AfricaBib 
bibliographic database
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 | Coplan, David B. (2005) |
 | God Rock Africa: Thoughts on Politics in Popular Black Performance in South Africa |
| African Studies. Volume 64 #1. July. p. 9-27. |
| Di Lernia, Savino (2005) |
| Incoming Tourism, Outgoing Culture: Tourism, Development and Cultural Heritage in the Libyan Sahara |
| The Journal of North African Studies. Volume 10 #3-4. September-December. p. 441-457. |
| Diouf, Mamadou (2005) |
| Wall Paintings and the Writing of History: Set/Setal in Dakar |
| GEFAME Journal of African Studies. Volume 2 #1. July. |
| Doris, David (2005) |
| Symptoms and Strangeness in Yoruba Anti-Aesthetics | |
| African Arts. Volume 38 #4. Winter. p. 24-32. |
| Feinstein, Stephen C. (2005) |
| Destruction Has No Covering: Artists and the Rwandan Genocide |
| Journal of Genocide Research. Volume 7 #1. March. p. 31-46. |
| Forster, Till (2005) |
| Layers of Awareness | |
| African Arts. Volume 38 #4. Winter. p. 32-39. |
| Freeborn, Odiboh (2005) |
| The Crisis of Appropriating Identity for African Art and Artists: The Abayomi Barber School Responsorial Paradigm |
| GEFAME Journal of African Studies. Volume 2 #1. July. |
| Furniss, Graham (2005) |
| Video and the Hausa Novella in Nigeria |
| Social Identities. Volume 11 #2. March. p. 89-112. |
| Gearheart, Rebecca (2005) |
| Ngoma Memories: How Ritual Music and Dance Shaped the Northern Kenya Coast |
 | African Studies Review. Volume 48 #3. December. p. 21-47. |
| Giddy, Patrick; Detterbeck, Markus (2005) |
| Questions Regarding Tradition and Modernity in Contemporary Amakwaya Practice |
| Transformation: Critical Perspectives on Southern Africa. #59. p. 26-44. |
| Gqola, Pumla D. (2005) |
| Memory, Diaspora and Spiced Bodies in Motion: Berni Searle's Art | |
| African Identities. Volume 3 #2. October. p. 123-138. |
| Gunner, Liz (2005) |
| Supping with the Devil: Zulu Radio Drama under Apartheid - The Case of Alexius Buthelezi |
| Social Identities. Volume 11 #2. March. p. 161-169. |
| Hall, Simon; Mazel, Aron (2005) |
| The Private Performance of Events: Colonial Period Rock Art from the Swartruggens |
| Kronos: Journal of Cape History. #31. p. 124-151. |
| Hill, Shannen (2005) |
| Iconic Autopsy: Postmortem Portraits of Bantu Stephen Biko | |
| African Arts. Volume 38 #3. Autumn. p. 14-27. |
| Idolor, Emurobome (2005) |
| Music Scholarship at Universities and the Relevance of the Industrial Training Scheme in Nigeria |
| Journal of Higher Education in Africa. Volume 3 #3. p. 107-116. |
| Jackson, Shannon M. (2005) |
| Cape Colonial Architecture, Town Planning, and the Crafting of Modern Space in South Africa |
| Africa Today. Volume 51 #4. Summer. p. 33-54. |
| Jesse, Friederike (2005) |
| Rock Art in Lower Wadi Howar, Northwest Sudan | |
| Sahara: Prehistory and History of the Sahara. Volume 16. July. p. 27-38. |
| Kasfir, Sidney L. (2005) |
| Narrating Trauma as Modernity: Kenyan Artists and the American Embassy Bombing | |
| African Arts. Volume 38 #3. Autumn. p. 66-78. |
| Kelly, Robert L.; Poyer, Lin; Tucker, Bram (2005) |
| An Ethnoarchaeological Study of Mobility, Architectural Investment, and Food Sharing among Madagascar's Mikea | |
| American Anthropologist. Volume 107 #3. September. p. 403-416. |
| Khalil, Andrea F. (2005) |
| Interview with Merzak Allouache |
