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Found: 147 | Record 1-100 | ![]() |
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![]() | Mulliken, Douglas (2020) |
![]() | Confronting the Silences of History: Licínio Azevedo's 'Virgem Margarida' and 'Comboio de Sal e Açúcar' |
Journal of Southern African Studies. Volume 46 #1. p. 57-71. |
![]() | Goerg, Odile (2019) |
![]() | Le soufi, le cinéma et la mémoire: les salles de Cheikh Yacouba Sylla (Côte d'Ivoire) |
Canadian Journal of African Studies. Volume 53 #1. p. 1-25. |
![]() | Frassinelli, Pier Paolo (2017) |
![]() | Intersecting temporalities, cultural (un)translatability and African film aesthetics: Ntshavheni wa Luruli's 'Elelwani' |
![]() | Journal of African Cultural Studies. Volume 29 #3. p. 331-344. |
![]() | Jedlowski, Alessandro (2017) |
![]() | African media and the corporate takeover: Video film circulation in the age of neoliberal transformations |
African Affairs: The Journal of the Royal African Society. Volume 116 #465. p. 671-691. |
![]() | Kwansah-Aidoo, Kwamena; Owusu, Joyce Osei (2017) |
![]() | A contemporary, empowered female figure? Towards a feminist reading of Frimpong-Manso's 'Life and living it and 'The perfect picture |
![]() | Journal of African Cinemas. Volume 9 #1. p. 55-73. |
![]() | Moya, Ana (2017) |
![]() | When borderlands are where we live: 'Disgrace' (Jacobs, 2008), 'Invictus' (Eastwood, 2009) and 'District 9' (Blomkamp, 2009) |
![]() | Journal of African Cinemas. Volume 9 #1. p. 19-36. |
![]() | Tager, Michele (2017) |
![]() | 'Elelwani' (2012): a Third Cinema analysis of a Venda tale of a young woman's journey of self-discovery |
![]() | Journal of African Cinemas. Volume 9 #1. p. 3-18. |
![]() | Bentahar, Ziad (2016) |
![]() | A voice with an elusive sound: aphasia, diglossia, and arabophone Algeria in Assia Djebar's 'The nouba of the women of mount Chenoua' |
![]() | The Journal of North African Studies. Volume 21 #3. p. 411-432. |
![]() | Bertho, Elara (2016) |
Filmer la résistance à la colonisation: stratégies postcoloniales de mémoire et d'oubli: à propos du scénario Samori de Sembène Ousmane | |
![]() | Cahiers d'études africaines. Volume 56 #224. p. 875-890. |
![]() | Carmo Piçarra, Maria do (2016) |
![]() | Empire Cinema: propaganda and censorship in colonial films during the Portuguese Estado Novo |
![]() | Journal of African Cinemas. Volume 8 #3. p. 283-297. |
![]() | Coetzee, Carli (ed.) (2016) |
![]() | Afro-Superheroes |
![]() | Journal of African Cultural Studies. Volume 28. p. 241-312. |
![]() | Falkof, Nicky (2016) |
![]() | ENG/AFR: white masculinity in two contemporary South African films |
![]() | Critical Arts: A Journal of Media Studies. Volume 30 #1. p. 15-30. |
![]() | Fisher, Alexander (2016) |
![]() | Modes of 'griot' inscription in African cinema |
![]() | Journal of African Media Studies. Volume 8 #1. p. 5-16. |
![]() | Frassinelli, Pier Paolo (2016) |
![]() | The making and political life of 'Miners shot down': an interview with Rehad Desai and Anita Khanna |
![]() | Communicatio: South African journal for communication theory and research. Volume 42 #3. p. 422-432. |
![]() | Hamilton-Wray, Tama Lynne (2016) |
![]() | Haile Gerima's 'Sankofa' experience: man, mission, movie, movement |
![]() | Journal of African Cinemas. Volume 8 #3. p. 249-266. |
![]() | Harman, Sophie (2016) |
![]() | Film as research method in African politics and international relations: reading and writing HIV/AIDS in Tanzania |
![]() | African Affairs: The Journal of the Royal African Society. Volume 115 #461. p. 733-750. |
![]() | Harrow, Kenneth W. (2016) |
![]() | Women in 'African cinema' and 'Nollywood films': a shift in cinematic regimes |
![]() | Journal of African Cinemas. Volume 8 #3. p. 233-248. |
![]() | Hove, Muchativugwa (2016) |
![]() | Local specificities, global resonances: contesting representations of violence in African films |
![]() | Communicatio: South African journal for communication theory and research. Volume 42 #1. p. 23-34. |
![]() | Khan, Khatija (2016) |
