Africana Periodical Literature 
bibliographic database
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 | Jayathilake, Chitra (2018) |
 | Muselmann: Incarceration and the mobilised body in Athol Fugard, John Kani and Winston Ntshona's 'The Island' |
| African Studies. Volume 77 #4. p. 607-625. |
| Akinyemi, Akintunde (2016) |
| Names and naming characters in African-language dramaturgy: the Yoruba example |
 | African Identities. Volume 14 #3. p. 242-254. |
| Akoh, Ameh Dennis (2016) |
| Legislative gossip as theatre: Odeli and Abule of Ibaji of East-central Nigeria | |
| African Performance Review. Volume 8 #1. p. 17-29. |
| Godin, Marie (2016) |
| Theatre and photography as new contentious repertoires of Congolese women in the diaspora: towards another politics of representation of rape |
| African Diaspora: a Journal of Transnational Africa in a Global World. Volume 9 #1-2. p. 101-127. |
| Mangosho, Tatenda; Chivandikwa, Nehemia; Mlenga, Tafadzwa (2016) |
| Radical acting techniques in Zimbabwean street theatre: implications on audience criticality | |
| Journal for Studies in Humanities and Social Sciences. Volume 5 #2. p. 26-36. |
| Seda, Owen (2016) |
| Grotesque realism in Dambudzo Marechera's drama |
| The English Academy Review. Volume 33 #1. p. 97-108. |
| Adebiyi, Kazeem (2015) |
| A critique of South Africa Truth and Reconciliation in John Kani's 'Nothing but the truth' | |
| Okike: an African Journal of New Writing. #53. p. 89-105. |
| Appiah-Adjei, Daniel (2015) |
| Treasure on the shelves and the stage longs for new plays and playwrights | |
| Journal of Performing Arts. Volume 5 #1. p. 7-32. |
| Keuris, Marisa (2015) |
| Twee Fischers, twee dramas: 'Die geheime Bloemfontein-konferensie' (1938) en 'Die Bram Fischer-wals' (2011) = Two fischers, two plays: 'The secret Bloemfontein conference' (1938) and 'Die Bram Fischer waltz' (2011) | |
| Tydskrif vir letterkunde. Volume 52 #2. p. 48-60. |
| Barnaby, Andrew (2014) |
| 'The purest mode of looking': (post)colonial trauma in Wole Soyinka's Death and the King's Horseman |
| Research in African literatures. Volume 45 #1. p. 125-149. |
| Canut, Cécile; Sow, Alioune (2014) |
| 'Nous nous appelons les voyageurs': mise en scène des parcours migratoire dans le théâtre des réfugiés d'Afrique centrale à Bamako | |
| Cahiers d'études africaines. Volume 54 #213-214. p. 383-414. |
 | Evouna, Jacques; Essono, Louis Martin Onguéné (eds.) (2014) |
| Au coeur du verbe: discours, syntaxe et didactique | |
| Mosaïques. #2. 87p. |
| Faï, Gilbert Tarka (2014) |
| Female representation and gender dynamics in Commonwealth drama: African and Caribbean perspectives | |
| Rhumsiki: revue scientifique de la Faculté des lettres et sciences humaines de l'Université de Maroua. #1. p. 69-82. |
| Mehta, Brinda (2014) |
| Commemorating the 'disappeared': maternal activism and the Algerian civil war in Fatima Bourega-Gallaire's 'La beauté de l'icône' |
| Research in African Literatures. Volume 45 #2. p. 26-45. |
| Milton, Viola Candice (2014) |
| Histories of becoming: 'Donkerland' re-members South Africa |
| Communicatio: South African journal for communication theory and research. Volume 40 #4. p. 323-344. |
| Nkealah, Naomi (2014) |
| Women's contribution to the development of Anglophone Cameroonian drama: the plays of Anne Tanyi-Tang |
| Research in African Literatures. Volume 45 #2. p. 122-134. |
| Sall, El Hadj Abdoulaye (2014) |
| L'histoire comme base argumentatif dans le théâtre africain francophone post colonial: l'exemple des pièces historiques: 'Béatrice du Congo' de Bernard Dadié, 'Les Sofas' de Bernard Z. Zaourou, 'L'exil d'Alboury' de Cheick Aliou Ndao, 'La tragédie du roi' d'Aimé Césaire, 'Lat Dior ou le chemin de l'honneur' de Thierno Bâ | |