| The Journal of North African Studies. Volume 10 #2. June. p. 143-156. |
| Ligaga, Dina (2005) |
| Narrativising Development in Radio Drama: Tradition and Realism in the Kenyan Radio Play 'Ushikwapo Shikamana' |
| Social Identities. Volume 11 #2. March. p. 131-145. |
| Mabulla, Audax Z.P. (2005) |
| The Rock Art of Mara Region, Tanzania |
| Azania: Archaeological Research in Africa. Volume 40. p. 19-42. |
| Magee, Carol (2005) |
| Forever in Kente: Ghanian Barbie and the Fashioning of Identity |
| Social Identities. Volume 11 #6. November. p. 589-606. |
| Mckoy, Sheila S. (2005) |
| How the Race Was Won: Hollywood, Blackness, and White Imagination in 'Cry, the Beloved Country' | |
| Contours: A Journal of the African Diaspora. Volume 3 #1. Spring. p. 79-96. |
| Miller, Kim (2005) |
| Trauma, Testimony, and Truth: Contemporary South African Artists Speak (Sue Williamson) | |
| African Arts. Volume 38 #3. Autumn. p. 40-53. |
| Minkley, Gary; Rassool, Ciraj (2005) |
| Photography with a Difference: Leon Levson's Camera Studies and Photographic Exhibitions of Native Life in South Africa, 1947-1950 |
| Kronos: Journal of Cape History. #31. p. 184-213. |
| Mirzoeff, Nicholas (2005) |
| Invisible Again: Rwanda Representation after Genocide | |
| African Arts. Volume 38 #3. Autumn. p. 36-46. |
| Mitchell, Peter; Whitelaw, Gavin (2005) |
| The Archaeology of Southernmost Africa from c.2000 BP to the Early 1800s: A Review of Recent Research |
| The Journal of African History. Volume 46 #2. July. p. 209-241. |
| Moreira, Rafael (2005) |
| The Stone and the Cross. Indo-Portuguese Jesuit Architecture in Ethiopia, 1603-33 |
| Revista de História da Arte. Volume 1. p. 82-93. |
| Morton-Williams, Peter (2005) |
| A Superb Yoruba Horseman | |
| African Arts. Volume 38 #1. Spring. p. 72-73. |
| Mutia, Babila (2005) |
| Performer, Audience, and Performance Context of Bakweri Pregnancy Rituals and Incantations |
| Cahiers d'études africaines. Volume 45 #177. p. 217-237. |
| Nda, Ubong S. (2005) |
| Empowering Rural Nigerians on HIV/AIDS Information: The Theatre for Development (TFD) Model | |
| Journal of Development Alternatives and Area Studies. Volume 24 #3-4. p. 30-40. |
| Nevadomsky, Joseph (2005) |
| Casting in Contemporary Benin | |
| African Arts. Volume 38 #2. Summer. p. 66. |
| Nicklin, Keith; Salmons, Jill (2005) |
| Hippies of Elmina | |
| African Arts. Volume 38 #2. Summer. p. 60-65. |
| Noguera, Alessandro M.; Carmignoto, Paolo; Minozzi, Stefano L.; Romanzi, Francesco; Schirato, Giannantonio; Soffiantini, Michele; Tormena, Tiziana (2005) |
| New Rock Art Sites in the Southwestern Sector of Jebel Uweinat (Libya) | |
| Sahara: Prehistory and History of the Sahara. Volume 16. July. p. 107. |
| Nyairo, Joyce (2005) |
| 'Zilizopendwa': Kayamba Afrika's Use of Cover Versions, Remix and Sampling in the (Re)membering of Kenya |
| African Studies. Volume 64 #1. July. p. 29-54. |
| Nyairo, Joyce; Ogude, James (2005) |
| Popular Music, Popular Politics: Unbwogable and the Idioms of Freedom in Kenyan Popular Music |
| African Affairs: The Journal of the Royal African Society. Volume 104 #415. April. p. 225-249. |
| Nyamnjoh, Francis B.; Fokwang, Jude (2005) |
| Entertaining Repression: Music and Politics in Postcolonial Cameroon |
| African Affairs: The Journal of the Royal African Society. Volume 104 #415. April. p. 251-274. |
| Ogbechie, Sylvester (2005) |
| The Historical Life of Objects | |
