Africana Periodical Literature 
bibliographic database
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 | Mulliken, Douglas (2020) |
 | Confronting the Silences of History: Licínio Azevedo's 'Virgem Margarida' and 'Comboio de Sal e Açúcar' |
| Journal of Southern African Studies. Volume 46 #1. p. 57-71. |
| Goerg, Odile (2019) |
| Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) |
| Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
| Frassinelli, Pier Paolo (2017) |
| Intersecting temporalities, cultural (un)translatability and African film aesthetics: Ntshavheni wa Luruli's 'Elelwani' |
 | Journal of African Cultural Studies. Volume 29 #3. p. 331-344. |
| Jedlowski, Alessandro (2017) |
| African media and the corporate takeover: Video film circulation in the age of neoliberal transformations |
| African Affairs: The Journal of the Royal African Society. Volume 116 #465. p. 671-691. |
| Kwansah-Aidoo, Kwamena; Owusu, Joyce Osei (2017) |
| A contemporary, empowered female figure? Towards a feminist reading of Frimpong-Manso's 'Life and living it and 'The perfect picture |
| Journal of African Cinemas. Volume 9 #1. p. 55-73. |
| Moya, Ana (2017) |
| When borderlands are where we live: 'Disgrace' (Jacobs, 2008), 'Invictus' (Eastwood, 2009) and 'District 9' (Blomkamp, 2009) |
| Journal of African Cinemas. Volume 9 #1. p. 19-36. |
| Tager, Michele (2017) |
| 'Elelwani' (2012): a Third Cinema analysis of a Venda tale of a young woman's journey of self-discovery |
| Journal of African Cinemas. Volume 9 #1. p. 3-18. |
| Bentahar, Ziad (2016) |
| A voice with an elusive sound: aphasia, diglossia, and arabophone Algeria in Assia Djebar's 'The nouba of the women of mount Chenoua' |
| The Journal of North African Studies. Volume 21 #3. p. 411-432. |
| Bertho, Elara (2016) |
| Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
| Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
| Carmo Piçarra, Maria do (2016) |
| Empire Cinema: propaganda and censorship in colonial films during the Portuguese Estado Novo |
| Journal of African Cinemas. Volume 8 #3. p. 283-297. |
 | Coetzee, Carli (ed.) (2016) |
| Afro-Superheroes |
| Journal of African Cultural Studies. Volume 28. p. 241-312. |
| Falkof, Nicky (2016) |
| ENG/AFR: white masculinity in two contemporary South African films |
| Critical Arts: A Journal of Media Studies. Volume 30 #1. p. 15-30. |
| Fisher, Alexander (2016) |
| Modes of 'griot' inscription in African cinema |
| Journal of African Media Studies. Volume 8 #1. p. 5-16. |
| Frassinelli, Pier Paolo (2016) |
| The making and political life of 'Miners shot down': an interview with Rehad Desai and Anita Khanna |
| Communicatio: South African journal for communication theory and research. Volume 42 #3. p. 422-432. |
| Hamilton-Wray, Tama Lynne (2016) |
| Haile Gerima's 'Sankofa' experience: man, mission, movie, movement |
| Journal of African Cinemas. Volume 8 #3. p. 249-266. |
| Harman, Sophie (2016) |
| Film as research method in African politics and international relations: reading and writing HIV/AIDS in Tanzania |
| African Affairs: The Journal of the Royal African Society. Volume 115 #461. p. 733-750. |
| Harrow, Kenneth W. (2016) |
| Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
| Journal of African Cinemas. Volume 8 #3. p. 233-248. |
| Hove, Muchativugwa (2016) |
| Local specificities, global resonances: contesting representations of violence in African films |
| Communicatio: South African journal for communication theory and research. Volume 42 #1. p. 23-34. |
| Khan, Khatija (2016) |
| Representations of crime, power and social decay in the South African post-colony in the film 'Gangster's paradise: Jerusalema' (2008) |
