Africana Periodical Literature 
bibliographic database
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 | Endong, Floribert Patrick C.; Ndobo, Eugenie Grace Essoh (2023) |
 | 'Singing in Tongues' as Esotericism and Postmodern Christianity. A Study of Contemporary Nigerian Gospel Music |
| Cahiers d'études africaines. Volume 249. p. 157-179. |
| Alves, Amanda Palomo (2021) |
| Aquarela angolana: música e lazer na 'Luanda Lusotropical' (1961-1970). |
| Diálogos. Volume 25 #2. p. 168-191. |
| Amha, Azeb; Slotta, James; Sarvasy, Hannah S. (2021) |
| Singing the individual: name tunes in Oyda and Yopno |
 | Frontiers in Psychology. Volume 12. |
| Carnevale, Alessia (2021) |
| Recording another History: Songs, Martyrs, and the Cultural Memory of the Tunisian Left |
| Studi Magrebini. Volume 19 #2. p. 266-292. |
| Martin, Denis-Constant (2021) |
| Un itinéraire de recherche du terrain aux archives: Le Cap (Afrique du Sud), fêtes, musiques, 'identités', politique |
| Sources. Matériaux & Terrains en études africaines. Volume 3. p. 189-221. |
| Mendonça Júnior, Francisco Carlos Guerra (2021) |
| A música como forma de resistência em Angola: Da música anticolonial ao rap de intervenção |
| África: Revista do Centro de Estudos Africanos. Volume 42. p. 39-60. |
| Mendonça Júnior, Francisco Carlos Guerra de (2021) |
| 'A cultura estava influenciada pelo idioma inglês': A construção da identidade nacional no rap de Moçambique |
| e-Cadernos Ces. Volume 36. |
| Mukuna, Kazadi Wa (2021) |
| The evolution of harmony in the music of the Democratic Republic of Congo (DRC) |
| África: Revista do Centro de Estudos Africanos. Volume 42. p. 20-38. |
| Ntahomvukiye, Ariel Fabrice (2021) |
| Musique, mémoire et identité chez les Burundais exilés au Rwanda |
| Cahiers d'études africaines. Volume 243. p. 559-584. |
| Alves, Amanda Palomo (2020) |
| Escrever, compor, cantar!: o encontro da literatura angolana com a música no combate ao colonialismo (1940-1950) |
| Convergência Lusíada. Volume 31 #43. p. 78-91. |
| Bennett, Kirsty (2020) |
| One thousand and one nights of tango: Moving between Argentina, North Africa, and the Middle East |
| Atlantic Studies: Global Currents. Volume 17 #1. p. 65-90. |
| Bialoborska, Magdalena (2020) |
| Panorama musical numa roça no sul de São Tomé: Ribeira Peixe antes e depois da independência |
| Africana studia: revista internacional de estudos africanos. Volume 34. p. 131-149. |
| Djebbari, Elina (2020) |
| Dancing salsa in Benin: Connecting the Creole Atlantic |
| Atlantic Studies: Global Currents. Volume 17 #1. p. 110-134. |
| Jiménez Sedano, Livia (2020) |
| Kizomba beyond Angolan-ness and Lusofonia: The transnational dance floor |
| Atlantic Studies: Global Currents. Volume 17 #1. p. 91-109. |
| Kapchan, Deborah (2020) |
| The Fetish of Trance: Performing the Festive Sacred at the Essaouira Gnawa Festival of World Music |
| Hesperis Tamuda. Volume 55 #4. p. 31-50. |
| Lipenga, Ken Junior (2020) |
| Youth, alcohol and the forging of community in Malawian hip-hop music |
| Nordic Journal of African Studies. Volume 29 #3. p. 1-15. |
| Manetta, Delphine (2020) |
| Le don et la 'foutaise': Une analyse de chants dans la campagne électorale de novembre 2012 dans des villages jàana (Burkina Faso) |
| Cahiers d'études africaines. #237. p. 7-30. |
| Ngungui, Angelina (2020) |
| A música 'Os Meninos do Huambo': uma experiência de aula-oficina com estudantes do 1º ano de licenciatura em História do Instituto Superior de Ciências da Educação de Benguela |
| Revista Internacional em Língua Portuguesa. Volume 37. p. 157-172. |
| Nogueira, Gláucia (2020) |
| Músicas europeias do século XIX em Cabo Verde: espaços da sua apropriação |
