AfricaBib 
bibliographic database
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| Search: su=Motion pictures | ||||||||
| Found: 11 | Record 1-11 | |||||||
 | Csajbok-Twerefou, I. (2010) |
| The role of films in the teaching of foreign languages | |
| Legon Journal of the Humanities. Volume 21. p. 51-75. |
| Adeyemi, Taiwo (2009-2010) |
| Cultural nationalism: the 'Nollywoodization' of Nigerian cinema | |
| Journal of Performing Arts. Volume 4 #1. p. 63-74. |
| Gbormittah, F. (2009-2010) |
| Technological innovations and realism in cinema: the case of Steadicam and André Bazin's theory of realism | |
| Journal of Performing Arts. Volume 4 #1. p. 109-122. |
| Anonymous (2006) |
| Braking Dr Buleki Manga | |
| WASI: [bulletin]. Volume 17 #1. December. p. 4-7. |
| Anonymous (2006) |
| The Da Vinci Code in Malawi | |
| WASI: [bulletin]. Volume 16 #3. August. p. 15-17. |
| Atakpo, U. (2006) |
| Orature and the Nigerian home video films: a study of Igodoland of the living dead | |
| Tsebo. Volume 1 #1. p. 103-108. |
| Karago, N. (2006) |
| A film is a good film when..... | |
| Wajibu. Volume 21 #1. April-May. p. 5-7. |
| Parsons, Neil (2006) |
 | A hundred years of Botswana films and filming |
 | Botswana Notes and Records. Volume 38. p. 33-42. |
| Angoua, A. (2004) |
| Le cinéma camerounais d'hier et d'aujourd'hui | |
| Fréquence sud. #17. avril. p. 286-303. |
| Gamandzori, J. (2003) |
| Mondialisation, culture et violence: le cas des vidéo-clubs et ciné-clubs à Pointe Noire (1990-1999) | |
| Revue africaine des sciences sociales et humaines. #3. September. p. 80-98. |
| Mbianda, P. (2002) |
| Regard panoramique sur les films publicitaires en Afrique noire | |
| Fréquence sud. #16. mai. p. 105-116. |
| Search: su=Motion pictures | ||||||||
| Found: 11 | Record 1-11 | |||||||
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