Africana Periodical Literature 
bibliographic database
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| Found: 157 | Record 1-100 |  |
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 | Quinton, Laura (2021) |
 | Britain's Royal Ballet in Apartheid South Africa, 1960 |
| The Historical Journal. Volume 64 #3. p. 750-773. |
| Alexander, Jocelyn; McGregor, JoAnn (2020) |
| The Travelling Toyi-Toyi: Soldiers and the Politics of Drill |
| Journal of Southern African Studies. Volume 46 #5. p. 923-940. |
| Ferreira, Angela (2020) |
| Echoes of home: 'Mamtiseni' in the everyday of post-apartheid amaBhaca women migrants in Johannesburg, circa 1994-2017 |
| African Studies. Volume 79 #4. p. 387-408. |
 | Becker, Heike; Schulz, Dorothea (eds.) (2017) |
| Un/making difference through performance and mediation in contemporary Africa |
 | Journal of African Cultural Studies. Volume 29 #2. p. 149-259. |
| Carwile, Christey (2017) |
| 'The clave comes home': salsa dance and pan-African identity in Ghana |
| African Studies Review. Volume 60 #2. p. 183-207. |
| Perman, Tony (2017) |
| Muchongoyo and Mugabeism in Zimbabwe |
| African Studies Review. Volume 60 #1. p. 145-170. |
| Plancke, Carine (2017) |
| Dance performances in post-genocide Rwanda: remaking identity, reconnecting present and past |
| Journal of Eastern African Studies. Volume 11 #2. p. 329-346. |
| Kamp, Linda van de (ed.) (2016) |
| Religious circulation in Transatlantic Africa |
| African Diaspora: a Journal of Transnational Africa in a Global World. Volume 9 #1-2. p. 1-99. |
| Pier, David G. (2016) |
| Dance, discipline, and the liberal self at a Ugandan Catholic boarding school |
| African Studies Review. Volume 59 #3. p. 33-59. |
| Abbe, Josephine Ebiuwa (2015) |
| The choreographic experience of African moonlight games in performance context | |
| Journal of Performing Arts. Volume 5 #1. p. 116-127. |
| Darko, Jennies Deide (2015) |
| Dance performance, an endorsement for advertised products on television in Ghana | |
| Journal of Performing Arts. Volume 5 #1. p. 128-137. |
| Green, Alida (2015) |
| The Great War and a new dance beat: opening the South African dance floor | |
| Historia: amptelike orgaan. Volume 60 #1. p. 60-74. |
| Hurley-Glowa, Susan (2015) |
| Cape Verdeans in the Atlantic: the formation of Kriolu music and dance styles on ship and in port | |
| African Music Journal. Volume 10 #1. p. 7-30. |
| Kwakye-Opong, Regina; Salifu, Jebuni Tigwe (2015) |
| Semiotics of costume in Baamaaya Dance Suite of the Dagbamba | |
| Journal of Performing Arts. Volume 5 #1. p. 138-159. |
| Kwashie Kuwor, Sylvanus (2015) |
| Dance as a vital part of Anlo-Ewe traditional media | |
| Journal of Performing Arts. Volume 5 #1. p. 73-100. |
| Plancke, Carine (2015) |
| Donner corps au 'Nouveau Rwanda': danse et reconstruction post-génocidaire | |
| Cahiers d'études africaines. Volume 55 #220. p. 711-738. |
| Aranzadi, Isabela de (2014) |
| Cuban heritage in Africa: deported Ñáñigos to Fernando Po in the 19th century |
| African Sociological Review. Volume 18 #2. p. 2-40. |
| Inglese, Francesca (2014) |
| Choreographing Cape Town through goema music and dance | |
| African Music Journal. Volume 9 #4. p. 123-145. |
| Kringelbach, Hélène Neveu (2014) |
| Choreographic performance, generations and the art of life in post-colonial Dakar |
