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Found: 337 | Record 101-200 |
Bedford, Emma (2002) | |
Usha Seejarim: The Opposite of Illustration | |
Nka: Journal of Contemporary African Art. #16-17. Fall/Winter. p. 36-39. |
Czekelius, Annette (2002) | |
'Re-Imagining a New Nation': An Interview with the South African Artist Sue Williams | |
Matatu: Journal for African Culture and Society. Volume 25-26. p. 91-99. |
Fair, Laura (2002) | |
'It's Just No Fun Anymore': Women's Experiences of Taarab before and after the 1964 Zanzibar Revolution | |
International Journal of African Historical Studies. Volume 35 #1. p. 61-81. |
Goodman, Jane E. (2002) | |
'Stealing Our Heritage?': Women's Folksongs, Copyright Law, and the Public Domain in Algeria | |
Africa Today. Volume 49 #1. Spring. p. 85-98. |
Janson, Marloes (2002) | |
Praising as a Gendered Activity: How 'Jalimusoolu' and 'Jalikeolu' Exercise Their Profession in Eastern Gambia | |
Mande Studies. Volume 4. p. 65-82. |
Marcus, Cressida (2002) | |
In Praise of Women: The Veneration of the Virgin Mary in the Ethiopian Orthodox Church | |
Journal of Ethiopian Studies. Volume 35 #1. June. p. 9-26. |
Mothebe, R. (2002) | |
Arts and development | |
Kutlwano. Volume 40 #3. March. p. 14-17. |
Motswakhumo, B. (2002) | |
Thapong exhibition | |
Zebra's Voice. Volume 29 #1. August. p. 10-11. |
Motswakhumo, B. (2002) | |
M.C.E. exhibition | |
Zebra's Voice. Volume 29 #1. August. p. 8-9. |
Mudiji Malamba Gilombe, T. (2002) | |
Golgotha de masques: une iconologie christique africaine dans la peinture de Roger Botembe | |
Revue philosophique de Kinshasa. Volume 16 #29-30. janvier-décembre. p. 53-69. |
Okome, Mojubaolu Olufunke (2002) | |
Domestic, Regional, and International Protection of Nigerian Women against Discrimination: Constraints And Possibilities | |
African Studies Quarterly. Volume 6 #3. Winter. p. 33-63. |
Olajubu, Oyeronke (2002) | |
The Place of Susan Wenger's Art in Yoruba Religion: A Preliminary Survey | |
Ijele: Art eJournal. #5. |
Sanyal, Sunanda K. (2002) | |
Transgressing Borders, Shaping an Art History: Rose Kirumira and Makerere's Legacy | |
Matatu: Journal for African Culture and Society. Volume 25-26. p. 133-159. |
Schulz, Dorothea E. (2002) | |
The World is Made by Talk: Female Youth Culture, Pop Music Consumption, and Mass-Mediated Forms of Sociality in Urban Mali | |
Cahiers d'études africaines. Volume 42 #168. p. 797-829. |
Straight, Bilinda (2002) | |
From Samburu Heirloom to New Age Artifact: The Cross-Cultural Consumption of Mporo Marriage Beads | |
American Anthropologist. Volume 104 #1. March. p. 7-21. |
Adande, Joseph C.E. (2001) | |
L'art africain et l'imaginaire des autres entre le XVIe et le début du XXe siècle: essai d'analyse diachronique des prémisses d'un processus de 'globalisation' | |
Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #9-10. p. 60-76. |
Anyanwu, Chukwuma (2001) | |
Artistic Impulse, Musical Videos and Pornography | |
Humanities Review Journal. Volume 1 #2. p. 89-95. |
Freemantle, Barbara; Van Heerden, Eulalie (2001) | |
Vehicles of Meaning: Ethnographic Artefacts in a Corporate Environment | |
South African Journal of Ethnology. Volume 24 #4. p. 138-145. |