| Communicatio: South African journal for communication theory and research. Volume 42 #2. p. 210-220. |
| Laachir, Karima (ed.) (2016) |
| Special Issue: the aesthetics and politics of contemporary cultural production in Morocco |
| The Journal of North African Studies. Volume 21 #1. p. 7-147. |
| Mizoguchi, Akiko (2016) |
| What languages do aliens speak? Multilingual 'Otherness' of diasporic dystopia in 'District 9' |
| Journal of African Cinemas. Volume 8 #2. p. 169-179. |
| Musila, Grace A.; Ligaga, Dina (eds.) (2016) |
| Special Issue: East African interventions in African literary and cultural studies |
| African Studies. Volume 75 #2. p. 171-295. |
| Oyinsan, Bunmi (2016) |
| Orality, documentary, intertextual performance and discursive practices: a reading of 'Ye Wonz Maibel (Deluge)' 1997 by Salem Mekuria |
| Journal of African Cinemas. Volume 8 #2. p. 199-214. |
| Parsons, Neil (2016) |
| Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
| Journal of African Cinemas. Volume 8 #2. p. 133-154. |
| Stobie, Cheryl (2016) |
| Diamonds at the meeting of her thighs: representations of gender and sexuality in 'U-Carmen eKhayelitsha' |
| Journal of African Cinemas. Volume 8 #2. p. 155-168. |
| Stobie, Cheryl (2016) |
| Di ta go; ons het dit gedoen; we did it: Khoekhoe ethnicity, sexuality and temporalities in Proteus |
| Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 915-930. |
| Strauss, Helene (2016) |
| Managing public feeling: temporality, mourning and the Marikana Massacre in Rehad Desai's 'Miners shot down' |
| Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 522-537. |
| Tchouaffe, Olivier J. (2016) |
| Perspectives on new popular African cinema, history and creative destruction in 'Viva Riva!' (2011) |
| Journal of African Cinemas. Volume 8 #3. p. 299-312. |
| Van de Peer, Stefanie (ed.) (2016) |
| Special issue: the North in African cinemas |
| Journal of African Cinemas. Volume 8 #1. p. 3-128. |
| Victor, Anna (2016) |
| Experimental cartographies in Tariq Teguia's 'Inland' |
| Journal of African Cinemas. Volume 8 #3. p. 267-281. |
| Walton, Sarah Jane (2016) |
| Historian as filmmaker: reflections on the making of the film documentary 'Those Dying Days' |
| South African Historical Journal. Volume 68 #4. p. 623-640. |
 | (2015) |
| Awotélé: la revue des critiques ciné |
| Pantin: Sudu Connexion. |
| Abdul-Jabbar, Wisam Kh. (2015) |
| Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) |
| The Journal of North African Studies. Volume 20 #2. p. 159-171. |
| Apard, Élodie (2015) |
| Boko Haram, le jihad en vidéo | |
| Politique africaine. #138. p. 135-162. |
| Bisschoff, Lizelle (ed.) (2015) |
| Special issue: Cinema in East Africa |
| Journal of African Cinemas. Volume 7 #2. p. 71-201. |
| Buchanan, Sarah B. (2015) |
| When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' |
| Research in African Literatures. Volume 46 #3. p. 190-213. |
| Dipio, Dominica; Cherif Diop, Oumar (2015) |
| Art's subtle, liberating ways: violence, trauma and agency in Fanta Regina Nacro's 'The Night of Truth' (2004) |
| Journal of African Cinemas. Volume 7 #1. p. 41-49. |
| Farber, Leora (ed.) (2015) |
| Special issue: archival addresses: photographies, practices, positionalities |
| Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 1-181. |
| Frassinelli, Pier Paolo (2015) |
| Heading south: theory, 'Viva Riva!' and 'District 9' |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
| Haavisto, Camilla; Maasilta, Mari (2015) |
| Towards a journalism of hope? Compassion and locality in European mediations of distant suffering |
| Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 327-341. |
| Izzo, Justin (2015) |
| Jean-Marie Teno's documentary modernity: from millennial anxiety to cinematic kinship |
| African Studies Review. Volume 58 #1. p. 39-53. |
| Jones, Stephanie (2015) |
| The absent pirate: exceeding justice in the Indian Ocean |
| Journal of Eastern African Studies. Volume 9 #3. p. 522-535. |
| Mboti, Nyasha; Tomaselli, Keyan (2015) |
| New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept |
| Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
| McDonald, Patrick (2015) |
| The power of (third world) women: liberation and limits in 'God's bits of wood' |
| Research in African Literatures. Volume 46 #3. p. 146-164. |
| Mngadi, Sikhumbuzo (2015) |
| The cultural politics of adaptation: 'Fools' and the politics of gender |
| Journal of African Cinemas. Volume 7 #1. p. 15-30. |
| Motsaathebe, Gilbert (2015) |
| The rise of film production and the politics of the star system in South Africa |
| Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
| Nwabuzor, Michael Nnabundo (2015) |
| Assessing the image of female gender as characters in Nollywood video films | |
| Journal of Performing Arts. Volume 5 #1. p. 160-177. |
| Ogone, James Odhiambo (2015) |
| Remediating orality: the cultural domestication of video technology in Kenya |
| Critical Arts: A Journal of Media Studies. Volume 29 #4. p. 479-495. |
| Ojoniyi, Olabode Wale (2015) |
| Violence as intentionality for survival and power in two Yoruba films | |
| Journal of African Cinemas. Volume 7 #1. p. 31-39. |
| Onuzulike, Uchenna (2015) |
| A critical reading of Blood Diamond (2006) in the context of transnationalism |
| African Identities. Volume 13 #4. p. 297-309. |
| Rwafa, Urther (2015) |
| (Re)inventing African oral traditions and national heritage(s) through film images: the case of 'Keita! The Heritage of the Griot' [1995] and 'Kare Kare Zvako: Mother's Day' [2004] |
| Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 459-470. |
| Sharpe, Mani (2015) |
| Representing masculinity in postcolonial Algerian cinema |
| The Journal of North African Studies. Volume 20 #3. p. 450-465. |
| Boutouba, Jimia (2014) |
| The Moudawana syndrome: gender trouble in contemporary Morocco |
| Research in African literatures. Volume 45 #1. p. 24-38. |
| Dima, Vlad (2014) |
| Ousmane Sembene's 'La Noire de ...': melancholia in photo, text, and film |
| Journal of African Cultural Studies. Volume 26 #1. p. 56-68. |
| Kok, Illasha; Blignaut, A. Seugnet (2014) |
| Snapshots of student-teachers' experiences of DVDs in a learner support programme in a developing ODL context |
| Africa Education Review. Volume 11 #4. p. 526-543. |
| Labidi, Imed (2014) |
| 'Monsieur Lazhar': the ideal immigrant in the neoliberal Québécois imagination |
| The Journal of North African Studies. Volume 20 #3. p. 374-390. |
| Lafay, Marina; Mick, Carola (2014) |
| À l'écoute du 'Cri de la Tourterelle': la performativité du chant et du cinéma sur la migration au Niger | |
| Cahiers d'études africaines. Volume 54 #213-214. p. 499-527. |
| Mboti, Nyasha (ed.) (2014) |
| Special issue: Everyday violence(s) and visualities in Africa |
| Journal of African Cinemas. Volume 6 #2. 122p. |
| Oduro-Frimpong, Joseph (2014) |
| 'Sakawa': rituals and cyberfraud in Ghanaian popular video movies |
| African Studies Review. Volume 57 #2. p. 131-147. |
| Omoera, Osakue Stevenson (2014) |
| Audience reception of the Benin language video film in Nollywood |
| Journal of African Cultural Studies. Volume 26 #1. p. 69-81. |
| Overbergh, Ann (2014) |
