p. 20-37. |
| Almela, Iñigo (2019) |
| Religious Architecture as an Instrument for Urban Renewal: Two Religious Complexes from the Saadian Period in Marrakesh |
| Al-Masaq: Journal of the Medieval Mediterranean. Volume 31 #3. p. 272-302. |
| Cressier, Patrice; Touri, Abdelaziz (2019) |
| Le long voyage des chapiteaux du Royal Golf de Dar Es-Salam à Rabat: utilisation et réutilisation d'un élément clef de l'architecture islamique d'Occident en époque moderne et contemporaine |
| Hesperis Tamuda. Volume 54 #1. p. 41-64. |
| El Azhar, Samir (2019) |
| The Changing Roles of Female Visual Artists in Morocco |
| Journal of Global Initiatives: Policy, Pedagogy, Perspective. Volume 14 #2. |
| Fardon, Richard (2019) |
| Negative spaces of Mumuye figure sculpture-style and ethnicity |
| Afriques. Volume 10. |
| Fertat, Omar (2019) |
| La darija langue 'naturelle' du théâtre marocain? |
| Al-Andalus Magreb: Estudios árabes e islámicos. Volume 26. p. 1-27. |
| Garratón Mateu, Carmen (2019) |
| El proyecto hshouma, el arte como motor de cambio social |
| Al-Andalus Magreb: Estudios árabes e islámicos. Volume 26. p. 1-24. |
| Gómez Barceló, José Luis (2019) |
| Los secretos que pueden esconder las paredes del Santuario de Nuestra Señora de África |
| Cuadernos del Archivo Central de Ceuta. Volume 23. p. 83-96. |
| Lima, Arlinda (2019) |
| Recognition of the Role of the Arts in Cape Verdean Basic Education: Case of Santa Catarina |
| Diálogos com a Arte - Revista de Arte, Cultura e Educação. Volume 9. p. 152-165. |
| Mark, Peter (2019) |
| Finding provenance, seeking context |
| Afriques. Volume 10. |
| Nachouane, Nour Eddine; Knidiri, Aicha (2019) |
| Les fondouks d'artisanat de Marrakech: de l'immatérialité du patrimoine à sa mise en scène touristique |
| Hesperis Tamuda. Volume 54 #1. p. 285-303. |
| Pradines, Stéphane; Blanchard, Pierre (2019) |
| From Zanzibar to Kilwa: Eighteenth and Nineteenth Century Omani Forts in East Africa |
| FORT: Journal of the Fortress Study Group. Volume 47. p. 39-69. |
| Prevost, Virginie (2019) |
| Des haouanet puniques aux ksour médiévaux: des bateaux dans les montagnes tunisiennes |
| Acta Orientalia Belgica. Volume 32. p. 111-126. |
| Santos, Carlos (2019) |
| A igreja e o convento de São Francisco da Ribeira Grande, Cabo Verde: arquitetura e integração urbana | |
| Mátria XXI. Volume 8. p. 93-122. |
| Schwartzott, Amy (2019) |
| Recycling Discarded Histories to Chronicle Identities: Making Art from Waste in Mozambique |
| Open Library of Humanities. Volume 5 #1. |
| Sousa, Vítor de (2019) |
| Memory as an interculturality booster in Maputo, through the preservation of the colonial statuary |
| Comunicação e Sociedade. Volume Especial. p. 269-286. |
| Wozniak, Magdalena M. (2019) |
| Études des peintures murales médiévales soudanaises de 1963 à nos jours - Essai d'historiographie |
 | Afriques. Volume 10. |
| Agostinho, Yuri (2018) |
| O Contributo da SCA para o Desenvolvimento de Valores Artísticos em Luanda (1942-1966): breves considerações |
| Revista Espaço Livre. Volume 13 #26. p. 104-108. |
| Arnaíz Seco, Javier (2018) |
| El puente de la Primera Puerta | |
| Cuadernos del Archivo Central de Ceuta. Volume 22. p. 235-258. |
| Costa, Miguel Reimão; Batista, Desidério (2018) |
| Architecture traditionnelle dans les zones de montagne: contribution à l'étude de la typologie des habitations dans le Haut Atlas au Maroc |
| digitAR - Revista Digital de Arqueologia, Arquitectura e Artes. Volume 5. p. 373-397. |
| Grandy, Christine (2018) |
| Empire, Repetition, and Reluctant Subjects: British Home Movies of Kenya, 1928-72 |
| Journal of Imperial and Commonwealth History. Volume 46 #1. p. 121-143. |
| Hesham, Eman Shokry; Baller, Inken (2018) |
| Changing Perspectives on Responsible Heritage Site Management: The Case of Luxor City, Egypt |
| História: Questões e Debates. Volume 66 #1. p. 141-165. |
| Jenkins, Earnestine (2018) |
| Emperor Menilek II and the Art of Manuscript Illumination: The Politics of Representation in Nineteenth-Century Ethiopia |
| Northeast African Studies. Volume 18 #1-2. p. 1-30. |