Gilman, Lisa (2001) | |
Purchasing Praise: Women, Dancing, and Patronage in Malawi Party Politics | |
Africa Today. Volume 48 #4. Winter. p. 43-64. |
Kapteijns, Lidwien; Ali, Maryan Omar (2001) | |
'Come Back Safely': Laments about Labor Migration in Somali Love Songs | |
Northeast African Studies. Volume 8 #3. p. 33-45. |
Mangra, R. (2001) | |
From creative education to the arts in the primary schools: myth or reality | |
Journal of Education (Réduit, Mauritius). Volume 1 #1. July. p. 83-93. |
Muller, Carol A. (2001) | |
Capturing the 'Spirit of Africa' in the Jazz Singing of South African-Born Sathima Bea Benjamin | |
Research in African Literatures. Volume 32 #2. Summer. p. 133-152. |
Murinik, Tracey (2001) | |
Berni Searle | |
Nka: Journal of Contemporary African Art. #13-14. Spring-Summer. p. 74-79. |
Okpu, Oghale O. (2001) | |
Traditional and Modern Art in Nigeria: A Comparative Analysis | |
Humanities Review Journal. Volume 1 #1. p. 33-40. |
Olusunle, Tunde; Awoyale, Adeola; Sofola, Zulu (Nwazulu) (2001) | |
A Matriarch Comes Centre-Stage | |
Matatu: Journal for African Culture and Society. Volume 23-24. p. 323-328. |
Schulz, Dorothea E. (2001) | |
Music Videos and the Effeminate Voices of Urban Culture in Mali | |
Africa: Journal of the International African Institute. Volume 71 #3. p. 345-372. |
Zurbrigg, Kerstin (2001) | |
Cultivating History: Amina Nabsour, a Work in Progress | |
Nka: Journal of Contemporary African Art. #13-14. Spring-Summer. p. 62-65. |
(2000) | |
Ijele: Art eJournal | |
Binghamton: Africa Resource Center. |
Adewuyi, Samuel A. (2000) | |
Male Involvement in Domestic Affairs: Some Reflections | |
Nigerian Journal of Gender and Development. Volume 1 #1-2. p. 128-134. |
Anyidoho, Kofi (2000) | |
Mother Courage (Auntie Efua) | |
Matatu: Journal for African Culture and Society. Volume 21-22. p. 83-84. |
Burmann, Pauline (2000) | |
The Thread of the Story: Two South African Women Artists Talk about Their Work. (Allina Ndebele and Marlene Dumas) | |
Research in African Literatures. Volume 31 #4. p. 155-165. |
Hoard, Adrienne (2000) | |
The Commodification of Art: Ndebele Women in the Stream of Change | |
Cultural Survival Quarterly. Volume 24 #4. Winter. |
Hoover, Deborah H. (2000) | |
Revealing the Mbusa as Art: Women Artists in Zambia | |
African Arts. Volume 33 #3. Autumn. p. 40-52. |
Irbouh, Hamid (2000) | |
French Colonial Art Education and the Moroccan Feminine Milieu: A Case Study from Fez, 1927-1930 | |
Maghreb Review. Volume 25 #3-4. p. 275-288. |
Jordan, Manuel (2000) | |
Revisiting Pwo | |
African Arts. Volume 33 #4. Winter. p. 16-25. |
Layiwola, Dele (2000) | |
GELEDE: Metaphysics and Gender in an African Ritual Play | |
Ijele: Art eJournal. Volume 1 #1. March. |
Lengel, Laura B. (2000) | |
Resisting the Historical Locations of Tunisian Women Musicians | |
Gender and History. Volume 12 #2. p. 336-365. |
Lenz, Iris (2000) | |
Auswärtsspiele: Anmerkungen zum Kulturaustausch mit Afrika | |
Internationales Afrikaforum. Volume 36 #4. p. 361-367. |
Nzegwu, Nkiru (2000) | |
Crossing Boundaries: Gender Transmogrification in African Art | |
Ijele: Art eJournal. Volume 1 #1. March. |
Onyile, Onyile B. (2000) | |