| Cabo dos Trabalhos. Volume 20. p. 1-15. |
| Pereira, Matheus Serva (2020) |
| Colonialismo-tardio, pós-colonialismo e cultura popular nos subúrbios de Maputo: um olhar a partir da marrabenta (1945-1987) |
| Africana studia: revista internacional de estudos africanos. Volume 34. p. 95-115. |
| Sanga, Imani (2020) |
| Musical figures of enslavement and resistance in Semzaba's Kiswahili play 'Tendehogo' |
| African Studies. Volume 79 #3. p. 323-338. |
| Schneidermann, Nanna (2020) |
| Ugandan music stars between political agency, patronage, and market relations: cultural brokerage in times of elections |
| Nordic Journal of African Studies. Volume 29 #4. p. 1-19. |
| Suriano, Maria (2020) |
| Transnational Music Collaborations, Affective Networks and Everyday Practices of Convivial Solidarity in 'Ujamaa' Dar es Salaam |
| Journal of Southern African Studies. Volume 46 #5. p. 985-1008. |
| Valdigem, Catarina; Santos, Rogério (2020) |
| Sebastião Coelho e a construção sonora da angolanidade |
| Africana studia: revista internacional de estudos africanos. Volume 34. p. 151-169. |
| Wane, Marílio (2020) |
| Marrabenta: as dinâmicas históricas e socioculturais no contexto do seu surgimento |
| Africana studia: revista internacional de estudos africanos. Volume 34. p. 117-130. |
| Alves, Amanda Palomo (2019) |
| O 'Agrupamento Kissanguela' e a canção no pós-independência em Angola (1975-1979) |
| Afro-Ásia. Volume 60. p. 213-249. |
| Legg, Benjamin (2019) |
| Angolamania: Affective Bonds with Angola in the Music of the Cabo Verdean Diaspora |
| Portuguese Literary & Cultural Studies. Volume 32. p. 95-114. |
| Marye, Hewan Semon (2019) |
| Ityopyawinnät and Addis Abäba's Popular Music Scene |
| Aethiopica: International Journal of Ethiopian and Eritrean Studies. Volume 22. p. 96-123. |
| Pereira, Matheus Serva (2019) |
| Batuques negros, ouvidos brancos: colonialismo e homogeneização de práticas socioculturais do sul de Moçambique (1890-1940) |
| Revista Brasileira de História. Volume 39 #80. p. 155-177. |
| Wiedemann, Felix (2019) |
| The Local and the Global in Networks of Lebanese and Algerian Rappers |
| Open Library of Humanities. Volume 5 #1. |
| Carter-Ényì, Aaron (2018) |
| Hooked on Sol-Fa: the do-re-mi heuristic for Yorùbá speech tones |
| Africa: Journal of the International African Institute. Volume 88 #2. p. 267-290. |
| Gebremariam, Simeneh Betreyohannes (2018) |
| The Azmari Tradition in Addis Ababa: Change and Continuity |
| Northeast African Studies. Volume 18 #1-2. p. 31-57. |
| Geerlings, Lonneke (2018) |
| Performances in the theatre of the Cold War: the American Society of African Culture and the 1961 Lagos Festival |
| Journal of Transatlantic Studies. Volume 16 #1. p. 1-19. |
| Hoesing, Peter J. (2018) |
| Nabuzaana Omunozzi w'Eddagala: Hearing Kiganda Ecology in the Music of Kusamira Ritual Healing Repertories |
| History in Africa. Volume 45. p. 347-371. |
| Mosobalaje, Adebayo (2018) |
| Textual migration in Ebenezer Obey's 'juju' music |
| African Studies. Volume 77 #1. p. 67-86. |
| Rosa, Ricardo D. (2018) |
| Cape Verdean Counter Cultural Hip-Hop(s) & the Mobilization of the Culture of Radical Memory: Public Pedagogy for Liberation or Continued Colonial Enslavement |
| Journal of Cape Verdean Studies. Volume 3 #1. p. 92-113. |
| Sitoe, Tirso Hilário (2018) |
| Para Além de uma Escolha: Da música de crítica e protesto social às identidades político-partidárias em Moçambique |
| Cadernos de Estudos Africanos. #35. p. 135-148. |
| Bahule, Cremilde (2017) |
| O Uso das LWC's na Música Moçambicana |
| Revista Internacional em Língua Portuguesa. Volume 32. p. 207-225. |