| Africa: Journal of the International African Institute. Volume 84 #1. p. 36-54. |
| Moorman, Marissa J. (2014) |
| Anatomy of Kuduro: articulating the Angolan body politic after the war |
| African Studies Review. Volume 57 #3. p. 21-40. |
| Sieveking, Nadine (2014) |
| 'Create your space!': locating contemporary dance in Ouagadougou |
| Africa: Journal of the International African Institute. Volume 84 #1. p. 55-77. |
| Aluede, Charles Onomudo; Omone, Aluede Esther (2013) |
| Ujie music and dance of the Esan: a Nigerian genre on the wheels | |
| Journal of Performing Arts. Volume 4 #4. p. 103-114. |
| Covington-Ward, Yolanda (2013) |
| Transforming communities, recreating selves: interconnected diasporas, performance, and the shaping of Liberian immigrant identity |
| Africa Today. Volume 60 #1. p. 29-53. |
| Johnson Jones, E. Jean (2013) |
| Mapping the Nama Stap: reed-flutes and Nama Stap | |
| African Performance Review. Volume 7 #1. p. 13-30. |
| Ofosu, Terry Bright K.; Dei, Tabitha (2013) |
| The 'Azonto' dance - a Ghanaian new creation: exploring new boundaries of popular dance forms | |
| African Performance Review. Volume 7 #1. p. 45-64. |
| Ofosu, Terry Bright Kweku (2013) |
| Rap culture and its parallels: the 'La kpa' and Akan praise singing in perspective | |
| Journal of Performing Arts. Volume 4 #4. p. 41-54. |
| Osei, Latipher (2013) |
| Encouraging dance and its notation in Ghanaian basic schools | |
| Journal of Performing Arts. Volume 4 #4. p. 55-62. |
| Prinsloo, Jeanne; Moletsane, Relebohile (eds.) (2013) |
| Sex, gender and childhood |
| Agenda: Empowering Women for Gender Equity. #97. 126p. |
| Schauert, Paul (2013) |
| Managing culture: discipline, artistry, and alternative education in Ghana's State dance ensembles |
| Africa Today. Volume 60 #3. p. 3-33. |
| Uzor, Tia-Monique (2013) |
| The evolving face of 'Iwa Akwa' | |
| African Performance Review. Volume 7 #1. p. 104-115. |
| Coutelet, Nathalie (2012) |
| Féral Benga: de la danse nègre à la chorégraphie africaine | |
| Cahiers d'études africaines. Volume 52 #205. p. 199-215. |
| Firenzi, Tara (2012) |
| The changing functions of traditional dance in Zulu society: 1830-present | |
| International Journal of African Historical Studies. Volume 45 #3. p. 403-425. |
| Ndomondo, Mathayo (2012) |
| A woman can sing and dance but cannot dance with high leaps: musical performance of the Haya of Bukoba, Tanzania | |
| African Music Journal. Volume 9 #2. p. 7-31. |
| Nwadigwe, Charles E. (2012) |
| Body, space, and technology: interrogating conventionality in postmodern african dance theatre | |
| African Performance Review. Volume 6 #2. p. 27-42. |
| Schauert, Paul (2012) |
| Staging unity, performing subjectivities: Nkrumah, nation-building, and the Ghana Dance Ensemble | |
| Ghana Studies. Volume 15-16. p. 373-412. |
| Stuffelbeam, Katharine (2012) |
| Performing advocacy: women's music and dance in Dagbon, Northern Ghana | |
| African Music Journal. Volume 9 #2. p. 154-169. |
| Tsoubaloko, Francois Haipinge (2012) |
| Issues in ethnomusicology as human science | |
| Journal for Studies in Humanities and Social Sciences. Volume 1 #1. p. 172-179. |
| Ayettey, Benjamin Obido (2011) |
| The social significance of the Djara dance among the Dagbamba of Northern Ghana | |
| Journal of Performing Arts. Volume 4 #2. p. 189-198. |
| Callaci, Emily (2011) |
