Africana Periodical Literature 
bibliographic database
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| Found: 125 | Record 1-100 |  |
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 | Sanga, Imani (2020) |
 | Musical figures of enslavement and resistance in Semzaba's Kiswahili play 'Tendehogo' |
| African Studies. Volume 79 #3. p. 323-338. |
| Mosobalaje, Adebayo (2018) |
| Textual migration in Ebenezer Obey's 'juju' music |
| African Studies. Volume 77 #1. p. 67-86. |
| Walker, Gavin Robert (2018) |
| 'Our songs were our stones': song and struggle in the treatment action campaign |
| Journal of Contemporary African Studies. Volume 36 #2. p. 175-190. |
| Israel, Paolo (2017) |
| Mueda Massacre: The Musical Archive |
| Journal of Southern African Studies. Volume 43 #6. p. 1157-1179. |
| Jirata, Tadesse Jaleta (2017) |
| Oral poetry as herding tool: a study of cattle songs as children's art and cultural exercise among the Guji-Oromo in Ethiopia |
 | Journal of African Cultural Studies. Volume 29 #3. p. 292-310. |
| Dargie, Dave (2015) |
| The voice of a prisoner: recordings of Joseph Ntwanambi in the Ruhleben prisoner of war camp, Berlin, 1917 | |
| African Music Journal. Volume 10 #1. p. 180-199. |
| Derive, Jean (2015) |
| À quoi rêvent les jeunes filles dioula? (Côte d'Ivoire) | |
| Journal des africanistes. Volume 85. p. 156-171. |
| Fasan, Rotimi (2015) |
| Women and child-naming song poetry of southeast Yorubaland |
| Research in African Literatures. Volume 46 #1. p. 107-126. |
| Grant, Julie (2015) |
| Live Aid/8: perpetuating the superiority myth |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 310-326. |
| Webb, Gavin (2015) |
| 'Ma la ma wie Ga': ('I will sing and speak Ga'): Wulomei and the articulations of Ga identity in stylized form | |
| African Music Journal. Volume 10 #1. p. 52-83. |
| Dor, George Worlasi Kwasi (2014) |
| Ephraim Amu's 'Bonwere Kentenwene': a celebration of Ghanaian traditional knowledge, wisdom, and artistry | |
| African Music Journal. Volume 9 #4. p. 7-35. |
| Eagleson, Ian (2014) |
| Continuities and innovation in Luo song style: creating the benga beat in Kenya 1960 to 1996 | |
| African Music Journal. Volume 9 #4. p. 91-122. |
| Goth, Bashir (2014) |
| Magool: the inimitable nightingale of Somali music | |
| Bildhaan: An International Journal of Somali Studies. Volume 14. p. 1-24. |
| Gunner, Liz (2014) |
| Soft masculinities, isicathamiya and radio |
| Journal of Southern African Studies. Volume 40 #2. p. 343-360. |
| Brempong, Owusu (2013) |
| Proverbs and proverbial sayings in highlife songs | |
| Journal of Performing Arts. Volume 4 #4. p. 147-156. |
| Brunner, Anja (2013) |
| The singer Anne-Marie Nzié and the song 'Liberté': on popular music and the postcolonial State in Cameroon | |
| African Music Journal. Volume 9 #3. p. 40-58. |
| Impey, Angela (2013) |
| Keeping in touch via cassette: tracing Dinka songs from cattle camp to transnational audio-letter |
| Journal of African Cultural Studies. Volume 25 #2. p. 197-210. |
 | Live, Y.-S.; Hamon, J.-F. (eds.) (2013) |
| Regard pluriel sur l'Indiaocéanie | |
| Kabaro. Volume 10-11. 154p. |
| Musiyiwa, Mickias (2013) |
| Hit songs and the dynamics of postcolonial Zimbabwe: a study in popular music trends, 1980-2009 | |
| African Music Journal. Volume 9 #3. p. 59-91. |
| Teffera, Timkehet (2013) |
| Canvassing past memories through Tezeta |
| Journal of Ethiopian Studies. Volume 46. p. 31-66. |
| Adom, Marie Clémence (2012) |