| Sophia: la revue du Laboratoire de Littérature Comparée. #2. p. 230-269. |
| Terega, Lealem Berhanu; Solomon, Mahlet (2014) |
| Religious, political and cultural influences on the first Ethiopian playwright, Teklehawariat Teklemariam and his play 'Fabula: Yawreoch Commedia' |
| Journal of African Cultural Studies. Volume 26 #3. p. 276-286. |
| Willan, Brian (2014) |
| 'Implanting the better instincts of civilisation'? Black South Africans and Shakespeare in Victorian Grahamstown |
| Journal of African Cultural Studies. Volume 26 #1. p. 1-14. |
| Adjidahun, C.O. (2013) |
| Femi Osofisan tackles graft and corruption: a reading of his socially committed plays |
| Tydskrif vir letterkunde. Volume 50 #2. p. 111-123. |
| Barnes, Hazel (ed.) (2013) |
| Applied drama and theatre as an interdisciplinary field in the context of HIV/AIDS in Africa |
| Matatu: Journal for African Culture and Society. Volume 43. 294p. |
| Chinyowa, Kennedy C. (2013) |
| A Matter of 'Knowledge in the Blood'? Unperforming Racial and Ethnic Prejudice in Tertiary Educational Spaces in South Africa |
| African Conflict and Peacebuilding Review. Volume 3 #2. p. 91-109. |
| Coetser, Johan (2013) |
| Voorstellings van geweld in Slaghuis (2007) en Skrapnel (2011) deur dramaturg Willem Anker = Representations of violence in Slaghuis (2007) and Skrapnel (2011) by playwright Willem Anker | |
| Tydskrif vir geesteswetenskappe. Volume 53 #1. p. 45-59. |
| Djisenu, John (2013) |
| Sizwe Bansi is Dead: mirroring the paradox of the living-dead in Apartheid South Africa | |
| Journal of Performing Arts. Volume 4 #4. p. 73-89. |
| Ehiemua, Kingsley I. (2013) |
| Essence and multi-lingualism in the plays of Sam Ukala | |
| Journal of Performing Arts. Volume 4 #4. p. 91-102. |
| Oloruntoba-Oju, Omotayo (2013) |
| From 'Alarinjo' to 'Arugba': continuities in indigenous Nigerian drama | |
| African Identities. Volume 11 #4. p. 395-406. |
| Ajidahun, C.O. (2012) |
| Femi Osofisan's discourse on pan-Africanism and reconciliation in 'Nkrumah-Ni...Africa-Ni' and 'Reel, Rwanda' |
| Tydskrif vir letterkunde. Volume 49 #2. p. 89-98. |
| Chinyowa, Kennedy C. (2012) |
| Un-performing racial and ethnic prejudice in tertiary institutional spaces in South Africa | |
| African Performance Review. Volume 6 #2. p. 43-57. |
| Fugard, Athol (2012) |
| Millstones or milestones? The journey of a South African bastard |
| The English Academy Review. Volume 29 #1. p. 5-18. |
| Gover, Daniel (2012) |
| Wole Soyinka: dance master of appetite | |
| JALA: the Journal of the African Literature Association. Volume 7 #1. p. 25-34. |
| Ojukwu, Chinyelu (2012) |
| The politics of power and the struggle for self-assertation: Tess Onwueme's 'The reign of Wazobia'; Akachi Adimora-Ezeigbo's 'Hands that crush stone' and Julie Okoh's 'Edewede' | |
| JALA: the Journal of the African Literature Association. Volume 7 #2. p. 147-163. |
| Secovnie, Kelly O. (2012) |
| Translating culture in West African drama |
| Journal of African Cultural Studies. Volume 24 #2. p. 237-247. |
| Udengwu, Ngozi; Ukaegbu, Victor (eds.) (2012) |
| Women in Nigerian theatre | |
| African Performance Review. Volume 6 #1. 128p. |
| Adekannbi, Gills Oluwatosin (2011) |
| Re-enacting Oedipus Rex with Yoruba witticism | |
| Drumspeak: international journal of research in the humanities. Volume 4 #1-2. p. 56-74. |
| Bühler-Dietrich, Annette; Mandé, Hamadou (2011) |
| The artist as educator: the oeuvre of Jean-Pierre Guingané | |
| African Performance Review. Volume 5 #2. p. 78-94. |
| Collier, Gordon (ed.) (2011) |
| Spheres public and private: Western genres in African literature |
| Matatu: Journal for African Culture and Society. Volume 39. 712p. |
| Diala, Isidore (2011) |
| Esiaba Irobi's legacy: theory and practice of postcolonial performance |