| Cardão, Marcos (2017) |
| 'Muamba, Banana e Cola.' O Duo Ouro Negro e o Tropicalismo Desnacionalizador |
| Portuguese Literary & Cultural Studies. Volume 30-31. p. 174-191. |
| Israel, Paolo (2017) |
| Mueda Massacre: The Musical Archive |
| Journal of Southern African Studies. Volume 43 #6. p. 1157-1179. |
| Kufakurinani, Ushehwedu; Mwatwara, Wesley (2017) |
| Zimdancehall and the Peace Crisis in Zimbabwe |
| African Conflict and Peacebuilding Review. Volume 7 #1. p. 33-50. |
| Torp, Claudius (2017) |
| Missionary Education and Musical Communities in Sub-Saharan Colonial Africa | |
| Itinerario: European Journal of Overseas History. Volume 41 #2. p. 235-251. |
| Alves, Amanda Palomo (2016) |
| Oh, Muxima! A formação da música popular urbana de Angola e o grupo 'N'gola Ritmos' (1940-1950) |
| Revista Tempo, Espaço, Linguagem. Volume 7 #2. p. 193-218. |
| Amico, Marta (2016) |
| La résistance des Touaregs au prisme de la 'World Music' | |
| Cahiers d'études africaines. Volume 56 #224. p. 821-844. |
| Bialoborska, Magdalena (2016) |
| Vungu Téla Estudo da Música Santomense: Uma proposta de métodos, técnicas e objetivos |
| Cadernos de Estudos Africanos. #32. p. 97-122. |
| Brito-Semedo, Manuel (2016) |
| Gastronomia, música e dança no ciclo de vida do homem cabo-verdiano | |
| Revista de Estudos Cabo-Verdianos. Volume 1. p. 69-85. |
| Damodaran, Sumangala; Sitas, Ari (2016) |
| The musical journey: re-centring AfroAsia through an arc of musical sorrow |
| Critical Arts: A Journal of Media Studies. Volume 30 #2. p. 252-268. |
| Eve, Prosper (ed.) (2016) |
| Esclavage: nouvelles approches | |
| Revue historique de l'océan Indien. #13. p. 417-478. |
| Fisher, Alexander (2016) |
| Modes of 'griot' inscription in African cinema |
| Journal of African Media Studies. Volume 8 #1. p. 5-16. |
| Gomes, Simone Caputo (2016) |
| Literatura e música: ecos de cabo-verdianidade | |
| Revista de Estudos Cabo-Verdianos. Volume 1. p. 127-136. |
| Lambrechts, Lizabé (2016) |
| Performing the aporias of the archive: towards a future for South African music archives | |
| Historia: amptelike orgaan. Volume 61 #1. p. 132-154. |
| Lewis, Tony (2016) |
| Ethnomusicology, world music and analysis in African music | |
| Australasian Review of African Studies. Volume 37 #1. p. 95-117. |
| Nascimento, Washington Santos (2016) |
| Liceu Vieira Dias e o N'gola Ritmos: música e resistência anticolonial em Angola |
| Odeere: revista do programa de pós-graduação em Relações Étnicas e Contemporaneidade. Volume 1 #1. p. 75-98. |
| Naylor, Phillip C. (2016) |
| Paul Bowles and Morocco's music |
| The Journal of North African Studies. Volume 21 #4. p. 550-598. |
| Okonkwo, Christopher (2016) |
| Chinua Achebe's 'Blue notes': toward a critical recording of 'Things fall apart's blues and jazz sensibility |
| Research in African Literatures. Volume 47 #1. p. 109-127. |
| Adjei, Godwin K. (2015) |
| Creative transformation in African art music: a case study |
| Contemporary Journal of African Studies. Volume 3 #1. p. 39-67. |
| Amoros, Luis Gimenez (2015) |
| Azawan: precolonial musical culture and Saharawi nationalism in the refugee camps of the Hamada desert in Algeria | |
| African Music Journal. Volume 10 #1. p. 31-51. |
| Braun, Lesley Nicole (2015) |
| Trading virtue for virtuosity: the artistry of Kinshasa's concert danseuses |
| African Arts. Volume 47 #4. p. 48-57. |
| Bushidi, Cécile Feza (2015) |
| Reflections on the fabrication of musical folklore in Kenya from the early 1920s to the late 1970s |
| Les Cahiers d'Afrique de l'Est / The East African Review. Volume 50. p. 8-21. |
| Dargie, Dave (2015) |
