Africana Periodical Literature 
bibliographic database
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| Found: 183 | Record 1-100 |  |
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 | Osiebe, Garhe (2020) |
 | Methods in performing Fela in contemporary Afrobeats, 2009-2019 |
| African Studies. Volume 79 #1. p. 88-109. |
| Osiebe, Garhe (2019) |
| Valences of electoral consciousness in the music of democratic Nigeria |
| Canadian Journal of African Studies. Volume 53 #2. p. 251-272. |
 | Becker, Heike and Schulz, Dorothea (eds.) (2017) |
| Un/making difference through performance and mediation in contemporary Africa |
 | Journal of African Cultural Studies. Volume 29 #2. p. 149-259. |
| Grant, Andrea Mariko (2017) |
| The making of a 'superstar': the politics of playback and live performance in post-genocide Rwanda |
| Africa: Journal of the International African Institute. Volume 87 #1. p. 155-179. |
| Aoki, Kay (2016) |
| A social history and concept map analysis on 'Sodade' in Cabo Verdean Morna |
| African Study Monographs. Volume 37 #4. p. 163-187. |
| Osiebe, Garhe (2016) |
| The opportunism of political music culture in democratic Nigeria |
| Journal of African Cultural Studies. Volume 28 #1. p. 13-27. |
| Stasik, Michael (2016) |
| Real love versus real life: youth, music and utopia in Freetown, Sierra Leone |
| Africa: Journal of the International African Institute. Volume 86 #2. p. 215-236. |
| Witulski, Christopher (2016) |
| The gnawa lions: paths towards learning ritual music in contemporary Morocco |
| The Journal of North African Studies. Volume 21 #4. p. 599-622. |
| Aterianus-Owanga, Alice (2015) |
| 'Orality is my reality': the identity stakes of the oral creation in Libreville hip-hop practices |
| Journal of African Cultural Studies. Volume 27 #2. p. 146-158. |
| Eyre, Banning (2015) |
| Thomas Mapfumo and the popularization of Shona mbira | |
| African Music Journal. Volume 10 #1. p. 84-101. |
| Jedlowski, Alessandro (ed.) (2015) |
| Special issue: across media: mobility and transformation of cultural materials in the digital age |
| Journal of African Media Studies. Volume 7 #1. 99p. |
| Madalane, Ignatia (2015) |
| From Paul to Penny: the emergence and development of Tsonga disco 1985-1990s | |
| African Music Journal. Volume 10 #1. p. 150-179. |
| Mboya, T. Michael (2015) |
| Ethnicity and the brokerage of Kenyan popular music: categorizing 'Riziki' by Ja-Mnazi Afrika |
| Journal of African Cultural Studies. Volume 27 #2. p. 205-215. |
| Suriano, Maria and Lewis, Clara (2015) |
| 'Afrikaners is plesierig!': Voëlvry music, anti-apartheid identities and Rockey Street nightclubs in Yeoville (Johannesburg), 1980s-90s |
| African Studies. Volume 74 #3. p. 404-428. |
| Adegoju, Adeyemi (2014) |
| Beautiful Nubia's polemics on child rights and the leadership challenge in Nigeria |
| Journal of African Cultural Studies. Volume 26 #1. p. 82-98. |
| Gawa, Franck (2014) |
| Le coupé décalé en Côte d'Ivoire: sens et enjeux d'un succès musical |
| African Sociological Review. Volume 18 #1. p. 112-126. |
| Moulard, Sophie (2014) |
| Le regard entre deux rives: la migration et l'exil dans le discours des rappeurs sénégalais | |
| Cahiers d'études africaines. Volume 54 #213-214. p. 415-449. |
| Mugari, Victor (2014) |
| Code-switching in Zimbabwean urban grooves music |
| Language Matters: Studies in the Languages of Africa. Volume 45 #2. p. 224-236. |
| Strong, Krystal and Ossei-Owusu, Shaun (2014) |
| Naija boy remix: Afroexploitation and the new media creative economies of cosmopolitan African youth |
| Journal of African Cultural Studies. Volume 26 #2. p. 189-205. |