| Dancehall politics: mobility, sexuality, and spectacles of racial respectability in late colonial Tanganyika, 1930s-1961 |
| The Journal of African History. Volume 52 #3. p. 365-384. |
| Gabail, Laurent (2011) |
| Comment dansent les institutions: classes d'âge et rapports de sexe chez les Bassari de Guinée | |
| Journal des africanistes. Volume 81 #1. p. 9-33. |
| Jallat, Denis; Fonkoua, Romuald (eds.) (2011) |
| Colloque international politiques sportives et culturelles France - Sénégal: Dakar, 21-25 juin 2010 = International symposium sports and cultural policies France - Senegal: Dakar, 21-25 June 2010 | |
| Présence africaine. #183. 206p. |
| Pier, David (2011) |
| The branded arena: Ugandan 'traditional' dance in the marketing era |
| Africa: Journal of the International African Institute. Volume 81 #3. p. 413-433. |
| Quaye, David E.A. (2011) |
| Analysing the traditional dance on stage within the university: in close reference to Opoku's legacy | |
| Journal of Performing Arts. Volume 4 #2. p. 103-111. |
| Suriano, Maria (2011) |
| Making the modern: contestations over 'muziki wa dansi' in Tanganyika, ca. 1945-1961 |
| African Studies. Volume 70 #3. p. 393-414. |
| Ugoli, Chris (2011) |
| The national troupe of Nigeria: choreographic and performance styles | |
| Journal of Performing Arts. Volume 4 #2. p. 112-118. |
| Aranzadi, Isabela de (2010) |
| A drum's trans-Atlantic journey from Africa to the Americas and back after the end of slavery: Annobonese and Fernandino musical cultures |
| African Sociological Review. Volume 14 #1. p. 20-47. |
| Dessertine, Audrey (2010) |
| Une initiation diffuse à la sexualité: le 'sabar' des Wolof du Sénégal |
| Civilisations. Volume 59 #1. p. 89-108. |
| Plancke, Carine (2010) |
| On dancing and fishing: joy and the celebration of fertility among the Punu of Congo-Brazzaville |
| Africa: Journal of the International African Institute. Volume 80 #4. p. 620-641. |
| Ugolo, Christopher E. (2010) |
| Ogunde's dance choreography and the quest for national unity in Nigeria | |
| African Performance Review. Volume 4 #2. p. 41-53. |
| Boukobza, Julie (2009) |
| Danser l'Orient: touristes et pratiquantes transnationales de la danse orientale au Caire | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 203-226. |
| Facci, Serena (2009) |
| Dances across the boundary: Banande and Bakonzo in the twentieth century |
| Journal of Eastern African Studies. Volume 3 #2. p. 350-366. |
| Green, Alida (2009) |
| Dancing with literature: an overview of South African ballroom dancing | |
| New contree: a journal of historical and human sciences for Southern Africa. #57. p. 53-70. |
| Kapur, N. (2009) |
| Dialogue through dance | |
| Awaaz (Nairobi, Kenya). Volume 6 #2. p. 45-47. |
| Lassibille, Mahalia (2009) |
| Les scènes de la danse: entre espace touristique et politique chez les Peuls woDaaBe du Niger | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 309-335. |
| Locke, David (2009) |
| Simultaneous multidimensionality in African music: musical cubism | |
| African Music Journal. Volume 8 #3. p. 8-37. |
| Plancke, Carine (2009) |
| Rites, chants et danses de jumeaux chez les Punu du Congo-Brazzaville | |
| Journal des africanistes. Volume 79 #1. p. 177-208. |
| Raout, Julien (2009) |
| Au rythme du tourisme: le monde transnational de la percussion guinéenne | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 175-201. |
