AfricaBib 
bibliographic database
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 | Abderrezak, Hakim (2007) |
 | The Modern Harem in Mokneche's 'Le Harem de Mme Osmane' and 'Viva Laldjerie' |
| The Journal of North African Studies. Volume 12 #3. September. p. 347-368. |
| Adeleke, Durotoye A. (2007) |
| Communication in the Yoruba court: reflections from Yoruba video films |
| África: Revista do Centro de Estudos Africanos. Volume 27-28. p. 115-133. |
| Ademuleya, Babasehinde A. (2007) |
| The Concept of Ori in the Traditional Yoruba Visual Representation of Human Figures |
| Nordic Journal of African Studies. Volume 16 #2. p. 212-220. |
| Akinwumi, Tunde M. (2007) |
| Diffusion of 'upo' funerary and 'egungun' textiles in the Niger-Benue confluence area | |
 | Lagos Historical Review. Volume 7. p. 134-159. |
| Akpabio, Eno (2007) |
| Attitude of Audience Members to Nollywood Films |
| Nordic Journal of African Studies. Volume 16 #1. p. 90-100. |
| Asakitikpi, Aretha Oluwakemi (2007) |
| Functions of Hand Woven Textiles among Yoruba Women in Southwestern Nigeria |
| Nordic Journal of African Studies. Volume 16 #1. p. 101-115. |
| Batra, Kanika (2007) |
| 'Daughters Who Know the Languages of Power' | |
| Interventions: International Journal of Postcolonial Studies. Volume 9 #1. March. p. 124-138. |
| Bay, Edna G. (2007) |
| On Ouidah Asen | |
| African Arts. Volume 40 #1. Spring. p. 6-8. |
| Berzock, Kathleen B.; Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: A Curator's Perspective | |
| African Arts. Volume 40 #1. Spring. p. 11-17. |
| Bridger, Nicholas J.; Chataigné, Henriette (2007) |
| Une expression du christianisme dans l'art du Nigeria: Kevin Carroll et l'Atelier d'Oye-Ekiti |
| Histoire, monde et cultures religieuses. #2. p. 95-118. |
| Durán, Lucy (2007) |
| Ngaraya: Women and Musical Mastery in Mali |
| Bulletin of the School of Oriental and African Studies. Volume 70 #3. October. p. 569-602. |
| Dwyer, Kevin (2007) |
| Moroccan Cinema and the Promotion of Culture |
| The Journal of North African Studies. Volume 12 #3. September. p. 277-286. |
| Edwards, Brian T. (2007) |
| Marock in Morocco: Reading Moroccan Films in the Age of Circulation |
| The Journal of North African Studies. Volume 12 #3. September. p. 287-307. |
| Farrujia de la Rosa, A. José; García Marín, Sergio (2007) |
| The Rock Art Site of Risco Blanco (Tenerife, Canary Islands) and the Saharan Horsemen Cycle | |
| Sahara: Prehistory and History of the Sahara. Volume 18. May. p. 69-84. |
| Frank, Barbara E. (2007) |
| Ceramics Arts in Africa: Marks of Identity | |
| African Arts. Volume 40 #1. Spring. p. 30-41. |
| Gilbert, Shirli (2007) |
| Singing against Apartheid: ANC Cultural Groups and the International Anti-Apartheid Struggle |
| Journal of Southern African Studies. Volume 33 #2. June. p. 421-441. |
| Gugler, Josef (2007) |
| Ali Zaoua: The Harsh Life of Street Children and the Poetics of Childhood |
| The Journal of North African Studies. Volume 12 #3. September. p. 369-379. |
| Keenan, Jeremy (2007) |
| Who Thought Rock Art Was about Archaeology? The Role of Prehistory in Algeria's Terror |
| Journal of Contemporary African Studies. Volume 25 #1. January. p. 119-140. |
| Khalil, Andrea (2007) |
| The Myth of Masculinity in the Films of Merzak Allouache |
| The Journal of North African Studies. Volume 12 #3. September. p. 329-345. |
| Lang, Robert (2007) |
| Sexual Allegories of National Identity in Nouri Bouzid's 'Bezness' (1992) |