| The voice of a prisoner: recordings of Joseph Ntwanambi in the Ruhleben prisoner of war camp, Berlin, 1917 | |
| African Music Journal. Volume 10 #1. p. 180-199. |
| Darko, Jennies Deide (2015) |
| Dance performance, an endorsement for advertised products on television in Ghana | |
| Journal of Performing Arts. Volume 5 #1. p. 128-137. |
| Eve, Prosper (ed.) (2015) |
| Esclavage: nouvelles approches | |
| Revue historique de l'océan Indien. #12. p. 153-223. |
| Gaulier, Armelle; Gary-Tounkara, Daouda (eds.) (2015) |
| Dossier: musique et pouvoir, pouvoirs des musiques dans les Afriques |
| Afrique contemporaine. #254. p. 13-102. |
 | Gunner, Liz (ed.) (2015) |
| Performance and social meaning |
| Journal of African Cultural Studies. Volume 27 #3. p. 247-369. |
| Hurley-Glowa, Susan (2015) |
| Cape Verdeans in the Atlantic: the formation of Kriolu music and dance styles on ship and in port | |
| African Music Journal. Volume 10 #1. p. 7-30. |
| Ndemesah, Fausta Fonju (2015) |
| Performing change: singing and dancing for AIDS in Cameroon, a show of semantic noise | |
| Afriche e Orienti. #1-2. p. 150-166. |
| Nyamful, Anthony Yaw (2015) |
| The need for the study of music therapy in Ghanaian tertiary institutions | |
| Globus: journal of Methodist University College Ghana. #3. p. 80-91. |
| Skinner, Ryan Thomas (2015) |
| An Afropolitan Muse |
| Research in African Literatures. Volume 46 #2. p. 15-31. |
| Webb, Gavin (2015) |
| 'Ma la ma wie Ga': ('I will sing and speak Ga'): Wulomei and the articulations of Ga identity in stylized form | |
| African Music Journal. Volume 10 #1. p. 52-83. |
| Aterianus-Owanga, Alice; Guedj, Pauline (eds.) (2014) |
| Musique dans l''Atlantique noir' | |
| Cahiers d'études africaines. Volume 54 #216. p. 861-1136. |
| Diawara, Mamadou (2014) |
| 'La bibliothèque coloniale', la propriété intellectuelle et la romance du développement en Afrique |
| Canadian Journal of African Studies. Volume 48 #3. p. 445-461. |
| Eve, Prosper (ed.) (2014) |
| Esclavage: nouvelles approches | |
| Revue historique de l'océan Indien. #11. p. 552-624. |
| Inglese, Francesca (2014) |
| Choreographing Cape Town through goema music and dance | |
| African Music Journal. Volume 9 #4. p. 123-145. |
| Lwanda, John (2014) |
| Diaspora, domicile and debate: a preliminary artistic and cultural search for a Malawi identity from pre-colonial times to 2014 |
| The Society of Malawi Journal. Volume 67 #1. p. 16-45. |
| Marmone, Giordano (2014) |
| Alliances militaires et musicales sur le mont Nyiro: le système d'âge des Samburu à l'épreuve des nouveaux paradigmes du conflit |
| Les Cahiers d'Afrique de l'Est / The East African Review. Volume 49. p. 87-98. |
| Mugishagwe, Allan (2014) |
| Music and notions of citizenship in the humanitarian work of two NGOs in Uganda | |
| African Music Journal. Volume 9 #4. p. 71-90. |
| Okigbo, Austin (2014) |
| Contesting cultural meaning in a post-apartheid South African HIV/AIDS music event | |
| African Music Journal. Volume 9 #4. p. 54-70. |
| Sanga, Imani (2014) |
| Postcolonial archival fever and the musical archiving of African identity in selected paintings by Elias Jengo |
| Journal of African Cultural Studies. Volume 26 #2. p. 140-154. |
| Aluede, Charles Onomudo; Omone, Aluede Esther (2013) |
| Ujie music and dance of the Esan: a Nigerian genre on the wheels | |
| Journal of Performing Arts. Volume 4 #4. p. 103-114. |
| Boamah, Emmanuel (2013) |
| Nketia's contribution to African pianism: an innovation to the literature of African art music | |
| Journal of Performing Arts. Volume 4 #4. p. 11-24. |
| Grové, Izak (ed.) (2013) |
| Stefans Grové: opstelle oor sy lewe en werk | |