| Akunna, Gladys Ijeoma (2008) |
| Dance as mental therapeutic in the African experience: beyond the speculation | |
| African Performance Review. Volume 2 #1. p. 9-18. |
| Ayettey, Ben Obido (2008) |
| The Baamaya dance suite: a tale of Dagbamba | |
| Research Review. Volume 24 #2. p. 61-74. |
| Igweonu, Kene (2008) |
| Re/negotiating interculturalism: Africa in Caribbean dance performances | |
| African Performance Review. Volume 2 #2-3. p. 103-124. |
| Makahamadze, Tompson; Sibanda, Fortune (2008) |
| 'Melodies to God': the place of music, instruments and dance in the Seventh Day Adventist Church in Masvingo Province, Zimbabwe |
| Exchange: Journal of Contemporary Christianities in Context. Volume 37 #3. p. 290-309. |
| Nwaru, Christian I. (2008) |
| Dance as a signifying practice: a study of 'Iri-Agha' | |
| African Performance Review. Volume 2 #1. p. 29-42. |
| Doki, Gowon Ama (2007) |
| Signifying systems in traditional African theatre aesthetics: the 'Girinya' ritual dance of the Tiv people of Nigeria | |
| African Performance Review. Volume 1 #2-3. p. 7-26. |
| Kringelbach, Hélène Neveu (2007) |
| 'Le poids du succès': construction du corps, danse et carrière à Dakar | |
| Politique africaine. #107. p. 81-101. |
| Kruger, Jaco (2007) |
| Singing psalms with owls: a Venda 20th century musical history part two: 'tshikona', beer songs and personal songs | |
| African Music Journal. Volume 8 #1. p. 36-59. |
| Vambe, Maurice Taonezvi (2007) |
| 'Aya Mohobo': Migrant Labour and the Cultural Semiotics of Harare (Mbare) African Township, 1930-1970 |
| African Identities. Volume 5 #3. December. p. 355-369. |
| Damon, Anne (2006) |
| ''Aqwaqwam' ou la danse des cieux |
| Cahiers d'études africaines. Volume 46 #182. p. 261-290. |
| Lassibille, Mahalia (2006) |
| Les danses woDaaBe entre spectacles touristiques et scènes internationales: les coulisses d'une migration chorégraphique | |
| Autrepart. #40. p. 113-129. |
| Mboya, J. (2006) |
| Shall we watch dance? | |
| Wajibu. Volume 21 #1. April-May. p. 10-12. |
| Pype, Katrien (2006) |
| Dancing for God or the Devil: Pentecostal Discourse on Popular Dance in Kinshasa |
| Journal of Religion in Africa. Volume 36 #3-4. p. 296-318. |
| Schauert, Paul (2006) |
| A performing national archive: power and preservation in the Ghana Dance Ensemble |
| Transactions of the Historical Society of Ghana. #10. p. 171-181. |
| Udoka, A. (2006) |
| Nigerian traditional dances at the digital archival frontiers: prospects of the motion capture | |
| Tsebo. Volume 1 #1. p. 63-68. |
| Ufford, I.I. (2006) |
| Choreography: basic principles and practice | |
| Tsebo. Volume 1 #1. p. 69-75. |
| Gearhart, Rebecca (2005) |
| Ngoma Memories: How Ritual Music and Dance Shaped the Northern Kenya Coast |
| African Studies Review. Volume 48 #3. December. p. 21-47. |
| Makoye, H.F. (2005) |
| Training and natural endowments in Sukuma dance culture in Tanzania | |
| Utafiti. Volume 6 #2. December. p. 128-146. |
| Ntagabo, G. (2005) |
| Diversité du folklore Burundais | |
| Culture et société. Volume 15. juin. p. 55-69. |
| Odwar, Hellen A. (2005) |
| Ramogi dance and Luo cultural values | |
| Humanities Review Journal. Volume 5. p. 47-52. |
| Arvizu, Shannon (2004-2005) |
| The Politics of Bellydancing in Cairo |
| Arab Studies Journal. Volume 12-13 #2-1. p. 159-187. |
| Arnfred, Signe (2004) |