| Research in African Literatures. Volume 42 #4. p. 20-38. |
| Fofié, Jacques Raymond (2011) |
| Théâtre camerounais et africain de l'émi-immigration au XXIe siècle | |
| Annales de la Faculté des Arts, Lettres et Sciences Humaines. Volume 1 #12. p. 145-188. |
| Yerima, Ahmed (2011) |
| Issues and development in contemporary Nigerian drama and theatre practice | |
| African Performance Review. Volume 5 #1. p. 36-44. |
| Ball, Jeremy (2010) |
| The 'Three Crosses' of mission work: fifty years of the American Board of Commissioners for Foreign Missions (ABCFM) in Angola, 1880-1930 |
| Journal of Religion in Africa. Volume 40 #3. p. 331-357. |
| Chivandikwa, Nehemia (2010) |
| Dialects and dynamics of religion in theatre: reflections on gender and sexuality in selected Zimbabwean theatrical performances | |
| Journal for the Study of Religion. Volume 23 #1-2. p. 131-149. |
| Coetser, J.L. (2010) |
| Dramakroniek 2008-9 = Drama chronicle 2008-9 | |
| Tydskrif vir geesteswetenskappe. Volume 50 #3. p. 383-403. |
| Flockemann, Miki (2010) |
| The everyday experience of xenophobia: performing 'The Crossing' from Zimbabwe to South Africa |
| Critical Arts: A Journal of Media Studies. Volume 24 #2. p. 245-259. |
| Kanoute, Oumar (2010) |
| Identité et mondialité: la réception Bambara de 'La tragédie du Roi Christophe' | |
| Les cahiers de Mande Bukari. #19. 51p. |
| Kasule, Sam (2010) |
| 'Your experience is your only truth': Elvania Namukwaya Zirimu 1939-1980 | |
| African Performance Review. Volume 4 #2. p. 7-22. |
| Rapoo, Connie (2010) |
| Staging sacrifice: performing history, memory, and ancestral culture in four African ritual plays | |
| Marang: Journal of Language and Literature. #20. p. 167-175. |
| Udengwu, Ngozi (2010) |
| Cultural literacy and educational empowerment of women in the 21st century: a study of 'Into the world', 'Nneora: an African doll's house' and 'Our wife is not a woman' | |
| African Performance Review. Volume 4 #1. p. 35-50. |
| Abubakar, Abdullahi S. (2009) |
| A new concept of actor/audience interaction and audience participation in modern African dramatic theater: an example of Osofisan |
| Research in African Literatures. Volume 40 #3. p. 174-185. |
| Adedimeji, Mahfouz A. (2009) |
| Nigerian pidgin as a national language: a thematic appraisal of Segun Oyekunle's 'Katakata for sofahead' and Ola Rotimi's 'Grip am' | |
| Drumspeak: international journal of research in the humanities. Volume 2 #3. p. 1-27. |
| Akyea, Gladys Mansa F.; Asante, Comfort (2009) |
| Women in the works of two Ghanaian dramatists: Fiawoo F.K. and Danquah J.B. | |
| Drumspeak: international journal of research in the humanities. Volume 2 #2. p. 72-92. |
| Bamidele, Lanre (2009) |
| Grotesque and mirthless humour in 'Midnight Hotel' and 'Morning yet on Judgement Day' | |
| African Performance Review. Volume 3 #1. p. 59-73. |
| Caulker, Tcho Mbaimba (2009) |
| Shakespeare's 'Julius Caesar' in Sierra Leone: Thomas Decker's 'Juliohs Siza', Roman politics, and the emergence of a postcolonial African State |
| Research in African Literatures. Volume 40 #2. p. 208-227. |
| Crow, Brian (2009) |
| 'African Brecht' |
| Research in African Literatures. Volume 40 #2. p. 190-207. |
| Ebewo, Patrick J. (2009) |
| Satire: a shifting paradigm in Zakes Mda's dramaturgy |
| The English Academy Review. Volume 26 #2. p. 25-37. |
| Kasule, Sam (2009) |
| More than just musical plays: intersections of politics and folklore in Byron Kawadwa's theatre | |
| African Performance Review. Volume 3 #1. p. 39-58. |
| Mwangi, Evan (2009) |
| Amandina Lihamba's gendered adaptation of Sembene Ousmane's 'The money-order' |
| Research in African Literatures. Volume 40 #3. p. 149-173. |
| Odhiambo, Christopher (2009) |