![]() | Representations of crime, power and social decay in the South African post-colony in the film 'Gangster's paradise: Jerusalema' (2008) |
![]() | Communicatio: South African journal for communication theory and research. Volume 42 #2. p. 210-220. |
![]() | Laachir, Karima (ed.) (2016) |
![]() | Special Issue: the aesthetics and politics of contemporary cultural production in Morocco |
![]() | The Journal of North African Studies. Volume 21 #1. p. 7-147. |
![]() | Mizoguchi, Akiko (2016) |
![]() | What languages do aliens speak? Multilingual 'Otherness' of diasporic dystopia in 'District 9' |
![]() | Journal of African Cinemas. Volume 8 #2. p. 169-179. |
![]() | Musila, Grace A.; Ligaga, Dina (eds.) (2016) |
![]() | Special Issue: East African interventions in African literary and cultural studies |
![]() | African Studies. Volume 75 #2. p. 171-295. |
![]() | Oyinsan, Bunmi (2016) |
![]() | Orality, documentary, intertextual performance and discursive practices: a reading of 'Ye Wonz Maibel (Deluge)' 1997 by Salem Mekuria |
![]() | Journal of African Cinemas. Volume 8 #2. p. 199-214. |
![]() | Parsons, Neil (2016) |
![]() | Make faces, Zulu! Make faces, Zulu!: silent comedy and ethnic stereotyping in early South African movies, 1916-1921 |
![]() | Journal of African Cinemas. Volume 8 #2. p. 133-154. |
![]() | Stobie, Cheryl (2016) |
![]() | Diamonds at the meeting of her thighs: representations of gender and sexuality in 'U-Carmen eKhayelitsha' |
![]() | Journal of African Cinemas. Volume 8 #2. p. 155-168. |
![]() | Stobie, Cheryl (2016) |
![]() | Di ta go; ons het dit gedoen; we did it: Khoekhoe ethnicity, sexuality and temporalities in Proteus |
![]() | Critical Arts: A Journal of Media Studies. Volume 30 #6. p. 915-930. |
![]() | Strauss, Helene (2016) |
![]() | Managing public feeling: temporality, mourning and the Marikana Massacre in Rehad Desai's 'Miners shot down' |
![]() | Critical Arts: A Journal of Media Studies. Volume 30 #4. p. 522-537. |
![]() | Tchouaffe, Olivier J. (2016) |
![]() | Perspectives on new popular African cinema, history and creative destruction in 'Viva Riva!' (2011) |
![]() | Journal of African Cinemas. Volume 8 #3. p. 299-312. |
![]() | Van de Peer, Stefanie (ed.) (2016) |
![]() | Special issue: the North in African cinemas |
![]() | Journal of African Cinemas. Volume 8 #1. p. 3-128. |
![]() | Victor, Anna (2016) |
![]() | Experimental cartographies in Tariq Teguia's 'Inland' |
![]() | Journal of African Cinemas. Volume 8 #3. p. 267-281. |
![]() | Walton, Sarah Jane (2016) |
![]() | Historian as filmmaker: reflections on the making of the film documentary 'Those Dying Days' |
![]() | South African Historical Journal. Volume 68 #4. p. 623-640. |
![]() | (2015) |
![]() | Awotélé: la revue des critiques ciné |
Pantin: Sudu Connexion. |
![]() | Abdul-Jabbar, Wisam Kh. (2015) |
![]() | Towards a minor cinema: a Deleuzian reflection on Chahine's 'Alexandria Why?' (1978) |
![]() | The Journal of North African Studies. Volume 20 #2. p. 159-171. |
![]() | Apard, Élodie (2015) |
Boko Haram, le jihad en vidéo | |
![]() | Politique africaine. #138. p. 135-162. |
![]() | Bisschoff, Lizelle (ed.) (2015) |
![]() | Special issue: Cinema in East Africa |
![]() | Journal of African Cinemas. Volume 7 #2. p. 71-201. |
![]() | Buchanan, Sarah B. (2015) |
![]() | When image meets magic: learning to see in Raymond Rajaonarivelo's 'Quand les étoiles recontrent la mer' |
![]() | Research in African Literatures. Volume 46 #3. p. 190-213. |
![]() | Dipio, Dominica; Cherif Diop, Oumar (2015) |
![]() | Art's subtle, liberating ways: violence, trauma and agency in Fanta Regina Nacro's 'The Night of Truth' (2004) |
![]() | Journal of African Cinemas. Volume 7 #1. p. 41-49. |
![]() | Farber, Leora (ed.) (2015) |
![]() | Special issue: archival addresses: photographies, practices, positionalities |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #1. p. 1-181. |
![]() | Frassinelli, Pier Paolo (2015) |