| Jiménez-Vicario, Pedro Miguel; García-Martínez, Pedro; Ródenas-López, Manuel Alejandro (2018) |
| The influence of North African and Middle Eastern architectures in the birth and development of modern architecture in Central Europe (1898-1937) |
| Mediterranean Historical Review. Volume 33 #2. p. 179-198. |
| Manfrè, Valeria (2018) |
| Picturing North African Cities in the Sixteenth Century |
| Eikonocity. Volume 3 #1. p. 11-30. |
| Mendonça, Lisandra Franco de (2018) |
| Conservação da arquitectura e ambiente urbano modernos: O Jardim Tunduru em Maputo |
| CesContexto: Debates. Volume 20. p. 214-236. |
| Peters, Tom F. (2018) |
| The El-Kantara Bridge in Algeria: An Early Development of Cantilevering Construction and What we can Learn from its Documentation in Text and Image (1862-63) | |
| Construction History, International Journal of the Construction History Society. Volume 33 #1. p. 69-82. |
| Rovisco, Eduarda (2018) |
| 'Lembranças da Terra'. Notas para uma etnografia da produção de artesanato nas cidades do Mindelo e da Praia, Cabo Verde |
| Trabalhos de Antropologia e Etnologia. Volume 58. p. 699-721. |
| Urquizar Herrera, Antonio (2018) |
| Las arquitecturas del norte de África y los monumentos islmánicos de España en las descripciones de la Edad Moderna |
| eHumanista: Journal of Iberian Studies. Volume 40. p. 226-234. |
| Venâncio, José Carlos (2018) |
| Peripheral contexts of artistic creativity: the Angolan case |
| Comunicação e Sociedade. Volume 34. p. 223-233. |
| Bellisari, Andrew (2017) |
| The Art of Decolonization: The Battle for Algeria's French Art, 1962-70 |
| Journal of Contemporary History. Volume 52 #3. p. 625-645. |
| Fernandes, José Manuel (2017) |
| Arquitetura Moderna Portuguesa na África Subsaariana |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 95-113. |
| Garrido Castellano, Carlos (2017) |
| Imágenes globales y contextos locales. Comparando las bienales de La Habana y Johannesburgo |
| Iberoamericana. América Latina, España, Portugal: Ensayos sobre letras, historia y sociedad. Notas. Reseñas iberoamericanas. Volume 17 #66. p. 73-87. |
| Gozalbes Cravioto, Carlos (2017) |
| Las Torres de Alcalá: una fortificación beréber en la costa del Rif (Marruecos) | |
| Cuadernos del Archivo Central de Ceuta. Volume 21. p. 29-52. |
| Laranjeira, Lia Dias (2017) |
| Migração makonde, produção de esculturas e mercado de arte no Tanganyika: a questão do estilo Shetani (1950-60) |
| Anais do Museu Paulista: História e Cultura Material. Volume 25 #2. p. 141-162. |
| Palma Crespo, Antonio David (2017) |
| La Guerra de África (1859-60) mostrada por el Arte | |
| Cuadernos del Archivo Central de Ceuta. Volume 21. p. 111-166. |
| Pereira, Mário (2017) |
| Malangatana, Nationalist Movements and Modern African Art in Mozambique: An Introduction to 'Artes Plásticas e Movimento Nacionalista em Moçambique' |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 125-149. |
| Raposo, Sílvia (2017) |
| As balas no dorso do crocodilo: escultura, memória e resistência em Moçambique |
| Forum Sociológico. Volume 31. |
| Santos, Carlos dos (2017) |
| Os Jesuítas em Cabo Verde e o seu projeto arquitetónico não materializado |
| Mátria Digital. Volume 5. p. 179-204. |
| Siegert, Nadine (2017) |
| Art Topples Monuments: Artistic Practice and Colonial/Postcolonial Relations in the Public Space of Luanda |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 150-173. |
| Vicente, Filipa Lowndes (2017) |
| Black Women's Bodies in the Portuguese Colonial Visual Archive (1900-1975) |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 16-67. |
| Bastos, Jorge de Novaes (2016) |
| O Palácio dos Capitães-Generais na Ilha de Moçambique | |
| A Cidade de Évora. Volume 1. p. 206-217. |
| Bavoux, Claude (2016) |
| Une histoire de la photographie à Madagascar, des origines aux années 1940 | |
| Tsingy. Volume 19. p. 38-97. |
| Beeckmans, Luce; Bigon, Liora (2016) |
| The making of the central markets of Dakar and Kinshasa: from colonial origins to the post-colonial period |
| Urban History. Volume 43 #3. p. 412-434. |
| Longair, Sarah (2016) |