| African Arts. Volume 38 #4. Winter. p. 62-70. |
| Okpokunu, Edoja; Agbontaen-Eghafona, Kokunre A.; Ojo, Pat O. (2005) |
| Benin Dressing in Contemporary Nigeria: Social Change and the Crisis of Cultural Identity |
| African Identities. Volume 3 #2. October. p. 155-170. |
| Peffer, John (2005) |
| Notes on African Art, History, and Diasporas within | |
| African Arts. Volume 38 #4. Winter. p. 70-79. |
| Perullo, Alex (2005) |
| Hooligans and Heroes: Youth Identity and Hip-Hop in Dar es Salaam, Tanzania |
| Africa Today. Volume 51 #4. Summer. p. 75-101. |
| Petridis, Constantine (2005) |
| Bwadi Bwa Chikwanca: A Ram Mask of the Bakwa Luntu | |
| African Arts. Volume 38 #2. Summer. p. 50-59. |
| Rasmussen, Susan J. (2005) |
| A Temporary Diaspora: Contested Cultural Representations in Tuareg International Musical Performance | |
| Anthropological Quarterly. Volume 78 #4. Fall. p. 793-826. |
| Reed, Bess (2005) |
| Spirits Incarnate: Cultural Revitalization in a Nigerian Masquerade Festival | |
| African Arts. Volume 38 #1. Spring. p. 50-61. |
| Richards, Polly (2005) |
| Masques Dogons in a Challenging World | |
| African Arts. Volume 38 #4. Winter. p. 46-54. |
| Schmahmann, Brenda (2005) |
| Stitches as Sutures: Trauma and Recovery in Works by Women in the Mapula Embroidery Project | |
| African Arts. Volume 38 #3. Autumn. p. 52-68. |
| Stroeken, Koen (2005) |
| Immunizing Strategies: Hip-Hop and Critique in Tanzania |
| Africa: Journal of the International African Institute. Volume 75 #4. p. 488-509. |
| Thackeray, J. Francis (2005) |
| The Wounded Roan: A Contribution to the Relation of Hunting and Trance in Southern African Rock Art | |
| Antiquity. Volume 79 #303. March. p. 5-18. |
| Titlestad, Michael (2005) |
| Jazz Discourse and Black South African Modernity, with Special Reference to 'Matshikese' |
| American Ethnologist. Volume 32 #2. May. p. 210-221. |
| Turner, Tom (2005) |
| Images of Power, Images of Humiliation | |
| African Arts. Volume 38 #1. Spring. p. 60-71. |
| Van der Watt, Liese (2005) |
| Witnessing Trauma in Post-Apartheid South Africa: The Question of Generational Responsibility (Minnette Vari and Kendell Geers) | |
| African Arts. Volume 38 #3. Autumn. p. 26-36. |
| Visona, Monica (2005) |
| Redefining Twentieth Century African Art | |
| African Arts. Volume 38 #4. Winter. p. 54-62. |
| Vogel, Susan (2005) |
| Whither African Art? | |
| African Arts. Volume 38 #4. Winter. p. 12-16. |
| Von Blum, Paul (2005) |
| Resistance, Memory, and Hope: The Photographic Art of Peter Magubane |
| Safundi: The Journal of South African and American Studies. Volume 6 #4. October. |
| Adams, Monni (Marie-Jeanne) (2004) |
| Words and Things in a Crisis among the Bo People of Western Cote d'Ivoire: The pwa Bowl |
| Anthropos. Volume 99 #1. p. 193-200. |
| Adedze, Agbenyega (2004) |
| Commemorating the Chief: The Politics of Postage Stamps in West Africa | |
| African Arts. Volume 37 #2. Summer. p. 68-74. |
| Adedze, Agbenyega (2004) |
| Re-Presenting Africa: Commemorative Postage Stamps of the Colonial Exhibition of Paris (1931) | |
| African Arts. Volume 37 #2. Summer. p. 58-63. |
| Aderinokun, Tayo (2004) |
| The Economics of Nigerian Film, Art and Business | |
| Africa Update. Volume 11 #2. Spring. |
| Allen, Lara (2004) |
| Kwaito versus Crossed-Over Music and Identity during South Africa's Rainbow Years, 1994-1996 |