| The Journal of North African Studies. Volume 12 #3. September. p. 309-328. |
| McCall, Grant S. (2007) |
| Add Shamans and Stir? A Critical Review of the Shamanism Model of Forager Rock Art Production | |
| Journal of Anthropological Archaeology. Volume 26 #2. June. p. 224-233. |
| Monroe, J. Cameron (2007) |
| Continuity, Revolution or Evolution on the Slave Coast of West Africa? Royal Architecture and Political Order in Precolonial Dahomey |
| The Journal of African History. Volume 48 #3. November. p. 349-373. |
| Noguera, Alessandro M.; Minozzi, Stefano L.; Soffiantini, Michele (2007) |
| Old Tracks and Rock Art Sites on the Emeri Highland, Jebel Uweinat (Libya) | |
| Sahara: Prehistory and History of the Sahara. Volume 18. May. p. 47-68. |
| Polak, Rainer (2007) |
| Performing Audience: On the Social Constitution of Focused Interaction at Celebrations in Mali |
| Anthropos. Volume 102 #1. p. 3-18. |
| Repetti, Massimo (2007) |
| African Wave | |
| African Arts. Volume 40 #2. Summer. p. 16-35. |
| Simola, Raisa (2007) |
| Notion of Hybridity in the Discourse of Some Contemporary West African Artists |
| Nordic Journal of African Studies. Volume 16 #2. p. 197-211. |
| Slogar, Christopher (2007) |
| Early Ceramics from Calabar, Nigeria | |
| African Arts. Volume 40 #1. Spring. p. 18-29. |
| Tuomi, Krista (2007) |
| Organisational Shifts in the Feature Film Industry: Implications for South Africa |
| Transformation: Critical Perspectives on Southern Africa. #63. p. 68-91. |
| Vambe, Maurice Taonezvi (2007) |
| 'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 |
| African Identities. Volume 5 #3. December. p. 355-369. |
| Vine, Angus (2007) |
| 'Too great a morsell for time to devoure': Seventeenth-Century Surveys of the Pyramids at Giza | |
| Journeys: The International Journal of Travel and Travel Writing. Volume 8 #1. p. 21-40. |
| Adams, Sarah (2006) |
| In My Garment There is Nothing But God: Recent Work by Ibrahim El Salahi | |
| African Arts. Volume 39 #2. Summer. p. 26-35. |
| Agberia, John T. (2006) |
| The Adane-Okpe Masquerade Festival of the Okpe People | |
| Journal of Asian and African Studies. Volume 41 #3. p. 261-273. |
| Allen, Lara (2006) |
| From Rights to Responsibilities: Identity Politics and Ethnographic Methodology, Dialogues with South African Musicians |
| Social Dynamics. Volume 32 #2. p. 50-80. |
| Argenti, Nicolas (2006) |
| Remembering the Future: Slavery, Youth and Masking in the Cameroon Grassfields | |
| Social Anthropology. Volume 14 #1. February. p. 49-69. |
| Askew, Kelly M. (2006) |
| Sung and Unsung: Musical Reflections on Tanzanian Postsocialisms |
| Africa: Journal of the International African Institute. Volume 76 #1. p. 15-43. |
| Becker, Cynthia (2006) |
| Amazigh Textiles and Dress in Morocco: Metaphors of Motherhood | |
| African Arts. Volume 39 #3. Autumn. p. 42-55. |
| Bridges, Roy (2006) |
| Images of Exploration in Afria: The Art of James Augustus Grant on the Nile Expedition of 1860-1863 |
| Terrae Incognitae. Volume 38. p. 55-74. |
| Campbell, Crystal Z. (2006) |
| Sculpting a Pan-African Culture in the Art of Negritude: A Model for African Artist |
| Journal of Pan African Studies. Volume 1 #6. p. 28-42. |
| Cancel, Robert (2006) |
| Asserting/Inventing Traditions on the Luapula | |
| African Arts. Volume 39 #3. Autumn. p. 12-26. |
| Cantone, Cleo (2006) |
| A Mosque in a Mosque: Some Observations on the Rue Blanchot Mosque in Dakar and its Relation to Other Mosques in the Colonial Period |