| Tufo Dancing: Muslim Women's Culture in Northern Mozambique |
| Lusotopie. p. 39-65. |
| Lassibille, Mahalia (2004) |
| 'La danse africaine', une catégorie à déconstruire: une étude des danses des WoDaaBe du Niger |
| Cahiers d'études africaines. Volume 44 #175. p. 681-690. |
| Nii-Yartey, F. (2004) |
| The Gobi dance suite, a paradigm of acculturation | |
| Research Review. Volume 20 #1. p. 21-31. |
| Röschenthaler, Ute (2004) |
| Neuheit, bricolage oder Plagiat? Zur Entstehung neuer Tanzbünde im Cross River-Gebiet (im Südwesten Kameruns und Südosten Nigerias) |
| Paideuma. Volume 50. p. 193-223. |
| Idamoyibo, Atinuke A. (2003) |
| Dynamics of African Dance | |
| Humanities Review Journal. Volume 3 #1. p. 67-73. |
| Bakare, Rasaki O. (2002) |
| Vocabularies in African Dances: Focus on Ancestral Worship and Fertility Dances | |
| Humanities Review Journal. Volume 2 #1. p. 30-45. |
| Bundo, Daisuke (2001) |
| Social relationship embodied in singing and dancing performances among the Baka |
| African Study Monographs: Supplementary Issue. #26. p. 85-101. |
| Hill, Stephen (2001) |
| The Death of Mganda? Continuity and Transformation in Matengo Music |
| Africa Today. Volume 48 #4. Winter. p. 27-41. |
| Mpata, Daniel (2001) |
| The 'malipenga' dance in Nkhata Bay District |
| The Society of Malawi Journal. Volume 54 #1. p. 23-28. |
| Reed, Daniel B. (2001) |
| Pop Goes the Sacred: Dan Mask Performance and Popular Culture in Postcolonial Côte d'Ivoire |
| Africa Today. Volume 48 #4. Winter. p. 67-85. |
| James, Wendy (2000) |
| Reforming the Circle: Fragments of the Social History of a Vernacular African Dance Form |
| Journal of African Cultural Studies. Volume 13 #1. June. p. 140-152. |
| Schramm, Katharina (2000) |
| The Politics of Dance. Changing Representations of the Nation in Ghana | |
| Afrika Spectrum. Volume 35 #3. p. 339-358. |
| Takora, B.Y. (2000) |
| Traditional dances in Gonja land | |
| Research Review. #14. June. p. 163-167. |
| Mans, M. (1999) |
| Namibian dances: rich and textured | |
| Namibia Review. Volume 8 #2. June-July. p. 25-33. |
| Msosa, Watson (1999) |
| From cultural aesthetic to performance technique: continuities and contrasts in improvisational milieux of 'vimbuza' and jazz | |
| Journal of Humanities. #13. p. 47-58. |
| Platvoet, Jan G. (1999) |
| At War with God: Ju/'Hoan Curing Dances |
| Journal of Religion in Africa. Volume 29 #1. p. 2-61. |
| Hofmyer, R.L. (1998) |
| Cultural representation at Expo '98 | |
| Namibia Review. Volume 7 #3. August-September. p. 41-47. |
| Meigos, F. (1998) |
| Tango globalizante ou a quotidianidade do marombo: a desconstrução como construção contraditorial | |
| Estudos moçambicanos. #special. p. 131-150. |
| Peyriguère, Jean (1998) |
| Poésie et danse dans une tribu berbère du Moyen-Atlas | |
| Études et documents berbères. #15-16. p. 219-248. |
| Muller, Carol (1997) |
| Bottes en caoutchouc, migrants et Fred Astaire: danse ouvrière et style musical en Afrique du Sud | |
| Autrepart. #1. p. 71-89. |
| Probst, Peter (1997) |
| Danser le SIDA: spectacles du 'nyau' et culture populaire chewa dans le centre du Malawi | |
| Autrepart. #1. p. 91-112. |
| Adinku, O. (1996) |
| Justifying dance education in Ghana | |
| Journal of Performing Arts. Volume 2 #1. June. p. 1-6. |
| Search: su=dance | ||||||||
| Found: 157 | Record 1-100 | |
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