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bibliographic database
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| Found: 172 | Record 1-100 |  |
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 | Lacoss, Don (2010) |
 | Egyptian Surrealism and 'Degenerate Art' in 1939 |
| Arab Studies Journal. Volume 18 #1. p. 78-117. |
| (2009) |
| The man who set his heart on art: Joseph Zuzarte Murumbi | |
| Awaaz (Nairobi, Kenya). Volume 6 #3. p. 65-67. |
| Kiambi, P.; Oladipo, R. (2008) |
| Poetry: a divine art | |
| Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 61-74. |
| Kuira, D.M. (2008) |
| Ideology and Kenyan art: a case of understanding Christianity in Kenya's contemporary society | |
| Perspectives (Nairobi, Kenya). Volume [4th ser.], vol. 01 #1. October. p. 40-60. |
| Krishna, K. (2007) |
| The development of bronze iconography in early India | |
| The Journal of Humanities (Lusaka). Volume 7. p. 85-104. |
| (2006) |
| The WESM art exhibition | |
| WASI: [bulletin]. Volume 16 #2. April. p. 12-13. |
| Galeage, L. (2006) |
| Thapong the home of art | |
| Kutlwano. Volume 47 #8. August. p. 10-11. |
| Gatabaki, P. (2006) |
| Mamba art gallery | |
| Finance (Nairobi, Kenya). April-May. p. 60-61. |
| Kuria, M. (2006) |
| Bringing down the house: the master's tools, the master's house | |
| Perspectives (Nairobi, Kenya). Volume 1 [3rd ser.] #1. June. p. 74-88. |
| Labi, Kwame A. (2006) |
| The transformation of European forts, castles and flags into local Fante 'asafo' iconography | |
 | Research Review. Volume 22 #1. p. 83-98. |
| Masaseng, K. (2005) |
| Mothibatsela: a long walk to success | |
| Kutlwano. Volume 44 #3. March. p. 16-18. |
 | Baderoon, G. (2004) |
| Oblique figures: Representations of Islam in South African media and culture | |
| Ph.D. dissertation. University of Cape Town. |
| Bateman, L.; Oliff, E. (2004) |
| Flip-flotsam: trash becomes art on Kenya's coast | |
| Ecoforum. Volume 26 #4. p. 50-52. |
| Kayishema, J. (2003) |
| La dimension mythico-rituelle de huis-clos de Jean-Paul Sartre | |
| Etudes rwandaises. Volume 7. September. p. 117-137. |
 | Roberts, Allen F.; Roberts, Mary Nooter (2003) |
| A saint in the city: Sufi arts of urban Senegal | |
| Los Angeles: UCLA Fowler Museum of Cultural History. 284p. |
| Labi, Kwame A. (2002) |
| Akanization of the Hill Guan arts | |
| Research Review. Volume 18 #2. p. 1-22. |
| Nkansah-Obrempong, J. (2002) |
| Visual theology: the significance of cultural symbols, metaphors and proverbs for theological creativity in the African context: a case study of the Akan of Ghana | |
| Journal of African Christian Thought. Volume 5 #1. June. p. 38-47. |
| Omoka, W. (2002) |
| Anti-science in cultural anthropology: a critique of opposition to objectivity | |
| Eastern Africa Journal of Humanities and Sciences. Volume 2 #2. July-December. p. 19-33. |
| Teka, Zelalem (2002) |
| Rock art sites in the area of Addi Keyih, Eritrea | |
| Journal of Eritrean Studies (Asmara). Volume 1 #1. p. 1-28. |
| Abusabib, M. (2001) |
| Political Islam and the arts: The Sudanese experiment | |
| ISIM Newsletter. Volume 8. p. 10. |
| Gwasira, Goodman; Kambombo, Foustina; Katjijeko, Betuel (2001) |
| Preliminary report on the rock engravings of Freiheit Ost (No. 80), Witvlei, Namibia | |
| Journal - Namibia Scientific Society. Volume 49. p. 41-48. |
| Karingi, L. (2001) |
| Art on the streets | |