| Noms d'artistes et horizons identitaires dans la poésie chantée de Côte d'Ivoire (Esquisse d'un imaginaire zouglou) | |
| Intel'actuel: revue de lettres et sciences humaines. #11. p. 153-176. |
| Barnes, Lawrie (2012) |
| The function and significance of code-switching in South African poetry |
| The English Academy Review. Volume 29 #2. p. 70-86. |
| Clark, Msia Kibona (2012) |
| Hip hop as social commentary in Accra and Dar es Salaam |
| African Studies Quarterly. Volume 13 #3. p. 23-46. |
| Hoesing, Peter (2012) |
| 'Kusamira': singing rituals of wellness in southern Uganda | |
| African Music Journal. Volume 9 #2. p. 94-127. |
| Kowino, Hilary (2012) |
| In search of the divide between the local and the global | |
| JALA: the Journal of the African Literature Association. Volume 7 #2. p. 70-87. |
| McClain, Lindsay M. (2012) |
| Artistic suggestions for peaceful transition in northern Uganda: what youth are saying |
| African Conflict and Peacebuilding Review. Volume 2 #1. p. 152-163. |
| Thomson, Steven K. (2012) |
| Christianity, Islam, and 'the religion of pouring': non-linear conversion in a Gambia/Casamance Borderland |
| Journal of Religion in Africa. Volume 42 #3. p. 240-276. |
| Zondi, Nompumelelo (2012) |
| Gender inequality as a recurring theme in songs performed at a specific traditional and ritual ceremony in Zwelibomvu |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 11 #2. p. 194-205. |
| Alembong, Nol (2011) |
| Femininity in Cameroonian birth and nuptial songs | |
| Kaliao: revue pluridisciplinaire de l'École Normale Supérieure de Maroua (Cameroun), Série lettres et sciences humaines. Volume 3 #5. p. 113-125. |
| Cissé, Momar (2011) |
| Transmission ou communication du savoir dans les cultures de l'oralité: réflexions sur le chant comme mode de transfert de la mémoire sociale | |
| Across disciplinary boundaries: humanities, social sciences and Anglophone literature. #2. p. 277-287. |
| Dowling, Tessa; Stinson, Kathryn (2011) |
| Pop singer as healer: the use of Xhosa lyrics as cultural self-realization |
| Journal of African Cultural Studies. Volume 23 #2. p. 177-188. |
| Lucia, Christine (2011) |
| Joshua Pulumo Mohapeloa and the heritage of African song | |
| African Music Journal. Volume 9 #1. p. 56-86. |
| Nompula, Y. (2011) |
| The role of indigenous song: a critique of the dominant discourse in education |
| Indilinga: African Journal of Indigenous Knowledge Systems. Volume 10 #1. p. 89-97. |
| Olusola Ajibade, George (2011) |
| Violence in dialogue: Yoruba women in actions | |
| Cahiers d'études africaines. Volume 51 #204. p. 847-871. |
| Tandia Mouafou, J.J. Rousseau (2011) |
| De Valsero à Antonio: enjeux poétiques et stylistiques d'un échange épistolaire | |
| Intel'actuel: revue de lettres et sciences humaines. #10. p. 7-32. |
| Guèye, Marame (2010) |
| 'Woyyi céet': Senegalese women's oral discourses on marriage and womanhood |
| Research in African Literatures. Volume 41 #4. p. 65-86. |
| Israel, Paolo (2010) |
| The formulaic revolution: 'song and the 'popular memory' of the Mozambican liberation struggle | |
| Cahiers d'études africaines. Volume 50 #197. p. 181-216. |
| Mwanzi, Helen Oronga A. (2010) |
| Reflections on orality and cultural expression: orality as a peace culture | |
| Journal des africanistes. Volume 80 #1-2. p. 63-74. |
| Pongweni, Alec J.C. (2010) |
| Ways of knowing, ways of understanding and ways of coping: HIV/AIDS, poverty and governance in Zimbabwean popular music | |
| Marang: Journal of Language and Literature. #20. p. 129-153. |