Abang Dance: Radiance from the River and Efik Ideal of Femininity | |
Ijele: Art eJournal. Volume 1 #1. March. |
Shava, P.V. (2000) | |
The situation of the arts in Lesotho: perceptions, roles, functions and institutional reforms | |
Lesotho Law Journal: A Journal of Law and Development. Volume 13 #1-2. p. 241-273. |
Sieber, Roy; Herreman. Frank (2000) | |
Hair in African Art and Culture | |
African Arts. Volume 33 #3. Autumn. p. 54-69. |
Sylla, Abdou (2000) | |
Islam et arts au Sénégal | |
Revue d'histoire maghrébine. Volume 27 #97-98. p. 159-180. |
Marschall, Sabine (1999-2000) | |
The Influence of Globalization on South African Artists | |
Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #7-8. p. 107-119. |
(1999) | |
Co.@rtnews: Southern African review of contemporary art and culture | |
Johannesburg: Co. rtnews Pty. Ltd. |
Amu, Misonu (1999) | |
Creativity and Tradition in Nnwonkoro: The Contribution of Maame Afua Abasa | |
Research Review. Volume 15 #1. p. 1-14. |
Braden, Su; Mayo, Marjorie (1999) | |
Culture, community development and representation | |
The Community Development Journal: An International Journal for Community Workers. Volume 34 #3. p. 191-204. |
Manjate, F. (1999) | |
Artes plasticas de Matola: pintura e escultura de Simione | |
Tempo. #1425. 28 de Fev.. p. 43-44. |
Manji, Ambreena S. (1999) | |
Feminism and Methodology: Studying the Impact of AIDS Using Participatory Research | |
SAFERE: Southern African Feminist Review. Volume 3 #2. p. 1-18. |
Mekuria, Salem (1999) | |
(Post)Colonial Cinema, Rituals and African Womanhood | |
Social Identities. Volume 5 #4. December. p. 489-506. |
Mwaura, B. (1999) | |
Rethinking African art | |
East African Alternatives. May-June. p. 37-38. |
Ndiaye Diadji, Iba (1999) | |
La créativité artistique africaine sous la tempête de la mondialisation | |
Éthiopiques: revue socialiste de culture négro-africaine. #63. p. 123-134. |
Zurbrig, Kerstin (1999) | |
Mon Marzouk: Public Intimacies | |
Nka: Journal of Contemporary African Art. #10. Spring-Summer. p. 30-33. |
Cameron, Elisabeth L. (1998) | |
Women=Masks: Initiation Arts in North-Western Province, Zambia | |
African Arts. Volume 31 #2. Spring. p. 50-61. |
Kasfir, Sidney L. (1998) | |
Elephant Women, Furious and Majestic: Women's Masquerades in Africa and the Diaspora | |
African Arts. Volume 31 #2. Spring. p. 18-27. |
Layiwola, Dele (1998) | |
Gèlèdé: metaphysics and gender in an African ritual play | |
African Notes: Bulletin of the Institute of African Studies, University of Ibadan. Volume 22 #1-2. p. 54-64. |
Röschenthaler, Ute M. (1998) | |
Honoring Ejagham Women | |
African Arts. Volume 31 #2. Spring. p. 38-49. |
Van der Watt, Liese (1998) | |
The Comradely Ideal and the Volksmoeder Ideal: Uncovering Gender Ideology in the Voortrekker Tapestry | |
South African Historical Journal. #39. November. p. 91-110. |
Van Wyk, Gary N. (1998) | |
The Mural Art of Basotho Women | |
African Arts. Volume 31 #3. Summer. p. 58-65. |
Weil, Peter M. (1998) | |
Women's Masks and the Power of Gender in Mande History | |
African Arts. Volume 31 #2. Spring. p. 28-37. |
Anonymous (1997) | |
Tulipamwe Workshop: artists experiment with different media | |
