Africana Periodical Literature 
bibliographic database
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 | Osiebe, Garhe (2020) |
 | Methods in performing Fela in contemporary Afrobeats, 2009-2019 |
| African Studies. Volume 79 #1. p. 88-109. |
| Naylor, Phillip C. (2016) |
| Paul Bowles and Morocco's music |
 | The Journal of North African Studies. Volume 21 #4. p. 550-598. |
| Villiers, Marguerite de (2016) |
| Johnny Clegg: a shadow man |
| Anthropology Southern Africa. Volume 39 #1. p. 58-63. |
| Adjei, Godwin K. (2015) |
| Creative transformation in African art music: a case study |
| Contemporary Journal of African Studies. Volume 3 #1. p. 39-67. |
| Eyre, Banning (2015) |
| Thomas Mapfumo and the popularization of Shona mbira | |
| African Music Journal. Volume 10 #1. p. 84-101. |
| Gaulier, Armelle; Gary-Tounkara, Daouda (eds.) (2015) |
| Dossier: musique et pouvoir, pouvoirs des musiques dans les Afriques |
| Afrique contemporaine. #254. p. 13-102. |
| Madalane, Ignatia (2015) |
| From Paul to Penny: the emergence and development of Tsonga disco 1985-1990s | |
| African Music Journal. Volume 10 #1. p. 150-179. |
| Goth, Bashir (2014) |
| Magool: the inimitable nightingale of Somali music | |
| Bildhaan: An International Journal of Somali Studies. Volume 14. p. 1-24. |
| Sanga, Imani (2014) |
| Postcolonial archival fever and the musical archiving of African identity in selected paintings by Elias Jengo |
| Journal of African Cultural Studies. Volume 26 #2. p. 140-154. |
| Baines, Gary (2013) |
| Lionising De la Rey: Afrikaner identity politics and performative nostalgia in post-apartheid South Africa |
| African Identities. Volume 11 #3. p. 249-259. |
| Brunner, Anja (2013) |
| The singer Anne-Marie Nzié and the song 'Liberté': on popular music and the postcolonial State in Cameroon | |
| African Music Journal. Volume 9 #3. p. 40-58. |
 | Grové, Izak (ed.) (2013) |
| Stefans Grové: opstelle oor sy lewe en werk | |
| Tydskrif vir geesteswetenskappe. Volume 53 #2. 265p. |
| Dowling, Tessa; Stinson, Kathryn (2011) |
| Pop singer as healer: the use of Xhosa lyrics as cultural self-realization |
| Journal of African Cultural Studies. Volume 23 #2. p. 177-188. |
| Lawrence, Sidra (2011) |
| Sounds of development? Race, authenticity, and tradition among Dagara female musicians in northwestern Ghana | |
| African Music Journal. Volume 9 #1. p. 206-220. |
| Lucia, Christine (2011) |
| Joshua Pulumo Mohapeloa and the heritage of African song | |
| African Music Journal. Volume 9 #1. p. 56-86. |
| Scharfenberger, Angela (2011) |
| West African women in music: an analysis of scholarship, women's participation in music in West Africa: a reflection on fieldwork, self, and understanding | |
| African Music Journal. Volume 9 #1. p. 221-246. |
| Abdallah, Zablong Zakariah; Locke, David (eds.) (2010) |
| The Lunsi (drummers) of Dagbon: tradition and change | |
| Research Review. #21. 67p. |
| Mhiripiri, Nhamo Anthony (2010) |
| The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period | |
| Journal of African Media Studies. Volume 2 #2. p. 209-223. |
| Mlambo, Alois (ed.) (2010) |
| Special issue: the culture of crisis and crisis of culture in Zimbabwe | |
| African Identities. Volume 8 #2. p. 89-190. |
| Sanga, Imani (2010) |
| Postcolonial cosmopolitan music in Dar es Salaam: Dr. Remmy Ongala and the traveling sounds |
| African Studies Review. Volume 53 #3. p. 61-76. |
| Amoah, Joshua A. (2009-2010) |
| The use of traditional musical genre as a pre-compositional resource in Ghanaian contemporary choral art music: perspectives from Newlove Annan's 'Ewuradze' | |
| Journal of Performing Arts. Volume 4 #1. p. 42-62. |
| Andoh, Timothy Esiam (2009-2010) |
| The growth and development of choral music in Ghana: the contributions and aspects of the choral style of Ephraim Amu | |
| Journal of Performing Arts. Volume 4 #1. p. 123-135. |
| Gibert, Marie-Pierre; Meinhof, Ulrike Hanna (2009) |
| Inspiration triangulaire: musique, tourisme et développement à Madagascar | |
| Cahiers d'études africaines. Volume 49 #193-194. p. 227-256. |