| NMK Horizons. Volume 5 #1. March. p. 18. |
| Sylla, Abdou (2001) |
| La question de la figuration dans l'islam et la peinture sous verre sénégalaise | |
| Éthiopiques: revue socialiste de culture négro-africaine. #66-67. p. 97-122. |
 | Bravmann, R.A. (2000) |
| Islamic art and material culture in Africa | |
| In: The History of Islam in Africa. p. 489-517. |
| Sylla, Abdou (2000) |
| Islam et arts au Sénégal | |
| Revue d'histoire maghrébine. Volume 27 #97-98. p. 159-180. |
| (1999) |
| Art: piracy or imitation? | |
| WASI: [bulletin]. Volume 10 #3. August. p. 8-11. |
| Badibanga bin Kapela, V. (1999) |
| Beauty in traditional negro-African cultures: an essay on philosophy of art | |
| Africa Tomorrow. Volume 1 #1. July. p. 20-32. |
| Kalilu, R.O.R. (1999) |
| Islam and artistic response among the Yoruba of Nigeria | |
| ISIM Newsletter. Volume 3. p. 4. |
| Mugumbya, G. (1999) |
| Reflections on art and development |
| Uganda Journal. Volume 45. August. p. 83-86. |
| Musango, F. (1999) |
| Art: the allure of local landscapes |
| Uganda Journal. Volume 45. August. p. 87-89. |
| (1998) |
| Women in art | |
| WASI: [bulletin]. Volume 9 #2. April. p. 26-28. |
| Garlake, M. (1998) |
| A changed world | |
| Gallery (Harare, Zimbabwe). #18. December. p. 16-20. |
| Huggins, D. (1998) |
| New forms for old | |
| Gallery (Harare, Zimbabwe). #18. December. p. 3-9. |
| Kemp, L. (1998) |
| A pink shop in Khwai Village | |
| Zebra's Voice. Volume 25 #3-4. p. 11-12. |
| Labi, Kwame A. (1998) |
| Fights, Riots and Disturbances with 'Objectionable and Provocative Art' among the Fante Asafo Companies |
| Transactions of the Historical Society of Ghana. #2. p. 101-116. |
| Menyah, B. (1998) |
| The picture-maker's responsibility to the state: the Ghanaian perspective | |
| Ghana Educational Media & Technology Association Journal. Volume 2. p. 49-58. |
| Raboile, A.D. (1998) |
| National children's visual and performing arts competition | |
| Zebra's Voice. Volume 25 #3-4. p. 4-6. |
| Roberts, A.F.; Roberts, M.N. (1998) |
| L'aura d'Amadou Bamba: photographie et fabulation dans le Sénégal urbain | |
| Anthropologie et sociétés. Volume 22 #1. p. 15-20. |
| Segola, L.P. (1998) |
| The Bank of Botswana Fine Art Collection |
| Botswana Notes and Records. Volume 30. p. 173-175. |
| Wright, G. (1998) |
| Charting interior and exterior landscapes | |
| Gallery (Harare, Zimbabwe). #18. December. p. 10-15. |
| (1997) |
| Art and restaurants | |
| WASI: [bulletin]. Volume 8 #2. April. p. 10-11. |
| (1997) |
| Art festival wows Bulawayo | |
| Moto. #177. October. p. 17. |
| (1997) |
| Midlands artists mount an inspiring exhibition | |
| Moto. #177. October. p. 18. |
| Murray, B. (1997) |
| Mbile International Artists' Workshop, Siavonga, Zambia, 1997 | |
| Gallery (Harare, Zimbabwe). #12. June. p. 18. |
| Bradshaw, B. (1996) |
| Digging deep | |
| Gallery (Harare, Zimbabwe). #9. September. p. 16-20. |
| Chennells, A. (1996) |
| Empire's offspring. Pt. 1 | |
| Gallery (Harare, Zimbabwe). #7. March. p. 3-6. |
| Chennells, A. (1996) |
| Empire's offspring. Pt. 2 | |
| Gallery (Harare, Zimbabwe). #8. June. p. 7-10. |
| Chifunyise, S.J. (1996) |
| Analysis dominated by negative criticism | |
| Southern Africa Political & Economic Monthly. Volume 9 #6. March. p. 39-41. |
| Geiling, A. (1996) |
| Art ... and something more | |
| Gallery (Harare, Zimbabwe). #7. March. p. 10-11. |