Namibia Review. Volume 6 #3. October-November. p. 19-24. |
Bafana, Busani (1997) | |
Still Searching: Works by Sithabile Mhlostshwa | |
Gallery (Harare, Zimbabwe). #12. June. p. 25. |
Barber, Karin (1997) | |
Preliminary notes on audiences in Africa | |
Africa: Journal of the International African Institute. Volume 67 #3. p. 347-362. |
Bennet, J. (1997) | |
Burning fires or slumbering embers? ceramics in Zimbabwe | |
Gallery (Harare, Zimbabwe). #11. March. p. 3-6. |
Coombes, Annie; Siopis, Penny (1997) | |
Gender, 'Race', Ethnicity in Art Practice in Post-Apartheid South Africa: Annie E. Coombes and Penny Siopis in Conversation | |
Feminist Review. #55. Spring. p. 110-129. |
Cordor, Similih M. (1997) | |
Liberia in African Cultural and Artistic Expressions: 1847-1997 | |
Liberian Studies Journal. Volume 22 #1. p. 78-82. |
Ellerson, Beti (1997) | |
The Female Body as Symbol of Change and Dichotomy: Conflicting Paradigms in the Representation of Women in African Films | |
Matatu: Journal for African Culture and Society. Volume 19. p. 31-41. |
Gore, Charles; Nevadomsky, Joseph (1997) | |
Practice and Agency in Mammy Wata Worship in Southern Nigeria | |
African Arts. Volume 30 #2. Spring. p. 60-69. |
Hadj-Moussa, Ratiba (1997) | |
The Locus of Tension: Gender in Algerian Cinema | |
Matatu: Journal for African Culture and Society. Volume 19. p. 45-66. |
Harding, Frances (1997) | |
Speaking for Women: Interview with Anne Mungai | |
Matatu: Journal for African Culture and Society. Volume 19. p. 81-92. |
Harrow, Kenneth W. (1997) | |
Women with Open Eyes, Women of Stone and Hammers: The Problematic Encounter between Western Feminism and African Feminist Filmmaking Practice | |
Matatu: Journal for African Culture and Society. Volume 19. p. 133-149. |
Loots, Lliane (1997) | |
Re-Membering Protest Theatre in South Africa: A Gendered Review of the Historical and Cultural Production of Knowledge around the Two Plays; 'The Hungry Earth' and 'You Strike the Woman, You Strike the Rock' | |
Critical Arts: A Journal of Media Studies. Volume 11 #1-2. p. 142-152. |
MacRae, Suzanne H. (1997) | |
The Mature and Older Women of African Film | |
Matatu: Journal for African Culture and Society. Volume 19. p. 17-30. |
Mhlanga, C. (1997) | |
The need for enterprising theatre | |
Social Change and Development. #42-43. August. p. 5-6, 18. |
Namundjebo, M. (1997) | |
Cultural reconciliation | |
Namibia Review. Volume 6 #2. March-April. p. 22-23. |
Natal Society of Art (1997) | |
Newsart kzn: journal of the | |
KwaZulu-Natal: Kwazulu-Natal Society of Arts. |
Ngo-Nguidjol, Emilie (1997) | |
Focusing on Women in African Cinema: An Annotated Bibliography | |
Matatu: Journal for African Culture and Society. Volume 19. p. 191-218. |
Pellow, Deborah (1997) | |
Male Praise-Singers in Accra: In the Company of Women | |
Africa: Journal of the International African Institute. Volume 67 #4. p. 582-601. |
Power, Camilla; Watts, Ian (1997) | |
The Woman with the Zebra's Penis: Gender, Mutability and Performance | |
Journal of the Royal Anthropological Institute. Volume 3 #3. p. 537-560. |
Renne, Elisha P. (1997) | |
'Traditional Modernity' and the Economics of Handwoven Cloth Production in Southwestern Nigeria | |