| Hilhorst, Sean (2009) |
| Remmy Ongala: capitalist transition and popular music in Tanzania 1979-2002 |
| Journal of African Cultural Studies. Volume 21 #2. p. 105-126. |
| Noss-van Buren, Kathleen J. (2009) |
| Locating hope in performance: lessons from Edward Kabuye | |
| African Music Journal. Volume 8 #3. p. 144-161. |
| Omojola, Bode (2009) |
| Songs of the king's wives: women, power and performance in the Yoruba public sphere |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 34 #2. p. 47-57. |
| Prestholdt, Jeremy (2009) |
| The afterlives of 2Pac: imagery and alienation in Sierra Leone and beyond |
| Journal of African Cultural Studies. Volume 21 #2. p. 197-218. |
| Coester, Markus (2008) |
| Localising African popular music transnationally: 'Highlife-travellers' in Britain in the 1950s and 1960s |
| Journal of African Cultural Studies. Volume 20 #2. p. 133-144. |
| Hamel, Chouki El (2008) |
| Constructing a diasporic identity: tracing the origins of the Gnawa spiritual group in Morocco |
| The Journal of African History. Volume 49 #2. p. 241-260. |
| Motlatshiping, M.; Moruakgomo, G. (2008) |
| Vusi, the new kid on the block | |
| Kutlwano. Volume 46 #3. March. p. 6-8. |
| Samatar, Ahmed I. (2008) |
| A virtuosic touch: Hodeide, a life with the oud and more | |
| Bildhaan: An International Journal of Somali Studies. Volume 8. p. 31-51. |
| Adjei, Godwin K. (2007) |
| Reducing the male monopoly of State drumming in Ghana: the Axim experience | |
| Research Review. Volume 23 #2. p. 71-79. |
| Kubik, Gerhard (2007) |
| Pierre Gwa: Mpyemõ guitarist: his songs and their sources: Central African Republic, 1966 | |
| African Music Journal. Volume 8 #1. p. 21-35. |
| Moisakamo, T. (2007) |
| Mapetla: the new kid on the block | |
| Kutlwano. Volume 48 #1. January. p. 8-9. |
| Morupisi, D.; Ketumile, K. (2007) |
| As they depart ... | |
| Kutlwano. Volume 48 #4. April-May. p. 32-33. |
| Mosarwa, S. (2007) |
| Up and close with Master Dee | |
| Kutlwano. Volume 48 #2. February. p. 32-33. |
| Olatunji, Michael Olutayo (2007) |
| The biography of Col. J.A. Olubobokun, a foremost Nigerian military musician | |
| Research Review. Volume 23 #1. p. 27-36. |
| Reuster-Jahn, Uta (2007) |
| The Mwera lamellophone 'luliimba' | |
| African Music Journal. Volume 8 #1. p. 6-20. |
| Allen, Lara (2006) |
| From Rights to Responsibilities: Identity Politics and Ethnographic Methodology, Dialogues with South African Musicians |
| Social Dynamics. Volume 32 #2. p. 50-80. |
| Nabti, Mehdi (2006) |
| Soufisme, métissage culturel et commerce du sacré: les Aïssâwa marocains dans la modernité |
| Insaniyat: revue algérienne d'anthropologie et de sciences sociales. Volume 10 #32-33. p. 173-195. |
| Ndyani, C. (2006) |
| So into Q | |
| WASI: [bulletin]. Volume 16 #2. April. p. 10-11. |
| Soko, B. (2006) |
| Homage to Black Paseli: eighth anniversary of his disappearance | |
| WASI: [bulletin]. Volume 16 #2. April. p. 15-17. |
| Wambugu, D. (2006) |
| Let the music play on | |
| Wajibu. Volume 21 #1. April-May. p. 15-16. |
| Kawase, Itsushi (2005) |
| Musical performance and self-designation of Ethiopian minstrels: Azmari |
| African Study Monographs: Supplementary Issue. #29. p. 137-142. |
| Moisakamo, T. (2005) |
| Living off music | |
| Kutlwano. Volume 46 #9. September. p. 15. |
| Olatunji, Michael Olutayo (2005) |
| The biography of T.K.E. Phillips: Nigeria's foremost contemporary art musician | |
| Research Review. Volume 21 #2. p. 11-16. |
| Bolay, Anna (2004) |
| Les poètes-musiciens éthiopiens (azmari) et leurs constructions identitaires: des marginaux qui aspirent à la normalité |
| Cahiers d'études africaines. Volume 44 #176. p. 815-839. |
| Raquin-Ngasho, Emilie (2004) |
| Pouvoir et représentations à Kinshasa: les musiciens congolais, nouvelle élite d'une jeunesse urbaine en crise | |
| Africultures. #61. p. 132-142. |
| Sadoh, Godwin (2004) |
| Intercultural Creativity in Joshua Uzoigwe's Music |
| Africa: Journal of the International African Institute. Volume 74 #4. p. 633-661. |
| Samper, David A. (2004) |
