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Title: | When borderlands are where we live: 'Disgrace' (Jacobs, 2008), 'Invictus' (Eastwood, 2009) and 'District 9' (Blomkamp, 2009) |
Author: | Moya, Ana |
Year: | 2017 |
Periodical: | Journal of African Cinemas (ISSN 1754-923X) |
Volume: | 9 |
Issue: | 1 |
Pages: | 19-36 |
Language: | English |
Geographic term: | South Africa |
Subjects: | films boundaries boundary conflicts |
External link: | https://doi.org/10.1386/jac.9.1.19_1 |
Abstract: | This article discusses the nature and role of borderlands in 'Disgrace' (Jacobs, 2008), 'Invictus' (Eastwood, 2008) and 'District 9' (Blomkamp, 2009). Though rape, a rugby team and a group of aliens are apparently very different points of departure for a story, the article proves how these films adapt a single tale of borderlands in postapartheid South Africa, elaborating on the plurality of angles from which such a story may be told. The article discusses the poetics of the border at work in these films and the ways in which they explore the border as a site of struggle. In this sense, the article proves the extent to which borderland theory offers the necessary critical frame for a fruitful discussion of these films with the border becoming a productive epistemic angle; a suitable method for the critical discussion of global passages of people, money or objects. Bibliogr., sum. [Journal abstract] |