| Visions of the Global: the Classical and the Eclectic in Colonial East African Architecture |
| Les Cahiers d'Afrique de l'Est / The East African Review. Volume 51. p. 161-178. |
| Oladiti, Abiodun Akeem; Adeoye, Dorcas Oluwaseyi; Idowu, Ajibade Samuel (2016) |
| Maxwell Fry and Jane Drew Partners: The Contributions of British Architects to Built Environment in Colonial Nigeria, 1946-1959 |
| Revista da Faculdade de Letras da Universidade do Porto: História. Volume 6. p. 269-288. |
| Beresford, Amanda (2015) |
| Picasso's Les Femmes d'Alger series (1954-55) and the Algerian War of Independence |
| Journal of the Western Society for French History. Volume 43. |
| Chukwumah, Ignatius (2015) |
| The African Literary Artist and the Question of Function |
| Ufahamu. Volume 38 #2. p. 129-152. |
| Slyomovics, Susan (2015) |
| 'Every Slight Movement of the People . . . is Everything': Sondra Hale and Sudanese Art |
| Ufahamu. Volume 38 #3. p. 101-127. |
| Thompson, Drew (2015) |
| Color lines according to the photographer Ricardo Rangel | |
| Africana studia: revista internacional de estudos africanos. #25. p. 119-142. |
| Zerbini, Laurick (2015) |
| Écriture photographique de Jacques Bertho: Un conservatoire des architectures de l'Ouest africain |
| Histoire, monde et cultures religieuses. #33. p. 21-38. |
| Kigadye, Fabian S. (2014) |
| Architectural Conservation in Rapidly Urbanising Cities: The Case of Dar es Salaam, Tanzania |
| Les Cahiers d'Afrique de l'Est / The East African Review. Volume 49. p. 55-74. |
| Fernandes, Ana Silva; Sá, Manuel Fernandes de; Póvoas, Rui Fernandes (2012) |
| Entre a tradição e a informalidade: a arquitectura popular em São Tomé | |
| Africana studia: revista internacional de estudos africanos. #18. p. 201-224. |
| Mendes, Rui Paes (2012) |
| O modernismo e suas abordagens em Moçambique e Angola |
| urbe. Revista Brasileira de Gestão Urbana. Volume 4. p. 245-257. |
| Milheiro, Ana Vaz (2012) |
| O Gabinete de Urbanização Colonial e o traçado das cidades luso-africanas na última fase do período colonial português |
| urbe. Revista Brasileira de Gestão Urbana. Volume 4. p. 215-232. |
| Navarro, Bruno J. (2012) |
| Estação Central de Maputo no contexto das políticas de preservação do patrimônio edificado de Moçambique: estudo de caso |
| Historiæ. Volume 3 #1. p. 171-200. |
| Sidot, Philippe (2012) |
| Des hommes et des anges. Regard sur la peinture éthiopienne |
| Histoire et missions chrétiennes. #24. p. 97-100. |
| Gozalbes Cravioto, Enrique (2010) |
| Tánger el Viejo - Tandja el Balia y las Atarazanas. El enigma de unas fortificaciones norteafricanas |
| Cuadernos del Archivo Central de Ceuta. Volume 19. p. 47-66. |
| Milheiro, Ana Vaz; Dias, Eduardo Costa (2010) |
| Arquitectura em Bissau e os Gabinetes de Urbanização colonial (1944-1974) |
| arq.urb. Volume 2. p. 80-114. |
| Milheiro, Ana Vaz; Fiúza, Filipa (2010) |
| Women Architects in Portugal: Working in Colonial Africa before the Carnation Revolution (1950-1974) |
| Arts. Volume 9 #3. |
| Milheiro, Ana Vaz (2009) |
| Experiências em concreto armado na áfrica portuguesa: influências do Brasil |
| PosFAUUSP. Volume 25. p. 56-79. |
| Barnard, Alan; Dowson, Thomas A.; Layton, Robert; Lenssen-Erz, Tilman; Le Quellec, Jean-Loic; Lewis-Williams, J.D.; Solomon, Anne (2008) |
| Myths, Making and Consciousness: Differences in Dynamics in San Rock Arts | |
| Current Anthropology. Volume 49 #1. February. p. 59-86. |
| Chikowero, Moses (2008) |
| 'Our People Father, They Haven't Learned Yet': Music and Postcolonial Identities in Zimbabwe, 1980-2000 |
| Journal of Southern African Studies. Volume 34 #1. March. p. 145-160. |
| Lwanda, John (2008) |
| Poets, Culture and Orature: A Reappraisal of the Malawi Political Public Sphere, 1953-2006 |
| Journal of Contemporary African Studies. Volume 26 #1. January. p. 71-101. |
| Magalasi, Mufunanji (2008) |
| Malawian Popular Commercial State Drama: Origins, Challenges and Growth |
| Journal of Southern African Studies. Volume 34 #1. March. p. 161-177. |
| Search: su=Architecture and the Arts | ||||||||
| Found: 2349 | Record 1-100 | |
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