| Technological innovation and the diversification of audiovisual storytelling circuits in Kenya |
| Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
| Paleker, Gairoonisa (2014) |
| The State, citizens and control: film and African audiences in South Africa, 1910-1948 |
| Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
| Samuelson, Meg; Thompson, Glen (eds.) (2014) |
| Contemporary conversations: 'Otelo Burning' |
| Journal of African Cultural Studies. Volume 26 #3. p. 303-361. |
| Snell, Heather (2014) |
| Toward 'a giving and a receiving': teaching Djibril Diop Mambéty's 'Touki Bouki' |
| Journal of African Cultural Studies. Volume 26 #2. p. 127-139. |
| Ugochukwu, Françoise (2014) |
| 'Things fall apart' - Achebe's legacy, from book to screen |
| Research in African Literatures. Volume 45 #2. p. 168-183. |
| Azeez, Adesina Lukuman (2013) |
| Audience perception of the reality in the representations of women in Nigerian films |
| Journal of African Cinemas. Volume 5 #2. p. 149-166. |
| Bickford-Smith, Vivian (2013) |
| Cinematic cities: a 'film and history' overview for South Africa's major metropolises from the 1890s to the 1950s |
| Journal of Southern African Studies. Volume 39 #3. p. 681-699. |
| Brereton, Pat (2013) |
| Eco-cinema, sustainability and Africa: a reading of 'Out of Africa' (1985), 'The Constant Gardener' (2005) and 'District 9' (2010) |
| Journal of African Cinemas. Volume 5 #2. p. 219-235. |
| De Groof, Matthias (2013) |
| How text reflects context: representation of African film audiences in 'Aristotle's Plot' |
| Journal of African Cinemas. Volume 5 #2. p. 181-202. |
| Dima, Vlad (2013) |
| Women and posters as heterotopias in Ousmane Sembene's 'Xala' |
| Journal of African Cinemas. Volume 5 #2. p. 137-148. |
| Dokotum, Okaka Opio (2013) |
| Re-Membering the Tutsi Genocide in 'Hotel Rwanda' (2004): Implications for Peace and Reconciliation |
| African Conflict and Peacebuilding Review. Volume 3 #2. p. 129-150. |
| Fondzeyuf K., Tume (2013) |
| From people theatre to film: articulating minority voices in Cameroon - an Anglophone grass field minority case study | |
| African Performance Review. Volume 7 #2. p. 54-71. |
| Goerg, Odile (2013) |
| Les films arabes, une menace pour l'Empire? La politique des films arabes à la veille des indépendances en Afrique Occidentale Française | |
| Outre-mers: revue d'histoire. Volume 101 #380-381. p. 287-312. |
| Kilian, Cassis (2013) |
| Worth a closer look: a comparative study of 'Xala' and 'Osuofia' in London | |
| Journal of African Cinemas. Volume 5 #1. p. 55-71. |
| Maingard, Jacqueline (2013) |
| 'Assignment Africa': Donald Swanson's colonial imaginary and 'Chisoko the African' (1949) |
| Journal of Southern African Studies. Volume 39 #3. p. 701-719. |
| Malcic, Steven (2013) |
| Ousmane Sembene's vicious circle: the politics and aesthetics of 'La Noire de …' |
| Journal of African Cinemas. Volume 5 #2. p. 167-180. |
| Martins, Catarina (2013) |
| 'How many people have you killed?': child soldiers in literature and film | |
| Cahiers d'études africaines. Volume 53 #211. p. 649-675. |
| Mhiripiri, Nhamo Anthony (2013) |
| (Auto)Biographical and cinematographic exposition of Dambudzo Marechera on documentary film and video | |
| Journal of African Cinemas. Volume 5 #1. p. 99-121. |
| Norridge, Zoe; Baker, Charlotte; Boehmer, Elleke (eds.) (2013) |
| (In)visibility in African culture |
| Research in African Literatures. Volume 44 #2. 176p. |
| Obiaya, Ikechukwu (2013) |
| Taking Nigeria to the movies: the innovative regulatory role of the National Film and Video Censors Board |
| Journal of African Media Studies. Volume 5 #3. p. 261-274. |