| Johnson, P.M. (1996) |
| Two artistic perspectives on rock art of the world | |
| Southern African Encounter. Volume 3 #4. p. 35-36. |
| Mbala Mazembe, P.; Bakata Ibula, O. (1996) |
| L'apport des masques dans la circoncision: cas de la société traditionnelle Yaka | |
| Cahiers des religions africaines. Volume 30 #60. p. 49-57. |
| Mumba, T. (1996) |
| Women Break into Stone Sculpture Industry | |
| WomanPlus. Volume 1 #2. May-August. p. 5-7. |
| Mussane, G. (1996) |
| O nosso teatro nao vai morrer? | |
| Tempo. #1321. 14 de abril. p. 29-32. |
| Pratt, Sarah; Murray, Barbara (1996) |
| Scratching at Memory: An Interview with Sarah Pratt | |
| Gallery (Harare, Zimbabwe). #7. March. p. 7-9. |
| (1995) |
| Art and censorship | |
| WASI: [bulletin]. Volume 6 #3. August. p. 4-8. |
| (1995) |
| Kaunda's current sculpture | |
| WASI: [bulletin]. Volume 6 #2. April. p. 4-7. |
| (1995) |
| Kwathu and the law | |
| WASI: [bulletin]. Volume 6 #3. August. p. 9-13. |
| (1995) |
| L'industrie sucrière mauricienne et les timbres: les pratiques culturales et d'usinage | |
| Prosi. #323. déc.. p. 28-33. |
| (1995) |
| The new Ethel Kamwendo? | |
| WASI: [bulletin]. Volume 6 #3. August. p. 14-17. |
| Abusabib, M. (1995) |
| The impact of Islam on African art: The case of the Sudan | |
| In: Islamic art and culture in Sub-Saharan Africa. p. 139-148. |
| Banda, T. (1995) |
| O Ministério da Cultura violou os meus direitos | |
| Tempo. #1284. 30 de julho. p. 26-29. |
| Curling, P. (1995) |
| Art about Zimbabwe | |
| Gallery (Harare, Zimbabwe). #4. June. p. 3-5. |
| Curling, P. (1995) |
| Thomas Mukarobgwa: memories of nature | |
| Gallery (Harare, Zimbabwe). #5. September. p. 15-16. |
| Garlake, P. (1995) |
| Ways of seeing: two rock paintings in Zimbabwe | |
| Gallery (Harare, Zimbabwe). #6. December. p. 10-13. |
| Huggins, D. (1995) |
| Elements of genesis | |
| Gallery (Harare, Zimbabwe). #6. December. p. 14-19. |
| Huggins, D. (1995) |
| I have a gallery in Africa | |
| Gallery (Harare, Zimbabwe). #4. June. p. 6-9. |
| Junge, H. (1995) |
| Adapt, the art and industry of paper transformation | |
| Rössing. May. p. 13-17. |
| Lema Gwete, A. (1995) |
| L'art mortuaire: sa place et sa signification en Afrique noire | |
| Cahiers des religions africaines. Volume 29 #58. p. 59-74. |
| Maggs, O. (1995) |
| Beaton, Matekenya, Meque, Sibanda: changing directions | |
| Gallery (Harare, Zimbabwe). #3. March. p. 3-6. |
| McCartney, M. (1995) |
| The unspoken tyranny: looking south from Norway | |
| Gallery (Harare, Zimbabwe). #3. March. p. 7-8. |
| McLoughlin, T. (1995) |
| Ways of seeing the rural landscape in Zimbabwean fiction and painting | |
| Gallery (Harare, Zimbabwe). #5. September. p. 12-14. |
| Modio Z. (1995) |
| La poterie chez les Babwa du Haut-Zaïre | |
| Cahiers des religions africaines. Volume 29 #57. p. 61-74. |
| Murray, B. (1995) |
| To celebrate a landscape: an interview with Henry Thompson | |
| Gallery (Harare, Zimbabwe). #5. September. p. 3-5. |
| Mussane, G. (1995) |
| Companhia Nacional de Canto e Dança: divulgar a nossa cultura tradicional | |
| Tempo. #1296. 22 de outubro. p. 30-33. |
| Picton, J. (1995) |
| Islam, artifact and identity in south-western Nigeria | |
| In: Islamic art and culture in Sub-Saharan Africa. p. 71-98. |
| Rouillard, G. (1995) |
| Menardeau, Maurice Gabriel Paul (1897-1977) | |