| Cahiers d'études africaines. Volume 46 #182. p. 363-387. |
| Casco, Jose A.S. (2006) |
| The Language of the Young People: Rap, Urban Culture and Protest in Tanzania | |
| Journal of Asian and African Studies. Volume 41 #3. p. 229-248. |
| Chingombe, W.; Pedzisai, E. (2006) |
| Craft Industry Impacts on the Environmental and a Community's Social Welfare: Masvingo-Ngundu Highway in Zimbabwe | |
| Journal of Sustainable Development in Africa. Volume 8 #1. Spring. |
| Croucher, Sarah; Wynne-Jones, Stephanie (2006) |
| People, Not Pots: Locally Produced Ceramics and Identity on the Nineteenth-Century East African Coast |
| International Journal of African Historical Studies. Volume 39 #1. p. 107-124. |
| Davis, Shawn (2006) |
| Visual Griots of Mali: Empowering Youth through the Art of Photography | |
| African Arts. Volume 39 #1. p. 70-83. |
| Doortmont, Michel (2006) |
| Producing a Received View of Gold Coast Elite Society? C.F. Hutchison's Pen Pictures of Modern Africans and African Celebrities |
| History in Africa. Volume 33. p. 473-493. |
| Doris, David T. (2006) |
| Destiny World: Textile Casualties in Southern Nigeria | |
| African Arts. Volume 39 #2. Summer. p. 36-47. |
| Girard, Muriel (2006) |
| Invention de la tradition et authenticité sous le Protectorat au Maroc |
| Socio-anthropologie. Volume 19. |
| Grabski, Joanna (2006) |
| Painting Fictions/Painting History | |
| African Arts. Volume 39 #1. Spring. p. 38-51. |
| Gyimah, C. (2006) |
| The Impact of Tourism on Rural Development: The Kwabre District as a Case Study |
| Ghana Journal of Development Studies. Volume 3 #2. December. p. 99-117. |
| Hart, William (2006) |
| Trophies of Grace? The 'Art' Collecting Activities of the United Brethren in Christ Missionaries in Nineteenth Century Sierra Leone | |
| African Arts. Volume 39 #2. Summer. p. 15-25. |
| Haynes, Jonathan (2006) |
| Political Critique in Nigerian Video Films |
| African Affairs: The Journal of the Royal African Society. Volume 105 #421. October. p. 511-533. |
| Hess, Janet (2006) |
| Spectacular Nation: Nkrumahist Art and Resistance Iconography in the Ghanaian Independence Era | |
| African Arts. Volume 39 #1. Spring. p. 16-27. |
| Kidula, Jean N. (2006) |
| Ethnomusicology, The Music Canon, and African Music: Positions, Tensions, and Resolutions in the African Academy |
| Africa Today. Volume 52 #3. Spring. p. 99-113. |
| Kraamer, Malika (2006) |
| Ghanaian Interweaving in the Nineteenth Century | |
| African Arts. Volume 39 #4. Winter. p. 36-56. |
| Makhado, Zwoitwa; Kepe, Thembela (2006) |
| Crafting a Livelihood: Local-Level Trade in Mats and Baskets in Pondoland, South Africa |
| Development Southern Africa. Volume 23 #4. October. p. 497-509. |
| Mara, Cheick C. (2006) |
| Dara, Mali: A Festival of Remembrance and a Celebration of Community | |
| African Arts. Volume 39 #4. p. 78-85. |
| Marx, Lesley (2006) |
| 'Cinema, Glamour, Atrocity': Narratives of Trauma |
| Social Dynamics. Volume 32 #2. p. 22-49. |
| Marx, Lesley (2006) |
| Home on the Range: The Americanization of My Father |
| Safundi: The Journal of South African and American Studies. Volume 7 #3. July. |
| Mguni, Siyakha (2006) |
| King's Monuments: Identifying 'Formlings' in Southern African San Rock Paintings | |
| Antiquity. Volume 80 #309. September. p. 583-598. |
| Muller, Carol L. (2006) |
| American Musical Surrogacy: A View from Post-World War II South Africa |