| Oloruntoba-Oju, Omotayo (2013) |
| From 'Alarinjo' to 'Arugba': continuities in indigenous Nigerian drama | |
| African Identities. Volume 11 #4. p. 395-406. |
| Parsons, Neil (2013) |
| Nation-building movies made in South Africa (1916-18): I.W. Schlesinger, Harold Shaw, and the lingering ambiguities of South African Union |
| Journal of Southern African Studies. Volume 39 #3. p. 641-659. |
| Peters, Roanne (2013) |
| Anthro-tourism, documentary film and method | |
| Journal of African Cinemas. Volume 5 #1. p. 19-31. |
| Ryan, Connor (2013) |
| Regimes of waste: aesthetics, politics, and waste from Kofi Awoonor and Ayi Kwei Armah to Chimamanda Adichie and Zeze Gamboa |
| Research in African Literatures. Volume 44 #4. p. 51-68. |
| Ryan, Connor (2013) |
| Revisiting the notion of political black cinema: a comparative analysis of Melvin Van Peebles and Ousmane Sembene | |
| Journal of African Cinemas. Volume 5 #1. p. 85-97. |
| Saint, Lily (2013) |
| 'You kiss in Westerns': cultural translation in Moustapha Alassane's 'Le retour d'un aventurier' |
| Journal of African Cinemas. Volume 5 #2. p. 203-217. |
| Shule, Vicensia (2013) |
| Positioning Kiswahili video-films as a pedagogical institution | |
| African Studies Bulletin. #75. p. 65-79. |
| Sow, Moussa (2013) |
| Ecocinema in Senegalese documentary film | |
| Journal of African Cinemas. Volume 5 #1. p. 3-17. |
| Teversham, Edward (2013) |
| 'Army of Cars': the automobile in Flora Gomes' 'The Blue Eyes of Yonta' | |
| Journal of African Cinemas. Volume 5 #1. p. 73-83. |
| Badoe, Yaba; Mama, Amina; Mekuria, Salem; Dovey, Lindiwe (eds.) (2012) |
| African feminist engagements with film |
| Feminist Africa. #16. 162p. |
| Chrisman, Laura (2012) |
| The sight, sound, and global traffic of blackness in 'Blood Diamond' |
| African Studies Review. Volume 55 #3. p. 123-144. |
| Dokotum, Okaka Opio (2012) |
| The Biafran War according to Hollywood: militainment and historical distortion in Antoine Fuqua's 'Tears of the Sun' (2003) | |
| Lagos Historical Review. Volume 12. p. 23-40. |
| Finnström, Sverker (2012) |
| KONY 2012, military humanitarianism, and the magic of occult economies |
| Africa Spectrum. Volume 47 #2-3. p. 127-135. |
| Goerg, Odile (2012) |
| Des cow-boys dans la savane: cinéma et hybridation culturelle en contexte colonial |
| Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #20-21. p. 69-93. |
| Haynes, Jonathan (ed.) (2012) |
| Reflections on Nollywood | |
| Journal of African Cinemas. Volume 4 #1. 133p. |
| Perrot, Sandrine (2012) |
| Le phénomène viral 'Kony 2012' et l'activisme numérique: un cas d'école pour l'industrie caritative | |
| Politique africaine. #125. p. 209-214. |
| Rollet, Brigitte (ed.) (2012) |
| Celebrating 40 years of films made by women directors in francophone Africa | |
| Journal of African Cinemas. Volume 4 #2. p. 139-233. |
| Van Jaarsveld, Anthea (2012) |
| Van roman na film: geen 'Disgrace' vir J.M. Coetzee: 'n onderzoek na die proses van filmverwerking = From novel to film: no 'Disgrace' for J.M. Coetzee: an investigation into the process of film adaptation | |
| Tydskrif vir geesteswetenskappe. Volume 52 #2. p. 307-321. |
| Annuss, Evelyn (2011) |
| Visual afterlives of colonialism: images of Namibia on contemporary German television | |
| Journal of Namibian Studies. #9. p. 7-16. |
| Barr, Burlin (2011) |
| Raoul Peck's 'Lumumba' and 'Lumumba: la mort du prophète': on cultural amnesia and historical erasure |
| African Studies Review. Volume 54 #1. p. 85-116. |
| Search: su=films | ||||||||
| Found: 147 | Record 1-100 | |
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