| Dictionnaire de biographie mauricienne. #50. juillet. p. 1577-1580. |
| Sahlström, Berit (1995) |
| East and southern African contemporary arts and crafts: Authenticity and the impact of Muslim aesthetics | |
| In: Islamic art and culture in Sub-Saharan Africa. p. 149-161. |
| Sibanda, D. (1995) |
| Art Zimbabwe: towards an integrative source | |
| Gallery (Harare, Zimbabwe). #3. March. p. 13-16. |
| Sydhoff, B.; Bergstrom Gronvall, K. (1995) |
| Islam and African culture: A question of action versus object | |
| In: Islamic art and culture in Sub-Saharan Africa. p. 163-167. |
| Sérgio, P. (1995) |
| Fany Pfumo: a campa, o concerto, a homenagem... | |
| Tempo. #1275. 28 de maio. p. 28-30. |
| Sérgio, P. (1995) |
| Mecenato cultural: nao virar as costas a quem merece ajuda | |
| Tempo. #1280. 2 de julho. p. 23-25. |
| Sérgio, P. (1995) |
| Museu Nacional de Arte: 'recycle, reuse, recreate': 'nada se perde, tudo se transforma'?... | |
| Tempo. #1277. 11 de junho. p. 25-27. |
| Ådahl, Karin; Sahlström, Berit (1995) |
| Islamic art and culture in Sub-Saharan Africa | |
| Uppsala: Uppsala University. Acta Universitatis Upsaliensis, 27. 188p. |
| (1994) |
| Death of drama: whose fault | |
| WASI: [bulletin]. Volume 5 #2. April. p. 17-20. |
| (1994) |
| Questions of inheritance | |
| Gallery (Harare, Zimbabwe). #2. December. p. 7-12. |
| Bogatsu, K. (1994) |
| Art division heads north west | |
| Zebra's Voice. Volume 21 #1. p. 21-23. |
| Curling, P. (1994) |
| In praise of the innocent eye | |
| Zimbabwean Review. December. p. 1, 3-5. |
| Dick, S.F. (1994) |
| Juvenal Bucuane: viver ou morrer, muitas vezes, é uma questao psicológica | |
| Tempo. #1215. 3 de abril. p. 32-35. |
| Huggins, D. (1994) |
| Zimsculpture Pachipamwe Workshop, Shurugwe September/October 1994 | |
| Gallery (Harare, Zimbabwe). #2. December. p. 3-6. |
| Laissone, I. (1994) |
| Ceramicarte: como uma cooperativa pode crescer | |
| Tempo. #1233. 7 de agosto. p. 14-17. |
| Lulseged, Eyayu (1994) |
| Social, Economic and Political Discontent in Ethiopia as Reflected in Contemporary Amharic Songs (Mid 1950s-mid 1970s) |
| Journal of Ethiopian Studies. Volume 27 #2. December. p. 21-43. |
| Mazrui, Ali A. (1994) |
| Islam and African Art: Stimulus or Stumbling Block? | |
| African Arts. Volume 27 #1. January. p. 50-57. |
| Molapo, B. (1994) |
| Picture perfect paintings, the Basner way | |
| Kutlwano. Volume 32 #11. November. p. 11-12. |
| Murray, B. (1994) |
| Beyond the frame? | |
| Gallery (Harare, Zimbabwe). #2. December. p. 13-17. |
| Oliveira, J. (1994) |
| Pintora moçambicana absorve raízes de Trás-os-Montes | |
| Tempo. #1229. 10 de julho. p. 31-32. |
| Oliveira, J. (1994) |
| Portugal nas ex-colónias (I): há objectivos e objectivos | |
| Tempo. #1219. 1 de maio. p. 28-30. |
| Oliveira, J. de (1994) |
| Samate aos 55 anos: o rhandzarte é um cancro | |
| Tempo. #1243. 16 de out.. p. 36-39. |
| Onyango, W. (1994) |
| The role of art and design in religious worship in the African context | |
| Christian Educator. Volume 7 #8. May. p. 5-6. |
| Radford, A. (1994) |
| Shape grammar in architectural language | |
| Zimbabwean Review. December. p. 29-31. |
| Sérgio, P. (1994) |
| Arte contemporânea Moçambicana-1: ninguém investe no futuro? | |
| Tempo. #1215. 3 de abril. p. 26-29. |
| Search: su=art | ||||||||
| Found: 172 | Record 1-100 | |
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