| Whose nation? Romanticizing the vision of a nation in Bole Butake's 'Betrothal without Libation' and 'Family Saga' |
| Research in African Literatures. Volume 40 #2. p. 159-172. |
| Okoye, Chukwuma (ed.) (2009) |
| In black and white | |
| African Performance Review. Volume 3 #2-3. 147p. |
| Asiedu, Awo Mana (2008) |
| Returning to the 'motherland', illusions and realities: a study of Aidoo's 'The dilemma of a ghost' and Onwueme's 'Legacies/The missing face' | |
| Legon Journal of the Humanities. Volume 19. p. 1-19. |
| Diakhaté, Ousmane (2008) |
| Léopold Sédar Senghor et le théâtre | |
| Annales de la Faculté des lettres et sciences humaines. #38. p. 289-298. |
| Dotson-Renta, Lara N. (2008) |
| Translated identities: writing between Morocco and Spain |
| The Journal of North African Studies. Volume 13 #4. p. 429-439. |
| Irobi, Esiaba (ed.) (2008) |
| Special issue on Wole Soyinka | |
| Philosophia Africana. Volume 11 #1. 88p. |
| Jedlowski, Allessandro (2008) |
| Violenza, teatro e resistenza: un breve percorso attraverso l'opera di Dieudonné Niangouna | |
| Studia Africana. #19. p. 134-139. |
| Maphumulo, A.M. (2008) |
| An analysis of a plot structure of D.B.Z. Ntuli's radio trilogy: 'Isivumelwano', 'Isivumelwano Esisha' and 'Ngenxa Yesivumelwano' | |
| Viva Africa. p. 91-99. |
| Omoregie, F.-K. (2008) |
| Styles and levels of acting in Zimbabwean traditional performances | |
| Marang: Journal of Language and Literature. #18. p. 121-136. |
| Razaimiandrisoa, Nirina (2008) |
| Dox, poète et traducteur? Le Cid, tragi-comédie de Corneille | |
| Études océan Indien. #40-41. p. 187-212. |
| Skhosana, P.B. (2008) |
| IsiNdebele culture influence in character naming | |
| Viva Africa. p. 71-81. |
| Tandia Mouafou, J.-J. Rousseau (2008) |
| Le théâtre comme métaphore du nihilisme chez Sony Labou Tansi | |
| Éthiopiques: revue socialiste de culture négro-africaine. #81. p. 71-88. |
| Raji, W. (2007-2008) |
| Urban dislocation and post colonial transformation in the plays of Femi Osofisan | |
| Journal of Humanities. #21. p. 1-12. |
| Abomo-Maurin, Marie-Rose (2007) |
| Destins de la femme: entre fiction et réalisme, Werewere Liking et Tanella Boni | |
| Éthiopiques: revue socialiste de culture négro-africaine. #79. p. 41-56. |
| Adéyemí, Solá (2007) |
| Agony, Antigone and the dialectics of resistance in African performance | |
| African Performance Review. Volume 1 #1. p. 25-33. |
| Agoro, Saviour N.A. (2007) |
| 'The Trials of Brother Jero' and 'The Island' | |
| International Journal of Humanistic Studies. Volume 6. p. 72-80. |
| Krueger, Anton (2007) |
| Performing transformations of identity: 'ethnic' nationalisms and syncretic theatre in post-apartheid South Africa |
| The English Academy Review. Volume 24 #1. p. 51-60. |
| Magalasi, Mufunanji (2007) |
| To outwit or not to outwit censorship in Malawi: university theatre and Banda's policies in the 1970s | |
| African Performance Review. Volume 1 #1. p. 64-78. |
| Ukaegbu, Victor I. (2007) |
| Written over, written out: the gendered misrepresentation of women in modern African performance | |
| African Performance Review. Volume 1 #1. p. 7-23. |
| Agoro, S.N.A. (2006) |
| The motif of domestic strife and family disintegration in J.P. Clark's Song of a goat, and John Ruganda's The burdens | |
| Language Centre Journal. Volume 2. p. 139-153. |
| Anonymous (2006) |
| Braking Dr Buleki Manga | |
| WASI: [bulletin]. Volume 17 #1. December. p. 4-7. |
| Collins, John (2006) |
| A century of changing locations of Ghanaian commercial popular entertainment venues |
| Transactions of the Historical Society of Ghana. #10. p. 149-170. |
| Currey, James (2006) |
| Publishing Ngugi | |
| African Studies Bulletin. #68. p. 26-54. |
| Delisle, Jennifer (2006) |