| Social Dynamics. Volume 30 #2. Winter. p. 82-111. |
| Allen, Lara (2004) |
| Music and Politics in Africa |
| Social Dynamics. Volume 30 #2. Winter. p. 1-19. |
| Allen, Lara; Chabalala, Dunisani (2004) |
| Negotiating Conflict through Music: The Case of Dunisani Chabalala and the Tsonga Tingoma Ritual |
| Social Dynamics. Volume 30 #2. Winter. p. 64-81. |
| Alpers, Edward A. (2004) |
| Folk Art and Personal Independence in Tanzania: Fundi Mdawalo bin Milonge | |
| African Arts. Volume 37 #2. Summer. p. 44-51. |
| Arlt, Veit; Lichtenhahn, Ernest (2004) |
| Recordings of African Popular Music: A Valuable Source for Historians of Africa |
| History in Africa. Volume 31. p. 389-391. |
| Arlt, Veit (2004) |
| The Union Trade Company and its Recordings: An Unintentional Documentation of West African Popular Music, 1931-1957 |
| History in Africa. Volume 31. p. 393-405. |
| Arnfred, Signe (2004) |
| Tufo Dancing: Muslim Women's Culture in Northern Mozambique |
| Lusotopie. p. 39-65. |
| Ayamine-Anguilet, M. Pierre (2004) |
| Les arts et techniques Bantu: le cas des Orungu |
| África: Revista do Centro de Estudos Africanos. Volume 22-23. p. 49-86. |
| Bah, Njakoi J. (2004) |
| Ntok ebkuo: A Western Grassfield's Palace (Cameroon) |
| Anthropos. Volume 99 #2. p. 435-450. |
| Bender, Wolfgang (2004) |
| A Unique Case and Opportunity: In Favor of a Study on the UTC (Union Trade Company) Label |
| History in Africa. Volume 31. p. 441-445. |
| Biaya. Tshikala K. (2004) |
| The Arts of Being Beautiful in Addis Ababa and Dakar | |
| West Africa Review. #5. |
| Bigon, Liora (2004) |
| From the 'Conqueror Style' to the 'Protector Style': Architectural Dialogues in French Dakar, Senegal | |
| Arab World Geographer. Volume 7 #4. Winter. p. 242-260. |
| Blier, Suzanne Preston (2004) |
| African Creation Myths as Political Strategy | |
| African Arts. Volume 37 #1. Spring. p. 38-46. |
| Borgatti, Jean M. (2004) |
| The Otsa Festival of the Ekperi: Igbo Age-Grade Masquerades on the West Bank of the Niger? | |
| African Arts. Volume 36 #4. Winter. p. 40-60. |
| Boyd, Jean; Lammers, Mirjam (2004) |
| Anti-Islamic Press Bias, a Prime Example from the Netherlands Involving Contemporary Muslim Women and a 19th Century Nigerian Scholar (Nana Asma'u) | |
| Maghreb Review. Volume 29 #1-4. p. 186-196. |
| Brahimi, Denise (2004) |
| A Movie-Making Industry Turned towards Europe | |
| African Geopolitics. #13. Winter. |
| Bravo Nieto, Antonio (2004) |
| España y Marruecos en la primera mitad del siglo XX: Arquitectura y urbanismo en un ámbito colonial |
| Illes i imperis. Estudis d'historia de les societats en el món colonial i post-colonial. Volume 7. p. 45-62. |
| Cameron, Elisabeth L. (2004) |
| Dancing a New Face: Contemporary Sala Mpasu Masquerades | |
| African Arts. Volume 37 #2. Summer. p. 74-79. |
| Carman, Jillian (2004) |
| Arts and Crafts and Reconstruction |
| Social Dynamics. Volume 30 #1. Summer. p. 114-140. |
| Colla, Elliott (2004) |
| The Measure of Egypt |
| Postcolonial Studies. Volume 7 #3. November. p. 271-293. |
| Collins, John (2004) |
| Ghanaian Christianity and Popular Entertainment: Full Circle |
| History in Africa. Volume 31. p. 407-423. |
| Constant-Martin, Denis (2004) |
| Music in the Face of Authorities | |
| African Geopolitics. #13. Winter. |
| Counsel, Graeme (2004) |
| Popular Music and Politics in Sekou Toure's Guinea | |