| Williams, Quentin and Stroud, Christopher (2014) |
| Multilingualism remixed: sampling, braggadocio and the stylisation of local voice |
| African Studies. Volume 73 #1. p. 124-145. |
| Akande, Akinmade (2013) |
| Code-switching in Nigerian hip-hop lyrics | |
| Language Matters: Studies in the Languages of Africa. Volume 44 #1. p. 39-57. |
| Baines, Gary (2013) |
| Lionising De la Rey: Afrikaner identity politics and performative nostalgia in post-apartheid South Africa |
| African Identities. Volume 11 #3. p. 249-259. |
| Brempong, Owusu (2013) |
| Proverbs and proverbial sayings in highlife songs | |
| Journal of Performing Arts. Volume 4 #4. p. 147-156. |
| Brunner, Anja (2013) |
| The singer Anne-Marie Nzié and the song 'Liberté': on popular music and the postcolonial State in Cameroon | |
| African Music Journal. Volume 9 #3. p. 40-58. |
| Emielu, Austin (2013) |
| Ethnic and regional identities in Nigerian popular music: a special focus on the Edo | |
| African Music Journal. Volume 9 #3. p. 92-110. |
| Musiyiwa, Mickias (2013) |
| Hit songs and the dynamics of postcolonial Zimbabwe: a study in popular music trends, 1980-2009 | |
| African Music Journal. Volume 9 #3. p. 59-91. |
| Mutonya, Maina wa (2013) |
| 'Jogoo la shambani haliwiki mjini': the village and the town in the 'Mugithi' and one man guitar performances in Kenya |
| African Studies Quarterly. Volume 14 #4. p. 1-16. |
| Schumann, Anne (2013) |
| Songs of a new era: popular music and political expression in the Ivorian crisis |
| African Affairs: The Journal of the Royal African Society. Volume 112 #448. p. 440-459. |
| Teffera, Timkehet (2013) |
| Canvassing past memories through Tezeta | |
| Journal of Ethiopian Studies. Volume 46. p. 31-66. |
| Uzor, Tia-Monique (2013) |
| The evolving face of 'Iwa Akwa' | |
| African Performance Review. Volume 7 #1. p. 104-115. |
| Adom, Marie Clémence (2012) |
| Noms d'artistes et horizons identitaires dans la poésie chantée de Côte d'Ivoire (Esquisse d'un imaginaire zouglou) | |
| Intel'actuel: revue de lettres et sciences humaines. #11. p. 153-176. |
| Aterianus, Alice (2012) |
| Des diables, des prophètes et des 'banzis' sur les scènes de Libreville: les réemplois religieux des rappeurs du Gabon | |
| Autrepart. #60. p. 39-53. |
| Clark, Msia Kibona (2012) |
| Hip hop as social commentary in Accra and Dar es Salaam |
| African Studies Quarterly. Volume 13 #3. p. 23-46. |
| Eisenberg, Andrew J. (2012) |
| Hip-hop and cultural citizenship on Kenya's 'Swahili coast' |
| Africa: Journal of the International African Institute. Volume 82 #4. p. 556-578. |
| Jackson, Rachel (2012) |
| The trans-atlantic journey of 'gumbé': where and why has it survived? | |
| African Music Journal. Volume 9 #2. p. 128-153. |
| James, Deborah and Hull, Elizabeth (eds.) (2012) |
| Special issue: popular economies in South Africa |
| Africa: Journal of the International African Institute. Volume 82 #1. 186p. |
| Jones, Claire (2012) |
| A modern tradition: the social history of the Zimbabwean marimba | |
| African Music Journal. Volume 9 #2. p. 32-56. |
| Künzler, Daniel and Reuster-Jahn, Uta (2012) |
| 'Mr. President': musical open letters as political commentary in Africa |
| Africa Today. Volume 59 #1. p. 89-113. |
| Liadi, Olusegun Fariudeen (2012) |
| Multilingualism and hip hop consumption in Nigeria: accounting for the local acceptance of a global phenomenon |
| Africa Spectrum. Volume 47 #1. p. 3-19. |
| Mate, Rekopantswe (2012) |
| Youth lyrics, street language and the politics of age: contextualizing the youth question in the Third Chimurenga in Zimbabwe |
| Journal of Southern African Studies. Volume 38 #1. p. 107-127. |