| Safundi: The Journal of South African and American Studies. Volume 7 #3. July. |
| Mwangi, Evan (2006) |
| Painted Metaphors: The Use of Visual Arts in Contemporary African Novels |
| GEFAME Journal of African Studies. Volume 3 #1. July. |
| Naaeke, Anthony (2006) |
| African Art and Persuasion: The Rhetoric of the 'Bera' among the Dagaaba of Ghana | |
| Journal of Dagaare Studies. Volume 6. p. 21-28. |
| Nettleton, Anitra (2006) |
| Samson Mudzunga, Dzingoma, and New Mythologies | |
| African Arts. Volume 39 #4. Winter. p. 68-79. |
| Okeke-Agulu, Chika (2006) |
| The Challenge of the Modern | |
| African Arts. Volume 39 #1. Spring. p. 14-16. |
| Okeke-Ogulu, Chika (2006) |
| Nationalism and the Rhetoric of Modernism in Nigeria | |
| African Arts. Volume 39 #1. Spring. p. 26-38. |
| Olaniyan, Oluyemi (2006) |
| The Manifestation of Nigerian: National Identity through Music | |
| Tinabantu: journal of African national affairs. Volume 2 #2. |
| Olateju, Moji A.; Yusuf, Yisa Kehinde (2006) |
| Backchannel Communication in Ola Rotimi's 'Our Husband Has Gone Mad Again' |
| Nordic Journal of African Studies. Volume 15 #4. p. 520-535. |
| Oloruntoba-Oju, Taiwo (2006) |
| Dede n de ku iku n de Dede: Fe/Female Sexuality and Dominance in Nigerian Video Films |
| Stichproben - Vienna Journal of African Studies. Volume 6 #11. |
| Orlando, Valerie (2006) |
| The Afrocentric Paradigm and Womanist Agendas in Ousmane Sembene's 'Faat Kine (2001)' |
| Comparative Studies of South Asia, Africa and the Middle East. Volume 26 #2. p. 213-224. |
| Pankhurst, Richard (2006) |
| Ethiopian Painting of King Takla Haymanot's War with the Dervishes | |
| African Arts. Volume 39 #2. Summer. p. 64-67. |
| Paradise, Thomas R. (2006) |
| Perception of Seismic Risk in a Muslim City |
| The Journal of North African Studies. Volume 11 #3. September. p. 243-262. |
| Peabody, Stanton (2006) |
| Women Who Made a Difference: A Special Record | |
| Liberian Studies Journal. Volume 31 #1. p. 63-89. |
| Pereira, Taryn; Shackleton, Charlie; Shackleton, Sheona (2006) |
| Trade in Reed-Based Craft Products in Rural Villages in the Eastern Cape, South Africa |
| Development Southern Africa. Volume 23 #4. October. p. 477-495. |
| Pype, Katrien (2006) |
| Dancing for God or the Devil: Pentecostal Discourse on Popular Dance in Kinshasa |
| Journal of Religion in Africa. Volume 36 #3-4. p. 296-318. |
| Rasmussen, Susan (2006) |
| Moving beyond Protest in Tuareg Ichumar Musical Tradition | |
| Ethnohistory. Volume 53 #4. p. 633-655. |
| Richards, Colin (2006) |
| The Double Agent (Durant Sihlali) | |
| African Arts. Volume 39 #1. Spring. p. 60-71. |
| Roberts, Polly N.; Hughes, Henry M.; Brown, Carol; Diba, Viye; Nelson, Steven; Van Rensberg, Storm J. (2006) |
| Dak'Art 2006: Positions and Perspectives | |
| African Arts. Volume 39 #4. Winter. p. 54-57. |
| Salhi, Kamal (2006) |
| Slimane Benaissa from Exile in the Theatre to Theatre in Exile: Ambiguous Traumas and Conflicts in the Algerian Diasporic Drama |
| The Journal of North African Studies. Volume 11 #4. December. p. 373-407. |
| Sanyal, Sunanda K. (2006) |
| Modernism and Cultural Politics in East Africa | |
| African Arts. Volume 39 #1. Spring. p. 50-60. |
| Seligmann, Thomas K. (2006) |
| Going Global: Tuareg Jewelry in the International Marketplace | |
| African Arts. Volume 39 #2. Summer. p. 48-63. |
| Simbao, Ruth Kerkham (2006) |
| A Crown on the Move: Stylistic Integration of the Luba-Lunda Complex in Luba-Lunda Complex in Lunda-Kazembe Performance | |