| Rathnaw, Dennis M. (2010) |
| The eroticization of bikutsi: reclaiming female space through popular music and media | |
| African Music Journal. Volume 8 #4. p. 48-68. |
| Trapido, Joseph (2010) |
| Love and money in Kinois popular music |
| Journal of African Cultural Studies. Volume 22 #2. p. 121-144. |
| Ugochukwu, Françoise (2010) |
| L'arme du chant collectif au coeur du conflit biafrais | |
| Journal des africanistes. Volume 80 #1-2. p. 29-50. |
| Brempong, Owusu (2009-2010) |
| Folktale performance in highlife songs: an empirical observation |
| Journal of Performing Arts. Volume 4 #1. p. 14-28. |
| Allingham, Rob (2009) |
| From 'Noma Kumnyama' to 'Pata Pata': a history | |
| African Music Journal. Volume 8 #3. p. 117-131. |
| Alou, Antoinette Tidjani (2009) |
| Performance and power: cultural strategies for contesting hierarchy and political authority in Maazou Dan Alalo's song 'Baudot' |
| Africa Development: A Quarterly Journal of CODESRIA. Volume 34 #2. p. 1-20. |
| Benesch, Susan (2009) |
| The ICTR's prosecution of a pop star: the Bikindi case | |
| African Yearbook of International Law. Volume 17. p. 447-461. |
| Fauvelle-Aymar, François-Xavier; Abdi, Mohamed (2009) |
| Chansons de Zeyla | |
| Annales d'Éthiopie. Volume 24. p. 305-313. |
| Folorunso, Taiwo (2009) |
| Song and poetry as didactic agents in traditional African satire | |
| Drumspeak: international journal of research in the humanities. Volume 2 #1. p. 148-166. |
| Gunner, Liz (2009) |
| Jacob Zuma, the social body and the unruly power of song |
| African Affairs: The Journal of the Royal African Society. Volume 108 #430. p. 27-48. |
| Israel, Paolo (2009) |
| Utopia live: singing the Mozambican struggle for national liberation |
| Kronos: Journal of Cape History. #35. p. 98-141. |
| Kapteijns, Lidwien (2009) |
| Discourse on moral womanhood in Somali popular songs, 1960-1990 |
| The Journal of African History. Volume 50 #1. p. 101-122. |
| Kyker, Jennifer W. (2009) |
| Carrying spirit in song: music and the making of ancestors at Zezuru 'kurova guva' ceremonies | |
| African Music Journal. Volume 8 #3. p. 65-84. |
| Mathangwane, Joyce T. (2009) |
| Bakalanga traditional music: some cultural insights |
| Botswana Notes and Records. Volume 41. p. 83-94. |
| Ndawouo, Martine Fandio (2009) |
| De la subjectivité et de la délocutivité comme stratégie argumentative: lecture pragmatique de la chanson populaire camerounaise |
| Nordic Journal of African Studies. Volume 18 #1. p. 91-109. |
| Plancke, Carine (2009) |
| Rites, chants et danses de jumeaux chez les Punu du Congo-Brazzaville | |
| Journal des africanistes. Volume 79 #1. p. 177-208. |
| Tabti-Kouidri, Fatiha (2009) |
| La culture orale, une tribune pour les groupes dominés: la chanson populaire, un lieu d'émergence du discours féminin |
| Insaniyat: revue algérienne d'anthropologie et de sciences sociales. Volume 13 #44-45. p. 211-231. |
| Gunderson, Frank (2008) |
| Music performance on 19th-century Sukuma-Nyamwezi caravans to the Swahili coast | |
| African Music Journal. Volume 8 #2. p. 6-25. |
| Kherdouci, Hassina (2008) |
| Poésie et chanson féminines de Kabylie | |
| Études et documents berbères. #27. p. 5-26. |
| Kola, Jean-François (2008) |
| Les chanteurs 'zouglou' de Côte d'Ivoire: des griots des temps modernes? | |
| Éthiopiques: revue socialiste de culture négro-africaine. #80. p. 27-52. |
| Feidangai, Bruno (2007) |
| Per una geografia sociale e culturale della musica popolare urbana nella Repubblica Centrafricana: i 'ködrö' di Bangui | |