Economic Development and Cultural Change. Volume 45 #4. July. p. 773-792. |
Schmidt, Nancy J. (1997) | |
Sub-Saharan African Women Filmmakers: Agendas for Research with a Filmography | |
Matatu: Journal for African Culture and Society. Volume 19. p. 182-190. |
Sylvester, Christine (1997) | |
A Woman's Place: Images of Women in Zimbabwean Society | |
Gallery (Harare, Zimbabwe). #12. June. p. 19-21. |
Vera, Y. (1997) | |
A Pot on Her Head | |
WomanPlus. Volume 2 #2. May-August. p. 33-35. |
Vincent, William (1997) | |
The Unreal But Visible Line: Difference and Desire for the Other in 'Chocolat' | |
Matatu: Journal for African Culture and Society. Volume 19. p. 125-132. |
Adesina, Kola (1996) | |
Song of Salawa (Abeni Salawa) | |
West Africa. #4115. September 2-8. p. 1406. |
Anonymous (1996) | |
Malawi's art galleries | |
WASI: [bulletin]. Volume 8 #1. December. p. 4-7. |
Anonymous (1996) | |
Tulipamwe: Namibia's arts melting pot | |
Namibia Review. Volume 5 #3. September-October. p. 13-16. |
Budig-Markin, Valerie (1996) | |
Writing and Filming 'The Cries of Silence' | |
World Literature Today. Volume 70 #4. p. 893-904. |
Deepwell, Katy (1996) | |
Reading in Detail: Katy Deepwell on the Work of Ndidi Dike | |
Nka: Journal of Contemporary African Art. #5. Fall. p. 40-43. |
Donadey, Anne (1996) | |
Rekindling the Vividness of the Past: Assia Djebar's Films and Fiction | |
World Literature Today. Volume 70 #4. p. 885-892. |
Franken, Marjorie A. (1996) | |
Egyptian Cinema and Television: Dancing and the Female Image | |
Visual Anthropology. Volume 8 #2-4. p. 267-285. |
Förster, Till (1996) | |
'Schildermalerei' oder 'urban art'? Postmoderne Ansätze in der Interpretation afrikanischer Kunst | |
Paideuma. Volume 42. p. 255-266. |
Gonçalves, F. (1996) | |
Donor fatigue derails festivals | |
Southern Africa Political & Economic Monthly. Volume 10 #3 & 04. December-Jan. 1997. p. 30-31. |
Gonçalves, F. (1996) | |
Building a community through culture | |
Southern Africa Political & Economic Monthly. Volume 10 #3 & 04. December-Jan. 1997. p. 5-6. |
Hassan, Salah (1996) | |
Magical Realism: Art as Ritual in the Work of Elisabeth Tariqua Atnafu | |
Nka: Journal of Contemporary African Art. #5. Fall. p. 24-27. |
Kalipeni, Ezekiel; Kamlongera, Christopher (1996) | |
The Role of 'Theatre for Development' in Mobilising Rural Communities for Primary Health Care: The Case of Liwonde PHC Unit in Southern Malawi | |
Journal of Social Development in Africa. Volume 11 #1. p. 53-78. |
Kassam, Margaret Hauwa (1996) | |
Some Aspects of Women's Voices from Northern Nigeria | |
African Languages and Cultures. Volume 9 #2. p. 111-125. |
Matome, N. (1996) | |
Mountains of the moon: Tulipamwe 1996 | |
Gallery (Harare, Zimbabwe). #9. September. p. 13-15. |
Morrow, Seán (1996) | |
'The things they have made will live forever': The Estelle Hamilton-Welsh Collection in the F.S. Malan Museum, University of Fort Hare | |
Journal of Southern African Studies. Volume 22 #2. June. p. 271-285. |
Mumba, T. (1996) | |
Women Break into Stone Sculpture Industry | |
WomanPlus. Volume 1 #2. May-August. p. 5-7. |
Search: su=arts | ||||||||
Found: 337 | Record 101-200 |
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