![]() | Heading south: theory, 'Viva Riva!' and 'District 9' |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 293-309. |
![]() | Haavisto, Camilla; Maasilta, Mari (2015) |
![]() | Towards a journalism of hope? Compassion and locality in European mediations of distant suffering |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #3. p. 327-341. |
![]() | Izzo, Justin (2015) |
![]() | Jean-Marie Teno's documentary modernity: from millennial anxiety to cinematic kinship |
![]() | African Studies Review. Volume 58 #1. p. 39-53. |
![]() | Jones, Stephanie (2015) |
![]() | The absent pirate: exceeding justice in the Indian Ocean |
![]() | Journal of Eastern African Studies. Volume 9 #3. p. 522-535. |
![]() | Mboti, Nyasha; Tomaselli, Keyan (2015) |
![]() | New political economies of film distribution for South Africa's townships? A critical survey of the 'ReaGilè' concept |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #5. p. 621-643. |
![]() | McDonald, Patrick (2015) |
![]() | The power of (third world) women: liberation and limits in 'God's bits of wood' |
![]() | Research in African Literatures. Volume 46 #3. p. 146-164. |
![]() | Mngadi, Sikhumbuzo (2015) |
![]() | The cultural politics of adaptation: 'Fools' and the politics of gender |
![]() | Journal of African Cinemas. Volume 7 #1. p. 15-30. |
![]() | Motsaathebe, Gilbert (2015) |
![]() | The rise of film production and the politics of the star system in South Africa |
![]() | Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 444-458. |
![]() | Nwabuzor, Michael Nnabundo (2015) |
Assessing the image of female gender as characters in Nollywood video films | |
Journal of Performing Arts. Volume 5 #1. p. 160-177. |
![]() | Ogone, James Odhiambo (2015) |
![]() | Remediating orality: the cultural domestication of video technology in Kenya |
![]() | Critical Arts: A Journal of Media Studies. Volume 29 #4. p. 479-495. |
![]() | Ojoniyi, Olabode Wale (2015) |
Violence as intentionality for survival and power in two Yoruba films | |
![]() | Journal of African Cinemas. Volume 7 #1. p. 31-39. |
![]() | Onuzulike, Uchenna (2015) |
![]() | A critical reading of Blood Diamond (2006) in the context of transnationalism |
![]() | African Identities. Volume 13 #4. p. 297-309. |
![]() | Rwafa, Urther (2015) |
![]() | (Re)inventing African oral traditions and national heritage(s) through film images: the case of 'Keita! The Heritage of the Griot' [1995] and 'Kare Kare Zvako: Mother's Day' [2004] |
![]() | Communicatio: South African journal for communication theory and research. Volume 41 #4. p. 459-470. |
![]() | Sharpe, Mani (2015) |
![]() | Representing masculinity in postcolonial Algerian cinema |
![]() | The Journal of North African Studies. Volume 20 #3. p. 450-465. |
![]() | Boutouba, Jimia (2014) |
![]() | The Moudawana syndrome: gender trouble in contemporary Morocco |
![]() | Research in African literatures. Volume 45 #1. p. 24-38. |
![]() | Dima, Vlad (2014) |
![]() | Ousmane Sembene's 'La Noire de ...': melancholia in photo, text, and film |
![]() | Journal of African Cultural Studies. Volume 26 #1. p. 56-68. |
![]() | Kok, Illasha; Blignaut, A. Seugnet (2014) |
![]() | Snapshots of student-teachers' experiences of DVDs in a learner support programme in a developing ODL context |
![]() | Africa Education Review. Volume 11 #4. p. 526-543. |
![]() | Labidi, Imed (2014) |
![]() | 'Monsieur Lazhar': the ideal immigrant in the neoliberal Québécois imagination |
![]() | The Journal of North African Studies. Volume 20 #3. p. 374-390. |
![]() | Lafay, Marina; Mick, Carola (2014) |
À l'écoute du 'Cri de la Tourterelle': la performativité du chant et du cinéma sur la migration au Niger | |
![]() | Cahiers d'études africaines. Volume 54 #213-214. p. 499-527. |
![]() | Mboti, Nyasha (ed.) (2014) |
![]() | Special issue: Everyday violence(s) and visualities in Africa |
![]() | Journal of African Cinemas. Volume 6 #2. 122p. |
![]() | Oduro-Frimpong, Joseph (2014) |
![]() | 'Sakawa': rituals and cyberfraud in Ghanaian popular video movies |
![]() | African Studies Review. Volume 57 #2. p. 131-147. |