| Australasian Review of African Studies. Volume 26 #1. June. p. 26-42. |
| Delmont, Elizabeth (2004) |
| South African Heritage Development in the First Decade of Democracy | |
| African Arts. Volume 37 #4. Winter. p. 30-36. |
| Demissie, Fassil (2004) |
| Controlling and 'Civilising Natives' through Architecture and Town Planning in South Africa |
| Social Identities. Volume 10 #4. p. 483-507. |
| Dilley, Roy (2004) |
| The Visibility and Invisibility of Production among Senegalese Craftsmen |
| Journal of the Royal Anthropological Institute. Volume 10 #4. December. p. 797-813. |
| Doho, Gilbert (2004) |
| Women Reappropriate Power in Rural Cameroon | |
| Signs: Journal of Women in Culture and Society. Volume 29 #2. Winter. p. 551-556. |
| Du Pisani, Jacobus A.; Kim, Kwang-Su (2004) |
| Establishing the Truth about the Apartheid Past: Historians and the South African Truth and Reconciliation Commission |
| African Studies Quarterly. Volume 8 #1. Fall. p. 77-95. |
| Durrheim, Kevin; Trotter, Kirsty; Manicom, Desiree; Piper, Laurence (2004) |
| From Exclusion to Informal Segregation: The Limits to Racial Transformation at the University of Natal |
| Social Dynamics. Volume 30 #1. Summer. p. 141-169. |
| Ebron, Paulla A. (2004) |
| Continental Riffs: Praisesingers in Transnational Contexts |
| African Identities. Volume 2 #2. November. p. 133-149. |
| Elbl, Martin Malcolm (2004) |
| The Master-Builder, the Bureaucrat, and the Practical Soldier: Protecting Alcácer Seguer/Qasr al-Saghir (Morocco) in the Early Sixteenth Century | |
| Portuguese Studies Review. Volume 12 #1. p. 33-73. |
| Fargion, Janet T. (2004) |
| African Music in the World and Traditional Music Section at the British Library Sound Archive |
| History in Africa. Volume 31. p. 447-454. |
| Fleetwood, Nicole R. (2004) |
| Visible Seams: Gender, Race, Technology, and the Media Art of Fatimah Tuggar | |
| Signs: Journal of Women in Culture and Society. Volume 30 #1. Autumn. p. 1429-1452. |
| Foss, Perkins (2004) |
| Where Gods and Mortals Meet: Continuity and Renewal in Urhobo Art | |
| African Arts. Volume 36 #4. Winter. p. 12-27. |
| Gaylard, Joseph (2004) |
| The Craft Industry in South Africa: A Review of Ten Years of Democracy | |
| African Arts. Volume 37 #4. Winter. p. 26-30. |
| Gbaden, Blaise G. (2004) |
| Aspects of Gesture in Nigerian Art | |
| Journal of Cultural Studies. Volume 6 #1. p. 150-171. |
| Geest, Sjaak van der (2004) |
| Orphans in Highlife: An Anthropological Interpretation |
| History in Africa. Volume 31. p. 425-440. |
| Godby, Michael (2004) |
| After Apartheid: 10 South African Documentary Photographers | |
| African Arts. Volume 37 #4. Winter. p. 36-42. |
| Godby, Michael; Dhlomo-Mautloa, Bongi (2004) |
| Art and Politics in a Changing South Africa: Bongi Dhlomo in Conversation with Michael Godby | |
| African Arts. Volume 37 #4. Winter. p. 62-67. |
| Grabski, Joanna L. (2004) |
| Dakar's Urban Landscapes: Locating Modern Art and Artists in the City | |
| African Arts. Volume 36 #4. Winter. p. 28-40. |
| Grundlingh, Albert (2004) |
| Rocking the Boat in South Africa? Voelvry Music and Afrikaans Anti-Apartheid Social Protest in the 1980s |
| International Journal of African Historical Studies. Volume 37 #3. p. 483-514. |
| Search: su=Architecture and the Arts | ||||||||
| Found: 2349 | |
|
Record 201-300 | |
|
|||
| Previous page | New search |