| African Arts. Volume 39 #3. Autumn. p. 26-41. |
| Subils, Joaquim S.; Masferrer, Narcis S.; Salame, Carles S. (2006) |
| The Painted Rock Shelters of the Zemmur (Western Sahara) | |
| Sahara: Prehistory and History of the Sahara. Volume 17. June. p. 129. |
| Tester, Frank J. (2006) |
| Art and Disarmament: Turning Arms into Ploughshares in Mozambique |
| Development in Practice. Volume 16 #2. April. p. 169-178. |
| Tuomi, Krista (2006) |
| The South African Feature Film Industry: A Comparative Analysis |
| Social Dynamics. Volume 32 #2. p. 81-110. |
| Van Vuuren, Lauren (2006) |
| 'The Africa I Know': Film and the Making of 'Bushmen' in Laurens van der Post's 'Lost World of Kalahari' (1956) |
| Kronos: Journal of Cape History. #32. p. 139-161. |
| Wilson (Jr), James A. (2006) |
| Political Songs, Collective Memories and Kikuyu Indi Schools |
| History in Africa. Volume 33. p. 363-388. |
| Winegar, Jessica (2006) |
| Cultural Sovereignty in a Global Art Economy: Egyptian Cultural Policy and the New Western Interest in Art from the Middle East |
| Cultural Anthropology. Volume 21 #2. May. p. 173-204. |
| Ajibade, George O. (2005) |
| Is There No Man with Penis in This Land? Eroticism and Performance in Yoruba Nuptial Songs |
| African Study Monographs. Volume 26 #2. August. p. 99-113. |
| Al-Deen, Hana N. (2005) |
| The Evolution of Rai Music | |
| Journal of Black Studies. Volume 35 #5. May. p. 597-611. |
| Armstrong, Juliet (2005) |
| Zulu Pottery | |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 4 #1. p. 340-346. |
| Bentor, Eli (2005) |
| Challenges to Rural Festivals with the Return to Democratic Rule in Southeastern Nigeria | |
| African Arts. Volume 38 #4. Winter. p. 38-46. |
| Beranek, Ondrej (2005) |
| The Surrealist Movement in Egypt in the 1930s and the 1940s | |
| Archiv Orientalni. Volume 73 #2. p. 203-222. |
| Bessire, Aimee (2005) |
| Sukuma Figures, Boundaries, and the Arousal of Spectacle | |
| African Arts. Volume 38 #1. Spring. p. 36-51. |
| Bird, Randall (2005) |
| The Merina Landscape in Early Nineteenth Century Highlands Madagascar | |
| African Arts. Volume 38 #4. Winter. p. 18-25. |
| Bjerk, Paul (2005) |
| 'Building a New Eden': Lutheran Church Youth Choir Performance in Tanzania |
| Journal of Religion in Africa. Volume 35 #3. p. 324-361. |
| Boram-Hays, Carol (2005) |
| Borders of Beads: Questions of Identity in the Beadwork of the Zulu-Speaking People | |
| African Arts. Volume 38 #2. Summer. p. 38-49. |
| Challis, William; Campbell, Alec; Coulson, David; Keenanm Jeremy (2005) |
| Funerary Monuments and Horse Paintings: A Preliminary Report on the Archaeology of a Site in the Tagant Region of South East Mauritania: Near Dhar Tichitt |
| The Journal of North African Studies. Volume 10 #3-4. September-December. p. 459-470. |
| Chappel, Tim H.J. (2005) |
| Joshua Adelakun of Mede | |
| African Arts. Volume 38 #1. Spring. p. 74-84. |
| Chukwukere, Frances N. (2005) |
| Subjectivity in Servitude: The Servant and Indigenous Family Arrangement in Written Igbo Drama |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 30 #3. p. 112-129. |
| Collins, John (2005) |
| A Social History of Ghanaian Popular Entertainment since Independence |
| Transactions of the Historical Society of Ghana. #9. p. 17-40. |
| Search: su=Architecture and the Arts | ||||||||
| Found: 2349 | |
|
Record 101-200 | |
|
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