| Okome, Onookome and Newell, Stephanie (eds.) (2012) |
| Measuring time: Karin Barber and the study of everyday Africa |
| Research in African Literatures. Volume 43 #4. 195p. |
| Rosenberg, Aaron L. (2012) |
| Living for the city: urban displacement and incarceration in Wright's 'Native Son' and Rajabu's 'Masudi' |
| Journal of African Cultural Studies. Volume 24 #1. p. 35-53. |
| Schumann, Anne (2012) |
| A generation of orphans: the socio-economic crisis in Côte d'Ivoire as seen through popular music |
| Africa: Journal of the International African Institute. Volume 82 #4. p. 535-555. |
| Scott, Claire (2012) |
| Die Antwoord and a delegitimised South African whiteness: a potential counter-narrative? |
| Critical Arts: A Journal of Media Studies. Volume 26 #5. p. 745-761. |
| Spencer, Sylvanus N. (2012) |
| The use of pop songs by Sierra Leonean youths in enjoying the space created for freedom of expression after the civil war |
| Africa Today. Volume 59 #1. p. 71-86. |
| Van Wolputte, Steven and Bleckmann, Laura E. (2012) |
| The ironies of pop: local music production and citizenship in a small Namibian town |
| Africa: Journal of the International African Institute. Volume 82 #3. p. 413-436. |
| Bulu, Léon Tsambu (2011) |
| L'agir symbolique du public sur la scène musicale congolaise |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 36 #1. p. 29-48. |
| Collins, John (2011) |
| World music: a stimulus to Ghanaian tourism, education and 'cross-over' musical collaborations | |
| Journal of Performing Arts. Volume 4 #2. p. 71-79. |
| Dijk, Rijk van and Bruijn, Mirjam de (eds.) (2011) |
| Special issue on 'The ideologies of youth' |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 36 #3-4. 145p. |
| Emielu, Austin 'Maro (2011) |
| Popular music and youth empowerment in Nigeria | |
| Journal of Performing Arts. Volume 4 #2. p. 59-70. |
| Fié Doh, Ludovic (2011) |
| Le rôle des musiques populaires urbaines dans les mutations sociopolitiques en Côte d'Ivoire | |
| Éthiopiques: revue socialiste de culture négro-africaine. #86. p. 187-213. |
| Kahn, Rebecca (2011) |
| 'Oop vir misinterpretasie': South African journalism's take-up and representation of the music of Fokofpolisiekar |
| Ecquid Novi: African Journalism Studies. Volume 32 #3. p. 19-33. |
| Okuyade, Ogaga (2011) |
| Rethinking militancy and environmental justice: the politics of oil and violence in Nigerian popular musice |
| Africa Today. Volume 58 #1. p. 79-101. |
| Perullo, Alex (2011) |
| Politics and popular song: youth, authority, and popular music in East Africa | |
| African Music Journal. Volume 9 #1. p. 87-115. |
| Suriano, Maria (2011) |
| Making the modern: contestations over 'muziki wa dansi' in Tanganyika, ca. 1945-1961 |
| African Studies. Volume 70 #3. p. 393-414. |
| Tandia Mouafou, J.J. Rousseau (2011) |
| De Valsero à Antonio: enjeux poétiques et stylistiques d'un échange épistolaire | |
| Intel'actuel: revue de lettres et sciences humaines. #10. p. 7-32. |
| Trapido, Joseph (2011) |
| The political economy of migration and reputation in Kinshasa |
| Africa: Journal of the International African Institute. Volume 81 #2. p. 204-225. |
| Van der Waal, Kees (C.S.) and Robins, Steven (2011) |
| 'De la Rey' and the revival of 'Boer heritage': nostalgia in the post-apartheid Afrikaner culture industry |
| Journal of Southern African Studies. Volume 37 #4. p. 763-779. |
| Bruinders, Sylvia (2010) |
| Parading respectability: the Christmas Bands Movement in the Western Cape, South Africa and the constitution of subjectivity | |
| African Music Journal. Volume 8 #4. p. 69-83. |