| Tydskrif vir geesteswetenskappe. Volume 53 #2. 265p. |
| Lwanda, John; Kanjo, Chipo (2013) |
| Computers, culture and music: the history of the recording industry in Malawi |
| The Society of Malawi Journal. Volume 66 #1. p. 23-42. |
| Ofosu, Terry Bright Kweku (2013) |
| Rap culture and its parallels: the 'La kpa' and Akan praise singing in perspective | |
| Journal of Performing Arts. Volume 4 #4. p. 41-54. |
| Rutten, Kris; Van Dienderen, An; Soetaert, Ronald (eds.) (2013) |
| Special issue 1: Revisiting the ethnographic turn in contemporary art |
| Critical Arts: A Journal of Media Studies. Volume 27 #5. p. 459-626. |
| Sum, Maisie (2013) |
| Music for the unseen: interaction between two realms during a Gnawa 'lila' | |
| African Music Journal. Volume 9 #3. p. 151-182. |
| Webster-Kogen, Ilana (2013) |
| Engendering homeland: migration, diaspora and feminism in Ethiopian music |
| Journal of African Cultural Studies. Volume 25 #2. p. 183-196. |
| Whitmore, Aleysia K. (2013) |
| 'Cuban music is African music': negotiating African and the African diaspora on the world music stage | |
| African Music Journal. Volume 9 #3. p. 111-121. |
| Bahuchet, Serge (ed.) (2012) |
| Identités 'pygmées' dans un monde qui change: questions et recherches actuelles | |
| Journal des africanistes. Volume 82 #1-2. p. 5-205. |
| Brito, Celso de (2012) |
| Berimbau's 'use value' and 'exchange value': Production and consumption as symbols of freedom in contemporary global Capoeira Angola |
| Vibrant: Virtual Brazilian Anthropology. Volume 9 #2. p. 103-127. |
| Glasser, Jonathan (2012) |
| Edmond Yafil and Andalusi Musical Revival in Early 20th Century Algeria |
| International Journal of Middle East Studies. Volume 44 #4. p. 671-692. |
| Hashim, Muhammad Jalal (2012) |
| Sudanese music: a loud voice silenced by an inconvenient ideology: a historical review | |
| Tinabantu: journal of African national affairs. Volume 4 #2. p. 37-43. |
| Mhiripiri, Joyce Tsitsi (2012) |
| Towards an epistemology of management and economics in the Zimbabwean music industry | |
| Journal of African Media Studies. Volume 4 #3. p. 339-355. |
| Miller, Ivor L. (2012) |
| Bongó Itá: leopard society music and language in West Africa, Western Cuba, and New York City |
| African and Black Diaspora: An International Journal. Volume 5 #1. p. 85-103. |
| Mukuna, Kazadi Wa (2012) |
| 'Nsumwinu': meaning and role in the structural composition of melodies in the urban music of the Democratic Republic of the Congo |
| África: Revista do Centro de Estudos Africanos. Volume Especial. p. 199-210. |
| Olatunji, Michael Olutayo (2012) |
| Yorùbá proverbs and musicality |
| Legon Journal of the Humanities. Volume 23. p. 125-140. |
| Pasler, Jann (2012) |
| Musical hybridity in flux: representing race, colonial policy, and modernity in French North Africa, 1860s-1930s | |
| Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #20-21. p. 21-68. |
| Ratiba, Matome M. (2012) |
| To copyright 'dikosa tsa setso' or not: pondering the challenges |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 11 #2. p. 233-244. |
| Fotsing Mangoua, Robert (2011) |
| Apartheid et intermédialité chez André Brink et Célestin Monga | |
| Intel'actuel: revue de lettres et sciences humaines. #10. p. 71-86. |
| Ogude, James; Ojwang, Dan (eds.) (2011) |
| Special issue: Eastern African literatures and cultures |
| Africa Today. Volume 57 #3. 95p. |
| Racanelli, David (2011) |
| Diasporic jeliya as a collaborative trade in New York City | |
| African Music Journal. Volume 9 #1. p. 136-153. |
| Search: su=music | ||||||||
| Found: 398 | Record 1-100 | |
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