| 'Africa is Still Our Mama': Kenyan Rappers, Youth Identity, and the Revitalization of Traditional Values |
| African Identities. Volume 2 #1. April. p. 37-51. |
| Bolay, Anne (2003) |
| Un musicien au service du pouvoir: Mesganaw Aduña (c. 1895-1972) | |
| Annales d'Éthiopie. Volume 19. p. 73-82. |
| Borszik, Anne-Kristin (2003) |
| Politische Musik in Guinea-Bissau | |
| Afrika Spectrum. Volume 38 #3. p. 319-345. |
| Majtenyi, C. (2003) |
| Making a difference: the Nazal Jazz Band in Kakuma Refugee Camp | |
| Wajibu. Volume 18 #3. September-October. p. 18-19. |
| Titlestad, Michael (2003) |
| Water from an Ancient Well: Abdullah Ibrahim as Pilgrim and Healer |
| African Identities. Volume 1 #1. April. p. 53-68. |
| Olorunyomi, Sola (2002) |
| Fela as a conscious musical Caliban | |
| Tinabantu: journal of African national affairs. Volume 1 #1. p. 1-5. |
| Wolombi Monga Mpange (2002) |
| Verbe et poéticité dans l'oeuvre musicale de Félix Wazekwa | |
| Annales aequatoria. Volume 23. p. 429-441. |
| Anonymous (2000) |
| You'll never eat lunch in this town, period | |
| Executive (Nairobi, Kenya). December-Jan.. p. 24-25. |
| Muchai, E. (2000) |
| The root of all evil | |
| Executive (Nairobi, Kenya). December-Jan.. p. 26-27. |
| Tshonga Onyumbe (2000) |
| Franco Luambo Makiadi (1939-1989) et la société congolaise: en mémoire du 10e anniversaire de sa mort | |
| Congo-Afrique: économie, culture, vie sociale. Volume 40 #341. janvier. p. 31-44. |
| Tshonga Onyumbe (1999) |
| Lutumba Simaro | |
| Annales aequatoria. Volume 20. p. 355-377. |
| Tshonga Onyumbe (1999) |
| Kallé Jeef ou Joseph Kabasele Tshamala: biographie et oeuvre d'un chanteur congolais | |
| Annales aequatoria. Volume 20. p. 323-353. |
| White, Bob W. (1999) |
| Modernity's trickster: 'dipping' and 'throwing' in Congolese popular dance music |
| Research in African Literatures. Volume 30 #4. p. 156-175. |
| Ratsimisetra, J.R. (1998) |
| Erudit et pédagogue | |
| Lettre mensuelle de JURECO. Volume 12 #144. déc.. p. 10-12. |
| Tshonga Onyumbe (1998) |
| Franco Luambo | |
| Annales aequatoria. Volume 19. p. 195-230. |
| Tshonga Onyumbe (1997) |
| Tabu Ley: un musicien congolais | |
| Annales aequatoria. Volume 18. p. 435-469. |
| Fiagbedzi, N. (1996-1997) |
| The professional musician of the future: a projection into 2020 A.D | |
| Journal of Performing Arts. Volume 2 #2. p. 39-48. |
| Agawu, Kofi (1996) |
| The Amu Legacy |
| Africa: Journal of the International African Institute. Volume 66 #2. p. 274-279. |
| Duyker, E. (1996) |
| Castell (alias Cavendish de Castel), William Henry (1789-1839) | |
| Dictionnaire de biographie mauricienne. #51. juillet. p. 1604-1605. |
| Jury, Brendan (1996) |
| Boys to Men: Afrikaans Alternative Popular Music 1986-1990 |
| African Languages and Cultures. Volume 9 #2. p. 99-109. |
| Muller, Carol (1996) |
| Sathima Bea Benjamin, Exile and the 'Southern Touch' in Jazz Creation and Performance |
| African Languages and Cultures. Volume 9 #2. p. 127-143. |
| Kchir-Bendana, Kmar (1995) |
| Kaddour Ben Nitram: chansonnier et humoriste tunisien | |
| Revue des mondes musulmans et de la Méditerranée. #77-78. p. 165-173. |
| Shelemay, Kay Kaufman (1992) |
| The Musician and Transmission of Religious Tradition: The Multiple Roles of the Ethiopian Däbtära |
| Journal of Religion in Africa. Volume 22 #3. August. p. 242-260. |
| Anonymous (1991) |
| From Man to Man with Juma Toto | |
| Drum. March. p. 23, 30. |
| D'Unienville, R. (1991) |
| Tenaud, Pierre Antoine (1771-1833) | |
| Dictionnaire de biographie mauricienne. #46. avril. p. 1432-1433. |
| Sergio, P. (1991) |
| A nossa música é respeitada | |
| Tempo. #1073. 5 de maio. p. 24-28. |
| Sergio, P. (1991) |
| 'Punks', 'rastas', 'brincas', cultura, crítica ou estilo? | |
| Tempo. #1068. 31 de março. p. 24-31. |
| Laburthe-Tolra, Ph. (1980) |
| La condition sociale du musicien dans l'Afrique noire traditionnelle | |
| Ethnopsychologie: revue de psychologie des peuples. Volume 35 #4. p. 37-44. |
| Search: su=musicians | ||||||||
| Found: 77 | Record 1-77 | |||||||
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