| Terra d'Africa. #16. p. 211-231. |
| Impey, Angela (2007) |
| Pathways of song: re-voicing women's landscapes in the Maputaland borderlands |
| Agenda: Empowering Women for Gender Equity. #73. p. 102-116. |
| Kruger, Jaco (2007) |
| Singing psalms with owls: a Venda 20th century musical history part two: 'tshikona', beer songs and personal songs | |
| African Music Journal. Volume 8 #1. p. 36-59. |
| Kubik, Gerhard (2007) |
| Pierre Gwa: Mpyemõ guitarist: his songs and their sources: Central African Republic, 1966 | |
| African Music Journal. Volume 8 #1. p. 21-35. |
| Olivier, Emmanuelle (2007) |
| On polyphonic construction: an analysis of Ju/'hoan vocal music (Namibia) | |
| African Music Journal. Volume 8 #1. p. 82-111. |
| Rosenberg, Aaron (2007) |
| The literature of song: Kantai and Wainaina's 'Joka' as syncretic multitext | |
| JALA: the Journal of the African Literature Association. Volume 1 #2. p. 108-128. |
| Zondi, Nompumelelo (2007) |
| When marriage as an institution ceases to be a partnership: contested issues of rape and other forms of sexual abuse as condoned by culture |
| Agenda: Empowering Women for Gender Equity. #74. p. 20-28. |
| Askew, Kelly M. (2006) |
| Sung and Unsung: Musical Reflections on Tanzanian Postsocialisms |
| Africa: Journal of the International African Institute. Volume 76 #1. p. 15-43. |
| Nkwi, Walter Gam (2006) |
| Folk-songs and history among the Kom of northwest Cameroon | |
| Humanities Review Journal. Volume 6. p. 62-76. |
| Van der Mescht, Heinrich (2006) |
| Die ontstaansgeskiedenis van Hubert du Plessis se Engelse liedere | |
| Tydskrif vir geesteswetenskappe. Volume 46 #2. p. 221-232. |
| Wilson (Jr), James A. (2006) |
| Political Songs, Collective Memories and Kikuyu Indi Schools |
| History in Africa. Volume 33. p. 363-388. |
| Agyekum, Kofi (2005) |
| An Akan oral artist: the use of proverbs in the lyrics of Kwabena Konadu | |
| Research Review. Volume 21 #1. p. 1-18. |
| Ajibade, George O. (2005) |
| Is There No Man with Penis in This Land? Eroticism and Performance in Yoruba Nuptial Songs |
| African Study Monographs. Volume 26 #2. August. p. 99-113. |
| Giddy, Patrick; Detterbeck, Markus (2005) |
| Questions Regarding Tradition and Modernity in Contemporary Amakwaya Practice |
| Transformation: Critical Perspectives on Southern Africa. #59. p. 26-44. |
| Maupeu, Hervé (2005) |
| La ville dans la chanson kikuyu contemporaine | |
| Journal des africanistes. Volume 75 #1. p. 255-292. |
| Camara, Brahima (2004) |
| La figure du tirailleur vu à travers 'Ancien combattant', un chant-récit d'Idrissa Soumaworo |
| Mande Studies. Volume 6. p. 83-94. |
| Geest, Sjaak van der (2004) |
| Orphans in Highlife: An Anthropological Interpretation |
| History in Africa. Volume 31. p. 425-440. |
| Jules-Rosette, Bennetta; Coplan, David B. (2004) |
| 'Nkosi Sikelel iAfrika': From Independent Spirit to Political Mobilization |
| Cahiers d'études africaines. Volume 44 #173-174. p. 343-367. |
| Vambe, Maurice T. (2004) |
| Versions and Sub-Versions: Trends in Chimurenga Musical Discourses of Post Independence Zimbabwe |
| African Study Monographs. Volume 25 #4. p. 167-193. |
| Agbaje, James B. (2003) |
| Cultural Production as a Strategy for Social Sanction in Yoruba Society: Akiba Festival as a Case Study | |
| Humanities Review Journal. Volume 3 #2. p. 73-82. |
| Lwanda, John (2003) |
| Mother's Songs: Male Appropriation of Women's Music in Malawi and Southern Africa |