| Finding the Future in the Past: Nostalgia and Community-Building in Mhlophe's 'Have You Seen Zandie?' |
| Journal of Southern African Studies. Volume 32 #2. June. p. 387-401. |
| Dunton, Chris (2006) |
| Pupils, witch doctor, vengeance: Amos Tutuola as playwright |
| Research in African Literatures. Volume 37 #4. p. 1-14. |
| Khelladi, Khédidja (2006) |
| Poétique théâtrale et mise en scène de l'ancien et du moderne | |
| Le Maghreb littéraire. Volume 10 #20. p. 65-82. |
| Mbassi, Bernard (2006) |
| Le français entre mimesis et poésis dans le théâtre camerounais: des actes de language esthétique | |
| Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 217-238. |
| Motlatshiping, M. (2006) |
| Up close with Lame of Makgabaneng | |
| Kutlwano. Volume 47 #6. June. p. 6-7. |
| Msiska, Mpalive-Hangson (2006) |
| The Politics of Identity and the Identity of Politics: The Self as an Agent of Redemption in Wole Soyinka's 'Camwood on the Leaves' and 'The Strong Breed' |
| Journal of African Cultural Studies. Volume 18 #2. p. 187-196. |
| Ngankoua, Mbama (2006) |
| Tchicaya U Tam Si: la mise en scène du pouvoir en Afrique: théâtre et réalisme | |
| Éthiopiques: revue socialiste de culture négro-africaine. #76. p. 119-136. |
| Ogunleye, Foluke (2006) |
| Environmental disaster in the Niger-Delta: rapprochement through drama and the media | |
| Humanities Review Journal. Volume 6. p. 15-31. |
| Ong'ondo, C.O.; Barasa, P.L. (2006) |
| Impact of drama on English language teaching | |
| Educator (Eldoret, Kenya). Volume 1 #1. p. 181-189. |
| Chimwenje, J. (2005) |
| Bringing pus to the surface: Dario Fo and the dramaturgy of irreverence | |
| Journal of Humanities. #19. p. 19-38. |
| Christensen, Matthew J. (2005) |
| Cannibals in the postcolony: Sierra Leone's intersecting hegemonies in Charlie Haffner's slave revolt drama 'Amistad Kata-Kata' |
| Research in African Literatures. Volume 36 #1. p. 1-19. |
| Chukwukere, Frances N. (2005) |
| Subjectivity in Servitude: The Servant and Indigenous Family Arrangement in Written Igbo Drama |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 30 #3. p. 112-129. |
| Diala, Isidore (2005) |
| Ritual and mythological recuperation in the drama of Esiaba Irobi |
| Research in African Literatures. Volume 36 #4. p. 87-114. |
| Finburgh, Clare (2005) |
| The tragedy of optimism: Kateb Yacine's 'Le cadavre encerclé' and 'Les ancêtres redoublent de férocité' |
| Research in African Literatures. Volume 36 #4. p. 115-134. |
| Raji, Wumi (2005) |
| Africanizing 'Antigone': postcolonial discourse and strategies of indigenizing a Western classic |
| Research in African Literatures. Volume 36 #4. p. 135-154. |
| Afrax, Maxamed Dahir (2004) |
| The 'Abwaan' as beacon: the centrality of the message in Somali literature with especial reference to the play 'Shabeelnaagoog' | |
| Horn of Africa. Volume 22. p. 1-63. |
| Chaturvedi, Preeti (2004) |
| The Language of Counter Discourse in Post-Colonial African and Indian Writing | |
| Africa Quarterly. Volume 44 #3. p. 32-39. |
| Cheniki, Ahmed (2004) |
| Le théâtre algérien de langue française: lieux et tendances | |
| Le Maghreb littéraire. Volume 8 #16. p. 75-90. |
| Mboya, T.M. (2004) |
| Powerful lies, or history as fiction? a reading of Ebrahim N. Hussein's Kinjeketile | |
| Nairobi Journal of Literature. #2. March. p. 19-27. |
| Mule, Katwiwa (2004) |
| Theatre and development: modern East African women playwrights and a critique of development | |
| Kiswahili. Volume 67. p. 49-80. |
| Ndizié, P.O. (2004) |
| Didactique du texte dramatique et réappropriation de la maïeutique socratique: méthode interactive | |
| Fréquence sud. #17. avril. p. 258-285. |
| Search: su=drama | ||||||||
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