![]() | Omoera, Osakue Stevenson (2014) |
![]() | Audience reception of the Benin language video film in Nollywood |
![]() | Journal of African Cultural Studies. Volume 26 #1. p. 69-81. |
![]() | Overbergh, Ann (2014) |
![]() | Technological innovation and the diversification of audiovisual storytelling circuits in Kenya |
![]() | Journal of African Cultural Studies. Volume 26 #2. p. 206-219. |
![]() | Paleker, Gairoonisa (2014) |
![]() | The State, citizens and control: film and African audiences in South Africa, 1910-1948 |
![]() | Journal of Southern African Studies. Volume 40 #2. p. 309-323. |
![]() | Samuelson, Meg; Thompson, Glen (eds.) (2014) |
![]() | Contemporary conversations: 'Otelo Burning' |
![]() | Journal of African Cultural Studies. Volume 26 #3. p. 303-361. |
![]() | Snell, Heather (2014) |
![]() | Toward 'a giving and a receiving': teaching Djibril Diop Mambéty's 'Touki Bouki' |
![]() | Journal of African Cultural Studies. Volume 26 #2. p. 127-139. |
![]() | Ugochukwu, Françoise (2014) |
![]() | 'Things fall apart' - Achebe's legacy, from book to screen |
![]() | Research in African Literatures. Volume 45 #2. p. 168-183. |
![]() | Azeez, Adesina Lukuman (2013) |
![]() | Audience perception of the reality in the representations of women in Nigerian films |
![]() | Journal of African Cinemas. Volume 5 #2. p. 149-166. |
![]() | Bickford-Smith, Vivian (2013) |
![]() | Cinematic cities: a 'film and history' overview for South Africa's major metropolises from the 1890s to the 1950s |
![]() | Journal of Southern African Studies. Volume 39 #3. p. 681-699. |
![]() | Brereton, Pat (2013) |
![]() | Eco-cinema, sustainability and Africa: a reading of 'Out of Africa' (1985), 'The Constant Gardener' (2005) and 'District 9' (2010) |
![]() | Journal of African Cinemas. Volume 5 #2. p. 219-235. |
![]() | De Groof, Matthias (2013) |
![]() | How text reflects context: representation of African film audiences in 'Aristotle's Plot' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 181-202. |
![]() | Dima, Vlad (2013) |
![]() | Women and posters as heterotopias in Ousmane Sembene's 'Xala' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 137-148. |
![]() | Dokotum, Okaka Opio (2013) |
![]() | Re-Membering the Tutsi Genocide in 'Hotel Rwanda' (2004): Implications for Peace and Reconciliation |
African Conflict and Peacebuilding Review. Volume 3 #2. p. 129-150. |
![]() | Fondzeyuf K., Tume (2013) |
From people theatre to film: articulating minority voices in Cameroon - an Anglophone grass field minority case study | |
![]() | African Performance Review. Volume 7 #2. p. 54-71. |
![]() | Goerg, Odile (2013) |
Les films arabes, une menace pour l'Empire? La politique des films arabes à la veille des indépendances en Afrique Occidentale Française | |
Outre-mers: revue d'histoire. Volume 101 #380-381. p. 287-312. |
![]() | Kilian, Cassis (2013) |
Worth a closer look: a comparative study of 'Xala' and 'Osuofia' in London | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 55-71. |
![]() | Maingard, Jacqueline (2013) |
![]() | 'Assignment Africa': Donald Swanson's colonial imaginary and 'Chisoko the African' (1949) |
![]() | Journal of Southern African Studies. Volume 39 #3. p. 701-719. |
![]() | Malcic, Steven (2013) |
![]() | Ousmane Sembene's vicious circle: the politics and aesthetics of 'La Noire de …' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 167-180. |
![]() | Martins, Catarina (2013) |
'How many people have you killed?': child soldiers in literature and film | |
![]() | Cahiers d'études africaines. Volume 53 #211. p. 649-675. |
![]() | Mhiripiri, Nhamo Anthony (2013) |
(Auto)Biographical and cinematographic exposition of Dambudzo Marechera on documentary film and video | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 99-121. |
![]() | Norridge, Zoe; Baker, Charlotte; Boehmer, Elleke (eds.) (2013) |
![]() | (In)visibility in African culture |
![]() | Research in African Literatures. Volume 44 #2. 176p. |
![]() | Obiaya, Ikechukwu (2013) |