| Dorsch, Hauke (2010) |
| 'Indépendance cha cha': African pop music since the independence era |
| Afrika Spectrum. Volume 45 #3. p. 131-146. |
| Israel, Paolo (2010) |
| The formulaic revolution: 'song and the 'popular memory' of the Mozambican liberation struggle | |
| Cahiers d'études africaines. Volume 50 #197. p. 181-216. |
| Jewsiewicki, Bogumil (2010) |
| Imaginaire collectif des Katangais au temps de la désindustrialisation: regard du dedans et regard d'en dehors: la photographie de Sammy Baloji et le rap de Baloji Tshiani | |
| Cahiers d'études africaines. Volume 50 #198-200. p. 1079-1111. |
| Lamont, Mark (2010) |
| Lip-synch gospel: Christian music and the ethnopoetics of identity in Kenya |
| Africa: Journal of the International African Institute. Volume 80 #3. p. 473-496. |
| Mareri, Lydia A. (2010) |
| The relationship between hip hop music and aggression among secondary school youth in Kenya | |
| Egerton Journal of Humanities, Social Sciences and Education. Volume 9. p. 132-145. |
| Mhiripiri, Nhamo Anthony (2010) |
| The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period | |
| Journal of African Media Studies. Volume 2 #2. p. 209-223. |
| Owona Nguini, Mathias Eric (ed.) (2010) |
| Dossier: Le Congo entre deux eaux: une mise en perspective géo-politique et socio-systémique | |
| Enjeux: bulletin d'analyses géopolitiques pour l'Afrique centrale. #43. p. 8-50. |
| Pongweni, Alec J.C. (2010) |
| Ways of knowing, ways of understanding and ways of coping: HIV/AIDS, poverty and governance in Zimbabwean popular music | |
| Marang: Journal of Language and Literature. #20. p. 129-153. |
| Rathnaw, Dennis M. (2010) |
| The eroticization of bikutsi: reclaiming female space through popular music and media | |
| African Music Journal. Volume 8 #4. p. 48-68. |
| Sanga, Imani (2010) |
| Postcolonial cosmopolitan music in Dar es Salaam: Dr. Remmy Ongala and the traveling sounds |
| African Studies Review. Volume 53 #3. p. 61-76. |
| Sanga, Imani (2010) |
| The practice and politics of hybrid soundscapes in 'Muziki wa Injili' in Dar es Salaam, Tanzania |
| Journal of African Cultural Studies. Volume 22 #2. p. 145-156. |
| Simatei, Peter (2010) |
| Kalenjin popular music and the contestation of national space in Kenya |
| Journal of Eastern African Studies. Volume 4 #3. p. 425-434. |
| Tououi bi Irié, Ernest (2010) |
| Le zouglou en quête d'une identité | |
| Cahiers du CERLESHS. Volume 25 #36. p. 205-232. |
| Trapido, Joseph (2010) |
| Love and money in Kinois popular music |
| Journal of African Cultural Studies. Volume 22 #2. p. 121-144. |
| Watkins, Lee Wiliam (2010) |
| Keeping it real: amaXhosa 'iimbongi' making mimesis do its thing in the hip-hop and rap music of the Eastern Cape | |
| African Music Journal. Volume 8 #4. p. 24-47. |
| Brempong, Owusu (2009-2010) |
| Folktale performance in highlife songs: an empirical observation |
| Journal of Performing Arts. Volume 4 #1. p. 14-28. |
| Collins, John (2009-2010) |
| Highlife and Nkrumah's independence ethos | |
| Journal of Performing Arts. Volume 4 #1. p. 89-100. |
| Allingham, Rob (2009) |
| From 'Noma Kumnyama' to 'Pata Pata': a history | |
| African Music Journal. Volume 8 #3. p. 117-131. |
| Asigbo, Alex (2009) |
| Oral performance as therapy: the example of Perry-Como Okoye | |
| African Performance Review. Volume 3 #1. p. 74-85. |
| Chirambo, Reuben (2009) |
| Corruption, tribalism and democracy: coded messages in Wambali Mkandawire's popular songs in Malawi |
| Critical Arts: A Journal of Media Studies. Volume 23 #1. p. 42-63. |
| Counsel, Graeme (2009) |
| Digitising and archiving Syliphone recordings in Guinea | |