| Journal of African Cultural Studies. Volume 16 #2. December. p. 119-141. |
| Mangulu, Motingea (2003) |
| Mbandaka-Coquilhatville (1883-2002): échec d'un plan de développement exogène: une lecture par la chanson populaire | |
| Annales aequatoria. Volume 24. p. 179-204. |
| Arnold, Nathalie (2002) |
| Placing the shameless: approaching poetry and the politics of Pemban-ness in Zanzibar, 1995-2001 |
| Research in African Literatures. Volume 33 #3. p. 140-166. |
| Ciss, Ismaïla (2002) |
| Lieux de mémoire et mémoire de lieux dans l'espace sereer (exemple du groupe 'saafi') | |
| Bulletin de l'Institut Fondamental d'Afrique Noire, Série B: Sciences humaines. Volume 52 #1-2. p. 17-36. |
| Fonkou, Gabriel (2002) |
| Les folles sans folie dans les chants de 'mampa' | |
| Éthiopiques: revue socialiste de culture négro-africaine. #68. p. 17-34. |
| Goodman, Jane E. (2002) |
| 'Stealing Our Heritage?': Women's Folksongs, Copyright Law, and the Public Domain in Algeria |
| Africa Today. Volume 49 #1. Spring. p. 84-97. |
| Jones, Eldred Durosimi; Jones, Marjorie (eds.) (2002) |
| South & Southern African literature: a review | |
| African Literature Today. #23. 149p. |
| Tewelde Ghebreyohannes (2002) |
| Situational Use of Tigrinya on the Eve of 'K'udus Yohannes' | |
| Journal of Eritrean Studies (Asmara). Volume 1 #1. p. 75-85. |
| Aiello Traore, Flavia (2001) |
| Taarab and Swahili prose | |
| Afrikanistische Arbeitspapiere: Schriftenreihe des Kölner Instituts für Afrikanistik. #68. p. 123-128. |
| Graebner, Werner (2001) |
| Twarab ya shingazidja: a first approach | |
| Afrikanistische Arbeitspapiere: Schriftenreihe des Kölner Instituts für Afrikanistik. #68. p. 129-143. |
| Tshonga Onyumbe (2001) |
| Musique et évolution politique en R.D. du Congo | |
| Annales aequatoria. Volume 22. p. 7-20. |
| Brempong, O. (2000) |
| The concept of God in Ghanaian highlife songs | |
| Research Review. #14. June. p. 144-162. |
| Brempong, Owusu (2000) |
| Libation in highlife songs | |
| Research Review. Volume 16 #1. p. 39-57. |
| Omar, Yahya Ali; Frankl, P.J.L. (2000) |
| Hasidi Haizi: a lovers' tiff | |
| Afrika und Übersee: Sprachen, Kulturen. Volume 83 #1. p. 89-96. |
| Gelaye, Getie (1999) |
| Contemporary Amharic Oral Poetry from Gojjam: Classification and a Sample Analysis |
| Aethiopica: International Journal of Ethiopian Studies. Volume 2. p. 124-143. |
| Munyika, V. (1999) |
| Owambo prayers and praise songs | |
| Journal of Religion and Theology in Namibia. Volume 1. p. 143-150. |
| Ndana, Ndana (1999) |
| To 'Insult' or to 'Teach'? A Reading of a Subiya Nuptial Song |
| Botswana Notes and Records. Volume 31. p. 129-134. |
| Fonkou, Gabriel Kuitche (1998) |
| Les évocations de l'espace dans les chants narratifs et les devinettes ngembà | |
| Éthiopiques: revue socialiste de culture négro-africaine. #60. p. 49-55. |
| Bertrand, D.D. (1997) |
| Une approche du mariage à travers les chants de Daouda Koné et le cantique des cantiques | |
| Hekima Review. #18. December. p. 46-59. |
| James, Deborah (1997) |
| 'Music of Origin': Class, Social Category and the Performers and Audience of Kiba, a South African Migrant Genre |
| Africa: Journal of the International African Institute. Volume 67 #3. p. 454-475. |
| James, Deborah (1997) |
| Anthropology, history, and the making of past and place |
| African Studies. Volume 56 #2. p. 115-136. |
| Search: su=songs | ||||||||
| Found: 125 | Record 1-100 | |
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