![]() | Taking Nigeria to the movies: the innovative regulatory role of the National Film and Video Censors Board |
![]() | Journal of African Media Studies. Volume 5 #3. p. 261-274. |
![]() | Oloruntoba-Oju, Omotayo (2013) |
From 'Alarinjo' to 'Arugba': continuities in indigenous Nigerian drama | |
African Identities. Volume 11 #4. p. 395-406. |
![]() | Parsons, Neil (2013) |
![]() | Nation-building movies made in South Africa (1916-18): I.W. Schlesinger, Harold Shaw, and the lingering ambiguities of South African Union |
![]() | Journal of Southern African Studies. Volume 39 #3. p. 641-659. |
![]() | Peters, Roanne (2013) |
Anthro-tourism, documentary film and method | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 19-31. |
![]() | Ryan, Connor (2013) |
![]() | Regimes of waste: aesthetics, politics, and waste from Kofi Awoonor and Ayi Kwei Armah to Chimamanda Adichie and Zeze Gamboa |
![]() | Research in African Literatures. Volume 44 #4. p. 51-68. |
![]() | Ryan, Connor (2013) |
Revisiting the notion of political black cinema: a comparative analysis of Melvin Van Peebles and Ousmane Sembene | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 85-97. |
![]() | Saint, Lily (2013) |
![]() | 'You kiss in Westerns': cultural translation in Moustapha Alassane's 'Le retour d'un aventurier' |
![]() | Journal of African Cinemas. Volume 5 #2. p. 203-217. |
![]() | Shule, Vicensia (2013) |
Positioning Kiswahili video-films as a pedagogical institution | |
African Studies Bulletin. #75. p. 65-79. |
![]() | Sow, Moussa (2013) |
Ecocinema in Senegalese documentary film | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 3-17. |
![]() | Teversham, Edward (2013) |
'Army of Cars': the automobile in Flora Gomes' 'The Blue Eyes of Yonta' | |
![]() | Journal of African Cinemas. Volume 5 #1. p. 73-83. |
![]() | Badoe, Yaba; Mama, Amina; Mekuria, Salem; Dovey, Lindiwe (eds.) (2012) |
![]() | African feminist engagements with film |
![]() | Feminist Africa. #16. 162p. |
![]() | Chrisman, Laura (2012) |
![]() | The sight, sound, and global traffic of blackness in 'Blood Diamond' |
![]() | African Studies Review. Volume 55 #3. p. 123-144. |
![]() | Dokotum, Okaka Opio (2012) |
The Biafran War according to Hollywood: militainment and historical distortion in Antoine Fuqua's 'Tears of the Sun' (2003) | |
![]() | Lagos Historical Review. Volume 12. p. 23-40. |
![]() | Finnström, Sverker (2012) |
![]() | KONY 2012, military humanitarianism, and the magic of occult economies |
![]() | Africa Spectrum. Volume 47 #2-3. p. 127-135. |
![]() | Goerg, Odile (2012) |
![]() | Des cow-boys dans la savane: cinéma et hybridation culturelle en contexte colonial |
![]() | Afrika Zamani: revue annuelle d'histoire africaine = Annual Journal of African History. #20-21. p. 69-93. |
![]() | Haynes, Jonathan (ed.) (2012) |
Reflections on Nollywood | |
![]() | Journal of African Cinemas. Volume 4 #1. 133p. |
![]() | Perrot, Sandrine (2012) |
Le phénomène viral 'Kony 2012' et l'activisme numérique: un cas d'école pour l'industrie caritative | |
![]() | Politique africaine. #125. p. 209-214. |
![]() | Rollet, Brigitte (ed.) (2012) |
Celebrating 40 years of films made by women directors in francophone Africa | |
![]() | Journal of African Cinemas. Volume 4 #2. p. 139-233. |
![]() | Van Jaarsveld, Anthea (2012) |
Van roman na film: geen 'Disgrace' vir J.M. Coetzee: 'n onderzoek na die proses van filmverwerking = From novel to film: no 'Disgrace' for J.M. Coetzee: an investigation into the process of film adaptation | |
Tydskrif vir geesteswetenskappe. Volume 52 #2. p. 307-321. |
![]() | Annuss, Evelyn (2011) |
Visual afterlives of colonialism: images of Namibia on contemporary German television | |
![]() | Journal of Namibian Studies. #9. p. 7-16. |
![]() | Barr, Burlin (2011) |
![]() | Raoul Peck's 'Lumumba' and 'Lumumba: la mort du prophète': on cultural amnesia and historical erasure |
![]() | African Studies Review. Volume 54 #1. p. 85-116. |
Search: su=films | ||||||||
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