| Australasian Review of African Studies. Volume 30 #1. p. 144-150. |
| Hilhorst, Sean (2009) |
| Remmy Ongala: capitalist transition and popular music in Tanzania 1979-2002 |
| Journal of African Cultural Studies. Volume 21 #2. p. 105-126. |
| Jones, Jeremy (ed.) (2009) |
| Child and youth study in Africa | |
| CODESRIA Bulletin. #3-4. 62p. |
| Lwanda, John (2009) |
| Music advocacy, the media and the Malawi political public sphere, 1958-2007 | |
| Journal of African Media Studies. Volume 1 #1. p. 135-154. |
| McCoy, Jason (2009) |
| Making violence ordinary: radio, music and the Rwandan genocide | |
| African Music Journal. Volume 8 #3. p. 85-96. |
| Ndawouo, Martine Fandio (2009) |
| De la subjectivité et de la délocutivité comme stratégie argumentative: lecture pragmatique de la chanson populaire camerounaise |
| Nordic Journal of African Studies. Volume 18 #1. p. 91-109. |
| Olatunji, Myke O. (2009) |
| Yabis music: an instrument of social change in Nigeria | |
| Journal of African Media Studies. Volume 1 #2. p. 309-328. |
| Rice, Alison (ed.) (2009) |
| Métropoles maghrébines | |
| Expressions maghrébines. Volume 8 #2. 150p. |
| Schumann, Anne (2009) |
| Popular music and political change in Côte d'Ivoire: the divergent dynamics of 'zouglou' and reggae | |
| Journal of African Media Studies. Volume 1 #1. p. 117-133. |
| Shain, Richard M. (2009) |
| The re(public) of salsa: Afro-Cuban music in 'fin-de-siècle' Dakar |
| Africa: Journal of the International African Institute. Volume 79 #2. p. 186-206. |
| Veit-Wild, Flora (2009) |
| 'Zimbolicious': the creative potential of linguistic innovation: the case of Shona-English in Zimbabwe |
| Journal of Southern African Studies. Volume 35 #3. p. 683-697. |
| Adekoya, J.S. (2008) |
| Thematic study of songs that promote Islamic teachings in Yorubaland | |
| Orita: Ibadan Journal of Religious Studies. Volume 40 #2. p. 103-127. |
| Becker, Heike and Dastile, Nceba (2008) |
| Global and African: exploring hip-hop artists in Philippi township, Cape Town | |
| Anthropology Southern Africa. Volume 31 #1-2. p. 20-29. |
| Bourderionnet, Olivier (2008) |
| Displacement in French/displacement of French: the reggae and R'n'B of Tiken Jah Fakoly and Corneille |
| Research in African Literatures. Volume 39 #4. p. 14-23. |
| Coester, Markus (2008) |
| Localising African popular music transnationally: 'Highlife-travellers' in Britain in the 1950s and 1960s |
| Journal of African Cultural Studies. Volume 20 #2. p. 133-144. |
| Emielu, Austin 'Maro (2008) |
| Towards a global 21st century African popular music: Assata Band as a case study | |
| Legon Journal of the Humanities. Volume 19. p. 135-149. |
| Englert, Birgit (2008) |
| Ambiguous relationships: youth, popular music and politics in contemporary Tanzania |
| Stichproben - Vienna Journal of African Studies. Volume 8 #14. p. 71-96. |
| Githiora, Chege (ed.) (2008) |
| East African culture, language and society |
| Journal of African Cultural Studies. Volume 20 #1. 132p. |
| Gunner, Liz (2008) |
| City textualities: 'isicathamiya', reciprocities and voices from the streets |
| Social Dynamics. Volume 34 #2. p. 156-173. |
| Kalu, Ogbu U. (2008) |
| Holy praiseco: negotiating sacred and popular music and dance in African Pentecostalism | |
| The Ghana Bulletin of Theology. Volume 3. December. p. 111-142. |
| Kola, Jean-François (2008) |
| Les chanteurs 'zouglou' de Côte d'Ivoire: des griots des temps modernes? | |
| Éthiopiques: revue socialiste de culture négro-africaine. #80. p. 27-52. |
| Search: su=popular music | ||||||||
| Found: 183 | Record 1-100 | |
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